Odds and Ends (Part 2)

It seems I am, shall we say, inaugurating the virgin Odds and Ends II. So first, an apology for misspelling Lidya's name back on Part I. Second, I love Evelyn's comments "What are *we* doing? Londinium with Mariel Hemingway. *We* need some luck". Firthettes--a unified organism working together for the greater glory. All for one and one for all. Almost as uplifting as a Regency wonderbra. Third, CF as the ingenious villain against a gay RE 007 is the only way I'd see a Bond flick. Inspired idea, but definitely lose the Madonna theme song.

Cymbeline the Madonna theme song is easily disposed. I'm glad you liked the concept; however, RE as a gay 007 is not my original idea, but CF as his worthy adversary is.

Why is everyone so eager to have him playing Dastards all of a sudden? Seems to me that when Wessex first reared his (gorgeous) head into our conciousness, everyone was b******g that this was beneath him! Ah! How soon our tune changeth ....

I would love to see him do A Man For all Seasons. I believe he would give the greatest performance of the lead that anyone has ever done, because of his uncanny ability to loose himself in any character he portrays. I watched TEP on TNT this weekend and again wonder at what a great movie this is. I even like R.F. in it (well almost). Colin was wonderful in the part of Geoffrey. Again he said so very much without opening his mouth.

(Lucie) I would love to see him do A Man For all Seasons. Now you're talkin'!

I never said I thought Wessex was beneath him. I can easily understand why he thinks it's more interesting to do villains. I love the scene where he grabs JF out of the dance and sticks a dagger in his throat. I adore him as Valmont; he'd seduce me much more easily than old John Malkovich any day of the week b/c he's just a French Tom Birkin with a bit more frat boy bravado and without the WWI trauma to slow him down. I think he'd be good in AMFAS; it's sort of a mature Richard Courtois. But of course he'd be good at anything he did. And BTW--I know this is a rhetorical question, but I'll ask it anyway--why wasn't he nominated for best supporting actor for Geoffrey Clifton?

Why wasn't he nominated for Wessex either. I thought he certainly earned it more than Jeffrey Rush. I loved him as Valmont too. It was the first movie that I saw him in that I reamembered him. While I was watching P&P I kept thinking that I should know that actor but he looked so different that I didn't put the two together until I started looking him up on the computer.

It would seem that Miramax choose to push Geoffrey Rush for a best supporting actor nod because Rush already had the glamour of having been an Oscar winner for "Shine". The Oscars are incredibly political, that is in terms of Hollywood politics. Rush was also helped by the fact that he was in "Elizabeth", which was also nominated for an Oscar. He was actually better in "Elizabeth", but money talks in Hollywood, and Miramax/Disney has more clout than Grammercy.

(Cymbeline) I never said I thought Wessex was beneath him. You weren't here at the time, Cymbeline, and while I don't think any of us said "beneath" him, some of us were griping that this looked like another cuckold sixth banana role and he wouldn't have enough screen time. Luckily, it turned out much better. (KJArt) why wasn't he nominated for best supporting actor for Geoffrey Clifton? One of my takes on this is, I repeat, it was a sixth banana role. I don't think Geoffrey jumped out at you enough for him to get the nod ahead of Willem Dafoe or Kip whaziz name who had better billing but were not nominated either. (Lucie) Why wasn't he nominated for Wessex either. (CherylB) It would seem that Miramax choose to push Geoffrey Rush for a best supporting actor nod because Rush already had the glamour of having been an Oscar winner for "Shine". Exactly. Interesting conversation and I wouldn't mind seeing it at topic 123 since it is definitely Colin-related.

(KJArt) why wasn't he nominated for best supporting actor for Geoffrey Clifton? (Heide), One of my takes on this is, I repeat, it was a sixth banana role. I don't think Geoffrey jumped out at you enough for him to get the nod ahead of Willem Dafoe or Kip whaziz name who had better billing but were not nominated either. I do not know anything about sixth bananas, (although he did sing beautifully), but I beg to differ, Heide. Geoffrey was a scene stealer and in such subtle ways. Please watch TEP again.

(KJArt) why wasn't he nominated for best supporting actor for Geoffrey Clifton? Don't get me wrong ... I am following this discussion with intense interest, but don't ascribe the above query to me. (It was Cymbeline's). I never wondered at it. :-)

Am carrying this on over at Part 6 as per suggestion.

(Moon) Please watch TEP again. Doubt it will make me see the role in a new light but if you insist, I'll watch it again tomorrow night on TNT. What I suffer for you girls....

Thanks to Karen for this: From Today's The Hollywood Reporter "NEW YORK -- Paramount Classics is basking in the "Sunshine," acquiring U.S. rights to the Ralph Fiennes-topped epic from Oscar-winning Hungarian director Istvan Szabo. This week, the film won three European Film Awards for Fiennes, screenwriters Szabo and Israel Horowitz and cinematographer Lajos Koltai. The picture was also nominated Tuesday for 14 Genie Awards. "Sunshine," which premiered at this year's Toronto International Film Festival, also stars Rosemary Harris, Rachel Weisz, Jennifer Ehle, Debora Kara Unger, Molly Parker, James Frain and William Hurt. "I think (Szabo) did an incredible job," Paramount Classics co-president Ruth Vitale said. "He covered a huge portion of history in one country, spanning three generations from 1890-1960. It's a really beautiful story about survival and love, and it's an honor to be part of it." Paramount Classics plans to release the film in late spring or summer." ~~~~~ Whooooopeeeee!!Early spring....late Summer....Who cares? We've got a distrib!! ~~~~~~ Called the National Press Office....Jennifer will not be playing Vavara... the role will be recast. "We are v. sorry that she had a previous commitment". Isn't this job the pits?....Either feast or famine.

NY Times Confirms Film Critic Triumvirate NEW YORK (Variety) - A dark horse has emerged as the winner of the final New York Times film critic spot. A.O. "Tony" Scott, a book reviewer for Newsday's Sunday Book Review, will join current Fort Worth Star Telegram film critic Elvis Mitchell and current New York Times No. 2 film critic Stephen Holden as the replacements for Janet Maslin, who will be leaving the paper at the end of the year. Along with Scott, Times culture editor John Darnton said the other finalists for the job were former Wall Street Journal film critic Julie Salamon; former Daily News critic David Kehr; the New Yorker's David Denby; and Daily Variety's Todd McCarthy. More than 50 critics were considered. A newcomer to film reviewing, Scott was an editor at the New York Review of Books and a frequent contributor to the Sunday Times Book Review before joining Newsday. The Times contacted Scott about the position a little over a month ago, after reading an essay Scott had written about Martin Scorsese which appeared in the online magazine, Slate. Darnton said the paper was looking for, among other things, "new voices and younger people. They're writing about a medium that has instant appeal to young people." Mitchell turned 41 Monday, the same day he was in Manhattan confirming the job. Scott is 33; Holden is 58. Rather then having a traditional lead critic, the Times will be trying a new system: the three critics will divide assignments on a rotating basis or roughly appealing to their areas of expertise. Scott said that he will likely focus on independent and foreign films. Darnton said hiring more critics is a response to the increase in the number of films being produced and a desire to cover more European and indie fare. "The job is too much for just a lead critic and a second string," said Darnton. "The job should be fun. It shouldn't be a (chore)."

Hmmm, don't see Mark's name mentioned above... That's good news about Sunshine, Ev. Be prepared: it'll be touted as a film starring Ralph Fiennes and William Hurt :-P

(Eileen)That pic of JE and RF in the bath with the children looks interesting. Wonder if she had any better luck igniting some sparks with him than his other recent leading ladies have;-) You mean this one? All a matter of opinion:-) From the gals who saw it in Toronto...they say great chemistry. But then I though he and KST were pretty steamy too.

God, I can't imagine Rafey boy lighting anyone's fire, he's more of a damp (limp?) squib! Now Jennifer, that's a different matter entirely, she could turn a wet weekend into a heatwave!

(Lizza J) God, I can't imagine Rafey boy lighting anyone's fire, he's more of a damp (limp?) squib! I'm with you here, and bathroom scenes don't do much for me in any case. Context and action may help, but the pic looks like some kind of strange pediatric clinic.

and bathroom scenes don't do much for me in any case. You didn't like the bath scene in P&P? You didn't like the bath scene in TEP?

Great news about Sunshine, Evelyn--the noms and the distribution. Am really looking forward to this one. Any idea how big Jen's role is? She and her mother play the same character, right? I really like the tub photo. In one simple shot, they have captured the joyful intimacy of family life. Beautiful. Rafe sure looks happy. I must say, I've liked him best in roles where he is not called upon to brood constantly. Quiz Show was his best, IMO, for that reason.

This is from George Christy's column in THR and its about TEOTA: "Greene is great on moral dilemmas, and I [Neil Jordan] wanted the movie to be as much a portrait of a writer as anything else." He cast Ralph Fiennes "to convey that disenchantment of the '40s intellectuals, a man with too much emotion and intelligence for his own good, and Ralph's huge intelligence suited the character brilliantly." After reading the screenplay, Julianne Moore wrote Jordan a letter, asking to meet him, and Jordan says, "She blew me away ... since the role needed an overtly sexual being." He adds that Stephen Rea in the role of the cuckolded husband is "darkly moving," and Stephen reflects that "Neil's a novelist and writer, knows how to structure, and is a great narrator, his movies have that strong narrative spine. He pares emotions down to the the bare bones, which support an actor." ****** Interesting....

As a special favor, will y'all please comment on the poems of Dorothy, the newest topic in the poetry conference?

I generally like all of Neil Jordan's movies. I even liked In Dreams which was bizarre but interesting. Did people here get to see the pic of Mom, dad and Jane.com? I am SOOOO glad that I wasn't the only person who looked like that after giving birth. However, they look ecstatically happy and I'm happy for them. Cute little girl, for a newborn:)

I did, Terry. Thanks for reminding us!

Thanks, it will help encourage a budding artist.

(Mari) I must say, I've liked him best in roles where he is not called upon to brood constantly. Quiz Show was his best, IMO, for that reason. He struck me as brooding in that one, too (brooding about cheating). Perhaps it's my memory. Will have to watch it again.

Yippeee! Bedrooms and Hallways is playing here. Will definitely see it sometime during the week.

Yippeee! Bedrooms and Hallways is playing here. It's late....on my schedule, it was due in Chicago mid November... Marcia it's due at the Honolulu Academy of Arts on Sunday.

Wot?! I specifically ordered Mari for dessert - NOT Maria!! Get me that ****ing waiter! Happy Birthday Mari!!

What a feast, Mari! Happy Birthday!

Happy Birthday to you, Happy Birthday to you, Happy Birthday Dear Mari, Happy Birthday to you

HAVE A WONDERFUL BIRTHDAY MARI.

Listen, hon, next time you call, don't bother with my flunkies. You, I always got time for. And I promise, right after we get that fegellah his Oscar nomination, bubellah will star in my next picture. OK? And Happy Birthday too

Yeah, I understand Mari and Harve are like this - XXXOOO - Happy Birthday, Mari!

Happy Birthday, Mari!

Oh, Foo! It was supposed to be animated....

It is animated, KJ - at least it was for a bit then wore out. ;-)

Happy Birthday, Mari! So glad you joined the pond :-).

allo

hi

Thank you all so much for the birthday wishes! Karen, that Courtois thing is a hoot. Imagine my favorite barrister showing up for my big day, and then not getting what he ordered. Well, he can nolo my contendre any old time he feels like it. ;-) And Harve even put in an appearance--what a mensch! KJArt, you're right, there were entirely too many candles on my cake this year! Moon, Ann, Heide, Cheryl, Jana . . .thank you all so much. What a nice group you all are. Capped off my birthday at the movies with "Tumbleweeds"--I loved it. Janet McTeer and the young actress who plays her daughter, Kimberly Brown, are awesome. This film is so well written and beautifully acted, and the relationship between the mother and daughter is so real. I highly recommend it!

Talked to my son last night. They had just come home from seeing "The Green MIle" He says it is better than Forest gump, or Saving Sgt Ryan, but take a towel tissues will not do. It sounds looks Michael Clark Duncan (6'5", 315 lbs) steals the show as the gentle giant(who is afraid of the dark), wrongly convicted of murdering 2 young girls. He says this is an Academey Award performance if there ever saw one.

HAPPY BIRTHDAY, MARI.

There was an interview with McTeer (now sporting red hair) this morning on A&E's Breakfast with the Arts. This is text-book Oscar campaigning, but at least it's for an Oscar-calibre performance. I haven't seen anything to match yet and that includes Streep's Music of the Heart. Even though Hilary Swank got the LA Critics' nod, McTeer has an edge because of the movie's subject matter. Boys Don't Cry is not the kind of movie that many MPAAS members are going to run to see or to even plop the videotape i to their players. Definitely, go see Tumbleweeds folks. It's a real good one.

Happy Belated Birthday, from Houston, Mari.... IOU a Chardonnay ....a month from today in Londinium!!

HAPPY BIRTHDAY, MARI

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I give up. What was that, Eileen?

Sorry I missed your birthday, Mari. Here's a little something I hope you can use. Wot? You can't see through it? Hmmm, I suppose that defeats the purpose. Better stick with something like this. Hope you had a great one!

OK...now it makes *perfect* sense. ;-) for a moment there, thought I was in the Twilight Zone and was back in our plastic-covered furniture living room.

Huh? Sorry, don't know what happened. I didn't hit the submit button but Netscape did kick me out twice. ??? Feel free to delete 'em, Karen.

In case anyone's interested, Paul McCartney's concert at the Cavern will be broadcast on the web at: 3 p.m. EST Tuesday on http://www.msn.co.uk/cavern

Happy Birthday Mari, sorry i'm late. Hope you had a wonderful day!! :-)

OK, I've seen Bedrooms & Hallways. Hate to disagree with you, Moon [;-)], but I thought it was really cute and didn't have a problem with Jennifer's wardrobe. If you think that was hideous, you should've seen This Year's Love. Speaking of which, B&H is 1000x better than that thing. I put B&H in the category of light, gay-themed comedy. It doesn't deal with serious issues in a serious way as other films have done. It is more satiric in its portrayal of pop cultural trends. The seminar led by Simon Callow is hysterical, and the character played by Harriet Walter as his wife is similarly very funny. The audience really laughed it up, especially at the guy who plays Leo's flamboyant roomie. I really wonder about the ending though. Rose Troche really set herself up for criticism from the gay community. Strange.

Speaking of JE -- Evelyn, have you heard anything about how the Noel Coward centenary (in which she was listed as performing) went? Is it to be televised? Would have liked to have seen Colin take part in this.

Hi Mari, I'm sorry I'm late for your birthday, what can I do but wish you the best of lick for this new year in your life? :-) Have a Great one!

(Karen) especially at the guy who plays Leo's flamboyant roomie. I suppose you mean Tom Hollander. He's in Wives and Daughters as well, the latest BBC costume drama. What a metamorphosis!

I'm sorry I'm late, Mari.

(Tineke) I suppose you mean Tom Hollander. Yes, that's the one. When he came running down the street in those platform shoes, my oh my, big laughs. ;-)

TH was my favourite character in B&H. Still, I found it filled with clich�s. And, I waited too long for JE. Tineke, is that stop from one of your visual projects? Cute!

JE was scheduled to appear at the Noel Coward tribute....her Summerfolk director Trevor Nunn was one of the honchos for the event. I bet he twisted her arm...she normally does not attend activities. Don't know if it was televised...hope so.

Lenzi has shown up in the ghost town formerly known as the bronte conference, I wonder if the bronte and the austen conferences will ever have a resurgence. I suggested Lenzi check out this conference and perhaps get some opinions. I'll open a topic in porch called Austen and Bronte - is there an Afterlife? Welcome to the bronte conference. This file may be edited by a fairwitness. 1 newresponse item 64 items numbered 1-68 You are a fairwitness in this conference. You have mail. Ok: r Item 1 entered Wed, Jul 9, 1997 (15:42) by Paul Terry Walhus (terry) introductions 1 new of 37 responses total. Topic 1 of 68: 'introductions' Resp 37 of 37: Lenzi (Lenzi) Mon, Dec 13, 1999 (19:19) 3 lines Hello...I've been looking for something like this and have only come across a discussion page which was populated by a massive group of high schoolers looking for help because they hadn't read Jane Eyre for school. Now, after my initial glee in finding this conference, I am wondering how active this site is. It appears there have been no entries for quite a while. I hope it is merely a temporary lull... I am very enthusiastic about the Brontes and have read all I could get my hands on. Until recently I had concentrated on the works of C.& E. and their bios but I have ordered Anne's novels and I'm excited about discovering something of the more forgotten sister. Has anyone read "A Chainless Soul" by Katherine Frank? I'm in the middle of it. She proposes that Emily was anorexic. Although there is a considerable amount of conjecture throughout the book, I felt that she might have something there. I think if it is a truth, it was not the kind of self mutilation arising from low self esteem which plag es some of our young women in this day, but probably sprang from her passionate need for control, esp. when she was placed in situations in which she was away from home, away from her usual liberty. Does anyone have thoughts on this? I'm so glad I found you all!

Terry: I doubt the Austen conference will return as they are comfortably housed at Pemberley and the very, very serious minded Austenites participate in an Austen listserv. Who were the active participants at Bronte? Perhaps we can find out where they are hanging out now and steer Lenzi that way.

Ok, Eileen, all surfaces have been duly covered and I'm ready for all the bon mots that you merry pranksters can dish out! I was ROTFLMAO when I got your "gift"--brilliant, m'dear! Gi, someone must have told you of my fondness for Ye Olde Dice Tables--and there, I can use all the luck I can get--thanks! Tineke, I will "stop" and enjoy your good wishes, and SB's also--thanks so much for the great birthday greetings, everyone. You are very thoughtful and kind.

Okay, let me start by admitting that I'm a clueless American. Which is not to say that Americans in general are clueless, but this particular one is very often. Maybe someone can help me with my question, what exaclty is the significance of Boxing Day? I know it's celebrated on Dec. 26, a date I associate with the Feast of the Holy Family or St. Stephen's Day, does it have religious conotations? When I was a child and heard there was this holiday called Boxing Day celebrated in Britain and Canada, I t ought it was a day for people to put all the gifts that weren't quite right for them in boxes and take them back to the stores to be exchanged. Now I know that cannot be right. A Canadian friend told me the holiday goes back to feudal times when the tennants and serfs used to go to the homes of the nobility to be given the remnants of the Christmas feast, which they carried away in boxes or whatever containers they had. Is that what it is?

On a completely unrelated topic the Los Angeles Film Critics Assoc. recently gave out their 1999 Awards. The film which came away the big winner was "The Insider", among its awards were: Best Film, Best Director -- Michael Mann, Best Actor -- Russell Crowe, and Best Supporting Actor -- Christopher Plummer.

(Cheryl)what exaclty is the significance of Boxing Day? Five bucks says Marcia knows. :-)

I am leaving for Italy tomorrow and would like to wish everyone a very Happy Christmas And a firthfilling 2000!

And make sure you are all YK2 ready. ;-D

and the same to you Moon, and have a safe journey and safe return. Wishing you and everyone a Merry Christmas and a very Happy New Year

... the holiday goes back to feudal times when the tennants and serfs used to go to the homes of the nobility to be given the remnants of the Christmas feast, which they carried away in boxes or whatever containers they had. Is that what it is? More or less. One could argue over the precise details here, but yes, the boxing day was the day after Christmas when the servants were allowed to carry away boxes of whatever gifts they had from their masters.

Someone sent me a short interview from a Canadian news source...with Jennifer and her mum entitled "The Sunshine Girls"..... Interesting comment re: MLSF..which I do not want to quote out of context. http://www.canoe.ca/JamMovies/dec15_sunshine.html

Cheryl, I hope this is what you need. Boxing Day is the 26th of Dec. The nobility gave gifts, usualy money, to servants, trades people and the poor. It is a legal holiday and the bankd are closed.

Ah but .... if Dec 26th is on a Sunday, as it is this year, then the 27th becomes a Bank (national)holiday. Is that then Boxing Day? I was in a meeting the other day where we had an earnest discussion about this. Does anyone know the answer?

Allison, I'm sure there's no definitive answer. Since both Monday and Tuesday are bank holidays, maybe the 27th is "Christmas Day" and the 28th is Boxing Day! Radio Times always lists the 26th as Boxing Day, so that's good enough for me. Incidentally, Ireland doesn't have "Boxing Day". It's St Stephen's Day there.

Would the 27th not be Boxing Day Observed? That's how calendars in the US list holidays now that we celebrate (I use the expression loosely) most of them on Mondays instead of the day they're supposed to be. The 26th would continue to be the actual BD. If this is so, by the same logic Friday the 24th would be Christmas Day Observed which raises the vexed question of What Happens to Christmas Eve. Since it's not an actual holiday (at least not in the US), which is to say that most large institutions don't close (the only standard by which we measure the existence of holidays now), it can't be Observed on, say, the 23rd therefore must continue in its place on the 24th which is now also Christmas. So we'll have to institute a new phenonmenon--Midnight Ma s Observed--which will begin at 11 on the 23rd which will be known as Not Christmas Eve--and end at midnight on the 24th during which day people will then simultaneously decorate their trees and open the presents beneath them. They will then not attend Not Midnight Mass at 11 on the 24th which will be followed on the 25th by the day after Christmas Day Observed which is of course Not Boxing Day. Santa Claus will have a psychotic break and have to be institutionalized, and the question of whether the century/millenium turns at the end of 1999 or 2000 will pale into insignificance beside the burden of getting through the weekend before.

Cymbeline, I think you may be on to something...your 'proposal' has all the makings of an Act of Congress (just throw in something about pork bellies, Medicare and/or highway funding).

Rosemary Harris took Broadway by storm last night....NY Times glowing review of the Noel Coward Play "Waiting in the Wings" ".... In a city where snubbing is an advanced social sport, Rosemary Harris is offering a master class in the form's more refined elements that no climber (or actor) should miss..." http://www.nytimes.com/yr/mo/day/news/arts/wings-theater-review.html Poor Lauren Bacall is apparently out of her element and the weak link. Sad for the show...since she is the bankable star.

Glad to hear that "Waiting in the Wings" was better received in NY than in Boston. The critics here were most unkind (not toward RH, though). Speaking of RH, I read a blurb in the paper the other day to the effect that PBS has acquired the rights to show a bunch of classic theatre performances that were taped in the '50s and '60s. One was RH and Richard Burton in "Wuthering Heights" from 1958, which would have made her about the age Jennifer is now. Am very interested in seeing this.

RH and Richard Burton? Sounds v. interesting. Perhaps, PBS should tape a performance currently on stage that WILL be a classic? ;-)

Thank you Arami, Lucie, Allison, Mark, and "The Radio Times" for clarifying "Boxing Day's" traditional observances, it's significance to the concept of "noblesse oblige" and banking practices, also for noting when it's celebrated -- more or less. Cymbeline, I feel great sympathy for your Santa suffering from nervous exhaustion. It's all just too confusing, Christmas Day, Christmas Eve, which is when Christmas Day is observed, so when is Christmas Eve? Dec. 23. Isn't that when most men actually start Christmas shopping? Then for being absolutely disconcerting -- nothing can match that 25 hour Midnight Mass. That may qualify as a form of penance. After that I'd need more than a rest, like Kris Kringle I'd need a rest home.

About the Los Angeles Film Critics Awards: after further checking it should be noted that Michael Mann did not win best director kudos, he in fact was the runner-up. The best director award went to Sam Mendes for "American Beauty". The winner for best screenplay was Charlie Kaufmann, for penning "Being John Malkovich". Hilary Swank was named best actress and Chloe Sevigny won best supporting actress, both were in "Boys Don't Cry". The New York Film Critics Circle chose "Topsy, Turvey" as their best film.

As everyone is now concluding: the Oscar race this year is up for grabs. There are no clearcut winners. And, if anyone even thinks Oscar nominations on the same day as seeing "Cider House Rules," they should be held 48 hrs. for observation. Sheesh! What a nothing movie. A question: Why do they call Tobey Maguire an actor? Can't wait to see Magnolia on Monday!! :-)

More on the New York Film Critics Circle Awards. As noted the winner for best film was "Topsy -- Turvy", which also netted a best director award for Mike Leigh. The best actor prize went to Richard Farnsworth for "The Straight Story", best actress was Hilary Swank for "Boys Don't Cry". John Malkovich was named best supporting actor and Catherine Keener was given the best supporting actress nod, both for "Being John Malkovich". Best screenplay was won by Alexander Payne for "Election".

Was this best actress Hilary Swank the girl in 90210?

Just checked at the IMDB (as I've never watched 90210) and, yes, she appeared on that show for one season.

Hot off the wire: The Golden Globe Nominations "American Beauty," a dark satire of suburbia and family dysfunction, received six Golden Globe nominations today to lead all film contenders. "The Insider," based on the true story of tobacco industry whistleblower Jeffrey Wygand, was right behind with five nominations. "American Beauty" received nominations for best dramatic picture, best dramatic actress for Annette Bening, best dramatic actor for Kevin Spacey, best director for Sam Mendes, screenwriter Alan Ball and best score for Thomas Newman. Here is a partial list of nominees: BEST MOTION PICTURE - DRAMA "American Beauty" "The End of the Affair" "The Hurricane" "The Insider" "The Talented Mr. Ripley" BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - DRAMA Annette Bening ("American Beauty") Julianne Moore ("The End of the Affair") Meryl Streep ("Music of the Heart") Hilary Swank ("Boys Don't Cry") Sigourney Weaver ("A Map of the World") BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - DRAMA Russell Crowe ("The Insider") Matt Damon ("The Talented Mr. Ripley") Richard Farnsworth ("The Straight Story") Kevin Spacey ("American Beauty") Denzel Washington ("The Hurricane") BEST MOTION PICTURE - MUSICAL OR COMEDY "Analyze This" "Being John Malkovich" "Man on the Moon" "Notting Hill" "Toy Story 2" BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - MUSICAL OR COMEDY Janet McTeer ("Tumbleweeds") Julianne Moore ("An Ideal Husband") Julia Roberts ("Notting Hill") Sharon Stone ("The Muse") Reese Witherspoon ("Election") BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - MUSICAL OR COMEDY Jim Carrey ("Man on the Moon") Robert DeNiro ("Analyze This") Rupert Everett ("An Ideal Husband") Hugh Grant ("Notting Hill") Sean Penn ("Sweet and Lowdown") BEST DIRECTOR - MOTION PICTURE Norman Jewison ("The Hurricane") Neil Jordan ("The End of the Affair") Michael Mann ("The Insider") Sam Mendes ("American Beauty") Anthony Minghella ("The Talented Mr. Ripley")

BEST FOREIGN LANGUAGE FILM "Aimee & Jaguar" "All About My Mother" "East-West" "Girl on the Bridge" ("La fille sur le pont") "The Red Violin" BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Cameron Diaz ("Being John Malkovich") Angelina Jolie ("Girl, Interrupted") Catherine Keener ("Being John Malkovich") Samantha Morton ("Sweet And Lowdown") Natalie Portman ("Anywhere But Here") Chloe Sevigny ("Boys Don�t Cry") BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Michael Caine ("The Cider House Rules") Tom Cruise ("Magnolia") Michael Clarke Duncan ("The Green Mile") Jude Law ("The Talented Mr. Ripley") Haley Joel Osment ("The Sixth Sense")

Thanks for posting these, Karen. Although these award races are up for grabs, it seems these nominations have fallen in line with conventional wisdom. An exception--no Tom Hanks. Julia Roberts ("Notting Hill") Instead of best actress, substitute 'best dull performance with the exception of a few zippy one liners.' Hugh Grant ("Notting Hill") Instead of best actor, substitute 'best reprise of the same role in a non-sequel.' Sorry, couldn't resist.

Actually, I think the Golden Globes are truly stupid and presage nothing more significant than would result based on the laws of probability. They are very establishment oriented and represent one's relationship with the small group comprising the Hollywood foreign press (100 people who go to cocktail parties). Give enough interviews, make yourself available to these people, invite them into your home and-voila-you're a contender. Did you also notice that Rafey boy is missing ;-)

Thanks for the quick reporting, Karen. Overall, these look like good picks to me. Eileen, I agree on your assessments of the "comedy" categories. I'd add: Rupert Everett (An Ideal Husband) Instead of Best Actor, Comedy, substitute Best Impersonation of Granite. In his acceptance speech, he could thank his taxidermist. ;-) The problem with the Globes (ok, *one* of the problems) is that the addition of the comedy categories spreads it around way too thin. But then again, it assures that worthy folks like McTeer and Witherspoon don't get left out. Nice to see two noms for Julianne Moore--she's a fave of mine. Karen, I'll be anxious to hear your assessment of Magnolia today. Ebert raved about it and seemed genuinely angry at his guest critic who didn't like it at all. Joel Siegel on GMA said today that the first two hours were among the most brilliant filmmaking he'd ever seen. I won't tell you what he thought of the last hour. ;-) The trailer looks great, and what a cast! Harve will be buoyed no doubt by the great showing for Mr. Ripley. More later.

