Local documentary filmmaker Don Howard doesn't look like the sort of guy to challenge existing stereotypes and subvert accepted knowledge, but then he doesn't look too much like an ex-high school quarterback either, though he is. His documentary Letter From Waco (which aired nationally on PBS in September) took preconceived notions of one of Texas' more notorious cities and peeled them away to reveal something far more interesting and unique than just botched ATF raids and Southern Baptists.
As a Waco native who currently lives in Austin, Howard is in the right position to point out the "Wacons" (a term he used in the film to describe the semi-spiritual collisions between things like football, race, religion, and death) in an otherwise fairly prosaic setting. The resulting documentary, slyly humorous without ever stepping over into outright parody, has become a crowd favorite, playing to sold-out audiences at SXSW (where it received "best documentary" honors) and elsewhere. It's hardly surprising given Howard's unique perspective on things.
Currently at work on "part one" of a trilogy of half-hour documentaries on football, cheerleading, and weddings (all filmed here in Texas), Howard will be screening a rough version of the football segment, Game Day, (which consists of footage shot in 1982 by Geoff Winningham and re-edited by Howard), as part of the ongoing Texas Documentary Tour at the Alamo Drafthouse on Wednesday, December 10 at 6:30pm.
Recently, I spoke with Howard about the art of the Texas documentary, the great Independent Television Service (ITVS), and why local PBS affiliate KLRU dropped the ball when it came to airing Letter From Waco.
Austin Chronicle: What sort of film background do you come from? Have you always had an eye toward documentary filmmaking, or is this something that just sort of came about?
Don Howard: I came to Austin [from Waco] to study philosophy, but I ended up getting a Masters in Radio-Television-Film instead. I ended up doing a lot of stuff with ACTV [now ACAC] at one point, and I was hoping to make documentaries, and so I did my thesis documentary about a high school marching band, of all things. That's kind of how all this began.
AC: Tell me about Game Day, the new football project you're screening.
DH: It's kind of an in-progress thing. The plan is to do another version of it which will be one of three parts of a bigger project called Nuclear Family. Basically, I'm going to use the same footage and re-edit it slightly to sort of accentuate some things that are in it now. For it to wind up on PBS -- which is the plan -- it's got to be about two minutes shorter than it is now.
For me, the good side effect of showing it now is to watch it with a crowd. It's amazing how that changes your outlook. Something that you think is funny might suddenly not be, or vice versa. So, that's kind of one reason I'm really happy about being able to show it in this setting.
AC: I know the film deals with high school football in Texas, but what exactly are you trying to get at here?
DH: The finished product will be more of an examination of father-son relationships than it is right now. Right now it's more about the rituals of high school football.
AC: And it's all set in Waco?
DH: No, not all of it. It was shot by a guy named Geoff Winningham who teaches art at Rice. He did a book on high school football called The Rites of Fall -- one of the best things that's ever been done on the subject. On the strength of that, he got some money together to do a film about high school football, with the idea of examining those rituals you see over and over again -- the Lord's Prayer before the game, the way pep rallies work, the whole thing. He ended up picking a school in each of the divisions and following them around, with the intention of figuring out which team had the best chances and then focusing on them.
Unfortunately, he was hurt mid-season and abandoned the project (this was back in 1982). I met him later on and became interested in this 16mm footage because it's just so great. To my mind, nobody will ever capture high school football quite this way -- it's that good. As it ended up, I said, "Will you let me play around with this footage for a while?" He agreed, and I ended up spending all my spare time for about three years making various versions of this film. At first, I just wanted to put it in a context so people could see this footage, really just to save it. As I went further and further, though, through seven or eight versions, it all came together.
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http://www.austinchronicle.com/issues/vol17/issue14/screens.donhoward.html