Harve will be buoyed no doubt by the great showing for Mr. Ripley. But he'll have to do so quietly, as Paramount gets to take all the glory for this one. Nice to see two noms for Julianne Moore--she's a fave of mine. I'm not!! This way they can give her the award in the comedy category, beating out McTeer, who shouldn't be in that category to begin with, because Moore wouldn't win for dramatic actress. Imagine McTeer up against the Julia Roberts and Reese Witherspoon (do have to rent that movie). Also am sickened to see Michael Caine (old boy who won last year!) being nommed for supporting. Plenty of other more deserving guys. I hate the separate categories.

Another MIA: Mary Elizabeth Mastrantonio for Limbo anyone catch her as mob housewife in witness relocation made-for-cable movie last week? ;-) Surprised the Hollywood 100 didn't find a category to nominate Robin Williams. Don't they always? ;-)

(Mari) Rupert Everett (An Ideal Husband) Instead of Best Actor, Comedy, substitute Best Impersonation of Granite. Ooohh, isn't that the category in which Bruce Willis won last year for his 'performance' in The Seige (I think that's the title--it's the one where NYC is threatened with annihilation.)? He played the general. It was mesmerizing--his facial expression did not change for the entire movie. I think it was actually a picture of Bruce Willis, with Conan O'Brien's lips moving. (Karen) I think the Golden Globes are truly stupid Truly. But I'm still glad SiL won last year :-)

(Karen) But I'm still glad SiL won last year :-) Yes, it beat out such stellar Musicals and Comedies as: Bulworth, Patch Adams, There's Something About Mary, Still Crazy and The Mask of Zorro. ;-) Here are last year's nominees with the winners shown: http://www.goldenglobes.org/1999awards.cfm

Thanks Karen, for posting this list It looks good to me.... I hope Anthony Minghella wins best director this time...lost TEP to Billy Bob Thornton...but against Sam Mendes...I dunno. Did you also notice that Rafey boy is missing ;-) Yeah....I have mixed feelings. The guy works so hard on his roles and promoting them. Still, I would hate for him to beat out ODB.

(Karen) Another MIA: Mary Elizabeth Mastrantonio for Limbo anyone catch her as mob housewife in witness relocation made-for-cable movie last week? ;-) Ok, let's list all the people who got screwed. You are absolutely right about MEM for Limbo, but I really didn't expect her to get nommed as these people can't remember what they ate at last night's press junket, let alone a movie from June (which they probably nevered bothered to see). I did see her in Witness Protection, Karen--the film was nommed, as was Tom Sizemore (who I thought was very good). Another big MIA: Wes Bentley of American Beauty. Bentley and Spacey *are* the movie. This young man was fantastic, IMO. Ditto Kimberly J. Brown in Tumbleweeds--the kid was amazing. She and McTeer *are* the film. Speaking of McTeer, relax, Karen, the Globe will enhance her name recognition and she'll be in there come Oscar race time. Here's another MIA: Jeremy Northam for The Winslow Boy. Terrific. See MEM comment on Limbo.;-) I haven't seen Caine's performance yet, Karen--tell us about it. (And I liked Tobey McGuire in The Ice Storm, so there.;-) (Evelyn, re: RAFE) Yeah....I have mixed feelings. The guy works so hard on his roles and promoting them. Still, I would hate for him to beat out ODB. Somehow I don't ever see that situation even coming up. :-(

Re: Rf(Evelyn) Still, I would hate for him to beat out ODB. (Mari)Somehow I don't ever see that situation even coming up. :-( Oh Mari...I know ,hope springs eternal ...but I do. He just has to quit making these s***y films.And move his bums.I'm convinced that ole Harve would go to the mat for him, if he saw a semblance of initiative on ODB's part. Of course this is all IMO.

You're right about Wes Bentley, Mari. He's bound to get a *real* nomination come Oscar time, and the McTeer thing will get sorted out when they drop all those other favs. About Tobey Maguire. He is so absolutely nothing in Cider House Rules, it's hard to describe, but then again so is the movie - a big, huge nothing. Maguire barely changes expressions and just floats through the story even though he's the main character is supposed to be propelling some form of self-discovery. argh Now unto Michael Caine. He's ok, not great. Everyone comments about his American accent. Well, he didn't speak with a Maine accent, but (a) no one did, (b) no one did and (c) no one did. And we all know Maine accents are v. distinctive. He was a kindly, manipulative ether-addicted god-like doctor. Yet you would probably like him, if (big if) you were sympathetic to his leanings. Last year, he got the award for Little Voice, but that was same-old, same-old Michael Caine.

Of course, I may still be rambling after the three-hour Magnolia. At this point, all I can say is PT Anderson (writer-director) aspires to be the heir apparent to Robert Altman. There's a lot to digest, and the role Cruise had, you can understand why he pursued it. btw, that guy from Laugh In (Henry Gibson) plays a character named Thurston Howell. That should give you some idea of the kind of humor. ;-) more later...

And, at a certain point in the movie, it will hit you like a sledge hammer: this is the ultimate Diaper Drama! ;-)

And I also thought Tobey Maguire was quite good in Pleasantville, too. I haven't seen ANY of the movies listed. Well I did see Being John Malkovich and can I say that I loved it. I never laughed so hard in my life (okay, I laughed at The Full Monty). I loved the 7 1/2 floor and "I'll meet you by the New Jersey Turnpike". Poor John Horatio Malkovich;)

(Karen) that guy from Laugh In (Henry Gibson) plays a character named Thurston Howell. Tell me he says "Luvvy.."! Hubby is off next week and we've decided to catch up on current movies. I wish Magnolia wasn't 3 hours long. Karen, does the time go fast (as with Titanic) or drag (as with Thin Red Line)? I think all the editors in the business have been assigned only to ODB's films lately. (Mari) Ok, let's list all the people who got screwed Well, they had to make room for those bastions of talent, Julia and Hugh. *cough* Last night ET made a big deal out of the omission of all the big moneymakers (Phantom Menace, Sixth Sense, etc.). Leonard Maltin said the GG noms usually follow the money; if that's the case (frankly, I've never paid that much attention) then perhaps this year's noms are a step in the right direction.

(Eileen) Leonard Maltin said the GG noms usually follow the money ...and the hors d'oeuvres. IMO, the GGs are only one step above the People's Choice Awards. does the time go fast (as with Titanic) or drag (as with Thin Red Line)? Since I didn't see the latter, can't rate on your scale. ;-) It's an engrossing movie and the first couple of hours are filled with really funny and bizarre things. There's also this wildly bizarre (cannot miss for the world) scene toward the very end, which I'm betting is supposed to have biblical significance. I hardly looked at my watch, maybe once. To offset the humor and drive away audiences in droves, Magnolia is about characters whose lives are revealed slowly, perhaps like the petals of a flower. Julianne Moore is going to get a lot of praise for her role, but IMO her character's motivations were the least believable. Afterward people were sitting there talking. IMO, it's a movie worth seeing, especially if your other option is Bicentennial Man. ;-)

In a statement, �Notting Hill� star Hugh Grant deadpanned, �I am very flattered. The readers of Horse & Hound will be delighted.�

(Karen) IMO, it's a movie worth seeing, especially if your other option is Bicentennial Man. ;-) Have already resolved to stay as far away from that clunker as possible. As for TRL, rent it only if you suffer from insomnia. ZZZZZZZZ (Hugh) The readers of Horse & Hound will be delighted. Good answer! (Karen) the GGs are only one step above the People's Choice Awards Hearing the TV noms, you'd never know the difference. I think Ray Romano is a talented comedian, but best actor? No way. He went to the Jerry Seinfeld acting academy.

Am I the only one who feels The Winthrow Boy was also screwed....what a cast! Rebecca Pidgeon was certainly as good as Meryl Streep in that music thing..

(Eileen) As for TRL, rent it only if you suffer from insomnia. ZZZZZZZZ A friend who went to see it (early on) said he was among the last people left in the theater, as most people walked out. He walked out as well. That could've influenced me, as well as the description of a shot involving a blade of grass that went on interminably. *hee hee* (Evelyn) Am I the only one who feels The Winslow Boy was also screwed Face it, Ev. TWB is going to be overlooked by everybody. Hardly anyone saw it and there are always an overabundance of male candidates for the best actor and supporting actor. IMO Rebecca Pidgeon was OK, not all that great. Besides, the movie was in the summer...might as well have been another century.

(Eileen)As for TRL, rent it only if you suffer from insomnia. ZZZZZZZZ I'd read such excellent reviews for this film, that I'd decided to see it. I don't think I've ever looked at my watch as often as I did then. I kept on thinking "now, that's a perfect scene to end this film! *hoping hoping* This IS the end, right?" and then it would go on and on and on.... I suppose it's a nice nature documentary.

Sorry, what's TRL? I'm not making any associations.

Another Henry James movie comin' up... From Premiere Mag, Dec. THE GOLDEN BOWL by Henry James is the latest-and most torrid - Merchant Ivory production. Directed by James Ivory(Howard's End).Has a budget of $15.Mil being filmed largely at Syon House [of TTOTS fame]. Stars Uma Thurman, Nick Nolte, Jeremy Northam and Kate Beckinsale. ~~~~~~ Looks like the 12th Duke of Northumberland, the lord of the manor, is gonna make a killin' this year.

TRL = Thin Red Line Have not subjected myself to this one based on the reviews of the girls from Drool. I'm not sure I want to spend 3 hours with a retrospective on the nature of a blade of grass ;-).

TRL? Isn't that last year's film?Seems to me it was trying to compete with Saving Pvt. Ryan. ~~~~~~ This was Matt Damon Day on ABC. He was on GMA this AM and on Oprah this afternoon with Gwynnie...plugging "The Talented Mr. Ripley" which opens Christmas Day....as if it needed more publicity.That's all the magazines are talking about.They also had a filmed comment by anthony Minghella. Gwynnie commented on Harvey re: her spread in Talk Mag..."You know, how he makes you do things." Harvey is pushing this film like he did SIL at this time last year. No longer can actors and directors walk away from a film when the director says the last "cut".In fact,it seems that's when their sales job begins.

In case anybody's interested, "The Very Thought of You" just came out on video. This was originally titled "Martha, Meet Frank, Daniel and Laurence" and stars the simian-faced Fiennes brother, Monica Potter, Rufus Sewell, Ray Winstone and Tom Hollander (Mr. Platform Shoes and leopard jacket from Bedrooms & Hallways). It only played in NY for about as long as FP did - or less. I'll let you know how "bad" it is. ;-)

The Golden Globes are pretty much a joke insofar as awards are concerned. Their only purpose seems to be making money for the tv show's producer Dick Clark, (yes, it is he who would seem to be the Dorian Gray of the television), and the NBC network. Last year Peter Travers wrote a hilarious piece for "Rolling Stone" on the Hollywood Foreign Press Association and the Golden Globes. Not one of these alleged journalists is from from France, which is rather surprising since the French have largely shaped f lm criticism as we know it, although there is something of a backlash against established forms of film criticism in France, but I digress. It would seem that most of these, ahem, reporters, spend most of their time attending hollywood parties, and would never consider going to the movies, much less actually, horrors! writing about them. Now on to some prestigious film awards -- those given out by the National Board of Review. Their 10 Best Films of 1999 are as follows: 1. "American Beauty" 2. "The Talented Mr. Ripley" 3. "Magnolia" 4. "The Insider" 5. "The Straight Story" 6. "Cradle Will Rock" 7. "Boys Don't Cry" 8. "Being John Malkovich" 9. "Tumbleweeds" 10. "Three Kings" The best foreign language film was Pedro Almodovar's "All About My Mother". The best screenplay honors went to John Irving for adapting his novel "The Cider House Rules", and Anthony Minghella was cited as best director for "The Talented Mr. Ripley". As for the acting awards, Russell Crowe won best actor for "The Insider", the best actress prize went to Janet McTeer for "Tumbleweeds". The supporting category was quite interesting, Philip Seymour Hoffman was a winner for both "The Talented Mr. Ripley" and "Magnolia"; while best supporting actress Julianne Moore won for 3, count 'em 3, different performances in the films "Magnolia", "A Map of the World" and "Cookie's Fortune". She must have a really good publicist. Yes, she is talented, but lots of pe ple are talented...they just don't work as much and get noticed for it.

I'm so remiss. I almost forgot to wish everyone Happy Start of Winter Holidays. I'll start with HAPPY WINTER SOLTICE, followed with MERRY CHRISTMAS, HAPPY BOXING DAY, JOYFUL KWANZAA, HAPPY RAMADAAN, and not to be left out HAPPY SATURNALIA. Seriously I do hope that all of you have joyous holidays, no matter which ones you celebrate.

Re: Julianne Moore...She must have a really good publicist. Yes, she is talented, but lots of people are talented...they just don't work as much and get noticed for it. Saw her on GMA plugging "The End of the Affair". She goes after roles like a cheetah.She said she had heard of this role, got hold of the script, wrote to the director (Neil Jordan) and pleaded for an audition.Apparently she just doesn't sit around and wait for'em.

Yes, Moore does pursue roles, and good for her, but it can backfire. The most obivious example is Sean Young, who relentlessly solicited director Tim Burton for the role of Catwoman in the second Batman movie -- she didn't get it. In fact she alienated Burton, who probably would have hired again if she hadn't been so dogged. Granted Young is a bit, umm, flaky. Moore still needs a good publicist to help her in the awards' derby. Case in point, Don Cheadle is one of the finist actors working in film, b t as far as I know in the awards sweepstakes he hasn't won jack squat.

Did anyone else notice ODB in the picture of the director talking to two people in the TEP part. He was just to the left of the director who was waving his hands. Giving directions I would imagine.

(Evelyn) This was Matt Damon Day on ABC. He was on GMA this AM and on Oprah this afternoon with Gwynnie...plugging "The Talented Mr. Ripley" which opens Christmas Day And Jude Law is scheduled to be GMA on Thursday. These kids are out selling--good for them for supporting their movie, their studio, and their director. Huge Ripley article in the new issue of Time--very good review, but a bit of grousing that Ripley is drawn more sympathetically than in the book. Didn't realize that Patricia Highsmith was an expat American herself. I also liked Rebecca Pidgeon in TWB, Evelyn, and Nigel Hawthorne also. Just a really well-done film. And Entertainment Weekly has (somewhat) avenged Northam's MIA status by listing him in their "Great Performances for '99" section in the new issue. Gorgeous pic of him in bed, rolling in the sheets. Yikes! Says he was the true standout in AIH, and also cites his work in Winslow. Wes Bentley is also in there. RE: Julianne Moore--she's not only talented but she pursues her roles with intelligence. She just doesn't make dumb choices, and she's been quoted as saying she tries to seek out the best direectors and then just places her trust in them. And unless you're one of the very few at the top of the A list, they all have to chase for the best roles. Kate Winslet chased James Cameron for months before he'd audition her for Titanic. Cheryl, thanks for posting the various "best lists" from the critics groups. I like Don Cheadle also--hasn't he won an Emmy? I think he's been nommed at least once, but will have to check. Karen, I'd love to hear more on the Magnolia performances. How was Cruise?

I have been over at Lady Viola and the same thing is going on that went on last month now Anthony andrews is getting Racking up the votes. I talked to Paul last weekend and he said they can be rigged, he wanted to know if I had any site in particular in mind but I put him off. He comes back next week, right now he is in Orlando for at least a week. I wonder if I should have him check it out. I hate to do that, if she isn't doing anything.

Everybody's on the shows and will be making appearances until (1) the AA noms are made and then the nominees will be parading around on all the shows until balloting is finished. Emily Watson was just on Letterman and Alan Rickman is on Conan. (BTW, I recommend Dogma, but you have to like Kevin Smith movies as I do.) Mari, I'll write something up about Magnolia for tomorrow. Cruise does a credible job, but it is The Role vs. Him Playing the Role that makes it. He plays a real huckster type, which are always colorful and scene stealing. What makes it even more appealing is that his character Frank TJ Mackie is the Guru of Maleness. Most of his scenes are during a seminar he runs for men who are losers with women. He's slick and you'll love the chapter titles of his manual. Stuff like "How to Pretend to Be to be N ce and Sensitive to Women." He's rude, crude and socially very unacceptable. Until the end, he is basically projecting a role, not playing off other characters. He does this very well, strutting around like a peacock and gyrating those hips while only wearing jockeys.

Karen, I think you'll enjoy The Very Thought of You which played in the UK as Martha Meet Frank, Daniel and Laurence. Quirky rom-com stuff, plot slightly too coincidence-driven, but sweet overall. Yeah, I liked Monica Potter too. Talking of London-based rom-coms, my daring 2000 prediction is surprising success (in the UK, at least) for Londinium (given any kind of decent release). I think it has all the ingredients for a hit here - especially renowned comedians and a feelgood look at London. Also, I would like to add to the accolades for The Winslow Boy, which was my find of the year. Driving by the cinema, saw the poster in a corner, barely attempting to compete with Phantom Menace and other tosh, and swept my wife in to impress her with my knowledge of Rattigan (which worked right up until Northam's entrance, after which I lost her interest). As I will be offline after today until next century, I would like to wish everyone a very happy Christmas and New Year with thanks for the entertainment afforded. Looking forward to seeing those who make it here in January.

(Mark) my daring 2000 prediction is surprising success (in the UK, at least) for Londinium You have no idea *how* daring that is!! ;-) We can hope, pray and offer up burnt sacrifces to help out. Have a very happy holiday and don't spend all your time on that ferris wheel! See you in January. :-)

Very amusing article in the Guardian about the differences in attitudes toward seeing/releasing movies in December. http://www.filmunlimited.co.uk/Column/0,4541,116358,00.html A few tidbits: It would not occur to the average British film-goer to visit a cinema over the Christmas period any more than it would occur to them to volunteer for root canal surgery. Or, for that matter, to set foot inside a church. Christmas in this country is a time for bolting the door, unwrapping a chocolate orange and bedding down with a star-studded Dickens adaptation, the ubiquitous Carol Smilie and the terminally irritating Chris Tarrant. In fact between Christmas Eve and New Year's Day most of us would not vacate the sofa unless it were on fire. ******* While this time of year is a tense one for movie executives, it is certainly a joyous one for film fans. Americans plan their Holiday Season movie trips with Operation Desert Storm precision. They study show times in the same way we study the Radio Times. What's more, in many US cities, cinemas are actually open on Christmas Day.

(Mari) Kate Winslet chased James Cameron for months before he'd audition her for Titanic. Saw her on GMA while plugging T. said James Cameron did not answer her letters...so she got hold of his cell phone number and called him while he was driving on the LA freeway (yikes!)He pulled over, took her call and said "Yeah, I'll give you an audition".(Gywnnie had just turned the part down to do sliding doors)The rest is history...as they say. ~~~~~~ (Karen)Americans plan their Holiday Season movie trips with Operation Desert Storm precision.....What's more, in many US cities,cinemas are actually open on Christmas Day. Oh, Karen what a hoot.Part of my Christmas present from my son is a movie marathon the day aft Christmas. We see as many as we can crowd in....buns hurt by the end of day. ~~~~~~~ (mark) Re: Londinium I think it has all the ingredients for a hit here - especially renowned comedians and a feel good look at London. Mark! What a nice gift you have given us. But tell me...have you ever seen a film with these "renowned comedians"? Don't!!You might change your mind. See ya on the 15th. Details in email shortly aft the New Year. Happy Hols to you and your wife...and hey...we wanna meet her too.( Tell me, Santa...is there such a person???hmmm?) :-D

Forgot to mention that GMA Joel Siegal said "Man on the Moon" with Jim Carrey is a real turkey. "What got into Milos Forman to do this".

(Karen)[re:The Very thought of you] I'll let you know how "bad" it is. Please let us know if the presence of Rufus is worth having to endure the simian face. (CherylB)... solicited director Tim Burton for the role of Catwoman ... who probably would have hired her again if she hadn't been so dogged. Ha,ha,ha,ha! Dear Firthettes and Firthians, I have had the great honor and pleasure of being admitted to your company for just over three months now. They have been ones of fascination and joy. I have seen films I would not have known of and read books I would not have picked up. I have learned a good deal about the ways of film, theater, and the PR industry. And I have enlarged my acquaintance with some of the pleasantest and most interesting people with which it has been my pleasure to consort and been on the receiving end of your knowledge, it, and generosity. For all of this I have to thank the manifold attractions of OVDB. And so I do thank him and each of you for making life even more interesting. Likewise I wish him and each of you the happiest of holidays, whatever they may be. And may we all gather again in good health on the other side of Y2K.

Here, Here Cymbeline. Happy Holidays to everyone and a wonderful New Year.

What a wonderful sentiment Cymbeline. May you have a happy holiday and here's to your enlightening and joyful company again in the New Year. And to everyone else, whatever you may celebrate and wish for yourselves.

Happy Holidays to all the denizens of drool! You all add a much-needed spice to life.

I want to wish everyone here a safe Holiday and a wonderful new year.

I'm still cyber-clueless about how to do images, but hope everyone will accept my plain but sincere wish of Happy Holidays to All! And now, on this the anniversary of his birth, let's all join in a chorus of: "Happy Birthday to Rafe, Happy Birthday to Rafe..." C'mon, Karen, I can't hear you singing;-D

(Susan) C'mon, Karen, I can't hear you singing;-D ha ha!! Listen carefully, as I've strained my vocal chords trying to make some subintelligent lifeforms, who work in the financial industry, do what I tell them to do!! Laura, get me the SEC's rules and who I complain to. Now, must watch that simian-faced one (who I did like as Shakespeare, Cymbeline) because tape is due back shortly. :-( Happy Holidays everyone. You've all been great friends, providing countless hours of amusement and support (CF support group activities) and I hope we continue into the next, the last of this millenium! ;-D

(Susan)"Happy Birthday to Rafe,Happy Birthday to Rafe..." C'mon, Karen, I can't hear you singing;-D You have more courage than I,Susan.:-) FYI ; His list had a Chat Room party yesterday.Fans dropped in all day and left messages. No animation though....it's an e-group like Springfolks. I don't know of anyone who has the facilities we have...THANKS TERRY.

Chalk The Very Thought of You's failure at the boxoffice to the idiots at Miramax. It's a really cute rom-com as Mark said, and Monica Potter (I swear) is an incarnation of Julia Roberts, that is, without the extra teeth. She speaks like Julia and has all the same mannerisms. I've never seen her before (or just didn't notice her in Con Air), but that's what stuck out. How can anyone not like a movie that has Dusty Springfield singing "I Only Want to Be with You" over the end credits. This is get up and dance in front of the TV time. (OK, I rewound it a few times) The title should never have been changed to the innocuous The Very Thought of You because it means next to nothing. The original title at least describes what goes on. Martha meets Tom at the Minneapolis airport enroute to London. He likes her, but doesn't really hook up with her in London. She meets the other two--series of many coincidences, although I disagree with Mark about believability (she does know about the park bandstand)--and immediately falls for one. The story is told in a nonlinear fashion and narrated by Joe Fiennes character, Laurence. (BTW, Cymbeline, I do like JF; he can express emotion/passion unlike the other one and he has a good chest.) He tells his neighbor his troubles a la the Elizabethan psychologist in SiL. Kept waiting for him to say he was trying to pick a lock with a wet herring! ;-) Rufus and Tom Hollander are comic foils for each other. Rufus is a self-absorbed actor without money and Hollander is a self-absorbed record industry exec with money. All three are friends since childhood, but its obvious that Laurence (also called Florence) is the only one who knows what being a friend is all about. Thumbs up. Especially for Joe and Monica and Dusty!!

HAPPY HOLIDAYS TO ONE AND ALL.

(Karen)BTW, Cymbeline, I do like JF; he can express emotion/passion unlike the other one and he has a good chest. And definitely a more believable love object than Fiennes the Elder--maybe b/c he's a better comic actor?. Too skinny though.

A MUST read. There's a two-part interview in Indiewire with Mark Gill, president of Miramax. They discuss what indie films are, what Miramax is and how it's changed from the early years. No mention of MLSF but in part 2 Gill talks about a major emphasis on "clearing the shelf" after winning the Independent Spirit Award for keeping films on a shelf. http://www.indiewire.com/film/interviews/int_DECADE_Gill_991222_p1.html

...and there's much more. Indiewire has interviews with all the major players in this retrospective of the decade. Very interesting stuff about how certain films were positioned and marketed, the problems of distribution at the *arthouses*, how the indie spirit and filmmakers have been absorbed into the studio system. Here are the urls. Read at your leisure. October Films: http://www.indiewire.com/film/interviews/int_DECADE_Ray_991210_p1.html Fine Line: http://www.indiewire.com/film/interviews/int_DECADE_Manne_991213_p1.html Sloss Law (company that reps indie films to distributors): http://www.indiewire.com/film/interviews/int_DECADE_Sloss_991214_p1.html John Pierson (author of book on indie films): http://www.indiewire.com/film/interviews/int_DECADE_Pierson_991215_p1.html Reid Rosefelt (High Priest of publicity for these films): http://www.indiewire.com/film/interviews/int_DECADE_Rosefelt_991216_p1.html Strand Releasing: http://www.indiewire.com/film/interviews/int_DECADE_Strand_991217_p1.html Sony Picture Classics: http://www.indiewire.com/film/interviews/int_DECADE_SonyClass_991220_p1.html Sundance Festival Director: http://www.indiewire.com/film/interviews/int_DECADE_Gilmore_991221_p1.html

(Evelyn) TRL? Isn't that last year's film? Yes. I brought it up as the 'standard' of excruciatingly slow movies selected for view by one's husband, throughout which one searches in vain for the ejection button on the armrest. (Mari) Jude Law is scheduled to be GMA on Thursday I saw this on Tuesday (maybe it's a two-parter since it was definitely taped). Thought he looked great and was well spoken. Mari's right, Cheryl. Don Cheadle won an Emmy last year for his portrayal of Sammy Davis Jr. Thanks for that Indiewire article, Karen.

Thanks Karen for all the Indie films URLs. That seems to be the industry side ODB gravitates to in starring roles..so we should read.And it is definitely changing...daily. So maybe he should read them too!! ~~~~~~~ MLSF lasted 5 days in Okla. Waddaya expect? Never a n'paper review.

More reading matter ;-) An interview with Anthony Minghella - hits on why he keeps changing the original material (as in TEP), and has a more professional answer for the question of whether Matt Damon was his first choice to star (Misan Sagay, please read!) http://cnn.com/1999/SHOWBIZ/Movies/12/22/minghella/index.html

Thanks for that link, Karen. Minghella's a class act--thought so ever since he thanked the principal cast (*all* of them, unlike Harvey at last year's GGs) in his TEP Oscar acceptance speech.

Happy Holidays to All!

And as the year draws to a close, a special to our hostesses, Heide and Karen, for all the effort you put into making Drool such a delightful place.

I'll second that, Eileen.

Amen to Eileen's thank you for making Y1.999K a great one for me. Happy note--found TVTOY just sitting in my video store today plus they had their old copies of SIL on sale. So my Christmas Eve viewing pleasure is assured.

I got SIL on sale too...$5., pre-viewed. ~~~~~~~ The JE website editor went to see "Waiting in the Wings"on B'way. Said the play and Lauren Bacall were better than the reviews. As the curtain rises a group of actresses are singing around the piano and when RH turned around the audience burst into applause**.Nice that audiences remember stars even as they get older and in her case she has not been on stage for five years. **Just wait til I go see TRT on B'way in May...guess who's gonna lead the applause when JE comes on stage:-D (It's a custom in the US...Judi Dench loved it!)

Aw shucks, ladies, we don't do anything special. We don't have to. If you're all here, then it's a piece a cake. :-) Re previously viewed vids, Blockbuster will be having another of its clearance sales in which you take $2 off. SiL is currently at $9.99, so you would get it for $7.99. Sorry, can't beat Evelyn's $5. However, I am working on a free DVD of MLSF. Have racked up $14 for correct trivia answers at reel.com. Should have that baby nailed soon!! (if anybody wants to join in, let me know 'cause I'll get credit for referrals)

Forgot to tell you the dates: Jan 10 through Jan 31

(Murph) OT: Any discussion of Mr. Ripley going on anywhere at Spring? If it occurs within Drool, it would be here, at our OT board. I haven't decided on my movie picks (two) for tomorrow yet...must wait for the times to be posted...then will decide on the theater. It's a tossup right now between the one around the corner, which is/will be playing: All About My Mother, The Cradle Will Rock, The End of the Affair, and Sweet and Lowdown. One of my other places has Ripley and Man on the Moon and the Green Mile, but I have to drive there. Oh the pain of decision-making! ;-(

Mele Kalikimaka,

(Karen)I haven't decided on my movie picks (two) for tomorrow yet I don't know about the others, but I think you will like All About My Mother.

FELIZ NATAL to all FirthFans in Spring!

The Green Mile is excellent, we are still debating whether or not John Coffey is an angel

Time to close the centering tag. ;-) Hmm if everybody's going to see Ripley today, guess I'm going to have to too! Must check the times. I will definitely see "All About My Mother" Gi, but perhaps not today. It is destined to be best foreign film or so say all the critics.

Are you Y2K compliant? This website might help. It analyzes your programs, tells you if you are compliant and then gives you links for readiness. You may find the executable available for download about 3/4 of the way down this page: http://www.microsoft.com/technet/year2k/pca/pca.htm Simply choose the English Language (or whatever language you are comfortable with), and click the download button. ~~~ Hey, if I did it anyone can...I'm a cyber-klutz. This is my New Year's gift to everybody....

Murph here -- Mari said I should post my feelings about TTMR here, so here goes: The Talented Mr. Ripley.... Offbeat, beautiful and menacing at the same time...young cast terrific. Best Jude Law, Gwyneth, and Philip Seymour Hoffman, playing to perfection one of Holden Caulfield's boorish rich classmates in a bit older version - or one of the characters in O'Hara's Appointment in Samara. American rich -- knowing, sarcastic, with voice and sneer to match. Law's Dickie Greenleaf filled the screen with life and beauty. What man or woman could resist him? Charm, talent, unreliability and nastiness combined. The scene in the jazz club where he wears an adorable pork pie hat and plays sax and sings is worth your ticket. His is a character seen over and over again in fiction and film, but O, how full of life he made him! Damon too was good, but to me he was always playing at playing a part. Hard for him to look scary, no matter how hard he tried. Though that grin at the end was becoming skeletal-like. Gwyneth is an actress with a face so luminous that it can break your heart. She more than held her own with the two men. If Dickie was to have a girl friend, Paltrow's Marge was the perfect choice. To me Cate B. came off less successfully. Her role was thankless, added for the film. She was not in the book. She played it a bit too mannered for me. I thought the movie lost a lot of its life when Law left the scene, but watching Damon's Tom Ripley keep a step ahead was entertaining. You wondered what he would think of - or do - next! Film went on a bit too long at the end, but not so much that it took away from the enjoyment. The music is a real part of this movie. I was of the character's ages in the 50's, the time in which the film is set, and I remember the Blue Note and Birdland on 52nd street. The jazz was cool, and so exciting then. I didn't catch what recording of My Funny Valentine they played, but it was a good one. And as for scenery - all the Italy you could want. Good for Minghella to show he has what it takes to make another big picture. Harvey and Miramax have a hit on their hands again, if the crowd at the earliest showing on Christmas Day is any indication. It was packed. Go see it.

The Talented Mr. Ripley is definitely worth seeing, but mainly for Jude Law. This is what is called a "breakout performance" and has to get him a best supporting actor nomination and a huge amount of recognition. He's wonderful, as he's been in everything I've seen him in (eXistenZ, Wisdom of Crocodiles, Wilde, Midnight in the Garden of Good and Evil, Gattaca). And he can do American accents with the best of them!! I have to agree with Mary about the jazz club scene. I never thought anyone could do th t "L'Americano" number better than Sophia Loren did in "It Started in Naples" but, wow, that was a killer performance. Initially, I didn't think much of Gwyneth's performance. There's this little scene where Tom Ripley surprises her and she gives a little fakey startled jump. However, she definitely improved. I too don't think very much of Matt Damon's acting abilities. You don't sense an undercurrent of evil within him, which I think must be conveyed beneath his "pretty" fa�ade. While I didn't read the book (but do know that Blanchett's character was added), I thought hers was an interesting character and she did a rock solid job as an naive American heiress who lacks self-confidence. Am really wondering how the book ended if that character was not present. (Someone is going to have to tell me in an email.) BTW, could Philip Baker Hall be in more big big films this year than Julianne Moore? I think so. He's in this (the private eye), Magnolia, The Insider, and Cradle Will Rock. It's a good film, but not a Best Picture. It is too cliche-ridden. How many times in good old-fashion thriller style did you want to moan and tell the characters they were too stupid for words. You know, like "look out, the monster or slasher is right behind you!" It lacked believability IMO. It will be nominated for all sorts of awards and might even win a couple, although it has serious competition in all the technical categories. So I wouldn't bet on it. So far, IMO nothing can touch American Beauty yet (and, you know, I've seen a lot of them already). It alone has given off that Best Picture aura.

Oh yeah, one of the other cliches was Peter Smith-Kingsley being British and his relationship with Ripley. ;-)

Karen: Tell me more about Peter Smith-Kingsley. He is new to me, I think. He has that dark full Colin Firth type voice. I agree about American Beauty being a top film, though I would pick The Insider as my best. I just e-mailed you on the book's ending. My husband and I were just talking more about the film, and he made the point the Tom Ripley really was boring, as Dickie said. Even later, with all the money, he still lacked charm. Was that Damon, or his part? The scene with Marge outside the apartment door where she says he (Dickie) broke her heart? That was very well done I thought. Murph

Whoops! Peter Smith-Kingsley is the character, and Jack Davenport is the real person. I just looked it up at IMDb. Sorry. Murph

Peter Smith-Kingsley When I said he was a cliched character, it referred to the fact that, since he was British, he would be the one to have a homosexual relationship with Tom, not Dickie, the golden boy American. Aren't all public school boys presumed to have those leanings? ;-) Like I said cliched. Tom Ripley really was boring, as Dickie said. Even later, with all the money, he still lacked charm. Was that Damon, or his part? It's not lack of charm, but he was out of his element with those moneyed types. He had bourgeoise tastes. Remember Freddy's comments about the apartment's decor. He said Dickie couldn't possibly live there because it wasn't furnished in Dickie's taste/style. It was too bourgeoise. Besides, Ripley isn't supposed to have any charm. That's Dickie. He's the charismatic one.

Thanks, Murph and Karen, for your thoughts on TTMR. After reading your comments, I'm thinking I should head to The End Of The Affair tomorrow instead. At least that one has Rafe's bare bum! Hmmm . . .come to think of it, I'll stick with Ripley.;-) Please keep going . . .

Lady viola has taken charge of her site and locked it down. She dumped . Go and see for yourself, I say bravo to the lady.

Mari: If you want bare bums -- go see Ripley! Jude Law gets to show his again (aka Wilde). The End of the Affair is my next "want to see." It hasn't come to our neigborhood yet. I'd love to discuss that one. Glad you pointed me here. Murph

Bare bums you say, well, with Law you get a bit more! ;-) Damon, on the other hand, only drops his towel (for a rear shot) for one sec.

(Karen) Bare bums you say, well, with Law you get a bit more! ;-) Is that why they call him Dickie?;-) Ok, you two convinced me--Ripley it is! I'll be back in a jiffy.;-)

Go here to listen to selections from the Talented Mr. Ripley Soundtrack. I recommend especially Tu Vuo' Fa L'Americano: http://www.amazon.com/exec/obidos/ASIN/B000034CZA/103-1081427-0543850

This clicks right to the song: http://www.amazon.com/exec/obidos/eras/B000034CZA001001/103-1081427-0543850

except that it says this when you get there: "We're sorry. The track you requested isn't available."

Guys: I just made a web page for Jude Law. I have the songs in midi versions. Not the same thing, but it gives you the flavor of the real thing. The Talented Mr. Law Feast your eyes.... Murph

RE: Mr. Ripley--two big thumbs way up from moi! I really liked this one. In my next life, I want to be a rich, spoiled expat American hanging around jazz clubs in Italy singing drunken renditions of Tu Vuo' Fa L'Americano.;-) I think you've way underestimated Matt Damon's performance. To me, he was chilling *because* he seemed so normal, charmless, and yes, a bit boring. Beautifully understated performance from Matt, I thought. His Ripley was not only uncomfortable in his own skin--he couldn't even find his own skin. He was only at home when being someone else. Recall the laughs and appreciation he evoked when doing the (spot on) impressions of other people. As himself, you actually felt uncomfortable for him around Dick e's crowd. He is the quintessential outsider--he'd never fit in with this group in a million years, despite the new clothes, the trappings, etc. Jude Law was awesome in the much flashier role of Dickie. What a juicy part and he nailed it. Talk about matinee idol good looks! He was perfect. I also thought Gwynnie did a good job. I agree about Cate, Murph--a bit mannered. Phillip Seymour Hoffman--what a little gem of a performance. So smug, so sarcastic, so self-satisfied. I thought Minghella's screenplay was terrific; I didn't find it cliched at all. Great line: "I wanna f___ this icebox, I love it so much!"--the perfect personification of Dickie. Murph, what did you think about how his written adaptation compared to the book? Also, how does the book end? In the film, do you think he sticks with Meredith? I confess to being disappointed --but not surprised--when things didn't quite work out between him and the Brit musician. Yes, I actually felt sympathetic for him nd wanted him to pull it off. Is this book the first in the series?

Hate to tell you, Mari, Meredith was Minghella's creation. Wait until you hear how the book really went. Check out the review at Salon mag. Boy oh boy, do they hate what Minghella did. It starts out with this line: "It must be hard to misread the tone of a book as single-minded as Patricia Highsmith's "The Talented Mr. Ripley," but Anthony Minghella manages somehow. Here's the url: http://www.salon.com/ent/movies/review/1999/12/24/ripley/index.html I'm glad I didn't read the book or any reviews beforehand. However, as I said to Murph last night, if as the Salon article (and Murph's husband) say that Ripley planned everything, then Minghella has made a major change. Evidently, in the book, he's a real psychopath.

Wow, Karen, what a slam review. People who are purists about novels made into movies always go on a bit too much about what was done to THE book. I agree that Minghella made Italy so beautiful it is hard to picture evil happening, but in some ways this made the evil more startling. Dickie's murder was more gruesome when we pulled back from the boat to see a beautiful sea, with two entwined bodies covered with blood. The contrast was chilling, I thought. The same with the religious celebration and then the dead girl's body. I agree with the reviewer about Damon's looks and that he was made more touching in the film. He is a real psychopath in the novels. I haven't read them in years, but I remember in one he casually kills someone who comes to his door when Ripley is living as a married man in France because that person remembered him. He then proceeds to turn on the charm for his wife. I still recall him as charming and fascinating. Mari, Damon's performance was understated, maybe too much so. Law had the meatier role, but so much vitality went out of the film when Dickie died. I totally agreee with Salon about Hoffman. He did steal the film. His little jabs about "peeky boo" to Ripley on the boat really went under the skin. More later... Murph

But Minghella is notorious for changing his source material. This is major ego at work here. He turned the focus of Ondaatje novel into something entirely different. Yes, I liked what they said about Hoffman, a rich, frat boy. But, didn't you want to scream at him when he came back to the flat? That's what I mean about stupidity. I expected far more from characters of that caliber. They were not high-schoolers from Scream XX. Damon was "too understated" is spot on. Minghella makes it look as though Ripley commits his acts on impulse, when cornered, instead of being the planner that he is and what would be consistent with the book's character.

and btw, I generally do like Salon's reviews.

Salon can bite me.;-) Why does Minghella have to stick closely to the source material? Ripley is no less a psychopath just because all his actions are not premeditated. I think it's more interesting to watch because he *is* unpredictable. Part of the character's interest, to me, is seeing what bizzaro self-preserving actions he'll fashion on the run when he's cornered, and it's fun to see him think fast on his feet and escape the noose--just barely--each time. You know he's a nutcase and a pathological liar right from the tart--his whole identity from the get-go is a sham. The way he tells Meredith why his baggage is with the Rs, for example, or the way he studies and appropriates Dickie's taste in music. He's creepy. I don't think Minghella needs to telegraph it. Just my opinion. Yes, I knew that Meredith was Minghella's invention, there solely because he wanted Blanchett in the movie. Can someone tell me how the book ends? One more thought: if Ripley were played as a blatantly boo-hiss psycho, would you feel sympathy for him? I probably wouldn't have . . .and it's a bit disturbing to realize the extent to which he's reeled you in with his aw shucks demeanor and seemingly endearing naivete. I'm not saying the film is perfect--it's not. I would have liked more exposition in the beginning, for example. We see Ripley's drab existence, but a lot of people live drab existences and they don't turn into head cases. Minghella doesn't tell us what's pushed Tom over the edge. And the last half hour does drag a bit and should have been trimmed. But still, I did enjoy it a lot.

Me too - enjoyed the film a lot. Anything that can make us think and inspires discussion, as this film does and will, is good. It did well in the ratings too. Any Given Sunday was tops, but TTMR opened later and had a better screen percentage. The ending of the book, Mari, has Ripley getting the letter from Dickie's Dad and then, happily wealthy, heading off the Crete - alone. He has met some new friends and hopes to link up with them there. Murph

Got to see Mr. Ripley yesterday and agree with pieces of what everyone said. Yes, Murph, it did drag a bit for me...esp once Jude Law was killed. Boy, if you don't like Matt Damon you better not see this film...the guy is in every scene...got tired of that smile after a the first hour...but he does pull the part off that Minghella invented for him...apparently not Patricia Highsmith's psychopath. Jude Law and Cate Blanchette have the best American accents and mannerisms I have ever heard/seen. (David Morrissey take note!) I felt that Minghella's script was weak (as was my other film..John Irving in Cider House). But the real star of this film is ITALY!Would it have been as good without the scenery and filmed on location dripping with all that Italian culture. Wow...in the credits I noted he even roped some of his relatives in! Good entertainment...Best Picture? Best Actor? Nah. ~~~~~~ Also saw "The Cider House Rules" by John Irving.I had not read this book, but I like him as an author. First time screenplay for him...needs a little practice. I liked the film...written on many levels...Very pro-choice....you wanna discuss a film, Murph? This is it....

(Mari) You know he's a nutcase and a pathological liar right from the start--his whole identity from the get-go is a sham. From the beginning scene, when he tells Herb he went to Princeton, all I would conclude is that he is a liar (not necessarily pathological) and an opportunist. Neither makes him a nutcase, as defined in the medical books. ;-) Separating this movie from the novel is advisable as it usually is for a Minghella work. He sees between the typed lines and makes a movie out of them. He saw Ripley as a poor shnook who gets caught up in the Lifestyles of the Rich and Famous and, when Dickie tires of him, he [Ripley] gets so caught up in his emotions and passions (for the lovely Dickie) that he kills him. It's all an unfortunate accident. Tommy didn't mean it. I'm guessing (based on the Salon piece) that the Ripley character is a lot darker. Minghella knows what plays well on the screen and the original character would not have fit in with his lovely movie. To me that is a shame. However, you do realize that I liked the film, don't you? ;-) Discussion question: Do you think Ripley killed Silvana?

Evelyn: Re your Y2K check thank you. Sorry for the OT, but VERY important. Even with all these fancy programs, though, your computer (covered all over with Y2K Compliant stickers) may still fail -- due to a simple oversight by MS in their certification process. To check is elementary, my dear Watson and the fix is easy. (I checked my offc computer and it wasn't, so surprise, surprise!!) To check: 1: click START 2: click SETTINGS 3: click CONTROL PANEL 4: Double-click on REGIONAL SETTINGS (the globe icon) 5: click the DATE TAB on the top right. 6: Look where it says SHORT DATE SAMPLE. If the year is shown in 2 digits (12/27/99) it is set incorrectly (format "m/d/yy"). 7: to adjust, click on the button across from the SHORT DATE STYLE and select an option ending in "/yyyy" instead of "/yy" 8: click APPLY below (your year date should now show as /1999) 9: click OK Every windows , 95 or 98, or NT installation "as distributed" is defaulted to fail Y2K rollover!!. Pass this on to your PC buddies ... no matter how much of a guru they think they are, this may have escaped their notice! ( Just passing on what looks like an important "forward")

Dear KJ, I got this same message that you described about changing the date format in Windows. It certainly sounded legit, so I checked it out with the technical support guy at work. He is very sharp and I trust his opinion. Anyway, he said that this message is a hoax. The date format in the control panel settings is merely for display purposes and does not impact whether or not your computer will operate correctly under Y2K. Of course, this is just one person's opinion so you can disregard or not. He did sa that changing this setting in the control panel won't hurt anything, so it might not be a bad idea to change the setting.

OK, Mari, I want to hear you defend Ripley's day-glo swimming trunks!

Ripley's day-glo swimming trunks! On the Oprah Show they blew that picture up on a huge screen..... quite" revealing". Gwynnie roared laughing and MD blushed , threw head back, put hands over face!!

Thanks, Jana. Glad you had someone to contact. Not being a "guru"-type, I wasn't sure how legit it was, but I passed it on because I knew it wouldn't hurt anything, and it ?MIGHT? help.

(Karen) OK, Mari, I want to hear you defend Ripley's day-glo swimming trunks! Even *I* can't defend the indefensible.;-) Still, I think Matty (he likes when I call him Matty;-) showed a *very* nice physique. As for the frontal peek of dickie, er, Dickie--too quick. I wanted to holler to the projectionist to back it up and freeze.;-) I don't think Tom killed Silvana, Karen. Which brings me to another point: Italy in this film. Knowing this is Minghella's roots, it was probably unintentional, but I thought the country came off as a metaphor for the characters--pretty enough on the surface, but underneath. . . A pregnant single girl feels she has no recourse but suicide, it takes an hour to get an ambulance, and you can't get a phone line. I realize it was the '50s, but still . . . I do agree with you all that this is not the "Best Film" of the year--but then again, I don't think I've seen the Best Film yet. Much movie-going work to do this week.;-) Though I liked it very much, I do think that American Beauty has flaws, and that the door is open for something else to beat it. Any reactions to that? (Evelyn) Jude Law and Cate Blanchette have the best American accents and mannerisms I have ever heard/seen. I agree with you on Jude. Minnie Driver also does a flawless one--ever seen Grosse Point Blank? Who else does an especially good--or bad one? I have a few in mind . . . My self-imposed choice for next movie to see this week is The End Of The Affair or Being John Malkovich--help me choose.

HAPPY BIRTHDAY JENNIFER See ya' on your West End Opening Night..Jan. 13th!

Sorry about the whole advert....thought only image was suppose to appear. Believe me...I am not leading the "Stephen Dillane for the Olivier" balloting!:-D

Nice program cover, Ev! I see what you mean, but the picture might be deceptive. Will be at opening night with bells on! ;-) and neither am I...you can be certain ;-D

I see what you mean, but the picture might be deceptive. You mean about being thin? She really is...Looked like that in June...and I just saw her last month in "Summerfolk "and the period costumes just hung on her....Gone is the little round face...but the ping-pong cheeks are still there:-)

Happy day to Jennifer! Is this one the big 3 oh, or did that already happen? Looking forward to seeing TRT and the second best male performance this year;-) There's a big article in the December Playbill on Rosemary Harris and Lauren Bacall re: Waiting In The Wings. Several pics of Rosemary, including one from her younger years. Jen is her spitting image.

(Evelyn) You mean about being thin? She really is... She does appear very thin in this picture, and seems particularly smaller, shall we say, "above the waist". Sorry, I don't mean to be rude- I admire Jen and thinks she's beautiful! I just wonder if the smaller appearance up top is due to actually being smaller or did she just appear more endowed in her P&P corset than she actually was? Haven't seen Chamomile Lawn, so can't verify ;-). (Mari) I agree with you on Jude. Minnie Driver also does a flawless one--ever seen Grosse Point Blank? Who else does an especially good--or bad one? I have a few in mind . . . Jeremy Northam in The Mimic. I think that's what it's called anyway - it was the one where he was battling the giant cockroaches with Mira Sorvino. Poor boy was trying so hard to get the accent right that the acting came off wooden. OK, I know it's hard to act when you're pretending to battle a giant cockroach, but there you are. I saw a bit of JN last night in the remake of Gloria with Sharon Stone. He wasn't very convincing as a NY gangster type either (neither was SS, BTW). Much prefer JN when he speaks in his natural voice as in Emma or The Winslow Boy.

So Gloria is a "thumbs down" too? Have been debating whether to watch it. Mustn't forget Kenny. He does flawless American, with or without a southern accent or NY neuroticism. ;-) Remember, Dead Again? Emma does OK, but she loses it every once and a while. Noticed that in Primary Colors.

...and his other ex-something: Helena B-C. She did a good (i.e., acceptable) American accent in Fight Club.

Happy coincidence: In addition to Jennifer, today is lovely Jude Law's birthday as well. Wonder if ET will take notice?

Had no idea! why would I? ;-) In honor of this event, I've rented a movie called "Music from Another Room," listed as a romantic comedy from 1997. Probalbly straight to video. But has Jude starring in it. However, if you want to celebrate BOTH birthdays, rent Wilde and then you get to see a whole lot more of Jude. ;-)

(Jana)Haven't seen Chamomile Lawn, so can't verify ;-). I assure you her bosom was real in P&P (came up in a Times article on the "Wonder Bras" that the females all wore).Apparently no bras...corsets and some contraption that pushed the bosoms up! In The Camomile Lawn there's no discussion.... Now, she is still well endowed, but not voluptuous, shall we say. ~~~~~~ American accents: Kristin Scott Thomas loses it too in "Random Hearts". The American vowels seem to be the problem...ODB has slips on those too in: "coffee", "mall" and another one I forget.What are the dialect coaches doing anyway!!

I am half way through BJ. TEOR, and I love it, so much Mark Darcy, and he is so sweet and very funny and of course, lots of mentions for ODB, if he weren't known before he will be now!! I am beginning to change my mind about wanting to see Colin play Mark Darcy, if he is in the film as much as he is in this book and comes over as sweet, sexy and funny as he does in Edge of Reason then I am all for it. (A MD/Barrister clad only in a towel hmm hmm!!)

Ann: (A MD/Barrister clad only in a towel hmm hmm!!) Precisely my favorite image from all the columns. Had Helen Fielding autograph that particular week's column. She wrote: "Mmmmm! To Karen O.K. more sexy Mark to come v.g. wishes Helen Fielding"

(Karen)So Gloria is a "thumbs down" too? Have been debating whether to watch it. It was OK. Somewhat lame, but if you go into not expecting a GREAT FILM it is kind of fun. I thought the boy who played the kid was believable and likable and even Sharon grew on me after awhile. It's on cable for free so you can always start it out and change the channel if you think it bites. (Karen) However, if you want to celebrate BOTH birthdays, rent Wilde and then you get to see a whole lot more of Jude. ;-) Eeek, too true. But personally, I could have done without the sight of Jude in his more ahem, intimate moments.

(Mari) I don't think Tom killed Silvana It didn't occur to me at first, but when I was told that Ripley planned all his murders, I thought it might. Silvana was a problem; she was a rival for Dickie's time and affection and Tommy knew about her. He didn't want her to split up their little group, so he offed her. I definitely want to read this book now. I thought the country came off as a metaphor for the characters--pretty enough on the surface, but underneath. . . Speaking of underneath...the basement symbolism? In NY, Ripley lives in a horrible basement apartment. Later, he tells Peter Smith-Kingsley that his real self lives in a basement and it's all locked up. Wish I had the script for the description. It's perfect.

Karen, I am hoping HF has plenty of input into the screenplay especially as regards MD!

Karen, if you want to see "Gloria" rent the first one, THAT is brilliant! Gena Rowlands is amazing. And I see simularities to Central Station. (is that the name of the movie that you adored last year?)

Just came back from TTMR, and have to agree with Mari. This is Matt Damon's film, and he is great. IMO Bosie was Jude's breakout role. He is certainly good here and full of energy, and the Tu Vuo scene is a show stopper, but his character never changes. With Ripley you never know what he's thinking, never know how he's going to get out of the endless string of jams he keeps getting himself deeper into, never stop admiring how he does it over and over again, and find yourself rooting for a happy ending for him even as you keep reminding yourself he's a psychopathic murderer. That's MD's work, and I did not tire of the crooked little smile. Does he actually love Dickie or Marge or Peter or all of them or just want to use them? What would he have done with and to Meredith had he not had to give her up suddenly when Marge reappeared in Rome? We never know his motives, never know what's in his mind, are shocked by what he does, yet admire his daring and still sympathize with him. I think that makes it a great job by MD.

Someone wanted to know whether to see Being JM or something else. My recommendation--BJM--one of the most inventive, unpredictable, riveting films ever. Gives you hope for the American film industry.

The New Year's Honors List has been announced: The showbiz stars I recognized: Dame Julie Andrews (good for RV) Dame Elizabeth Taylor Knighthood for Sean Connery CBE for Richard Curtis (too bad he had heart attack and isn't doing BJD) OBE for: Jane Seymour, Liam Neeson and Timothy Spall (Oh no! from Dutch Girls) ~~~~~~~ Oh well, there's next year.....

and on the Queen's list is Allison Steadman

Alright Karen. You posted in telnet. Brava, my dear!

Thank you, but don't like it. :-(

Hey...I had this guy all to myself til you came muscling in!!:-D ~~~~ "Good to have you back where you belong, Dolly" :-) ~~~~ Just heard that the "Waiting in the Wings "page wants to use our JE Page as a link....cool, uh? I hope the B'way TRT page links us too...! (I only wish she had more than one page, though.)

I am amazed that you can still get in here the regular way when everybody else on the globe appears to be cutoff!

(Karen, I don't blame you...don't like it either but since it is this or nothing, I am beginning to love it!

Question: In which area would the W10 designation of London be? by tube stop or named area would be helpful. ;-)

Am (as usual) chiming in late with my two bits regarding the movie discussion: Saw Any Given Sunday first (a football movie, how unlike me...:-P). IMO one must be an Oliver Stone fan or football fan to really enjoy this one. Too "Ollie-ized" for me--overabundance of unnecessary stylized shots, picture-in-picture, lightning bolt symbolism, closeups of a football in the air, etc. Ollie himself plays a sportscaster. He's into the Alfred Hitchcock thing. Cameron Diaz was convincing but miscast as the bitch-with-a-capital-B deceased owner's daughter. I thought the part was tailor m de for Sharon Stone. Pacino screams and shouts alot (what a surprise). Having said this, aside from the usual football cliches (ho-hum, another locker room pep talk), the story was realistic and believable. I enjoyed the appearances by various football personalities--Lawrence Taylor, Barry Switzer, etc. Mr. Ripley: agree with many points already made about Jude Law. He made the film, IMO. Gorgeous. Great accent. I thought his characterization had variation, noting the difference between the open and unaffected welcoming Ripley scene to the 'you're boring' scene. Matt and Gwyneth were good but not spectacular. Agree that Gwynnie got better as the story unfolded, esp. the 'I know it was you' scene. I agree with your comment about Phillip's market saturation, Karen. I also enjoyed Freddy's 'how's t e peeping, Tom?' bit, Murph. Cate was also good, but I tired of her character predictably popping up, especially at the end. To me, the perfect ending would have been when Dickie's father, Marge and the private investigator left in the Andrea Doria launch. Everything after that was overkill (perhaps to push the homosexual angle?). Oooo, sorry about the double entendre! All in all, IMO an enjoyable, absorbing film shot in a wonderful setting. You can tell I have not read the book. PS. Karen, interesting question about Ripley possibly killing Sylvana. My thought is no, based on the scene with Sylvana watching as the group returns from their sailing excursion. She sees the rich, beautiful Americans frolicking on deck and knows she will never be one of them. Next thing we know, she's floating face down behind the Virgin Mary. Later, Dickie admits rejecting her when she came to him for help. Hmmm....Minghella did say in this movie things are never what they seem! We also saw Anna and the King, or whatever it's called (DH's pick). Jodie's a terrific actress, but not in this one. Chow steals the show. It's about a 5 out of 10 on the 'Thin Red Line slowness factor scale'. I didn't miss the musical numbers, so I guess their objective was realized. Contrary to the other two films, there were no penis shots in this one! Lastly, saw American History X on cable. Edward Norton was postively chilling. What a brilliant performance. He was the dark horse in last year's best actor AA race, but to lose to Roberto Benigni? Bah!

From my London Theatre Newsletter: Re: the play BATTLE ROYAL at the National with Zoe Wanamaker and Simon Russell Beale "The show has received mediocre notices the popular press.... JOHN PETER of THE SUNDAY TIMES says, "This is a flat flashy, pedestrian play. THE GUARDIAN says, "Howard Davies's production, set on Rob Howell's tirelessly revolving inner and outer stages, vainly substitutes perpetual motion for dramatic dynamism. For all its implied contemporary parallels, the result is an animated history lesson that belongs to the theatrical past." NICK CURTIS of THE EVENING STANDARD says, "Nick Stafford's play is drily witty but emotionally barren, overlong and under-rehearsed." ~~~~~~ Simon Russell Beale is the actor that you all said Colin should be proud to be in his company (short list for Evening Standard Award). And he gets this review? Puhleeze...Colin never appeared in a project that was "under-rehearsed".

I can't believe I'm back in... Thank you, Terry!

Still out in Wessexland. I'm getting in with the workaround Karen sent me but can't use the regular springnet route. Don't see any graphics.

I saw Mr. Ripley this weekend too. I liked it pretty well, but I don't think I'm as enthusiastic about it as most of the comments I've read. First I agree with all who said it dragged in the second half and it could have stood with some serious trimming down (way too long at 2.5 hours IMHO). I agree Jude Law was great - a vibrant and interesting character, but the whole thing lost momentum after he left the picture. I guess most of my disappointment centers around the characterization of Ripley. I haven't read the book, but my understanding was that the Ripley character was supposed to be a sort of sociopath, who coveted Dickie's life and tried to steal it. The way the character was presented I felt like they were trying to make Ripley a poor, downtrodden boy that we were supposed to feel sorry for. None of his bad actions seemed calculated or thought out and the only reason he didn't get caught seemed to be dumb uck. Frankly, I was expecting a smarter, scarier villain so was disappointed by bland, poor old Tom who was just looking for someone to like him. Another thing I thought was really missing from Matt Damon's performance (not sure if this was his doing or he was directed this way)was any gradation in manner or style when he was himself and when he was living as Dickie Greenleaf. The early scene when Ripley said his one talent was that he could mimic anybody and then he did such a dead-on impersonation of Dickie's father did not seem to be carried through anywhere else in the film. I think Matt's performance would have been a lot more interesting if he had used Tom's ability for mimicry to be more Dickie-esqe when he was living as Dickie. It just seems this would have added an interestingly psychotic dimension to Ripley's character instead of him being the somewhat pathetic and desperate schlub he seemed throughout most of the film. Well.... maybe schlub is a little harsh ;-). Also, I'm not sure why Minghella felt the need to emphasize the homosexual themes so strongly. Every male character seemed to be leaning this way at times, even Dickie. (Or am I just too heavily influenced by my DH who was irritated that in his opinion all the male characters were a few ounces too light in the loafers?) Was this homosexual theme in the book? Regardless IMHO, I think Ripley would have been a more interesting character had his sexuality been more ambiguous, i.e. he was "open minded" eno gh to go whichever direction presented him the most attractive opportunity be it with a man or with a woman. Just my two cents - perhaps I was expecting too much of the film going in. I do agree with all who said the jazz club scenes were lots of fun, though. Made me want to go to Italy!

Cymbeline, the pics will return. The regular spring.net is also working for many if not all. Seems like nearly everything is back in sync. (Eileen) Cameron Diaz was convincing but miscast as the bitch-with-a-capital-B deceased owner's daughter. I thought the part was tailor made for Sharon Stone. Haven't seen the movie yet, but thought it unbelievable that CD would be owner of a football team. Didn't look anything like a Marge Schott type. Sharon Stone is an inspired choice. Thumbs up from me. Contrary to the other two films, there were no penis shots in this one! Guess I'll wait until it's on video or TV. ;-) Edward Norton was postively chilling He does excellent work. Check out Fight Club. Real interesting, new wave movie, except for the trite ending. Cate was also good, but I tired of her character predictably popping up, especially at the end. Give you some idea of the inspired adapting that Minghella did. Cate/Meredith was his creation. If she's a flaw, then you can totally blame Minghella. Everytime she pops up, you know it's going to be a *crisis of identity* and will he or won't he be caught!! ;-) BTW, I've just bought the book. Am really interested to see how different it is and how despicable a character Ripley is. (Jana2) I agree with all who said it dragged in the second half Is that not the Dickie-less effect. He is the sun and when the sun goes away... it gets rather cold and a little slow. I felt like they were trying to make Ripley a poor, downtrodden boy that we were supposed to feel sorry for. Precisely. I really object to that central change to his character. They also gave him a conscience. Would a psychopath have a conscience? Evelyn, ask No. 1 son. I thought was really missing from Matt Damon's performance...was any gradation in manner or style when he was himself and when he was living as Dickie Greenleaf. Wot?! You didn't notice that he changed the part in his hair. ;-) instead of him being the somewhat pathetic and desperate schlub he seemed throughout most of the film. Well.... maybe schlub is a little harsh ;-). I'd go with schlemiel (a loser) on this one. For schlub, he'd have to have a beer belly. my DH who was irritated that in his opinion all the male characters were a few ounces too light in the loafers? Ha!! Think DH should've gone to see Any Given Sunday. Loved all your comments, ladies. This is such an interesting film to discuss.

Help! I still can't get in here with my old spring.net bookmark. It's still saying NOT FOUND. Where have I gone wrong?

*hee hee* Since Eileen started it, this is from The Times review of Magnolia on Monday: The most impressive feat is Cruise's turn as a "Seduce and Destroy" sex guru. The parody is too broad to sting, but when was the last time Cruise showed an ounce of self-mocking fun? Come to think of it, when was the first time? The star's trademark focus during his seminar rants is spookily like Scientology on steroids. Compared with his emotionally costive medic in Eyes Wide Shut, it's a fireworks display. By upending his Prince of Confidence persona, Cruise can still resort to indignation (his standard method of pumping up a scene) but it's no longer righteous indignation. This overthrows 15 years of escalating cockiness. Cruise did show vulnerability in Jerry Maguire, a belated return to the gaucherie of Risky Business. But Cruise goes a step further here. He is shown to be a fraud. What is bizarre is that Cruise acting phoney here--his best scenes--is identical to his acting sincere elsewhere. The crinkled brow, the clenched cheek muscles, the laser-beam stare--now it's great acting. Pauline Kael once called him the most fraudulent actor since Robert Taylor. But in Magnolia Cruise rings true as a swine, even stripping down to his (hopefully padded) underpants to unsettle a woman interviewer.[am amazing sight] Villainy feels like the more creative outlet for him. And if Ander on feels self-important for that discovery, it's deserved.

...wonder if the director had some left over props from Boogie Nights? ;-)

Karen: In which area would the W10 designation of London be? by tube stop or named area would be helpful. W10 is "North Kensington". The only tube stop is Latimer Road. Never make the mistake of trying to walk from South Kensington to North Kensington - the areas are completely separate with other localities (e.g. Shepherds Bush, Holland Park) having grown up in between.

Thank you, Mark, for the directions and advice. Have found the tube stop. Our detailed London street guides don't extend that far west. I understand about the names. Here, it is a major drive to North Chicago (nearly in Wisconsin) and East Chicago (which is in Indiana). ;-)

(Karen) Haven't seen the movie yet, but thought it unbelievable that CD would be owner of a football team. Her youth is explained in that her father, recently deceased, was the long-time owner of the team. CD's character is the team's general manager. Ann Margret is terrific as her alcoholic mother. Am really interested to see how different it is and how despicable a character Ripley is. Several weeks ago, the NY Times magazine featured an in-depth analysis of the book vs. movie. I've sent hard copy to the recycle depot already, but perhaps it's available on-line if you're interested. Everytime she pops up, you know it's going to be a *crisis of identity* and will he or won't he be caught!! ;-) Thought this worked well during the opera sequence and afterward at the coffee house by the Spanish steps. Became predictable after that. Too much of a good thing is...too much. (Jana) I thought was really missing from Matt Damon's performance...was any gradation in manner or style when he was himself and when he was living as Dickie Greenleaf. True. At first I thought that Tom didn't necessarily want to be Dickie, he just wanted Dickie's things (all those shots of him with Dickie's clothes and jewelry). But then why wear Dickie's rings? What is bizarre is that Cruise acting phoney here--his best scenes--is identical to his acting sincere elsewhere. Tom can't catch a break (but then, he doesn't need to)!

Happy Birthday Vera!

My HAPPY BIRTHDAY greeting to you too, Vera

LONDON (Variety) - Director John Madden, making his first outing since "Shakespeare in Love," has committed to take the helm of the wartime romance "Captain Corelli's Mandolin." He replaces Roger Michell ("Notting Hill"), who suffered a heart attack late last year. Set on the Greek island of Cephalonia during the Italian occupation in World War II, the film stars Nicolas Cage as an Italian officer who charms the locals. It is based on Louis de Bernieres' bestselling novel. Shooting starts in April on the Greek island of Corfu.

At #212, Evelyn said Richard Curtis had had a heart attack. Evelyn, did you mix him up with Roger Michell? I must say I certainly hoped RC would do the BJD script, and he looked healthy enough on TV shortly before Christmas...

Evelyn, did you mix him up with Roger Michell? I think Evelyn is interviewing conservators today. ;-)

(Mark)Evelyn, did you mix him up with Roger Michell? Yes, I did. Sorry, Mark. Apologies to Richard Curtis...may he continue to enjoy good health. Well it starts with an "R" (Karen)I think Evelyn is interviewing conservators today. ;-) Smart-ass :-D

Sorry to change to subject but does anyone know if CF has his own calendar? Love to get a hold of one for my wall.

LOL. I just got the file name on the new pic of the tomato guy... "Are you happy evelyn?," indeed. Better be nice to me...I'm the only one the digihost gods like!

So we have noticed Evelyn. Must be your tolerance to pips!!!

Nancy re: Calendar I've never heard of there being a commercially available calendar. It doesn't strike me as something he would authorize (a pinup boy image...naw)

But surely...with all the cut 'n' pasting we do here, we could put one of those free calendars we got over the holidays and print out our favorite pix and paste'um into place, no? Make that cut 'n' pasteing (still does not look right but I am in telnet and nothing looks right!)

From the Evening Standard, excerpt from Alexander Walker's year in film: Culture Secretary Chris Smith will shortly boast that the audience for British-made movies is up to 15 per cent, maybe more. What he won't tell you is that the welcome increase is due almost entirely to a few films - such as Shakespeare in Love, the new Bond and the comedy Notting Hill - all financed by the Americans who, of course, cull the profits. East Is East is virtually the only authentic British-funded film to pull in big business. So much for the Lottery funding of films. A greater waste of nation l resources I have not seen in 40 years of reviewing. Doomed from the start, since films are a gamble not an investment - and so declared to be in a headline ("Lottery millions will be wasted") on an article I wrote in 1995 - this grandiose abuse of public money has produced neither art nor box-office. The year just ending showed the full, dreadful incompetence of Arts Council-aided funding. Plunkett and Macleane, Captain Jack, LA Without a Map, The Trench, Food of Love, The Last Yellow, Hold Back the Night ... each seemed worse than the last, if possible. The fact that the year's two worst films, Mad Cows and Guest House Paradiso, were British but not Lottery funded is the only thing in their favour. As is his usual practice when his master plan isn't working, Mr Smith gave it a new name. It's now called the British Film Council. But on it are some of the same people responsible for the calamitous decisions of Arts Council Lottery funding. The waste is likely to continue. Those rejoicing will be the financial service industries. Bankers, insurers and money merchants of all shades of honesty have been the main beneficiaries of New Labour's film planning. They have taken advantage of all legitimate - and some dubious - tax benefits, loopholes and gifts from Gordon Brown to enrich themselves by funding films that should never have been made and actually were simply because public money sweetened the pot; or because such movies could be converted into sale-andleaseback income; or set against taxes; or benefit their financiers from on of a half-dozen other wheezes thought up by film lawyers and accountants. The losers, the big losers, are the public who are seeing their Lottery money shelled out to part-pay for dreck. I can think of only three of this year's films with Lottery money in them that I care to remember: Gillies MacKinnon's Hideous Kinky, a soft-centred but touchingly confected tale of a happily feckless British mum (Kate Winslet) and her children living the drop-out life in Morocco; Lynn Ramsay's Ratcatcher, a study of a Glasgow childhood, darker in tone than Kes, but touched by the same transforming magic; and Peter Mullan's Orphans, a rebarbative black comedy made by the star of last year's My Name Is Joe Surely it's no accident that all three film-makers are Scottish. The Scots feel more than the English, and let it show.

This is from the E. Telegraph today: The 55-year-old star proposed to the actress, who is 25 years his junior, on New Year's Eve at his home in Aspen, Colorado. Like any modern Hollywood couple, the announcement was made on Douglas's personal web site. He said: "We plan to marry sometime this year. However, no date has been set. Check my website and you'll be among the first to know." Another creative way to use the website.

Surely it's no accident that all three film-makers are Scottish. The Scots feel more than the English, and let it show And that goes far to explain ODB's prodigious screen powers as well. He may have been born south of the wall, but with a name like Colin Firth, he's a Scot. That's the unassailable opinion of someone who's maiden name is Scott.

Forgot to say it is Michael Douglas and Catherine Z-J. (As if)

Thank you Karen...I have to agree with The Evening Standard.Even though JE and CF have been recipients of lottery money ....I think the British film industry should be funded by private capital...like ours.There is enough money in UK that should be invested in their own film industry.Look at the West End ...Shocking that they're letting all the American firms come in and buy up those theatres. Where are all the British moguls..the ones that appear on the Honours List?

Thanks for posting that ES article, Karen. Points made by Alexander Walker: 1. I was right 2. I told you so 3. There is no 3. Alexander's favorite Hollywood films: 1. Big Daddy 2. Deuce Bigelow, Male Gigolo 3. 1998's Armageddon I suppose if my own tax dollars were in question, I'd be more inclined to agree with his diatribe.

Ok...Karen was right...It happened. I've joined the club...can now only get in with numbers.Not only that but I'm on Explorer...Netscape won't let me in! ~~~~~~ Didn't really mean to cricize the Brit gov't for film -funding. Mind your own business, evelyn But I detect an aura of resentment on the part of the British maninstram media when reviewing the films that are so funded...and I wonder if their own tax dollars weren't involved, if the films would be judged more objectively. Anyway, that's IMO. And I probably shouldn't have any on this topic

(Evelyn) But I detect an aura of resentment on the part of the British maninstram media when reviewing the films that are so funded...and I wonder if their own tax dollars weren't involved, if the films would be judged more objectively. Excellent observation, Evelyn. You might be on to something.

(Evelyn) But I detect an aura of resentment on the part of the British maninstram media when reviewing the films that are so funded...and I wonder if their own tax dollars weren't involved, if the films would be judged more objectively. ******* But these people are professional critics/journalists. I wouldn't think that what has to be a very small proportion of their tax money would influence their reviews. Besides, some of the dogs he mentions got lousy reviews here too, from people who have no ax to grind. There was an interesting article in the Telegraph last week on the director Alan Parker, who is heading up the British Film Council that Walker mentions. According to Parker, the Lottery gravy train is going to stop until the scripts ge better. On another note, I saw The Green Mile last night. I absolutely loved it. Didn't expect to, but I did. Three+ hours long, but feels like only half that. Beautiful ensemble acting headed by Tom Always Terrific, and smartly written and directed by Frank Darabont (The Shawshank Redemption). This is my fave of the year so far. Anyone else here seen it?

(Mari)Re: Green Mile"Anyone else here seen it? Not yet. Encouraging to know though that three hours of a prison movie didn't bore you. I saw "Magnolia".....interesting ...not for everyone.V. Robert Altman-like. Multi-character, multi-plot, multi-layered.Different incidents that take place in the lives of people all in one day.Get ready for another three hours! V. creative. Definitely not "same ole, same ole"! You'll never look at Tom Cruise the same again.Not Top Gun, not Jerry Maguire. In "Magnolia" this guy really proves he is an actor. I was v. impressed

Hey...Lookee, Lookee Today's New York Post, "Hope on the Horizon" by Clive Barnes (icon reviewer!) ... "There are also a few revivals in the definite offing -- notably, the terrific must-see revival (unless something has gone wrong on the transatlantic crossing) of Tom Stoppard's "The Real Thing" from London's Donmar Warehouse, staged by David Leveaux and starring Stephen Dillane and Jennifer Ehle. Don't be surprised if, come Tony time, Ehle finds herself vying with her mum, Rosemary Harris, from "Waiting in the Wings," for the Best Actress nod."

Tough television decision tonight. Showtime is airing a taped performance of Death of a Salesman with Brian Dennehey from its Broadway run. And then there's The David Cassidy Story. Should be griping and incisive. What to do, what to do?! ;-)

Watch Bramwell on Masterpiece Theatre. Saw the previews to the new Alan Parker film. Another film about ordinary people with no redeeming qualities, and he heads the British Film Council? A sad state of affairs. I guess nothing will be changing there too soon.

Watch Bramwell on Masterpiece Theatre. Watched a few of the first season. Didn't care for it. Another film about ordinary people with no redeeming qualities, and he heads the British Film Council? You mean, Angela's Ashes? About McCourt and his family? A lot of people bought the book. ;-)

You mean, Angela's Ashes? About McCourt and his family? A lot of people bought the book. Yes, ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ!!!!!!!!!!!!!!!!!!!

Loads of stuff in Sunday Papers re "Angela's Ashes" the two stars are well known here (Robert Carlise and Emily Watson) also stuff about the "British are Coming" re Brits inclusion in G.G's and Oscars. Should find it online Sunday Times etc They do that article headline every so often and then nothing changes

More...."The British Are Coming"...Hey, they're even buying their theatres!! From my weekly British Theatre Newsletter: "It has just been announced Andrew Lloyd Webber's Really Useful Company has bought the Stoll-Moss Group for �85m. This puts the company, of which ALW is by far the majority shareholder, in control of 13 West End theatres.... Much of the West End is now controlled by the two big names in music theatre, ALW and Cameron Mackintosh, leading to fears among commentators that straight drama may be squeezed out. ~~~~~~ Hooray!Good for Sir Andrew.Investing his money in UK!

From The Times review of TTMR, I knew there was a reason I liked Dickie: ;-) Ripley's inaugural victim is Dickie Greenleaf, a rich scion living it up in jazz clubs in Italy. Stylishly played by Jude Law, Dickie is everything Ripley is not - rich, carefree, adored, fun. It's the reverse of Strangers on a Train. The victim is the charismatic flaneur; the hero is the dullard. And the victim disappears halfway through. Many reviewers have remarked on how Law would have made a better Ripley than Damon and vice versa. He's certainly the more compelling presence, with his languid silky menace. Damon is just too waspy, too tidy an actor, to be scarily unpredictable. It's the best example of backwards casting since Sliver, in which some bright executive decided Sharon Stone should play the simpering victim and Billy Baldwin the flinty sexual predator. ~~~~~ BTW, I've read nearly half the book and, at first, I thought maybe Minghella hadn't made that much of a change with Ripley's character. But, whoa, baby!! Dickie's murder: same location, but way different.

I loved Dickie and Jude Law was perfect. Plays rich/carefree/playboy very well. I do not think MD could have done it better. I did not care for him at all and I was not impressed with Gwynneth either. Kate Blanchett stole the scene each time. The film is very overrated. I could see why Minghella would be interested in doing it. The book certainly has many ideas and that is something very rare to find lately.

Karen, in the book, was Dickie's murder an accident?

The answer is in your email.

HAPPY BIRTHDAY LIDYA!!!

Happy Birthday, Lidya! I hope you have a great one. Alas, I can't get into Spring via Netscape in order to post a graphic, so... *imagine a nice, juicy pic of Darcy here* Caption: It is Lidya's birthday--take care you do not confuse her with my sister-in-law, Lydia...I wish you the happiest of days, Miss--er, Mrs. Lidya! All right, it loses something in translation, but the good intentions are there!

Happy Birthday Lidya! Have a Wonderful Day! :-)

Happy Birthday Lidya...IOU a card when I get back to Netscape too.Can't get in...am doing double posting with Explorer.

Happy Birthday Lidya!

Your wish is my command... (Cymbeline) but could you clarify a bit here? Festering and inclinations are not words I think of as logically juxtaposed to homosexual. You want logic! Oh my. You have to see Happy, Texas and Magnolia. Macy plays closet homosexual types and, with the way he plays most of his characters, everything festers. ;-)

Many reviewers have remarked on how Law would have made a better Ripley than Damon and vice versa. He's certainly the more compelling presence, with his languid silky menace. Damon is just too waspy, too tidy an actor, to be scarily unpredictable. I emphatically differ here. It's precisely b/c MD is so bland looking that he's so unpredictable as Ripley. JL's "languid silky menace", which is well said, is what would make him an obvious villain. He's got the same sort of thing the young Paul Newman had--you just look at his eyes, and you know he's thrillingly dangerous. That's what made him good in Wilde, but to make him the victim and MD the villain is both inspired casting and true to Highsmith's book. I think MD faithfully embodied her portra t of Ripley. He feels himself to be bland and inconsequential; that's why he's attracted to Dickie's compelling personality. If Dickie were bland and unlikeable what would be the point? And yet it's ineffectual Ripley who turns the action and rich, powerful, handsome Dickie who loses. It is true that the book is more complex than the movie and that both Dickie and Marge have been jazzed up a bit for the film, but I don't think they changed the tone of the book nor Ripley's character, and both versions are compelling b/c of the unusual drawings of the two antagonistic characters.

Lovely Birthday to you, Lidya!

but I don't think they changed the tone of the book nor Ripley's character I haven't read the book, but from what I've read about the book vs. movie, the conclusion is Minghella made some fundamental changes to Ripley's character (specifically, the movie's victimization of Ripley as well as the overt homosexual themes). What say you, Karen? Murph?

Thank you all for the good wishes. Birthdays are great fun when one has nice friends with whom to share them! ;~D (Eileen)*imagine a nice, juicy pic of Darcy here* Caption: It is Lidya's birthday--take care you do not confuse her with my sister-in-law, Lydia...I wish you the happiest of days, Miss--er, Mrs. Lidya! Ahh! There can be no better gift for me than Darcy. Thank you Eileen! I am afraid that indeed I can be confused with Mrs. Wickham, but that is only when I am panting and swooning for Mr. Darcy...

A very happy belated birthday to you Vera; I hope it was great and that you have a wonderful year! A more timely birthday greeting for you Lidya -- here's wishing you the absolute best in the coming year!

(Cymbeline) I think MD faithfully embodied her portrait of Ripley. He feels himself to be bland and inconsequential Can't argue that MD was bland...and so was Ripley in the book. However, the main difference I see is that Minghella has raised him up to be some kind of "lost boy" who shows shreds of a conscience. Nothing, absolutely nothing in the book (60%) to suppport that view. Ripley is one tough little cookie inside. He knows the ins and outs of the underbelly of society and has a criminal mind. He plots and plans, thinks quickly on his feet and uses people. What makes it even worse is that Ripley is not moti ated by his feelings for Dickie, but because he wants Dickie's things (material possessions). Overt homosexuality. Remember, the book was written in the 50s. Nothing overt possible. Ripley lived in a weird world, amongst people of dubious backgrounds. Marge tells Dickie that she thinks Tom is a "queer" and that's the beginning of the end of Tom and Dickie's relationship. Later in a letter to the dead Dickie, she says she thinks Tom is probably asexual. Yes, Minghella added more here, especially since the character Peter-Smith Kingsley was only a brief mention in the book and there was no rela ionship with Tom. About the reverse casting: The writer undoubtedly has seen JL in many more roles than we have in the US. He has a far greater range than MD and would IMO be as convincing as Ripley as he is Dickie. Wait until you see him as a vampire (with a conscience) in Wisdom of Crocodiles. ;-)

Happy Birthday Lidya

HAUOLI NA HANAU, LIGIA

(That's double dendrobium orchids...in two colors...)

From a Variety article on last year's indie films: While certainly no banner year for the specialty company from which everyone has come to expect the most, MIRAMAX FILMS and its genre label, Dimension, did rack up 10 Golden Globe noms and 1999 profits were roughly $80 million. Naysayers point to pics such as "Happy, Texas," "A Walk on the Moon," "Princess Mononoke," "eXistenZ," "The Castle," "Teaching Mrs. Tingle," "Mansfield Park" and "Music of the Heart" as underperformers, [where's MLSF?] and note that Miramax's days of slapping down high acquisition fees may be numbered. "We should have had a better year," Miramax co-chairman Harvey Weinstein said. "Sure, I spent too much at Sundance. I thought 'Music of the Heart' would be a winner and that 'Happy, Texas' would find an audience. [where's MLSF?] But what people don't realize is we're basically a fiscally conservative company. We know how to hedge our bets." But Mark Gill, Miramax's prexy of worldwide marketing, is less apologetic: "In 1999, we won with 'Shakespeare in Love' and 'Life Is Beautiful.' 'She's All That' played terrifically and we still have high Oscar hopes for 'An Ideal Husband,' 'Cider House Rules,' 'The Talented Mr. Ripley,' which we did with Paramount, and several other films." Marcy Granata, Miramax prexy of publicity, defended the mini-major from the charge that over the past year the company has abandoned its roots: "There used to be a notion floated out there that Miramax was abandoning the small film. Honestly, if you look at last year's slate, you'll see that the large and small films are nicely co-existing." Among the smallest pics on the 1999 Miramax slate � which Granata notes were bought "out of passion and not solely for profits" � were "My Son the Fanatic," Iranian pic "The Children of Heaven" and Sundance favorite "Guinevere." [where's MLSF?] Lessons learned from the year that was? "The single biggest lesson is that you have to be really careful about bidding wars," says Gill. "The second is that, unless you are Disney, family films like 'Music of the Heart' are tough to pull off." Next year, Miramax will reduce the number of pics it acquires and produces and, like the studios, favor pre-buys and co-productions. Still, Miramax execs expect that whatever perception lingers about its "troubled" year will dissipate in 2000, when the company will release roughly 30 films (nearly the same number as in 1999), including, from Dimension: "Scream 3," starring Neve Campbell, David Arquette and Courteney Cox Arquette, helmed by Wes Craven; "Deception," formerly "Reindeer Games," starring Ben Affleck, Gary Sinise and Charlize Theron, directed by John Frankenheimer; Keenan Ivory Wayans' "Scary Movie"; Gary Fleder's "Imposter, starring Sinise, Madeleine Stowe and Vincent D'Onofrio; and "Texas Rangers," starring James Van Der Beek, Dylan McDermott, Rachael Leigh Cook, Alfred Molina and Tom Skerritt, directed by Steve Miner.

None of those titles entice me in any way. There used to be a time when a Miramax Film meant something to me. "Princess Mononoke," got rave reviews and I would have taken my boys to see it but it is no longer around. "The Castle," was very funny and even DH liked it. "Mansfield Park," which I did not like, suffered from under-exposure. The others I may rent in due time. Their ommiting MLSF is outrageous, since it is the best film out of the whole lot mentioned. Miramax will reduce the number of pics it acquires and produces and, like the studios, favor pre-buys and co-productions. It looks as if they are going through an identity crisis.

(Moon) "The Castle," was very funny and even DH liked it. Am shocked!! Never, in a million years, would I have thought you'd like this one. Is YDH also a closet Three Stooges fan?

You forget we have three boys. ;-D DH loves Laurel&Hardy and the Marx Bros.

RE: MLSF being MIA. Relax. Be glad it wasn't in that first list of "underperformers." BTW, I saw 4 of them (Happy, Texas, A Walk On The Moon, Mansfield Park, and Music Of The Heart) and liked them all. And, the way I'm reading this, the second and third references are to films which Miramax bought (i.e., spent too much money for)from other production companies--not their own productions. Mr. Ripley: agree with you, Cymbeline. The two leads were perfectly cast. I still get a bit of a chill when I think of Damon's toothy smile that lasts just a bit too long. You know this guy has some screws loose, without resorting to "look, ma, I'm crazy" histrionics. I read the full article and this guy's main beef seems to be that Minghella is no Hitchcock. I say: picky, picky, picky.;-) The Sunday Times review, on the other hand, was very favorable for the film and the actors. Happy belated bithday to Lidya! Mari

(Mari) RE: MLSF being MIA. Relax. Be glad it wasn't in that first list of "underperformers."/.../ the second and third references are to films which Miramax bought Good points.

I would have liked to have seen MLSF listed under the out of passion and not solely for profits category instead of underperformers. How about a new category Harve:"Oops, I forgot"..."Starved"....."Stealth"... ~~~~~~ Miramax will reduce the number of pics it acquires and produces and, like the studios, favor pre-buys and co-productions. Hope for "Londinium" and RV.

(Evelyn) Hope for "Londinium" and RV. Why? Those would be acquisitions as they are done (RV) or nearly so (L). (Mari) this guy's main beef seems to be that Minghella is no Hitchcock. True, and why should he be? Thought that was a ridiculous argument he was making. If Minghella had done TTMR as Hitchcock, he would have been crucified for being unoriginal. ;-) (Moon) DH loves Laurel&Hardy and the Marx Bros. B-b-but these people were the equivalent of trailer trash. ;-)

Happy belated Birthday Lidya! May all your panting and swooning wishes come true ;-)

(Evelyn)How about a new category Harve:"Oops, I forgot"..."Starved"....."Stealth"... And the *winner* gets a 22-reel salute!;-)

Miramax will reduce the number of pics it acquires and produces and, like the studios, favor pre-buys and co-productions. Evelyn) Hope for "Londinium" and RV. (Karen)Why? Those would be acquisitions as they are done (RV) or nearly so (L). ~~~~ Well, I read that pics it acquires and produces, like the studios(one phrase) means where they "acquire" the book/script and then produce. Then "pre-buys"is buying a film that has already been made. I dunno'...I guess wishful thinking..."any port in a storm...."

(Mari) this guy's main beef seems to be that Minghella is no Hitchcock. (Karen), True, and why should he be? Thought that was a ridiculous argument he was making. If Minghella had done TTMR as Hitchcock, he would have been crucified for being unoriginal. ;-) Otherwise, the critics would not have anything to say. I loved "Stranger on the Tain," and must say Hitchcock did a fantastic job. (Moon) DH loves Laurel&Hardy and the Marx Bros. (Karen), B-b-but these people were the equivalent of trailer trash. ;-) Well they dressed and spoke (except Harpo), in a different manner. Back then, IMO, trailer trash tried to improve themselves, now, it seems to be glorified in the movies.

Thank you CherylB, Lucie, and Mari! Marcia, I shall proudly wear my beautiful lei (my mother wants one, btw), and Gi, I hope my genie grants me more than just three wishes... ;~D They all start with the letter D...

Lidya, for your mother, I am delighted to present (and all mothers should get flowers on their child's birthday!)

I am wondering what your wishes are, Lidya... And I also like the Marx Bros (esp. Groucho):-)

(Mari) I still get a bit of a chill when I think of Damon's toothy smile that lasts just a bit too long. I think the effect may be due to genetics; it would appear that Matt Damon was spawned from the same gene pool which produced the Osmonds and Julia Roberts. His teeth are huge. When Matt Damon smiles he could frighten an entire family of beavers. As to why certain reviewers and critics the need for reverse casting between Damon and Jude Law; this is may well be due to the casting in the first screen adaptation of "The Talented Mr. Ripley", an early '60's French film titled "Purple Noon". This is the movie in which introduced Alain Delon to an international audience. He would then go on to strengthen his position as an international film star by next doing the classic film "Rocco and His Brothers". Jude Law is certainly more comparable to Delon than is Matt Damon. Also, and more importantly, Dickie Greenleaf is Jude Law's breakout performance, much as Tom Ripley was Alain Delon's. My thoughts on inverse casting are that Jude Law could have very easily played Tom Ripley, while Matt Damon would have been much less successful as Dickie. Jude Law really floored me. Yes, I had been impressed by him in "Gattaca" and "Wilde", even "Shopping". I also saw (quite a bit, make that all of) him in "Indiscretions" on Broadway. His performances are always good. In "The Talented Mr. Ripley" it was a fight to the finish as to which was more scenic -- Italy or Jude Law. He looks that good and what an ACTOR.

Someone posted a question here a couple of weeks ago about the celebrity 1000. They still have the same months up but the cout is in through December 17, if you check the polls

(Mari) Mr. Ripley: agree with you, Cymbeline. The two leads were perfectly cast. I still get a bit of a chill when I think of Damon's toothy smile that lasts just a bit too long. Yep. Love Jude, thought he was great as Dickie, thought Bosie was his breakout role as well as harder to play than Dickie. Thought Ripliey was a more demanding role than Dickie, thought Jude and Matt were each in the right place. Thought they played off each other beautifully. Hoping the Academy feels the same on Feb 15.

(CherylB)...it would appear that Matt Damon was spawned from the same gene pool which produced the Osmonds and Julia Roberts. His teeth are huge. When Matt Damon smiles he could frighten an entire family of beavers. ROTFLOL!

(Lucie) ...if you check the polls No polls, I beg you...no polls!

Actually I don't think that Bosie was a breakout role, but that Dickie is. Why? Because Dickie introduces Jude Law to a much wider (i.e., mainstream) audience than did Bosie. "Wilde" was an arthouse film and as such had a limited appeal. "The Talented Mr. Ripley" is a major studio/major market venture, which introduces Law to a much broader audience. Also, I feel that Dickie offered Law much more to do than did Bosie. The best supporting part, from standpoint of the screenplay, in "Wilde" was had by M chael Sheen. Ripley might possibly be a more difficult part than Dickie, but I think Jude Law would have brought more nuance to it. I still think that Matt Damon would have been badly cast as Dickie Greenleaf, as he is not a particularly subtle actor, Dickie would have come off as all surface, a characature rather than a character. Damon's too apparent, bowlderizing charm works for Ripley; it would not work for Dickie. Matt Damon is a good actor, but not a fine one, as he has a limited range. Jude Law is easily the better actor; he dominates "The Talented Mr. Ripley". It is his movie, even though his character dies halfway through the film. This is also the movie that will make Law an international star, hence it is his breakout role.

Re polls. I only put that message up because someone had asked. Soory if I offended you. I just go back to lurking.

She's just joking, Lucie. Don't worry about it. We've just had some bad experience with polls. Can't take them too seriously.

Paraphrasing Mr. Bennett's "lace" quote, I believe. :-)

Thanks Heidi. That was a bad day for me so I was a little too sensitive. My water pressure dropped when I was taking my shower but I finally got rinsed of, then the water was off for 4 hours. Then they gave us a notice that we have to boil the water til further notice. To cap it all off I found a leak under my bathroom sink, and someone stole my butterfly plant, pot and all. When I read this I have to laugh It sounds like a three stooges plot.

Oh my, Lucie that is a bad day :-(. I hope you have no more plumbing or thieving problems for a good long while.

(Lucie) Soory if I offended you Now, now, Lucie, *of course* I was kidding. I hope your day improved and that you're back in the splash of things!

Yes, thank you and my husband got his bike back.

THE REAL THING MOST CRITICS adored David Leveaux's revival of Stoppard's play about love, commitment and politics when it was staged at the Donmar last May, so its reappearance is welcome. Stephen Dillane is still bringing his rueful charisma to the role of a dramatist, alongside Jennifer Ehle (above) as the charming, but wayward, actress he eventually marries. The play has all the wit and intellectual sparkle you expect from Stoppard, but its main interest is that, for the first time, he fully acknowledges the pull of he heart and the glands. Its conclusion would appear to be that love is not merely a game or a weapon to be used in the sex war, it is "mess, pain, self- abasement, loss of self- respect, nakedness". This is subtly argued but, more importantly, powerfully shown in a tale that embraces adultery, betrayal and a hard-won happiness - and, let me add, plenty of classy fun. BENEDICT NIGHTINGALE

The Fracas on Opening night of TRT was to due to the fact that we could not hear SD clearly.At the beginning of the second act we heard clapping from the rear of the stalls..then,people shouting "Louder, we can't hear you". ( At first I clapped too thinking it was genuine applause) SD rose from the reclining position on the sofa and said "Wot"?Meanwhile Jennifer who was kneeling on stage right, heard it all and ROTFL. SD then said "Pause". And went right on in character. It was extraordinary..I have never heard of such. PS, They spoke louder after that. Got three long curtain calls. Did you send flowers to JE as well? Yes, in the afternoon we took her a mini-vase with tiny coral roses and a card.

They spoke louder after that. Got three long curtain calls. Undeserved IMHO. The night was a mess. The number of curtain calls was out of pity. All the coughing and sneezing!! I thought I was in a hospital ward. Then the telephone ringing (and not from an audience member's mobile phone), but from somewhere else in the theatre. Totally a mess.

Karen, what did you think of SDs performance? And, compare it to CF. How crazy are those Oliviers for not nominating him? Evelyn, what are the three changes that you mentioned from London that have been implimented in TRT?

Evelyn, what are the three changes that you mentioned from London that have been implimented in TRT? Debbie and Brodie are cast changes....not for the better IMO.Brodie speaks with such a thick Scottish accent, they'll have to use surtitles for the audience to understand him.SD does not sob like he did on the Donmar...instead says: "Oh, god"..despairingly. Jennifer does not do the play within the play love scene with her lover.Costume changes (for the better). Gone is the dowdy gray number at the end. Instead a pretty clingy purple two piece.Her hair is a strawberry blond color now.

BTW Emma got the definitive souvenir, IMO. She had Jennifer sign her "Making of P&P" book and that evening had Colin sign it on the same page. Cool, uh?

Debbie and Brodie are cast changes....not for the better IMO. Brodie speaks with such a thick Scottish accent, they'll have to use surtitles for the audience to understand him. I'd lay odds that the new Brodie will NOT be going to Broadway. Smallish part will be given to an American actor who will do a v. light Scottish accent that we can understand, e.g., a la Sean Connery. Which reminds me...saw a funny movie tonight called The Big Tease, a mockumentary about a Glaswegian hairdresser who thinks he's entered in this big international hairdressing competition in L.A. and what he does to actually get in it. If you like Waiting for Guffman type things, you will like this. Very funny. Starred Craig Ferguson (of the Drew Carey Show) and written and produced by him. Small film with lots of walk-ons by celebs playing themselves.

(Evelyn), Debbie and Brodie are cast changes....not for the better That is a huge mistake. TRT was perfectly cast. I will have have to agree with you on the changes. Karen, I would like to hear your critique of SDs performance.

(Evelyn)BTW Emma got the definitive souvenir, IMO. She had Jennifer sign her "Making of P&P" book and that evening had Colin sign it on the same page. Cool, uh? Indeed! Cooler would freeze :-)

SD CV in the TRT listed "Anna Karenina" in the TV credits, This from the London Standard: "In May, he appears alongside Helen McCrory and Kevin McKidd in Channel 4's Anna Karenina, playing the hapless Karenin."

(Evelyn) BTW Emma got the definitive souvenir, IMO. She had Jennifer sign her "Making of P&P" book and that evening had Colin sign it on the same page. Did JE come down and sign it in person? Or did Emma send the book backstage? Did SD come out at all? (Karen) All the coughing and sneezing!! By the actors, during the performance? Must have made it hard to do the love scenes;-) Well, the flu is sweeping the U.K., so guess actors aren't immune.

No the coughing and sneezing were by the audience. V. loud. These people should've stayed home, especially in view of the theatre's policy of ticket returns and resales. Here, you'd lose your money. There, they get their money back if the boxoffice resells. People were queued for returns for 3DOR. Totally impolite to come to the theatre and disrupt everything.

Glowing review of TRT in today's TIMES...so the voice projection problems must have been resolved.Don't know what they did with the coughers. Pic of Jennifer looks like she has red hair, but it is strawberry blond... "Ehle's vocal precision and air of fierce attention go with her luminous beauty to create an object of love as passionate and real as her lover." Last night was press night. ~~~~~~~ (Susan)Did JE come down and sign it in person? Or did Emma send the book backstage? Did SD come out at all?We dropped the book off at the stage door when we took the flowers. She and SD never came down at the Donmar. The Albery stage door is in the rear...so I imagine they have to come out that way.We did not go after the performance.

The NY Times article about Jane Austen fanfic was picked up and excerpted in the Evening Standard on 21 January: EVENING STANDARD: JANE AUSTEN 2: AT A WEBSITE NEAR YOU from MOLLY Watson in New York It is a truth universally acknowledged that a reader of Jane Austen's novels must be in want of a sequel. For the millions of people addicted to her books, often through the BBC version of Pride and Prejudice starring Colin Firth or the movie, Sense and Sensibility, with Emma Thompson, Hugh Grant, Kate Winslet and Alan Rickman, Austen's six completed novels have never been enough. Now her fans are logging on to the Internet for all things Austen and creating online libraries of their own stories, either written in her prose style or using her characters - even for tales set in space, the Wild West and Medieval England. Ann Haker, the founder of Austen. com, which offers its 30,000 weekly visitors live chat in the Jane Austen tea room as well as hundreds of stories by fans, says: 'There are just not enough of Jane Austen's own words to read, so we write our own.' It's called fan fiction - or fanfic - at the two most popular websites for American e-mailers paying homage to the English spinster who died in 1817. The Republic of Pemberley at www. pemberley. com is 'your haven in a world programmed to misunderstand obsession with things Austen'. It has thousands of creative offerings by more than a million visitors to the site. But the most fun is to be had at the Fantasia Gallery page of Austen. com which features works like Darcy Hood, in which 'Darcy and his merry men do good in the forest of Netherfield', and Shooting Stars, an ambitious leap of the imagination which has Elizabeth Bennet wrestling with her driv controls as the entire cast of Pride and Prejudice is uprooted to the Star Wars universe. Even funnier is a tale of Darcy and Bingley running Netherfield airbase in which Darcy delivers the immortal line to Mr Bennet: 'Are you saying Elizabeth is going to flip out?' In a later chapter when Darcy and Elizabeth are happily married, they move into their new linoleum-floored home where she discovers the waste disposal unit is broken and Darcy, who was once the master of Pemberley's rolling acres, decides the back garden 'was big enough to justify buying a lawnmover'. In Epilogue Abbey amateur authors try to continue Austen's literary legacy by filling in critical scenes that Austen never described, like Darcy's second proposal to Elizabeth in Pride and Prejudice. Fanfic writers also attempt to embroider Austen's restrained Regency prose, often with cringe-making results. In Roses and Thorns, Darcy muses that Elizabeth 'brought me to the rim, the very edge of wild madness and desire, my mood has changed from lofty pride and prejudice to teeter at the brink of love's precipice'. Austen's Internet fans are serious about their work. Professor Laurie Kaplan puts the urge to expand her novels down to the author's own 'non-endings'. 'Her summaries at the end of her novels are never as neatly packaged as those of other authors at that time,' she says. 'There's always change and trouble hinted at - it's almost satiric - and the story isn't projected very far into the future. It makes the reader want to push it further.' Ann Rydberg, a prolific Swedish fanfic writer, says: 'Austen's novels can take any amount of bungling amateurism and still remain unsoiled, the exquisite and well-polished bits of ivory she once presented us.' Sadly, the readers of Arias and Arrogance, in which Darcy and Elizabeth sing in a sexually charged production of The Marriage of Figaro, would beg to disagree.

Wait til they find Fan Fic on Drool.Sizzzzzle.

Thanks for posting, Karen. Poor Ann is having trouble posting too. She deserves the praise. Wait til they find Fan Fic on Drool.Sizzzzzle. Oh! I do not think Terry could handle the million plus readers, could he?

Wait til they find Fan Fic on Drool.Sizzzzzle. LOL!! What would they make of us? We can only hope we remain unexposed. Kudos to Anne.

You know who looked the most uncomfortable at the GGs? Minnie Driver!! ;-) Bet she had a good time chitchatting with Matt Damon or perhaps Babs and James Brolin. OK, how many pictures will there be of Courtney Love's dress that wouldn't stay up?

Minnie looked great last night, and her boyfriend Brolin's son is very handsome. I loved Halle Berry's dress and Babs looked fab too. Did you notice that Gwynnie arrived wearing a long skirt and changed to jeans for the show? She must have seen Lara F-B in her bell-buttoms and probably called someone to bring her jeans. Certainly, as the only two with that casual look, the called attention to themselves. Winona Rider has no class, no style or taste in clothes, and no posture either. As a presenter this really came through. Jim Carrey was very funny and he makes a cute couple with Renee (loved her dress, very 60's). Did you know that Courtney Love's dress was glued on to her breasts?

Minnie looked great last night, and her boyfriend Brolin's son is very handsome. Wait a minute!! I thought that was all over, as Minnie has been spotted sneaking out with David Duchovny, he of "new fatherhood." Argh!

From the Guardian: Full-length Blackadder movie to be made Rowan Atkinson is to make a film version of Blackadder, with our hero playing a pop manager who misses out on signing the Beatles. There have been rumours of a feature-length version of the popular BBC series for a number of years now, intensified recently by the reunion of the characters in Back and Forth, the short film currently showing at the millennium dome in the Skyscape cinema. But the stumbling block for Atkinson and co-writers Ben Elton and Richard Curtis has been the period in which to set the film. However, according to cast member Stephen Fry, the team have finally decided on the 60s. "We have had great fun thinking what the next one ought to be. We've decided it should be set in the 60s, where Rowan would be a manager of a band that was on the night after the Beatles played at the Cavern Club - so he just misses [them]... and he's enraged with bitterness," he said. Atkinson will play the Svengali Brian Epstein-esque manager Edmund Blackadder, and as usual will be joined by Tony Robinson, this time as the band's bald drummer, Rick. The remainder of the band will be played by Hugh Laurie, Tim McInnerney and Rik Mayall. Together they spend the 60s trying and failing to make it big by emulating the Beatles. It is not yet known when the film will go into production. ~~~~ Opportunity for another guest-starring bit? ;-)

I just left voicemail for Ann giving her every technical detail she needs to access austen.com or 208.171.121.122, the new site. I imagine she's at work, so she'll probably get this tonight. Ann, please send me a confirming email or voicemail when you get this information.

I'm ftping all the old site files to http://208.171.121.122. Some of the links (probably being absolute links) won't work till the site gets tweaked. But you should be able to access the ip address url till the domain name repropagates through the net. Try it out!

Terry, Ann will never see this message here, as she doesn't frequent the Drool conference. Just FYI. And BTW, have you looked into my access to the new server. Karen

I have set up an account for you there. I will set it up again using all lower case instead of upper and lower. Email me so I can reply with the details.

Agree with everyone on the GG clothes. Courtney Love is a mess.As is Winona Ryder.Did you see her punching Matt's arm when they were mentionsing his name for Best Actor.She lacks poise.This is Gwynnie's best friend? Gwynnie looked cadaverous in those leather trousers.I thought Denzel was the classiest guy around.Liked all the Barbra Streisand stuff.... though it went on 'on...almost like an obit.

Did everyone spot Meg Tilly at the GGs? She was sitting right next to Julianne Moore, and they showed her several times. Meg looked terrific--very glam, very youthful; must be the contentment and security of married life;-) ;-) Also . . .I believe that was that was Richard Greenberg sitting at the table directly behind Sam Mendes (who is adorable, IMO). Discussing a film version of our fave play perhaps?;-) Courtney Love--gets my Smacked Ass award. Yech! Minnie Driver--We know you have breasts, dear, you can put them back inside your dress now;-) Odd (but Cute) Couple: Russell Crowe and Jodie Foster I thought Julia Roberts looked great--slinky but classy. Barbra--very very elegant, but Shirley MacLeane's intro almost took us into next year. Nicole K's sis is a brunette version of Nic--and also a foot or two taller than Tommy (who I thought gave a nice acceptance speech).

Hmmm, missed Meg T. I hardly pay attention to the others who might be in the shot from the rest of the table, and I missed the criticial E! Pregame Show. Joan and Melissa would've surely pointed out all that was fit to watch. Maybe they'll do a rerun tonight. ;-) Why would Richard Greenberg be at the GGs, especially seated anywhere near the American Beauty table, way down front? Don't think it was him. Did you see where Pedro Almodovar sat? Up in the cheap seats.

Julianne Moore looked so good on camera, I did not notice Meg. I will take your word for it Mari, if she looked glamorous. Wow, Greenberg by Mendes and of course, Spielberg? What could that mean? You are a hawk Mari, good scoop! According to the Miami Herald, Gwynnie's new best friend is Madonna. They spent the holidays here and techno dancing on NY Eve the were seen kissing/making out after a long hot dance number.

I missed the criticial E! Pregame Show. Joan and Melissa would've surely pointed out all that was fit to watch. Maybe they'll do a rerun tonight. ;-) I doubt that, Joan is so out of it. I remember at the Oscars big stars would walk right by her and she would be there trying to be funny with a TV actor. I preferred watching the pre-show with Dick Clark last night. Still no Meg. BTW, when Tom Cruise was interviewed, he said the same thing he ended up saying when he accepted his award. So did Jack Lemmon. I guess they had their lines down.

Meg Tilly at Julieanne Moore table? Which one was Sony? Magnolia, End of the Affair,or AIH? Moon, Rupert Evert looked a little mangy...not his usual sartorial self.Too many parties?

The End of the Affair was Sony. (Moon) I doubt that, Joan is so out of it. Did you not see my winky? Maybe Greenberg was somebody's date? Huh, Moon? ;-)

Maybe Greenberg was somebody's date? Huh, Moon? ;-) He really wanted to sit with Aldomovar but changed his mind when he saw mangy Rupert, he knows a party boy when he sees one! ;-) Totally missed the winky, Karen. I know you're in the know. :-D I would love to see a glamourous Meg. Did anyone tape the show?

Sorry to interrupt, but first thing firthst...I was checking my Birthday list and I see we have CherylB's Birthday 31 of January. Time to hunt new gifs because all of mine are locked up on a Spring file I cannot enter. See you then if not before!

Elena, are these your neighbors too? ;-) BERLIN � The Berlin Intl. Film Festival�s (Feb. 9-20) Intl. Forum of Young Cinema section announced a string of European titles Monday. The world premiere of two Finnish films follows last year�s coup of vet Finnish director Aki Kaurismaki�s �Juha.� This year, Markku Lehmuskallio�s �Seven Songs From the Tundra� and Auli Mantila�s �Geography of Fear,� about a group of women dealing with male violence, rep Finland.

Be sure to email or call me today with the details of your new account, Marcia. I'll get you going on the new site.

Okay...This is me, who hates polls and is now about to eat her words....again;-) FYI The Albemarle Theatre website is conducting an Olivier Awards poll and 3 DOR ia waaaay ahead of "Lady in the Van". And so is Jennifer.Now I'm not asking anyone to vote...just giving results. http://www.demon.co.uk/cgi-bin/albemarlelondon2/survey.pl

Elena, are these your neighbors too? If they are, they�ve kept quiet about it. We actually planned to go to see the Geography of Fear (Pelon maantiede) with hubby last Sunday but started to fear even before we saw it and changed our minds. We went to see Sam Mendes�s American Beauty instead. Hmmm...quite interesting, partly. I�d like to know what kind of reviews it received in the US, if anybody happened to read any. I was amazed how terrible Annette Bening was in it, too histrionic to be true.

Something wrong with the link Evelyn? Doesn�t work for me.

Try this URL and click on "Voting results without voting". The one I gave you was after I voted. http://www.albemarle-london.com/vote.html

Too bad there isn't a place for *write-in* votes ;-)

(Elena) I�d like to know what kind of reviews it received in the US, if anybody happened to read any. American Beauty got outstanding reviews, Elena--probably the best-reviewed film of the year here. Did very well at the box office as well. Re: Bening--it's supposed to be a satire, not real life, ts the tone of her character. What did you think of Kevin Spacey and Wes Bentley (the young neighbor)? Sorry, Moon, I didn't tape the GGs, but will ask around. (Karen) Too bad there isn't a place for *write-in* votes ;-) Yeah--poor David Morrissey.;-) ;-)

Elena, about American Beauty, I still feel it was the best picture of the year of the ones I've seen so far. It was perfection in every category. Yeah--poor David Morrissey.;-) ;-) Exactly, they should have "Most Improved" category too! ;-)

Feeling dense here, but I still don't get why 5 actors are nominated in the best actor and best actor/musical categories, while all the other Olivier categories have only 4 nominees. Anyone know the logic? I presume that 2 actors tied for the 4th slot in both the actor categories?

(Elena), We went to see Sam Mendes�s American Beauty instead. Hmmm...quite interesting, (Karen), I still feel it was the best picture of the year of the ones I've seen so far. It was perfection in every category. I was not as satisfied as you were. I tend to agree with Elena. I liked The Three Kings very much (in every category), and that film seems to have been forgotten. Thanks Mari, I think we would all like to see a picture of a glamourous Meg Tilly. I still don't get why 5 actors are nominated in the best actor and best actor/musical categories, while all the other Olivier categories have only 4 nominees. Good question, Susan.

(Moon) I liked The Three Kings very much (in every category), and that film seems to have been forgotten. I agree, Moon. I liked this movie very much - good acting, interesting characters that you could care about, plus a message about the ramifications of war and poorly thought out policies of governments. And thankfully enough action to keep my DH from squirming in his seat :-). I would like to see it gain some awards recognition, particularly for its script or story, but there is so little buzz about this film I kind of doubt it will happen.

Evelyn. Is this site poloced like Hot Brits? This gal has it set up so that you have to log in before you can vote and you get 5 votes. You get to vote once every 24 hours and if you try before the 24 hours is up you lose those votes and you are locked out until 24 hours from that time. Right now it seems that there are only 2 of us voting for Colin. http://www.freevote.com/booth/hotbrits

(Mari)it's supposed to be a satire, not real life But satire just doesn�t work if it�s not somehow plausible too. And satire has everything to do with real life...it won�t bite if all you can think of is "good god, she�s really trying to act her socks off" every time an actress steps in and starts to badly overdo her stuff. What did you think of Kevin Spacey and Wes Bentley Wes Bentley: great, mostly. Very Finnish type of sincere insanity!! Spacey: not my taste. Typical clownery. But whoever it was who played Janey, I thought she was brilliant! (Karen)It was perfection in every category. Especially in the flying plastic bags category! Seriously, I think American Beauty is one of the better American movies I�ve seen because the technique was so different and it really tried to say something about reality for a change. Great psychedelia and some almost touching scenes (but not very touching really and that�s one thing that sucks in it.) And the music was good, hubby wants to point out!

(Jana), I would like to see it gain some awards recognition, particularly for its script or story, but there is so little buzz about this film I kind of doubt it will happen. "The Three Kings" also had great music and beautiful cinematography. I hope the academy remembers this at Oscar time. Elena, I recommend you see "Happiness." One could easily compare it to Am. Beauty because of the themes. "Happiness" is a more important film. BTW, I also did not like Annette Bs acting. If you want to see great acting go to see Sean Penn in Woody Allen�s new film "Sweet & Lowdown." Wow!

(Lucie)Evelyn. Is this site policed like Hot Brits? Lucie, I really don't know any of the voting regulations of the Albemarle website.It's strictly for fun....nothing serious.The Olivier committee obviously will not pay any attention to it.Nor should it.

On Jan 25th, I moved all the old spring conference files to the new site, and I am now posting on the site for the second or third time. Kaylene Thaler has been our savior today, working on getting it to work. Not everything will work at first, because we're being pioneers, but we'll get it to work with your help. The old accounts may not even work, because Kaylene is trying to figure out how to make them work. I'm logging in with a new account.

I just logged with my old username, so maybe our old usernames and passwords will work after all. I hope someone else shows up soon. Last 50, etc. doesn't work yet, there will be lots of things to fix, but the good news is that we've done what many said couldn't be done and moved to this new server. I'm pumped!

Welcome everybody to the new site! Thanks Terry. Calendar of Oscar events: Oscar nomination ballots are due by 5 p.m.(PST) Friday. Noms will be announced Feb. 15 at 5:30 a.m. The awards will be handed out March 26.

Thanks Terry and Karen. I too logged on successfully with my old user name and password. Hooray!

That's great, Kaylene wasn't sure if our old passwords would work, with the exception of the missing background here, we've been far more glitch free than I expected. A lot of people said we couldn't pull this move off, but we did it and I'm relieved.

This was posted at austen.com's Tea Room. Thought many of us might be interested. FOR IMMEDIATE RELEASE ********************************************** TLC'S "GREAT BOOKS FESTIVAL" TAKES A WALK DOWN THE AISLE WITH "PRIDE AND PREJUDICE" AND "MADAME BOVARY" ********************************************** On Saturday, February 19, TLC will feature an all-day GREAT BOOKS FESTIVAL, with two all-new, world premiere episodes: Jane Austen's 'Pride and Prejudice,' and Gustave Flaubert's 'Madame Bovary.' "GREAT BOOKS: Pride and Prejudice" airs Saturday, February 19, from 9-10PM, and "GREAT BOOKS: Madame Bovary" follows from 10-11PM (ET/PT). The GREAT BOOKS FESTIVAL airs from 9AM to 3AM. TLC's GREAT BOOKS presents the stories of the heroines of these two novels, and introduces viewers to modern-day writers and relationship experts, who explain how and why women around the world still identify with the novels' characters. "GREAT BOOKS: Pride and Prejudice," airing from 9-10 PM, interviews blockbuster screenwriter Nora Ephron to reveal how she features elements of Austen's work in her movies. Helen Fielding, the author of the bestseller 'Bridget Jones's Diary,' borrowed her book's plot from 'Pride and Prejudice.' The program illustrates that Austen's characters are so universal that they update with ease. The program goes from gyms to private girl's schools to bridal shops, meeting young women and their mothers who reveal that the more things change, the more they stay the same. Women are still worried about finding the elusive Mr. Right, couples still have to overcome first impressions in order to find true love, and mothers still obsess over seeing their daughters wed. The story doesn't end at the wedding though, as Madame Bovary learns to her dismay. Stuck in a marriage that can never live up to the passionate romances in the novels she reads, Flaubert's Bovary feels trapped. "GREAT BOOKS: Madame Bovary," airing from 10-11 PM, interviews Erica Jong, author of 'Fear of Flying,' who explains why she took a character similar to Emma Bovary, and sent her on the same sort of emotional quest that Flaubert created. The program also introduces Delma Hayn, the author of 'Marriage Shock,' who reveals that the feelings Flaubert imbues in Bovary are fairly typical with newlywed women. They often feel disillusioned and some turn to affairs to try and recapture some of their old feelings of attractiveness and romance. In order to illustrate the point, the program contains interviews with women who've experienced this disconnect, as well as one women who's currently having an affair. An unmarried man, Flaubert managed to capture the essence of these women's emotions in his masterpiece

interviews blockbuster screenwriter Nora Ephron to reveal how she features elements of Austen's work in her movies. Goody! This must include a fleeting glimpse of ODB on the P&P book cover. Can't tell you how many times I've tuned into You've Got Mail just to catch this elusive sight (best part of the movie, IMO). Thanks for this, Karen. (Karen) Calendar of Oscar events: Oscar nomination ballots are due by 5 p.m.(PST) Friday. Noms will be announced Feb. 15 at 5:30 a.m. The awards will be handed out March 26. If you're interested in all things Oscar, the current edition of Newsweek (2/7/00) features "The Envelope, Please" where "Newsweek invited the makers of the year's most talked-about films to discuss art, money, studios and statuettes. There were a pair of thoughtful Brits (Anthony Minghella, Sam Mendes), a fiesty Canadian (Norman Jewison) and three very different, but equally driven, Americans (Michael Mann, Kimberly Peirce and M. Night Shyamalan)." If you're a Sam fan, he comes off funny ("directing is a very lonely occupation. You think you're the only one who goes through it. This is our AA meeting. My name is Sam, and I am a director [laughter]") and respectful of his peers. Anthony describes how his fight to retain the TEP cast of H'wood unknowns strengthened his commitment to make movies on his terms, not the studios. It's an interesting piece.

Here we go - the nominations that count for something - the SAG nominations: American Beauty continued to bloom Tuesday as the awards season front-runner with four nominations for the sixth annual Screen Actors Guild Awards. Being John Malkovich and Magnolia received three nominations each. DreamWorks' Beauty, which won Golden Globes for best film drama, director and script, received SAG nominations for outstanding performance by a cast, for leads Kevin Spacey and Annette Bening and for Chris Cooper in a supporting role. First-time nominees dominated, taking 15 of the 20 possible individual nods in the film categories. Julianne Moore achieved a first by taking double nominations for lead role in The End of the Affair and her supporting role in Magnolia, giving Moore her second and third nominations; her first was for 1997's Boogie Nights. Crystal ball SAG film nominations and awards provide forecasting guidance as to sentiment among Academy Awards voters, since actors represent nearly 24% of the Oscar vote with 1,321 of the 5,607 ballot-casting members. Indications have been particularly strong in the lead actor and actress categories, with nine of 10 SAG winners since 1994 also taking the Oscar. The lone exception came in the first year, when Jodie Foster won the SAG award for Nell and Jessica Lange won the Oscar for Blue Sky. SAG selections in supporting categories have been a less reliable predictor. Last year Robert Duvall (A Civil Action) and Kathy Bates (Primary Colors) won SAG awards, but James Coburn (Affliction) and Judi Dench (Shakespeare in Love) won the Oscars. And SAG ensemble cast winners matched the best picture Oscars only last year with Shakespeare in Love. "This and the Globes are good indicators of what might happen at the Oscars," said SAG president William Daniels. "It's very meaningfulfor these actors to be honored by people who are in front of the camera." Ballots to 97,000 Nominations were based on polling of 4,200 randomly selected SAG members. Ballots will be mailed Feb. 15 � the day that Oscar nominations are announced � to the 97,000 SAG members, and winners will be announced March 12 at the Los Angeles Shrine Exposition Center. The film nominations give a major boost to New Line's Magnolia and USA Films' Being John Malkovich, which were both shut out at the Globes. Besides Moore's nod, Magnolia also received nominations for cast performance and for Tom Cruise for his supporting role, while USA Films' Being John Malkovich scored nods for cast and for Cameron Diaz and Catherine Keener in supporting roles. Warner Bros.' The Green Mile, Fox Searchlight's Boys Don't Cry and Miramax's The Cider House Rules each took two nominations. Mile received nods for cast and Michael Clarke Duncan's supporting role; Boys for Hilary Swank's lead and Chloe Sevigny's supporting role (Swank took the Globe for actress in a drama); and Cider House for cast and for Michael Caine's supporting role. Kudos counting In addition to Cruise, Globes winners Denzel Washington (The Hurricane), Jim Carrey (Man on the Moon), Janet McTeer (Tumbleweeds) and Angelina Jolie (Girl, Interrupted) received nominations. A mild surprise came from the lead actor nomination for Philip Seymour Hoffman in Flawless rather than a supporting actor recognition for Magnolia. Meryl Streep's nomination for Music of the Heart was her fourth, the most of any of the nominees.

If you're interested in the Newsweek article I spoke of in #364, here's a link to the online version: http://newsweek.com/nw-srv/printed/us/ae/a2873-2000jan30.htm

I'm so excited, just had to share with everyone, I have tickets to go to The Olivier Awards on the 18th February, now if only Colin had been nominated, (sob) but you never know he may be one of the Presenters, will be able to give you a first hand report on all the gossip!!

I made it over, has other topics been transfered yet? And are all of them transferring over? Should the ones that are not used just be deleted? Anyway, the aztec/mayan motif is interesting.

Laura, everything's here that's gonna be here. AnnW, how exciting! Are you going to go to the Oliviers? I'm sure, SD's presence will make up for the dearth of Firth. Be sure to yell out, when they are reading the nominees for Best Actor, "This is rigged!! You left out the best one!!" ;-) Just kidding (well, sort of) Have fun.

Ann, I'm jealous! You're so lucky! How on earth did you manage to get tickets? Do you know where you'll be seated? I'll look out for you when it's screened on the BBC.

Ann and Aishling ...we're so proud that you're going to be our reps....I'm thinking that perhaps Richard Greenberg, author of 3 DOR will be there. (If you tell Moon, she'll want his autograph!).And all sorts of important people. What troupers! Take copious notes.Tell me what she's wearing... And whoher date is....;-)

tell me what she wears Evelyn , I just hope it is not that black dress she wore at the BAFTA Films Awards when she was nominated for Wilde!!

....that black dress she wore at the BAFTA Films Awards when she was nominated for Wilde!! That was ghastly...even with the front slit all the way up. By her own admission, she is not a "clothes-horse" and like her ex-boyfriend, is not concerned about clothes. Imagine...with that bod!

FYI - 3DOR just opened in DC to good review in the Post. The actress looks cuter than EM, but of course Ned/Walker--well, what's the point? I was hoping that, when his agent said he was leaving the country, it meant he was coming here to continue the role. Alas!

(Karen) Be sure to yell out, when they are reading the nominees for Best Actor, "This is rigged!! You left out the best one!!" ;-) Just kidding (well, sort of) Karen, maybe we should jet back over for the show and wrap ourselves in paper chains in protest.;-) (Sorry, totally tasteless, I know;-) Ann and Aishling, have a super time--very exciting! BTW, the What's On Stage newsletter predicts Maggie Smith to win (predictably), but says Jennifer *should* win. RE: SAG noms. Nice to see people like Chris Cooper and Phillip Seymour Hoffman recognized. Does CF have one or two of these? If memory serves, cast won for SIL, but not for TEP, though nommed. Cymbeline, I saw that 3DOR review. It gets good reviews wherever it plays--which is pretty much everywhere in the U.S., which is why there's no way it will come back to NYC any time soon.

I was going to see 3DOR in Philadelphia, but never made it:( And I saw that it was getting really good reviews. I'm curious who are the actors that are in the American version? Does anyone have a clue?

Is it still there? Cymberline reported that 3DOR is playing around Washington DC right now. You can read the review at the Post site. I'm sure different actors perform at each theatre.

I don't know if it's still in Philadelphia. But DC is only 2 hours away, it could be the same troupe from Philadelphia? I thought maybe the 3DOR cast was the same (traveling company). Karen, when you saw it in Chicago, I don't remember what you thought of the actors? Were they good in their own right?

Of course, they were. It was the Steppenwolf Theater.

No, the troupe in DC is not the one who played in Philly. I just did a compare from the Philly review I had posted at springfolks. It ran in Philly from late October to early December. Also, it played in Boston in April.

If topic 34 didn't make it over from drool, Karen, can you revisit http://206.97.234.70 and copy and paste it in to a new topic. How many posts were in that topic, was it very big? I'm concerned and want to help get that stuff over here to the new site.

I think I got this done in topic 128. It it may not be as bad as I thought. Try it out and let me know if topic 128, the old fan fiction topic, is working ok. I don't know why this didn't travel over??? But maybe it's ok now.

Thank you, Terry. Everything moved over just perfectly on 128. I've left a big message on old 34 about the changes and how their entry the first time will be a bear and a tip about how to avoid loading hell, which I'm reproducing here: Important!!! Drool Fan Fic has moved to the new Spring location and has a NEW topic number. Bookmark this url if you only check Fan Fic: http://www.spring.net/yapp-bin/restricted/read/drool/128/new Be Warned However... The first time you use that url, it will take forever to load because you will be getting 1970 messages and your PC will not likely be able to hold it all in memory cache and will stop loading at some point. So for the first time you go into the new Fan Fic topic, use this url, which will start it loading at message #1900. http://www.spring.net/yapp-bin/restricted/read/drool/34.1900 After that you can go back to the usual one I listed first. See you there! :-)

What's On Stage newsletter predicts Maggie Smith to win (predictably), but says Jennifer *should* win. Albemarle Theatre website has Jennifer 115 votes .... Maggie Smith 68 3 DOR 102...Lady in Van 79. SD 107....Henry Goodman 38 My guess is that at Olivier time the owners of the website will rig the numbers to coincide with the awards. *Cynical* evelyn

Evelyn!! You're not going to believe this. This Year's Love is going to show at the Santa Barbara Intl Film Fest, which begins March 2. Here's the url at Variety: http://www.variety.com/article.asp?articleID=1117776079 Films among the U.S. preems are �If You Only Knew,� toplined by Johnathon Schaech; �The Spreading Ground,� Dennis Hopper; �The Annihilation of Fish,� James Earl Jones; �It�s the Rage,� Gary Sinise and Joan Allen; �Passion,� Barbara Hershey; and �This Year�s Love,� Catherine McCormack. For fest passes and a complete schedule of events call, (805) 963-4408 or log on to www.sbfilmfestival.org.

Evelyn, how about this then, from today ES Theatre Section:- "ACT sale hit by price of Success: .... this week The Real Thing broke the theatre's all-time box office record." All-time record, can you believe it.

Ann.....Evelyn...this week The Real Thing broke the theatre's all-time box office record." All-time record, can you believe it. And that's 800 seats/performance.!!! (Karen)Evelyn!! You're not going to believe this. This Year's Love is going to show at the Santa Barbara Intl Film Fest, which begins March 2. *evelyn...smiling...like a dog eating..----!*

Well I finally got to the new site. It's really good to find all of you again. Thank you for the virtual birthday party, it was great. My actual birthday celebration(s) were very nice too. I posted about them on the old site, which was the only one I could access. As per usual, I was much too verbose. It figures that my birthday would happen at the time Spring is in upheaval. But I won't take it personally that, my birthday party and response weren't transfered to Spring's new site. I swear computers have it in for me. At work the running joke is I'm always the first person to be thrown out of certain programs or whose computer crashes. In the future, when artificial intelligence is perfected, an unintentional offshoot will be artificial mental illness. Just think you could get a bi-polar computer or even one that's obsessive-compulsive; it would just keep doing the same thing over and over. Mine would no doubt go shopping for itself on the web. Because of online shopping, it would know my credit card number and decide to buy itself some new software, sent overnight mail of course. Sorry, I'm being silly. Thanks again to Karen, Moon, KJArt, Evelyn, Heide, Gi, and Eileen for all your birthday felicitations. I hope that's everyone, and the right names. Now I can't access the old site. Lastly, Happy Chinese New Year. It's the year of the dragon, I'm not certain what that entails, but I am being taken out for the multi-course Chinese dinner. It is good to be back.

CherylB, I think Darlene left you her belated birthday wishes too at the old site, I went in today to check for stragglers and there they were... :-) The url is http://206.97.234.70/yapp-bin/restricted/read/drool/127/new and it is still accessible if you want to go there.

HAPPY CHINESE NEW YEAR.. GOOD HEALTH AND GOOD FORTUNE IN THE YEAR OF THE DRAGON 4698

And a Happy New Year from me too!!

More Ralph Feinnes on the front cover of the Sunday Times Culture section, how I wish Colin has as much exposure, however, some news that Sunshine starring Jennifer Ehle and her mother oh and RF, opens on the 2st April, and not 7th April as originaly suggested,

that should be the 21st April.

Happy year of the Dragon everyone! (This is as near a dragon as i could get in the spur of the moment) Can someone tell me: a. Why is the numerical Spring location still up? b. Why can't we see the list of the most recent postings in this one? c. Why can't some graphics (e.g. the Amazon.com button)show up here yet?

a) No idea. The company has not shut it down yet. b) They haven't fixed that yet. c) Someone has to fix the urls, which point to the wrong place. Like the background, which didn't show up initially. wer fixed that, and he will get around to bringing back our other buttons and customizing our conference page.

Headline story from The Sunday Times: Disney takes over as dome boss is sacked [last paragraph] Gerbeau will look immediately at the issue of admission prices.

Oh no, I have just bought our tickets for April!!

Oh forgot to say that TRT is the No.1 play in London now, has taken over from The Lady in a Van and if Friday night is anything to go by it will stay there, the audience loved it.

About BBC Drama, with Colin mention: WHY THERE'S MONEY IN THOSE TV FLOPS (4/2/00) Only four million of us tuned into the first episode, and barely half that number have stayed the course. With the final part due to go out on Monday night, it's no longer just a matter of the critics carping. Gormenghast is officially a flop. The BBC denies it, of course. Alan Ayres, the publicity commissioner for BBC2 drama, says the figures for the opening episode were a "terrific success". But a couple of years ago the Beeb admitted that its adaptation of Ivanhoe was an "honourable failure" - and that drew eight million. The Beeb will plead that you never get a huge audience on BBC2, which begs the question why a GBP6million adaptation was scheduled there. And that doesn't explain why half the viewers who did watch the adaptation of Mervyn Peake's work decided so quickly to give up the Gormen-ghost. We know the real reason. The series was slated by the critics as a badly written, self-indulgent turn-off. Grotesque characters babbled incoherently, and nobody seemed to care whether we understood what was going on. The world of Gormenghast was like nothing we have seen before, but the story of high costs, overinflated expectations and pitiful ratings is familiar. For this isn't the first BBC flagship drama to sink. Gormenghast is the latest in a fleet of them. That "honourable failure" Ivanhoe was so difficult to follow that most of us gave up trying. At GBP5million, it was only just cheaper than Gormenghast. Even more expensive was the eight-part biopic Rhodes. The series was 10 years in the making and involved 10,000 extras. Unfortunately, each episode also felt like it lasted 10 years. It cost a cool GBP10million. Then there was Nostromo, starring Colin "Mr Darcy" Firth. Half the nation may have drooled over Firth in his wet breeches, and six million people tuned into a repeat of Pride And Prejudice in the same year, but only 1.5 million stayed loyal to the GBP5million Nostromo. Other flops included A Year In Provence and the interminable Seaforth. And never forget the disastrous Eldorado. Set in a specially built village outside Malaga, the "sun, sex and sangria" soap was actually more like a dose of Spanish flu. Another GBP10million was sneezed away. But the turn-offs need putting in context. For every Nostromo there is a David Copperfield or a Pride And Prejudice. And even if a series is a flop at home, the BBC can point to some staggering successes in persuading television companies overseas to buy our rejects. Rhodes was sold to Canada, Australia and South Africa for GBP15million. The Canadians and Aussies loved A Year In Provence, earning the BBC a healthy GBP10million, and Seaforth found an audience in Holland, Denmark, Finland, Hong Kong and Romania, recouping about half of its GBP10million budget. Most remarkably of all, Eldorado has struck gold in Sweden, Poland, New Zealand, Mauritius, Australia and Russia, earning a staggering GBP20million. Sure enough foreign viewers are already coming to the rescue of Gormenghast. The series has already sold to Greece, Poland, South Africa, Hungary, Australia and New Zealand, and more deals are expected. "It's selling extremely well and we're very confident it will recoup the original BBC investment," says Mary Collins, head of publicity at BBC Worldwide. She also stresses that the cost of Gormenghast was split with co-producers WGBH in Boston and a Canadian television company called Chum, so the licence-payer is not responsible for the full GBP6million. She says it is quite normal for a programme to be made with one eye on the foreign rights if the producers think it will sell.

I thought that RF article in the London Times was rather cruel... Titled "Fogey Bare" an Old Fogey at 37? C'mon. And those buns look pretty good in the End of the Affair". The last line of the article was really the killer: "But remember, even Olivier did coffee commercials in the end." Those UK journalists really know how to get to a fella'. And that's a mainstream paper...not a tabloid. No wonder Colin doesn't like to do interviews. Who needs these assaults?

"Fogey Bare" is also a play on "Yogi Bear" - I can't see a connection, can anyone else? Enlighten me, please. It's very true that an awful lot of the popular media in the UK seem to go for merciless teasing and even ridicule in their reviews and interviews. Often it's pretty tiresome: sometimes hinting at malicious and offensive. It's some kind of a trend, I guess, and the problem is that they all try to outdo one another. They think it's funny, you see.

(Arami)"Fogey Bare" is also a play on "Yogi Bear" - I can't see a connection, can anyone else? Enlighten me, please. "The phrase that's been used, and it's not nice, is: old fogey. Or is it young fogey? At his age, who can tell? "London Times I ,too, can't see the connection with Yogi Bear. My take on "fogey" was old at 37 to be "bare" as in his bum in the "End of the Affair" ...a real "rumpy -pumpy" which the UK rated as NC 18. We got the R-rated cleaned-up version which was steamy but not raunchy. I still think it's beneath the eminent London Times to stoop to tabloid journalism.

Maybe the connection was with Yogi's sidekick Booboo Bear? ;-) BTW, I had no problem with the buns on display and I didn't count how many times they went up and down. Something is wrong with people who do IMO.

Booboo Bore, more likely. ;-)

From Monday's Times: THE low-budget Asian comedy East is East was named film of the year at the Evening Standard British Film Awards last night. The bleakly comic tale of a traditional Muslim father forced to review long-held beliefs by his seven westernised and rebellious children took the Best Film award at the Savoy Hotel, London. Among the other winners, Jeremy Northam was Best Actor for his roles in An Ideal Husband and The Winslow Boy and Samantha Morton was named Best Actress for her performance in Dreaming of Joseph Lees. Notting Hill confirmed its status as the highest-grossing home-grown film of all time by winning the Peter Sellers Award for Comedy. Tom Stoppard capped a highly successful year by winning his third major Best Screenplay prize for Shakespeare in Love. A Special Award for Lifetime Achievement was handed to the cinematographer Freddie Francis by Jessica Lange, the double Oscar-winning actress, who worked with him on Martin Scorsese's 1992 remake of Cape Fear. The success of East is East, directed by Damien O'Donnell and starring Linda Bassett, follows several other awards for the film. Last year its scriptwriter, Ayub Khan-Din, won Best Original Screenplay title at the British Independent Film Awards, and Bassett was named Best Actress at the Valladolid International Film Festival, with O'Donnell taking the Golden Spike. Guests at last night's event included Madonna, who arrived with her British boyfriend, Guy Ritchie, the director of the gangland comedy Lock, Stock and Two Smoking Barrels. The Evening Standard critic Neil Norman said that judging had been difficult because of the high number of eligible candidates. The awards, formerly known as the Evening News British Film Awards, were first presented in 1973. Judges this year were Norman, Angie Errigo of Empire magazine, the Evening Standard film critic Alexander Walker, Derek Malcolm of The Guardian and the journalist and broadcaster Mark Lawson.

WHY THERE'S MONEY IN THOSE TV FLOPS (4/2/00) Thanks for this, Karen. I fail to see why the author's so upset--after all, *they* didn't do 'Leprechauns.' Saw Onegin on TV Saturday night. Rafie was brooding for a change *snicker* but was tremendous compared to Liv. The film was pretty to look at, though. Benedict Nightingale gushed about TRT in yesterday's NYT. There was also a large advance ticket sales ad, featuring an extreme, grainy close up of JE and SD smooching.

after all, *they* didn't do 'Leprechauns.' *hee hee* I've been seeing commercials for another BIG special (can't remember the name), but it looks like they got to reuse the costumes from Leprechauns. ;-)

..... Jeremy Northam was Best Actor for his roles in An Ideal Husband and The Winslow Boy Hooray....at last someone recognized this guy's talent in these two films...which no one saw (TWB).And both lost $$$$. ~~~~~~~ Benedict Nightingale gushed about TRT in yesterday's NYT. There was also a large advance ticket sales ad, .. Selling tickets now til August. First few weeks in April sold out. The PR people are going great guns with ads in the NYTimes. I'm looking for the website...

Thanks Gi for posting the URL link to the old site; I did find Darlene's birthday wishes there. Thank you Darlene. RE: The Year of the Dragon -- I love all the dragons adorning this board. In honor of it being the Year of the Dragon, I should get some Oolong tea. "Oolong" is a variant of "wu long", which means "black dragon". If I remember any Chinese folklore correctly, the Black Dragon was the symbol of the emperor. Since it's the time of year of for film awards, I'm going to post the winners of the National Society of Film Critics. These are American film awards similar to the New York Film Critics Circle and the National Board of Review. They are as follows: Best Film "Being John Malkovich" and "Topsy-Turvy" (tie) Best Actor Russell Crowe, "The Insider" Best Actress Reese Witherspoon, "Election" Best Director Mike Leigh, "Topsy-Turvy"

Another article about Hits & Misses; this time from the Guardian (2/5). A stufy must have been released for all the newspapers to have glommed onto this: COSTUME DRAMA: THE TRIUMPHS AND THE TURKEYS The hits Pride and Prejudice The 1995 BBC1 adaptation became required viewing for an average 10m a week. Some 11.3m saw the final episode. Enthusiasm was fired by news of the true off-screen romance between Colin Firth and Jennifer Ehle - Mr Darcy and Lizzie Bennett - and, among female viewers, his penchant for tight breeches and wet shirts. Moll Flanders With its 17 sex scenes, ITV's bodice-ripping 1996 adaptation, again by Andrew Davies, lured 13m viewers. The BBC's rival offering, Anne Bronte's bleaker and more demure The Tenant of Wildfell Hall, drew in around 4m fewer. Brideshead Revisited Figures no longer exist to attest to this ITV adaption's popularity, but it was widely-acclaimed, and brought Evelyn Waugh's tale of Sebastian Flyte and his teddy bear to the masses. Wives and Daughters Elizabeth Gaskell's tale of love and marriage, screened on BBC1 last autumn, was initially beaten by ITV's adaptation of Oliver Twist in the ratings, drawing 7.2m viewers for the initial episode compared to its rival's 8.4m. However, on average, 7.95m viewers tuned in for each episode. Oliver Twist Bleasdale's acclaimed, though not entirely faithful, adaptation starring Robert Lindsay and Julie Walters just pipped Wives and Daughters at 8m viewers per episode. The misses Gormenghast The lavish BBC2 drama has lost 40% of its viewers since its opening episode - with ratings falling from 4.2m to 2.5m. Rhodes An unprecedented flop. The pounds 10m BBC1 production about the story of Cecil Rhodes and the founding of Rhodesia boasted superb scenery and Martin Shaw as the star. The 1996 serial slumped to 4.8m viewers, from 7.6m, after just one episode. Hornblower Despite being - at pounds 12m - the most expensive TV dramatisation ever, ITV's seafaring saga drew in just 6m viewers. The cherubic Ioan Gruffudd in breeches was insufficient compensation for a lack of strong females. Nostromo 'Don't touch Conrad,' the novelist and academic David Lodge warned BBC1 after they had commissioned this adaptation. The four-part 1997 serial flopped, drawing in less than 3m viewers. Vanity Fair Not an unmitigated disaster, but Andrew Davies' 1998 adaptation of Thackery's novel was initially dubbed 'Vanity Flop' after the 7.8m who tuned into the first episode slumped to 6.8m a week later. It was beaten by the 9.9m who tuned in for the ITV detective series, Taggart.

Thanks Karen... Poor "Nostromo"...not even an off-screen romance with Serena would have helped that one. ~~~~~~ I just saw the first episode of Madam Bovary last night and don't think I'll bother next week.Although Frances O'Conner is a more acceptable MB than she was Fanny Price in "Mansfield Park". ~~~~~ "Oliver Twist "coming this spring looks promising...with a knock-out cast.

Did you notice that the production specifically said BBC "America" and WGBH? Was it shown in England? BTW, this was probably the most risque program PBS has ever shown!! Yowza, that Greg Wise in the woods. ;-)

Oliver Twist is excellent, I higly recommend it.

A veritable Who's Who Minus One: Waiting for Beckett By Karen Fricker DUBLIN (Variety) - The full canon of Samuel Beckett's dramatic work -- 19 plays in all -- is being filmed for television with top flight talent including director Neil Jordan and actress Julianne Moore. Two plays have already been filmed: ``What Where,'' directed by up-and-comer Damien O'Donnell (''East Is East''), and ''Endgame,'' directed by playwright Conor McPherson (''The Weir'') and featuring Michael Gambon and David Thewlis. Other talent associated with the project includes Judi Dench, Harold Pinter, Tom Stoppard, David Mamet, Richard Eyre, John Boorman and Jim Sheridan. The project marks the first time that the Beckett estate has awarded the complete film rights to all of the writer's stage works. Filming will continue through the summer, and the project is set to hit Irish and British TV screens in the autumn. Representatives from Irish national broadcaster RTE, which is coproducing with Britain's Channel 4, report ``serious interest'' from several American broadcasters, including PBS, in buying U.S. broadcast rights to the series. While some casting and directing decisions remain open, those assigned include artist Damien Hirst, directing the 45-second-long ``Breath''; Jordan directing Moore in ``Not I,'' in which only the actress's mouth is visible; Stoppard helming ''Ohio Impromptu''; Mamet directing Pinter in ``Catastrophe''; and Eyre directing Dench in ``Rockaby.'' Former Beckett assistant Walter Asmus will direct ``Waiting for Godot,'' while actor John Hurt is attached to ``Krapp's Last Tape.''

Just read this in Broadcasting & Cable Mag NBC PILOT IS AROUND THE CORONER NBC has ordered a pilot from GBTV, the U.S. programming venture with BBC Worldwide and Granada Media, based on the British crime series Silent Witness. The order is the first fruit of the deal between Britain's two largest TV production companies to develop and produce shows for U.S. broadcasters based on British formats. The pilot is scheduled to begin shooting in March. GBTV will produce in partnership with NBC Studios and Columbia TriStar. The central character is a female coroner.

I thought Cold Feet (which didn't last long) was the first such venture?

I haven't a clue, Karen. I'd never even heard of the venture until I read this. I've seen Silent Witness on A&E, it was okay, not great. Cracker (British) was awesome, but the American version tanked. Only British game shows seem to make here. And that's my final answer, Reege.

News Flash Evelyn, JE & SD won the Best Actress and Best Actor awards at The Variety Club Showbusiness Awards today, for their performances in The Real Thing. Also Jeremy Northam won the award for Best Film Actor.

Thanks Ann: Here's the URL: http://www.eventselector.co.uk/news/950010231_9892.html VARIETY Club Showbusiness Awards now in their 48th year. Ceremony at the London Hilton on Park Lane.Will be televised Winners were judged by a panel of showbusiness and entertainment professionals for their 1999 achievements. Best Screen Actor JN Best Actress Catherine Zeta-Jones "Best Stage Actor was won by Stephen Dillane and Best Stage Actress by Pride and Prejudice star Jennifer Ehle." Will be televised on BBC1 on Sunday Feb 13. ~~~~~~~ (I like the way they keep bringing up P&P. US adverts are using P&P too. "JE from A&E's Pride & Prejudice".)

What did Stephen Dillane win for? Was he just on the stage? That is he I saw in Firelight and Deja Vu, isn't it? Both roles were rather lacking in pizzazz I thought, esp the latter where he looked as though he didn't much like his costar and was bored by the whole experience. Anybody got suggestions for something good?

Great news for Jennifer! Those awards count, don't kid yourself. Which film did Northam win the Variety award for? He was terrific in The Winslow Boy, and he and Julianne Moore made An Ideal Husband marginally watchable--but just.;-) . And I'm almost afraid to ask what Zeta-Jones won for . . .;-) (Cymbeline) What did Stephen Dillane win for? Was he just on the stage? That is he I saw in Firelight and Deja Vu, isn't it? Both roles were rather lacking in pizzazz I thought, esp the latter where he looked as though he didn't much like his costar and was bored by the whole experience. Anybody got suggestions for something good? Dillane is currently appearing with JE in The Real Thing for about another month, then they move it to Broadway. I'm not familiar with Deja Vu, but yes that was him in Firelight. As for suggestions for something good--do they have to be Dillane related?;-) If so, Welcome to Sarajevo with SD and Woody Harrelson, is good. If you're just looking for newish good rents in general, I'd recommend The Winslow Boy (which I think just came out here on video today); Limbo, with Mary Elizabeth Mastrantonio and David Stathairn--written and directed by one of my faves, John Sayles; purely for light fun, The Thomas Crown Affair--breezy and sexy and what a relief to see a middle-aged man paired with a middle-aged woman! One I would *not* recommend: Tea With Mussolini. Yuck.

The Guardian has a printed an extensive group of interviews with Ralph Fiennes, Neil Jordan and Stephen Woolley done following the NFT premiere of The End of the Affair. It's in three parts (the links are on the left). Start here: http://www.filmunlimited.co.uk/Guardian_NFT/interview/0,4479,132683,00.html

Best Actress Catherine Zeta-Jones Well, that lets some air out of the balloon, doesn't it? (Mari) And I'm almost afraid to ask what Zeta-Jones won for . . .;-) Best Beautiful Body Contorting Around Red Yarn in the Presence of a Man Nearly Twice Her Age (kind of long--must be a big trophy).

New website for Broadway's THE REAL THING: http://www.therealthingbroadway.com Great Darcy-like- liplock between Jennifer and SD.Must be the same pic as advert from NYTimes.It's not grainy, Eileen...symbolic ..for "love".Part of the ambience of the play. ~~~~~~ Interestingly...it mentions among the presenters...."Miramax Films"... "C'mon, Harvey...waddaya have up ya' sleeve?"The guy never spends a dime without a reason!!

It's not grainy, Eileen Watch your mailbox for the next few days... "C'mon, Harvey...waddaya have up ya' sleeve?" The guy never spends a dime without a reason!! My thoughts, too. Although he's likely looking to recoup some of his losses incurred by Talk Mag--until last weekend, that is, when Scream 3 made a killing (yukyuk) at the BO.

Catherine Zeta-Jones is IMNSHO the worst actress. I think they were looking at her breasts when they were watching whatever movie she was in!

Best Beautiful Body Contorting Around Red Yarn in the Presence of a Man Nearly Twice Her Age Nearly? Try more than. ;-) What was she in last year? Entrapment and The Haunting? Save me. Nice website, Evelyn. Too bad the Donmar didn't spring for one like that for 3DOR.

Janie Dee won The Critic's Circle Awards announced today, she on a hat-trick with The Olivier Awards. Henry Goodman won the Best Actor.

Janie Dee won The Critic's Circle Awards announced today Words fail me! That play was sooooo bad! And can any one tell me what was so special about SD's performance? It was fine but I cannot see what was so great about it. Or is my CF partiality blinding me to the merits of others?

(Allison) Or is my CF partiality blinding me to the merits of others? I had an *eye* problem as well during TRT, but I think it was severe jetlag that was forcing my lids down. The role of Henry is a very good one, full of dramatic and comic potential. I almost think anyone could have a bravura performance in it. Wish I had seen it at the Donmar (up close) rather than at the Albery (further back) because if there were subtleties to the performance, then I didn't pick them up...up in the dress circle (?) or first balcony as we would call it.

From the NY Daily News: Miramax Is Going Broadway For the first time in its 20-year history Miramax Films is backing a Broadway play. The company has agreed to co-finance the Tom Stoppard revival "The Real Thing," which opens a 20-week limited engagement on the Great White Way on April 17. Stoppard, you'll recall, was the co-writer of Miramax' enormously successful Academy Award winner "Shakespeare in Love," so his relationship with company honcho Harvey Weinstein is nothing if not strong. "I am pleased to be teaming up again with Harvey, a long-standing admirer of my play," Stoppard said. "The Real Thing," a humorous play within a play about marriage and pop culture,currently is running in London. The plan, according to Miramax reps, is for the London co-stars Stephen Dillane and Jennifer Ehle to come to New York when the play closes there March 18. Miramax and Universal already co-own the film rights to "The Real Thing." This co-venture with producers Anita Waxman, Elizabeth Williams and Ron Kastner could be the first of a number of Broadway shows for Miramax. Another project thateinstein has his eye on for Broadway is a musical adaptation of "Cinema Paradiso." As for Weinstein himself, he is said to be feeling "fantastic," to quote someone at Miramax, and is expected back at work soon following what must have been a major ordeal fighting off a bacterial infection. I asked a Miramax rep whether it was safe to pencil in Weinstein as a definite for the March 26 Oscars in Los Angeles. "Count on it," he replied. ~~~~~~~~~ I have always wanted to see Colin playing Henry.....Perhaps, the film? As Bethan would say..."I am very, very optimistic."

(evelyn)It's not grainy, Eileen (Eileen)Watch your mailbox for the next few days... I don't get it..... ~~~~~~~~ (Karen)The role of Henry is a very good one, full of dramatic and comic potential. I almost think anyone could have a bravura performance in it. (Allison) And can any one tell me what was so special about SD's performance? It was fine but I cannot see what was so great about it We always said TRT was a better play for showcasing acting talents. As Karen says anyonecould have a winning performance. Though easy to overact. Both Colin and SD have similar acting styles...I have no doubt Colin would have won in this play.

(Evelyn)I don't get it..... You will, you will (she says mysteriously). ;-D Stoppard, you'll recall, was the co-writer of Miramax' enormously successful Academy Award winner "Shakespeare in Love," so his relationship with company honcho Harvey Weinstein is nothing if not strong. 'Natch. Stoppard's great, isn't he? It was his talent that made SiL what it was. Remember how what's-his-name Norman kept taking all the screenwriting credit?

I had read at some screenwriting sites that Stoppard is responsible for only about 25% of the screenplay for "Shakespeare in Love". Mark Norman had the right to be listed first as author because most of the material was his. Also the screenplay languished for roughly 5 years, because of casting problems, not because it was deemed sub-standard. Tom Stoppard was hired by Harvey Weinstein because of the prestige his name would carry. Snob appeal. Interestingly there is a something of a backlash toward Miramax, due to some hard feelings about the slick marketing involved in making SIL a multi Oscar winner. Hardly anyone in Hollywood thinks it deserved to win Best Picture, that should have been "Saving Private Ryan". There is also a feeling that "The Truman Show" was far more deserving to win Best Screenplay. Please don't take offence, that's just the prevailing mindset now.

I'm a Generation X'er, okay. I cannot spell, that is why Spell Check was invented, but I don't think it's on this site. The name of the co-author of SIL should be Marc Norman.

No offense, of course, Cheryl. I think you got the sentiment down right, Hardly anyone in Hollywood thinks it deserved to win Best Picture but in the rest of the world outside of Hollywood, SIL was enthrallingly different. I never though Private Ryan should beat out SIL...can't say anything about The Truman Show since I didn't see it.

Sorry, I disagree, immensely about SPR and do believe (despite the amount of money spent by Miramax) that SiL deserved the Oscar. SPR was a great war epic, but nothing distinguished it above all the others that have preceded it. But that just MHO. (Cheryl) Mark Norman had the right to be listed first as author because most of the material was his. Percentage of material is not how the Writers Guild determines order of credit. Norman got first billing because it was his script/idea first. I have an early version of SiL (pre-Stoppard's involvement) and, believe you me, that man despite his master's credentials would not be capable of writing the dialogue in the final movie. That script is dated 6/1/92 and only has Marc Norman's name on it. It is swill, tripe, !@$% etc. Bears no resemblance to the movie we all saw, probably only 1-2 scenes continued into the end product. Viewed against Stoppard's other works, SiL (final form) is most definitely in his voice with his humor. One does not pull a plum like this out of a "Cutthroat Island" ;-)

I have to agree with Cheryl here: SPR should have won, IMO. That's not taking anything away from SIL, which was very good, but I like my Oscar winners to touch my heart *and* my intellect, which SPR did. SIL appealed to the brain only, IMO. Moreover, SPR wasn't just another war movie to me. It examined issues of honor and integrity; of why we fight wars; of subordinating a group's needs to those of an individual; and so much more. Better still, it provided no easy, pat answers. And, I feel it honored the people of my parents' generation who preserved a way of life as we know it. Cheryl, one theory I've read which seems to make some sense is: most of the Academy members don't bother to get off their asses to actual see the films in the cinema, so they wind up watching on the videos/DVDs that the members get. The film that comes across best on the big screen (SPR) is at a distinct disadvantage. The film that transfers better to the small screen (SIL) has the upper hand. Just a theory, but I think it's an interesting one. Hey, the Oscar noms are announced next week (Tuesday?). Anyone interested in a discussion/predictions? It's not necessary to have seen a lot of films to have an opinion--that never stops the Academy.;-)

Mari, there are lots of theories about why SPR didn't get it last year, ranging from Spielberg already won for Schindler's List or the Best Director was a cut- the-child-in-half approach, but the one I subscribe to is: it didn't get enough votes. ;-) Using my convoluted logic, Spielberg's Dreamworks org will get it this year to make up for last year. Therefore, my risky predictions for nominations: American Beauty for Best Picture, Best Director and Best Actor (and the full complement of Best Other Stuff: writing, art design, cinematograhy, etc.) Denzel is a given and I'd say THE leading contender, notwithstanding what all the critics have already said. Denzel will get the votes. His performance is a touching one (brings tears to your eyes several times), and the Academy likes when an actor has to undergo physical changes (buffs up and frails down), just putting on the pounds and dying your hair like Russell Crowe is not enough. ;-) Personally, I liked The Hurricane much better than The Insider. Even though you know the outcome of both, I was engrossed with TH and touched by it.

Speaking of the Writers Guild, here are its nominations: Best Screenplay Written Directly for the Screen: -- "American Beauty" by Alan Ball -- "Being John Malkovich" by Charlie Kaufman -- "Magnolia" by Paul Thomas Anderson -- "The Sixth Sense" by M. Night Shyamalan -- "Three Kings," Screenplay by David O. Russell, Story by John Ridley Best Screenplay Based on Material Previously Produced or Published: -- "The Cider House Rules" by John Irving -- "Election" by Alexander Payne & Jim Taylor. Based on the novel by Tom Perrotta -- "The Insider" by Eric Roth & Michael Mann. Based on the article "The Man Who Knew Too Much" by Marie Brenner -- "October Sky" by Lewis Colick. Based on the book "Rocket Boys" by Homer H. Hickam, Jr. -- "The Talented Mr. Ripley" by Anthony Minghella, Based on the novel by Patricia Highsmith. Remember, at the Oscars, only people in the Writers Guild can vote for writing awards.

Notice from Yahoo: Actor Rupert Everett chats about his new film "The Next Best Thing" on Sunday, February 13th at 9pET/6pPT in Yahoo Chat. Where's Moon? ~~~~~~~~~~~~~~~~~~~~~~ Think we'll get ODB on some time?

Moon is on vacation...AGAIN!! She'll be back in time to join in on the Rupe chat.

(Evelyn) Think we'll get ODB on some time? Checking his schedule here, I see it's penciled in for the 12th of never. Rain date: when pigs fly. ;-) Hey, that's a good-looking site for TRT. Harve has his hand in every pot, doesn't he? I'm all set: 6th row!

Hey, that's a good-looking site for TRT. Harve has his hand in every pot, doesn't he? I'm all set:6th row! You'll be able to see his big brown eyes from there....better than the Royal Mezzanine...(I don't care if Prince Charles likes those seats...I don't) I just called and they are selling tickets til August 13th. Eileen was kind enough to send me the NY Times advert last Sunday...full lenigh of the page...a third of the page wide....like big! Actually, I don't think it looks like Jennifer....dark hair? Annie is a blonde. I bet Harvey makes them do interviews.He got Colin to go to the Berlinale.

(me) I never though Private Ryan should beat out SIL.. (Karen) Sorry, I disagree, immensely about SPR Gulp! I hope you weren't talking to me. I see I left out my "t" at the end of "thought" and therefore my meaning may have been misinterpreted. I agree w/you, Karen. Though SPR was several cuts above most of Spielberg's work, I feel he's a master manipulator and never quite trust the emotions he's attempting to pull. IMHO too, of course. Had to set my record straight and the fact that CF was in SIL has no bearing on my opinion whatsoever. ;-)

From playbill.com MIRAMAX JOINS PRODUCTION OF THE REAL THING "Miramax Films has joined the production team for Broadway's The Real Thing, set to start previews March 29 for an opening April 17 at the Barrymore Theatre. The film company joins Anita Waxman, Elizabeth Williams, Ron Kastner and Associated Capital Theatre, Ltd. on the project. Miramax co-chairman Harvey Weinstein told Variety he'd already been fond of several of the show's principles, including author Tom Stoppard and stars Stephen Dillane and Jennifer Ehle. "But after attending three performances of The Real Thing at the Donmar Warehouse last summer, I fell in love with this production," Weinstein said. The company and Universal Pictures already own the film rights to the play. Variety notes that sources are saying Miramax may invest in other plays, but only as a co-financing partner. " ~~~~~~~ Harve has seen it almost as many times as we have, Ann!

(Heide) Had to set my record straight and the fact that CF was in SIL has no bearing on my opinion whatsoever. ;-) I understand completely. No bearing whatsoever. ;-)

Another of the many theories postulated about why SiL beat SPR: actors, who make up a good part of the Oscar voting contingent, were thrilled to pieces that the movie captured their profession so well. (Cheryl) Mark Norman had the right to be listed first as author because most of the material was his. (Karen) That script is dated 6/1/92 and only has Marc Norman's name on it. It is swill, tripe, !@$% etc. Have to agree with Karen here. Eons ago I had read excerpts of the original script. The end product is Stoppard all the way. (Cheryl) Hardly anyone in Hollywood thinks it deserved to win Best Picture, that should have been "Saving Private Ryan". There is also a feeling that "The Truman Show" was far more deserving to win Best Screenplay. Please don't take offence, that's just the prevailing mindset now. Are you in the b'ness? It always helps to have an insider in our midst! Glad to hear your postal carrier is more efficient than Karen's, Evelyn ;-). full length of the page Almost. There were a few small ads under it. It was very eye-catching, though.

(Evelyn) I bet Harvey makes them (JE and SD) do interviews. He got Colin to go to the Berlinale. And I think another appearance on "Rosie" is a safe bet, too, since she's such a huge theatre fan. Maybe she'll talk Jennifer into bringing her mum along this time;-)

The mother-daughter Broadway team angle will surely be part of TRT's overall publicity scheme, I would think. It will help Jen's name recognition problem. Bet they save Rosie until Tony-time if both are nommed.

The mother-daughter Broadway team angle will surely be part of TRT's overall publicity scheme,I would think. It will help Jen's name recognition problem. Bet they save Rosie until Tony-time if both are nommed. Wait a minute.....this play hasn't even been previewed on Broadway yet... I am so thrilled that JE is going to be on Broadway. This is her first time there....she's young....v. limited stage experience.Was only a supporting actress in "Tartuffe" in 1991(RSC at Stratford summer of 95) Let's not get into the Tony business yet.That's setting myself up for unreal expectations. Most of SD work has been on stage. He was on the short list for Evening Standard Award two years ago.He is 42 years old with lots of acting experience. I would expect him to get more awards than she.

Sorry, Ev, didn't mean to get you going (but when Harvey's involved...never mind). I am certain we'll hear that she's RH's daughter. Publicity for Waiting in the Wings has blossomed--full page ad in NYT two Sundays ago; lo and behold, when I opened my mailbox today, Lauren and Rosemary were smiling up at me from a mass-mailed brochure.

(Eileen) Are you in the b'ness? It always helps to have an insider in our midst! Sorry but I've only had limited exposure to the film industry, such as working on student films and doing storyboards for some independent shorts. I've worked in advertising, although one of my best friends is in the business. Also, for those of you interested in the origins of SIL; you might want to read "No Bed for Bacon" by Caryl Brahms and S.J. Simon. There was some flak about Stoppard borrowing liberally from that comic novel. I think that there are some similarities, but not nearly enough to warrant plagerism. I also think that "No Bed for Bacon" is more well written than SIL. On the point of screenplays, it's quite arcane as to not only the author order, but also who gets credit. Walter Hill still has no idea as to how he got the screenwriting credit on "The Macintosh Man". Kenneth Branagh got Oscar nomination for adapted screenplay for "Hamlet". Go figure. What did he adapt? He filmed a performance of Shakespeare's entire text. The screenwriting bylaws are something of an industry joke. Still, the revised screenplay by Stoppard may in fact bear little resemblence to the finished film. That is no reflection on Stoppard, it is simply a fact that very often a director may not want a particular scene, or want it rewritten, or simply change it to his liking. This can also hold true for producers and some actors with clout. Then again, there is a chance that the script written was pretty much the one which was shot. Actually Mari there's a lot to be said about your theory on the Academy members, that they can't be bothered to actually go out and see these movies. So the one's in theatrical first release have an advantage over those on tape or DVD. I've also heard it said that many Academy members can't be bothered to vote, period. They give their ballots to their secretaries or personal assistants, and they are the ones who do the actual voting in some cases. I'm interested in an Oscar discussion, since you asked who would be. What film would I have voted for had I been a member of the Academy? Sorry to tell you it would not have been SIL. It would have been "The Thin Red Line", a stunningly visual, visceral, and cerebral elegy from an estimable stylist, Terence Malik. The visual impact of it really got to me, but I was trained as an artist. I still respect the opinion of all of you who felt movie is best summed up by the phrase "snores galore".

(but when Harvey's involved...never mind). I am certain we'll hear that she's RH's daughter. Publicity for Waiting in the Wings has blossomed Know what you mean about Harvey.After the news that he's involved I decided to order my tickets for end of May.Good thing...."Waiting in the Wings" front sold out; I got two mid-orchestra....TRT I got the last two in the 6th row! ~~~~~ I only hope she gets good reviews on B'way...I don't expect a Tony. An Olivier would be the real icing on the cake...she's played in two outstanding plays this season..(Both her leading men and directors are up for Oliviers too!) That's an accolade in itself.

(Cheryl) It would have been "The Thin Red Line", a stunningly visual, visceral, and cerebral elegy from an estimable stylist, Terence Malik. The visual impact of it really got to me, but I was trained as an artist. I still respect the opinion of all of you who felt movie is best summed up by the phrase "snores galore". Oh, that would be me. TRL falls in my 'slowest movie of all time' category, slower than Meet Joe Black. Visual stunningness only gets me so far. Give me a SiL or a SPR anytime over that one. However, you're certainly not alone in your praise for the movie--it was nommed, after all.

"But after attending three performances of The Real Thing at the Donmar Warehouse last summer, I fell in love with this production," Weinstein said Damn. No one saw a piggy-eyed chubby guy with a cigar in his hand during 3DOR I gather.

No one saw a piggy-eyed chubby guy with a cigar in his hand during 3DOR I gather. 3 DOR wasn't playing in the summer.Also seen another time at TRT was Stephen Speilberg with Tom Stoppard at the bar..

I didn't say it was playing in the summer. Perhaps Harvey made it to London twice in one year! Not that we care.

Saw the Rafe article in the TIMES last night. If my name was "Cosmo Landesman," I'd have a chip on my shoulder too. Second week in a row that they are Rafe-trashing.And if he ever defects to the US, they'll wonder why. They did the same thing with TEP...except when it won the Oscar, they had a lot to say about what a Great British film it was with an All British Cast and director."All sweetness and light." Quite disengenuous.But it sells papers for them,I guess.

(Evelyn)If my name was "Cosmo Landesman," I'd have a chip on my shoulder too. ROTFL as we say, Evelyn.

A Valentines wish from a very "in" couple: "What about us for Bridget and Mark?"

Oooo, I knew she'd hop on Rupe as soon as she got back! BTW, I saw the trailer for the film last week. Looked really cute. Also, Rupe's in her music vid for American Pie and he's wearing a sleeveless t-shirt. He works out. ;-)

ACCKKKK!! Moon, that poster is all over the malls up here! (You want I should make off with one?;-) He and Madonna are on the cover of the March Vanity Fair, BTW. Evelyn, LOL about Cosmo--and you are right about the Rafe-bashing. Sheesh, what are they, jealous? The guy works hard, chooses quality stuff with the best in the business, and supports his projects. Sounds like a solid citizen to me. And "Affair" is very good and he's fine, er, fienne, in it.;-)

Lookie, what we got: http://www.spring.net/yapp-bin/restricted/read/drool/40/new

Will you be my Valentine?

Roses are red Banahnahs aren't blue. The Look makes me drool. And lose all sense of rhythm so completely that my poetry stops scanning and I can't for the life of me figure out what in the world to do.

Yes! I am on my way. :-D

For the fairest of the fair, dear ladies of Spring

And I can only add: She Walks in Beauty She walks in beauty like the night Of cloudless climes and starry skies, And all that's best of dark and bright Meet in her aspect and her eyes; Thus mellowed to the tender light Which heaven to gaudy day denies. One ray the more, one shade the less Had half impaired the nameless grace Which waves in every raven tress Or softly lightens o'er her face, Where thoughts serenely sweet express How pure, how dear their dwelling place. Lord Byron

Hmmm, Colin Firth's a better kisser

Interrupting our Valentine's Day festivities, here are a couple of news item: Weinstein's back in public, less his smokes and 40 pounds After months of speculation about the nature and seriousness of the illness that kept Miramax co-chairman Harvey Weinstein away from the day-to-day operations of his company, the Sundance Film Festival and the Golden Globe Awards, the executive suddenly emerged at a Feb. 9 party for the New York Post's Page Six. But Weinstein's tour of the Fashion Week fete, held at Guastavino's restaurant, was rather brief, said sources, who reported that he slipped out minutes after the shindig began, around 7:30 p.m. "Harvey and [brother and co-chair] Bob were the magnets in the room," reported one guest, who added that it was the first time he had seen Harvey without a lit cigarette. Despite heated industry speculation about just what ailment kept Harvey out of circulation, a company spokesman maintains it was a bacterial infection. Weinstein is now using a patch to curb his nicotine cravings and has lost approximately 40 pounds. Weinstein was unavailable for comment but is apparently back in business: Last week, he was on the phone again chatting with top Hollywood executives. AICN's Supposed Scoop on Oscar Noms This site has published a listing of the top 8 vote getters (in alpha order). Whether this has any validity or not, an interesting omission is the dearth of Julianne Moore from any/multiple categories! http://www.aint-it-cool-news.com/display.cgi?id=5216

Thanks, Karen. Happy to see Sean Penn for Best Actor, I hope it sticks. The Three Kings I have stated before should be in Best Picture. They nomited it for Best Director. I hate it when they do that. Matt Damon is not worthy, IMO. But, hey, it is only a game the Academy likes to play every March. ;-)

So Harve quit smoking *and* lost weight? Must be on the Colin Firth diet.;-) Karen, Julianne is there, under Best Actress. Too bad Harry didn't have the guts to publish the five finalists in each category; we could have guessed who the eight were. Actually, this makes it more fun to speculate on who will be eliminated. Anybody want to go first? Somebody at Price-Waterhouse is in deep doo-doo.;-)

Hmmm, Colin Firth's a better kisser LOLOL! *wiping a tear* I must say, his outfit makes the picture. Despite heated industry speculation about just what ailment kept Harvey out of circulation, a company spokesman maintains it was a bacterial infection. Must have been that awful flesh-eating bacteria. Either that or 'ol H. merely ducked out to the fat farm. Good for him for getting his health in order, though. With his Type A+ personality, chain-smoking and extra weight he always struck me as a heart attack waiting to happen. Happy Valentine's Day, everyone!

Don't I know it, sister! Where *do* they get these lunks? I want my Colin!

For all you Lisa Zane fans out there (heehee), I came across this in the 2/7/00 edition of People. Sister Act Actress-singer Lisa Zane gamely follows in brother Billy's Titanic footsteps When Lisa Zane shot the CBS TV movie Missing Pieces in usually temperate Santa Barbara, Calif., last March, she got a cold dose of reality: Winds blowing off the Pacific left temperatures in the low 50s. "I despise the cold," says Zane, 38, who costars with James Coburn as his late son's ex-girlfriend in the Feb. 6 mystery /.../ "and I was the one who suffered the most because I had these skimpy little dresses on." Even so, "there was no bitching about anything from Lisa," says Coburn. "She's one groovy chick." [Note: c'mon, James, can't you get out of the '60's?] In more ways than one. Since 1997, Zane, who's single, has been moonlighting as a lounge singer in the Hollywood hot spot Les Deux. Music is a lifelong passion. "When we were little," says her brother, Titanic bad guy Billy Zane, 33, "she was always singing preposterously sophisticated songs for a 12-year old." Encouraged by their parents, Billy Sr. and Thalia, both 69--medical-technician instructors, and amateur actors in Chicago--both sibs pursued acting careers. In 1988, after studying drama at Vassar, Lisa followed Billy to L.A. at his urging ("I missed her madly," he says) and landed roles in 1991's Freddy's Dead: The Final Nightmare and on TV (LA Law, ER). Her next movie, Monkeybone, a comedy due out next fall, also has her singing--as the mythical Medusa. Her serpentine tresses required five puppeteers, plus a guy, she says, "who lifted the cables for me so my neck wouldn't break." She had to make twice-weekly visits to the chiropractor. Maybe freezing to death isn't so bad after all. *** What, no mention of FF? *scratching my head* ;-D Thought you'd love this, Evelyn after studying drama at Vassar. Proves she didn't learn her craft from a Crackerjack prize (as did the wonderful actress in P).

...Oh, I know what I did, a page search for "An Ideal Husband"! Strange, none found. ;-)

(Harry Knowles) We are currently working on getting the final 5 in each category, as well as the Foreign Film Nominees... which didn't come in here. Has anyone checked the trash bin next to the xerox machine? ;-)

(Eileen)Re; Lisa Zane..Thought you'd love this, Evelyn after studying drama at Vassar. That woman couldn't clean the latrines at Vassar. ~~~~~~~~~ Thanks all for the Valentines...esp. Mr. Darcy.He's Still the One!! ~~~~~~~~ Rafe has a sight on Drool!!!! Thanks Cheryl.Should I tell the RF List?

(Evelyn) That woman couldn't clean the latrines at Vassar. As I recall reading, the Zane kids went to either Latin or Parker, two very exclusive ($$$) private schools in my neighborhood. She might have been classmates with Jennifer Beals (another terribly gifted actress) who went there, but went to Yale instead. They are only 2 years apart in age.

Renate: I think I saw you behind a barricade at the Berlinale, mouthing "Le-o, Le-o" ;-) Can you look around at the Berlinale or ZDF site to see if there's a Talented Mr Ripley press conference? I found movie trailers but not the conference. Maybe it isn't up yet. :-(

HAPPY VALENTINE'S DAY, M' LUV'S!!

Have fixed the centering (trust me) From The Times: Dench's dream may come true DAME Judi Dench is backing a full-size reconstruction in London of The Rose theatre, the Shakespearean playhouse that rivalled the Globe. The theatre was the set for Shakespeare in Love. Dame Judi, who won an Oscar for her performance as Elizabeth I in the film, was so impressed by the set's authenticity that she urged David Parfitt, the producer, not to pull it down. Unlike traditional, wobbly, theatre sets, this was carved in oak and topped with a thatched roof. "It took my breath away when I saw it," Dame Judi said, and, determined to find another use for it, set about finding one. Through her involvement, there are now plans to rebuild it on the site of the Sam Collins Music Hall, which was built in 1850 and burnt down in 1958. Since then the site - on the corner of Islington Green and Essex Road in North London - has become derelict and is now a car park. The reconstruction project is part of a �27 million development supported by the Collins Music Hall Trust and the Old Vic Theatre. CZWG, a leading firm of architects, has drawn up intricate plans for a scheme that would involve building the theatre three storeys underground, with a ground-level glass roof. The theatre alone would cost about �7 million. To fund it, an innovative �20 million residential development above is planned, its design inspired by the same architecture/.../ Unlike The Globe, which is open to the elements and closes during the winter, The Rose, protected by glass, will be able to open all year, with its audience always kept warm and dry. ***** Now, let's see, we were on the corner of Islington Green and something! ;-)

Sorry, KR =:-{ KJ

test, test

(Karen) Now, let's see, we were on the corner of Islington Green and something! ;-) Yes, we were! I do hope this project will not jeopardize the Colinsdale Estates.;-)

From Variety: Fox to remake a ``Monster'' Who says only obscure old French flicks qualify for American remakes? Fox has just picked up the remake rights to ``The Sex Monster,'' an American film that was made exactly a year ago. The studio has made a deal with veteran scripter Mike Binder, who wrote and directed the original low-budget indie comedy and starred in it with Mariel Hemingway and Steven Baldwin. The pic's about a guy whose decision to excite his marriage with a menage a trois awakens his wife's bisexuality, ruins the guy's business and pretty much destroys his life. At last year's U. S. Comedy Festival, ``Sex Monster'' won Best Picture and Binder won Best Actor, but the pic was only seen on Cinemax and on video, never getting a theatrical distribution. Fox execs Hutch Parker and Tom Rothman considered buying the pic, but instead paid Binder to rewrite it as a mid-sized budget pic designed to appeal to the likes of Ben Affleck and Gwyneth Paltrow.

Fox execs Hutch Parker and Tom Rothman These people are on drugs. I feel sorry for the two. I guess the scripts going around Hollywood have hit rock bottom. May GP and BA have more sense. Thanks for the info Mari. If Islington keeps going that way, the Firths will be able to sell their townhouse at a fantastic price and Livia will finally get her wish of moving to Chelsea. ;-)

Argh! But, you know, I remember saying the film *did* have potential...to appeal to frat boys. THE OSCAR NOMS ARE IN: BEST ACTOR IN A LEADING ROLE: Russell Crowe... THE INSIDER Richard Farnsworth.... THE STRAIGHT STORY Sean Penn... SWEET AND LOWDOWN Kevin Spacey.... AMERICAN BEAUTY Denzel Washington... THE HURRICANE ACTOR IN A SUPPORTING ROLE Michael Caine.... THE CIDER HOUSE RULES Tom Cruise... MAGNOLIA Michael Clarke Duncan... THE GREEN MILE Jude Law..... THE TALENTED MR RIPLEY Haley Joel Osment... THE SIXTH SENSE ACTRESS IN A LEADING ROLE Annette Bening..... AMERICAN BEAUTY Janet McTeer.... TUMBLEWEEDS Julianne Moore.... THE END OF THE AFFAIR Meryl Streep.... MUSIC OF THE HEART Hilary Swank.... BOYS DON'T CRY ACTRESS IN A SUPPORTING ROLE Toni Collette.... THE SIXTH SENSE Angelina Jolie... GIRL, INTERRUPTED Catherine Keener.... BEING JOHN MALKOVICH Samantha Morton.... SWEET AND LOWDOWN Chloe Sevigny... BOYS DON'T CRY

BEST PICTURE AMERICAN BEAUTY CIDER HOUSE RULES THE GREEN MILE THE INSIDER THE SIXTH SENSE

DIRECTOR M. Night Shyamalan, "The Sixth Sense" Michael Mann, "The Insider" Sam Mendes, "American Beauty" Spike Jonze, "Being John Malkovich" Lasse Hallstrom, "The Cider House Rules" SCREENPLAY � ORIGINAL Paul Thomas Anderson, "Magnolia" Alan Ball, "American Beauty" Charlie Kaufman, "Being John Malkovich" Mike Leigh, "Topsy-Turvy" M. Night Shyamalan, "The Sixth Sense"

SCREENPLAY - ADAPTATION THE CIDER HOUSE RULES Screenplay by John Irving ELECTION Screenplay by Alexander Payne and Jim Taylor THE GREEN MILE Screenplay by Frank Darabont THE INSIDER Screenplay by Eric Roth & Michael Mann THE TALENTED MR RIPLEY Screenplay by Anthony Minghella ART DIRECTION ANNA AND THE KING THE CIDER HOUSE RULES SLEEPY HOLLOW THE TALENTED MR. RIPLEY TOPSY-TURVY CINEMATOGRAPHY AMERICAN BEAUTY THE END OF THE AFFAIR THE INSIDER SLEEPY HOLLOW SNOW FALLING ON CEDARS COSTUME DESIGN ANNA AND THE KING SLEEPY HOLLOW THE TALENTED MR. RIPLEY TITUS TOPSY-TURVY FILM EDITING AMERICAN BEAUTY THE CIDER HOUSE RULES THE INSIDER THE MATRIX THE SIXTH SENSE BEST FOREIGN LANGUAGE FILM ALL ABOUT MY MOTHER (SPAIN) CARAVAN (NEPAL) EAST-WEST (FRANCE) SOLOMON AND GAENOR (ENGLAND) UNDER THE SUN MAKEUP AUSTIN POWERS: THE SPY WHO SHAGGED ME BICENTENNIAL MAN LIFE TOPSY-TURVY MUSIC: ORGINAL DRAMATIC SCORE AMERICAN BEAUTY ANGELA'S ASHES THE CIDER HOUSE RULES THE RED VIOLIN THE TALENTED MR. RIPLEY MUSIC: ORIGINAL SONG SOUTH PARK: BIGGER, LONGER & UNCUT MUSIC OF THE HEART MAGNOLIA TOY STORY 2 TARZAN

(Karen), Argh! But, you know, I remember saying the film *did* have potential...to appeal to frat boys. True. The lesson to be learned is not to incite your wife into a menage a trois, you may ruin your life! Use your ecessive libido for adultery instead. ;-) Thanks for the Oscar Nominations, Karen. I see it will be an American Beauty night. I have not seen The 6th Sense but I hardly think it could compare to The 3 Kings which has been completely ignored, much to my chagrin. Will root for Sean Penn, Jude Law and Samantha Norton. For the rest, frankly I can only quote Rett Butler.

(Moon) Will root for Sean Penn, Jude Law and Samantha Norton. You like rooting for the losers? How noble of you. ;-) The 3 Kings which has been completely ignored Not surprising and not totally to be faulted. In the "unconventional" category, there were too many--Am B, BJM, Mag, 6thS--this year which did get recognition and were IMO far better. 3Kings just didn't have it for an Oscar. Remember, Oscar doesn't mean "the best." ;-) Big shockers: the Jim Carrey and Topsy-Turvy (I'm sure the great unwashed have not seen it) omissions AND the Cider House Rules inclusion (tres boring and tres trite)!!

How noble of you. Thank you for noticing. :-) Remember, Oscar doesn't mean "the best." ;-) I know. It only means you are invited to the best apres Oscar parties in town. ;-) Did I mention that I only watch it to see the gowns the actresses wear?

The Cider House Rules inclusion (tres boring and tres trite)!! Told you.I liked this film.Great book too, by John Irving...World of Owen Meany. Do agree it will be an American Beauty night....But don't discount Denzel. Jude Law might be displaced by that kid in 6th Sense.

(Karen) Big shockers: the Jim Carrey...omissions I'm not surprised. IMO he made his bed years ago. Remember when 'Liar Liar' debuted with huge BO numbers and he 'mooned' (left pants up, thank God) the audience at some awards show? I thought Lauren Holly was going to cry. It's gonna take him years to prove himself (but he appears to have a few friends among the H'wood Foreign Press). Tom's still trying, and he didn't piss off the big boys. At least he's making progress. Thanks for posting the list.

I haven't discounted Denzel. I think he'll get it. To me, Farnesworth is the dark horse to watch. For suppporting, while I may want Jude to take it, he doesn't have a prayer. But Supporting is always a difficult category to call. I'd go with the kid or Cruise, but Caine has to be a sentimental fav, especially in view of last year. But last year, they gave it to an oldster (Coburn in a role no one saw), so I'll stick with my first two--the kid and Cruise. BTW, I'm not at all surprised about Emily Watson being left off. There was nothing notable about her acting in AA. The kids were the main attractions.

(Moon)These people are on drugs. Yeah, hopefully Stelazine and they'll forget all about it.;-) (Moon)For the rest, frankly I can only quote Rett Butler. "Mammy, is that a red petticoat you're wearin'?" ;-) Karen, thanks for getting the list on so quickly. AICN was wrong! Harry's excuse this morning: "Hey, it came off the Academy server." Whatta schlub.;-) (Karen)Big shockers: the Jim Carrey and Topsy-Turvy (I'm sure the great unwashed have not seen it) omissions AND the Cider House Rules inclusion (tres boring and tres trite)!! Poor Jim Carrey; I don't know what else this guy has to do. And I guess I'll have to see Cider House now. Topsy-Turvy: it came out way too late in the year for people to have a chance to see it. Poor marketing/planning. Other shockers: relatively poor showing by Ripley, and great showing by Sixth Sense. Glad and surprised for Toni Collette, whom I've always thought would make a fine BJ! And Shyamalan is a homeboy so I'm happy.;-) The kid, Osment, is very deserving--he rocked. I must admit, however, that the ending is so awesome that it leaves you thinking it's a better movie than it really is. Still, it's a smart film, and proves that a blockbuster success doesn't have to be dumbed-down. Interesting that the 6 non-American acting nominess all played Americans.

(Eileen) he made his bed years ago...It's gonna take him years to prove himself I agree. Also, his comments at the GGs didn't help. In fact, they also signaled to me that he wouldn't be nominated. His situation is far worse than Spielberg's was for the longest time.

Re: Solomon and Gaenor It hasn't played here yet, but I remember the reviews were not good. From The Evening Standard: Set in a Welsh mining village in 1911, Paul Morrisson's Welsh-Yiddish/ English-language film starts miserable and goes downhill from there. Oh, all right. There are some lovely bits in the middle when sparky Welsh girl Gaenor (Nia Roberts) conducts an illicit romance with Jewish Welsh lad Solomon (Ioan Gruffudd) and they roll about in the hay to erotic effect but when Gaenor's resulting pregnancy and her discovery of her lover's real ethnic persuasion come to light, the film descends into the murk of melodrama. Set against a backdrop of miners' strikes and local political unrest, it charts the rise of anti-Semitism in The Valleys with respectful skill and the two attractive leads momentarily lighten the load of a tale whose Hardyesque burden is finally too much to bear.

Thanks for the info on Solomon and Gaenor, Karen. It has played here at a few Jewish film festivals (Philly--alas, I missed it, Boston, etc.) I'm happy it got nommed only because now it might have a chance to get a distributor here and I can see Ioan on the big screen.;-) What I don't suffer for art.;-)

Actually, I think I read a couple of days ago that S&G was picked up...maybe by Sony Pictures Classics.

Since then the site - on the corner of Islington Green and Essex Road in North London - has become derelict and is now a carpark park. (Karen)Now, let's see, we were on the corner of Islington Green and something! ;-) "The very one"...we were on Islington Green which is where Upper Street separates & Essex Road begins.Don't remember a car park though.

You do remember construction, don't you? I do. We walked under the scaffolding on our way to Colinsdale Estates. ;-)

Have just come back from seeing American Beauty with my sister and two friends and I have to say we were all rather under-whelmed, don't not quite what we were expecting but I'm not sure what all the fuss is about. There were some nice performances but it definitely dragged in places, in our humble opinion and yet all the reviews have been universally great, here and in the US. Back to Valmont...

(Moon)the Firths will be able to sell their townhouse at a fantastic price What's a fantastic price in your estimation? You can't get anything reasonable in Islington below �500,000.

(Arami), What's a fantastic price in your estimation? You can't get anything reasonable in Islington below �500,000. Try to buy the equivalent of their Islington townhouse in Chelsea and you get the figures.

Long column about Bonnie Hunt's movie "Return to Me," the one she filmed next door to me. Mentions the location shooting, among other things. ;-) http://www.hollywoodreporter.com/columnists/grove/index.asp

What a thrill for me. All the actors were very unique. They each had very, very different approaches to the work. And you just had to adjust your directing style to each person." That sounds like a nightmare to me. A director should have their vision straight and be decided on what they want to do. You may take a suggestion once in a while but to adjust your directing style each time sounds like no directing style at all to me. Thanks, Karen. I have seen the previews and I can tell you that Bonnie loves close-ups. I hope we get to see a lot of Chicago.

The Razzies "Dis-honoring the Worst Film Achievements of 1999" are in.They are listed on their website: http://www.razzies.com/PRNominations00-2.html Scroll down to the middle... don't miss Kenneth Brannagh as Worst Supporting Actor for "Wild, Wild West". Which has also been nominated in the Worst Movie of the Year category. The Golden Raspberry award will be presented the day before the Oscars. Quite a come-down for ole Ken :-D He shudda stuck to Shakespeare.

*hee hee* thanks, Evelyn. It really boils down to a contest for worst between TPM and Wild Wild West. Everybody associated with those appears to have been nominated. Thank goodness, I didn't bother with them. NOMINATION TOTALS by TITLE: STAR WARS: EPISODE I, THE PHANTOM MENACE and WILD WILD WEST - 8 EACH BIG DADDY, THE HAUNTING - 5 EACH END OF DAYS, SHOWGIRLS - 3 EACH THE BLAIR WITCH PROJECT, ENTRAPMENT, THE WORLD IS NOT ENOUGH - 2 EACH

(Ann)I'm not sure what all the fuss is about. I want to suggest what the fuss around American Beauty is is all about....it�s about the fact that this film contains some good ideas and a little exceptional approach, in other words, it�s an ok movie. That�s enough to make a great fuss around a film in the western world these days. But if Shakespeare In Love was the best picture of 1998, American Beauty must the best of 1999!! :-D Ps. if Annette Bening is the best actress of any year then something is very badly wrong with this world. Probably is too.

(Ann)I'm not sure what all the fuss is about (elena)....it�s about the fact that this film contains some good ideas and a little exceptional approach,... Ann, "American Beauty" is a satire. The story is not mean't to be taken at face value.It is a spoof on suburban life, values that people hold, apsirations that they have, behavior patterns....a critcal view of today's life. Each character is a prototype.I found myself in some of it...and I know most people have. Like Elena said....lots of food for thought.IMO it was brilliant. And a seamless production. Ann....don't see "Magnolia"; you'll hate it.Another "new wave" film. Three hours, and it doesn't even have a plot.

(Evelyn) and it doesn't even have a plot Hey, if they filmed a "day in my life," it wouldn't have a plot either. ;-)

I saw American Beauty last week and loved it! I think it deserves to win for Best Picture. And I couldn't help but love Kevin Spacey.

(Evelyn), Another "new wave" film. The original "new wave" film from France (1960s) is greatly missed by me and most cinephiles. Those current films have nothing to do with it. I would call them pseudo-modern films.

I don't think anyone as posted the DGA (Directors Guild Award) nominations. They are generally a pretty good indicator of which film will win the Oscar for Best Picture. They have an over 90% accuracy rate; although, last year "Saving Private Ryan" won the DGA and "Shakespeare in Love" was the Academy's choice. The nominees are: "American Beauty", Sam Mendes "Being John Malkovich", Spike Jonze "The Green Mile", Frank Darabont "The Insider", Michael Mann "The Sixth Sense", M. Knight Shyamalyn(sic)

(Evelyn) Three hours, and it doesn't even have a plot. Hey, who needs a plot when you have frogs?;-) One of my faves last year was Limbo, which didn't have an ending. Conventional film structure is *so* overrated. ;-) ;-) Mari 8:18 P.S. Cheryl, thanks for the DGA noms list. I see they've corrected the Academy's oversight and have nommed Frank Darabont for The Green Mile. This guy takes the audience inside a claustrophobic prison corridor for three+ hours--and makes you feel grateful for it. Very good movie.

(Moon) Try to buy the equivalent of their Islington townhouse in Chelsea and you get the figures. No way - Chelsea is not quite the right place for a left-leaning celebrity. She may scream her beautiful head off and stamp till her little feet are blue, but he ain't going there, I can safely bet on that.

So much for my Four Feathers hopes. From the "when you're hot, you're hot" department: HOLLYWOOD (Variety) - Jude Law, Oscar nominated for his role in ``The Talented Mr. Ripley'' has committed to star in ``Four Feathers,'' which begins shooting in July. The Paramount/Miramax co-production is a remake of the Zoltan Korda tale that Hossein Amini (''The Wings of the Dove'' ''Jude'') will adapt from the 1939 screenplay. Shekhar Kapur (''Elizabeth,'' ``Bandit Queen'') will direct. ``Feathers'' centers on a British officer who resigns his post just before battle and is given four white feathers by his friends and fiancee as symbols of what they believe to be his cowardice. Law is also eyeing the lead in ``The Good Shepherd,'' set up at MGM, which will be directed by Robert De Niro. Law recently participated in the table read of Eric Roth's ``Shepherd'' script in Manhattan. The story follows a CIA agent who is recruited fresh out of the Ivy League at the agency's inception after WWII, and the toll his work takes on his life and family. Sources familiar with the talks indicated that the two projects would not present a scheduling conflict for Law, given that ``Feathers'' would begin lensing this July, and that De Niro's acting jobs will have him tied up until early 2001.

Thanks, Mari! I am happy to see Jude being offered these roles instead of the usual Matt and Tom. He truly glowed in TTMR and I hope he takes the Oscar for it. I do not see why a little boy on his first acting job has to be the favourite. Tom Cruise should have won for the 4th of July, but this one should be for Jude. :-) (Arami), Chelsea is not quite the right place for a left-leaning celebrity. I remember when Kings Road was. There are plenty of left-leaning celebrites who live in Chelsea.

So he plays an American again in the second one. ;-) He's hot and doesn't look like he's going to squander it. And he's expanding his scope now, doing that war picture, Enemy at the Gates, giving him a semi-action role for his C.V.

From the Picky-Picky: Let's be Pure department: So I log on to #80 expecting BJ stuff and I get High Fidelity...how come it isn't on here? ;-) ~~~~~~~~~ (Arami), Chelsea is not quite the right place for a left-leaning celebrity. He shudda stayed in Hackney. RF lives in Hampton Heath and he's an agnostic ...is that the same? ;-)

RF lives in Hampton Heath and he's an agnostic I know lots of New-Agers that live in Hampstead Heath. I guess they balance his agnosticity. ;-)

CIA agent who is recruited fresh out of the Ivy League at the agency's inception after WWII Picky-Picky Dept, part deux: CIA *officer*. An agent is someone recruited to help spy, as Guy Bennett, that is, Burgess, became a Soviet agent; an officer is an employee of the agency which I assume is what they're talking about here. Who will play Allan Dulles? Ed Harris?

There are plenty of left-leaning celebrites who live in Chelsea. More money than sense. Not Colin's scene. :-)

(Evelyn) RF lives in Hampstead Heath and he's an agnostic Would that then make him a Hampstead heathen?;-)

Careful with generalizations: HH also happens to be famous for gays.

(Arami), More money than sense. Not Colin's scene. :-) My cousins have lots of sense as do my friends that live in Chelsea. A Burrough I love and know quite well. I suppose I am a Royalist so you may despise me. :-) I believe Colin must have friends in that area, so it must sometimes be part of his scene.

Jennifer's new flat is also in Islington...and she is not a Leftist.Although Labor. So that borough must be a mixed bag.

Long article in The Times by Benedict Nightingale about the Oliviers. Here's the ending [no mention of a play some of us liked or an actor...]: But the prime reason for awards is surely to acknowledge excellence, set standards and proclaim the strengths of British theatre. They can also accelerate the careers of individuals like Imelda Staunton, who was unknown before she was named best supporting actress in Ayckbourn's Chorus of Disapproval at the 1985 Oliviers. Janie Dee's parallel victory for a minor role in Carousel in 1993 partly explains why she got the major role that has already won her the Standard and Critics Awards for 1999. But will Maggie Smith or Jennifer Ehle beat her for their performances as, respectively, a genteel tramp in Alan Bennett's Lady in the Van and the creamy, dreamy heroine of Stoppard's Real Thing? Will the Olivier panel find a new play worth honouring from a list that includes Lady in the Van and Martin Sherman's monologue, Rose? Will the National Theatre, whose unprecedented 21 nominations vary from Roger Allam's supporting performance in Summerfolk to John Napier's costume designs for Candide, break existing records for winners too? Well, at least the competition remains fierce here. New productions on Broadway are so few nowadays that the Tony shortlists often contain critical and commercial disasters, just to make up the numbers. But in just one category this year the Olivier panellists have felt able to overlook Cate Blanchett, Juliet Stevenson, Helen Mirren and others I thought eminently rewardable. And what of Mark Rylance's Cleopatra? But that would, I suppose, have needed a category all its own.

Grocery chain screens films Who said the drive-in is dead? U.K. grocery store chain Asda has announced plans to show movies in the parking lots of its outlets. Asda, recently bought by U.S. retail giant Wal-Mart, will charge customers �1 ($1.61) a car to park in front of a large screen showing Disney classics. Usherettes on roller skates will deliver popcorn, hot dogs and ice cream to customers who can listen to the movies on their car radios or sit in a tiered seating area. The project will tested at Asda's 24-hour store in York next month before being extended to 50 stores by September.

OLIVIER AWARDS; Best actress: Janie Dee Best Actor: Henry Goodman Best New Play;"Goodnight Children Everywhere" [Are they kidding??] Best New Musical: "Honk!The Ugly Duckling" [So , why is" Lion King" selling tickets til October 2000? Preverse nationalism!!] Whole list of winners: http://www.officiallondontheatre.co.uk/index.cfm

Hardly a surprise about the first two. Benedict's article today said they seemed to be shoe-ins. Sorry about Jennifer. But she's got the nominations, is firmly etched in reviewers/voters minds, and will have much better shot at them next time around. Sounds like they definitely have to earn their stripes. No awards for first-timers.

I read Benedict Nightingale last night in the TIMES, which Karen posted... so I knew.The guy was probably on the committee!! Anyway, JE & SD are off to B'way whose tickets are going like hot cakes. I have never seen Janie Dee, but I did see Maggie Smith !!... and I can tell you I've seen Henry Goodman in Summerfolk and the guy couldn't wipe Colin's shoes....or SD's.Pretty decrepit. And how about the new play and musical that won...who heard of them.? *evelyn who is off to go to post- Olivier therapy* (DQ better come today)

I hope you get well soon, Evelyn! ;-) Onegin is on tonight on Starz at 8pm. I no longer get it. Eileen, you and your million channels? I wonder if it will be out for rent soon?

FOR THE TREATMENT OF POST-OLIVIER TRAUMATIC STRESS DISORDER: 1. Park your sanity at the door. 2. Keep repeating, "What an Honor and a Thrill and a Privilege and a Delight it is just to be nominated with such august company." 3. Try to remember who was nominated and lost in previous years. 4. Failing that, fill out application for membership in old boys/old girls network. Lie about your references. 5. Ayckbourn: with a "y" or without? 6. Hum those snappy tunes from "Good Night Children Everywhere." 7. Failing that, Hakuna Matate! 8. Check Barrymore Theater site for nearby parking. 9. Argue with husband over whether 47th Street runs east or west. 10. Handicap the Oscar race.

(Moon) Eileen, you and your million channels? Heehee...yep (FYI we only kept Starz, HBO and Encore :-P). Saw Onegin a couple of weeks ago. Rafe's OK, great cinematography, but Liv...*shudder*. I wonder if it will be out for rent soon? I was very surprised to find it on cable so soon. That issue of EW I referenced a while ago presented it as a theatrical release, which I'm sure it is in some markets.

(Eileen)Re: Kissing ...They had similar unflattering comments from several other female costars. Ruth's comments aside, let's hope we never anything like this written about ODB! (I brought this over from 129....aren't I a good girl?) I would rather a leading lady spoke about what a great kisser ODB is...than talk about "his professionalism in kissing". Apparently, Kevin Costner is a real winner in kissing ~~~~~~~ Thanks Mari....or rather...Hakuna Matate! Anyway, she won on the Albemarle website....so did SD and 3 DOR. http://www.albemarle-london.com/vote.html No remarks!

Very funny, Mari, but them theater people don't know beans about the Oscars! ;-) (All puckered up Evelyn) Apparently, Kevin Costner is a real winner in kissing So is Pierce Brosnan. Everytime one of his leading ladies is on TV, they mention it. He has lots of references; probably doesn't have to lie or make them up. ;-)

(Moon)My cousins have lots of sense as do my friends that live in Chelsea. A Burrough I love and know quite well. (Oh, shhhh...) I suppose an invite is out of the question, then? ;-)

I've found this in one of the UK papers today: Michael Caine revealed he had not taken any chances over this year's Oscar nominations - as an Academy member he is able to vote for himself. "I voted for myself," he said, "because I'd kick myself if I lost by just one vote. I've got all my friends to vote for me too." [...] "The Academy Awards have real respect. They are voted for by people in the industry and not rigged."

A couple of paragraphs in the Sunday Times (AA Gill's TV column) about the South Bank Show that Lizza mentioned: Melvyn Bragg and Sam Mendes A lot of special people were looking forward to seeing Sam "Orson" Mendes on The South Bank Show (Sunday, ITV). We are a committed and long-suffering gang of fans who used to be called his friends. We like to keep up with how he is. Modern communication is fabulous. We can stay in touch via the television. "Saw Orson today," we say. "Channel 4. Put on a bit of weight." Through Melvyn's incisive interviewing, we heard what an unspoilt, unstarry person he is, completely unfazed by mega-celebrity and fawning adoration. Funnily enough, that's exactly what his PA, secretaries and assistant always tell me when I leave numerous unanswered messages. Right, I thought. We'll fight mass media with mass media. I'll tell them how fame and success hasn't changed him. It's jolly well transported him like the Buddha, Golden Globes and all, right off this mortal stage . . . and then, just when we were getting to the bit where Kevin Spacey said with tears in his eyes that Orson only had one shirt, the phone goes, and it's Sam. Would I like to go to the flicks this weekend? Typical, typical. He doesn't call from one year to the next and when he does, it spoils my entire bloody review.

Bigger profile article on Sam/Orson in the Britain section of the Sunday Times. ********************************** This is the final week in which votes can be cast for the Bowmore Scottish Screen Awards. You have until Wednesday to vote for the Scottish Film of the Year and the Scottish Film Personality of the Year. You can also call our hotline numbers or vote by email: scotfilm@sunday-times.co.uk FILMS The Acid House: Raw and brutal Irvine Welsh adaptation. Call 09015 624141 The Big Tease: Hair salon comedy. Call 09015 624142 The Debt Collector: Billy Connolly plays a killer turned sculptor. Call 09015 624143 Entrapment: Connery's big-budget thriller with Catherine Zeta Jones. Call 09015 624144 Gregory's Two Girls: Follow-up to the classic of teenage angst. Call 09015 624145 The Match: Romantic comedy. Call 09015 624147 Hold Back the Night: Scottish road movie starring Sheila Hancock. Call 09015 624146 Orphans: Peter Mullan's first feature film as director. Call 09015 624148 Ratcatcher: Lynne Ramsay's poetic film set in 1970s Glasgow. Call 09015 624149 This Year's Love: Scots' London relationships go full circle. Call 09015 624150 PERSONALITIES Ian Bannen: Huge success with Waking Ned, but died at end of year. Call 09015 624171 Trisha Biggar: Dressed the big names in The Phantom Menace. Call 09015 624172 Robert Carlyle: From cannibal to Bond villain to Angela's Ashes. Call 09015 624173 Sir Sean Connery: Came home to film Entrapment and get a gong. Call 09015 624174 Craig Ferguson: Produced and starred in The Big Tease. Call 09015 624175 Laura Fraser: The best thing about Virtual Sexuality. Call 09015 624176 John Hannah: Supplied the comic touches in The Mummy. Call 09015 624177 Douglas Henshall: Bereaved son in Orphans, also in This Year's Love. Call 09015 624178 Ewan McGregor: Most impressive in Little Voice. Call 09015 624179 Peter Mullan: His latest film, Miss Julie, was well received in America. Call 09015 624180 Lynne Ramsay: Her debut film Ratcatcher was shortlisted at Cannes. Call 09015 624181 Ray Park: Darth Maul, face of Star Wars prequel The Phantom Menace. Call 09015 624182 Siobhan Redmond: Stars as a journalist's wife in Beautiful People. Call 09015 624183 John Gordon Sinclair: A gawky teacher in Gregory's Two Girls. Call 09015 624184

Gregory's Two Girls: Follow-up to the classic of teenage angst. This is a wish of mine come true! I loved Gregory's Girl! I saw it in Scotland when it came out eons ago. I wonder if it will come to the US? Thanks, Karen!

I seem to recall the reviews were not so good. But you know reviewers. ;-)

Interesting article in today's L.A. Times, entitled "An Unresolved Border Conflict: European Films Get A Warmer Welcome In The U.S. Than From Neighbor Countries" http://www.calendarlive.com/calendarlive/movies/20000220/t000000087.html

(LA Times article) Paris-based Richard Covington Is an Occasional Contributor to Calendar Maybe the occasionalness is due to his need to get a map. Last I remember, Australia (Cate Blanchett) was not in Europe. Good article, Mari.

Interesting article....the French are always belly-aching though...like we have a duty to show their films.

The French are just so...French. I can say that, as I am partly French. I have I friend who was complaining about one of his co-workers named Luc. He complained that Luc was arogant, opinioned, obnoxious, and French. I told him he just could have said Luc was French, and that would have pretty much covered everything. Well maybe not obnoxious.

But Covington (the writer) is not French. He is only based in Paris and apparently a stringer or freelance journalist, not from the LA Times' Paris bureau.

True Covington is not French, but he did interviews with some French people, as well as other nationalities. He's just reporting the standard line the French give concerning the French Film Industry. A few years ago there was a French film called "Irma Vep", it was a satire of those make and write about French films. I thought it wonderful, but it's one of those movies you either really like or can't stand.

Covington is not French...but the article says: "Despite the surprise success of a handful of French films in the US, the French distributors and officials complain that the imports would reach still larger audiences if they had wider releases.....'Our films have to compete for the same screens as the other independent American film makers', grouses Daniel Toscan du Plantier...."The American public is ready for French films ,but the American distributors are not" says, Philippe de Chaisenartin. ~~~~~~ Maybe it's because they don't make any money...distributors are funny that way...they like to get a return on their investments cause they don't get government handouts and tax incentives like they do in Europe.

Sorry, but I don't see why anyone is focusing on the French re: Mari's article. It was about European films and stated that many European films have reached more Americans than their neighbors, which films have crossed borders well and which haven't, with some attempt to understand the reasons. period.

Sorry, but I don't see why anyone is focusing on the French re: Mari's article. It was about European films and stated that many European films have reached more Americans than ...." Sorry...did I make up those quotes? The French input comes towards the end of the article :-D

(closing tags) and there were lots of other quotes at the beginning by others...Germans, Australians (oops, sorry wrong continent); discussions about Italian and British films, Danish films, etc. Everyone carps. Everyone tries to rationalize why their films don't get the audience acceptance they think they deserve. Sounds like stuff we do all the time here over CF's films. All I'm saying is that the French quotes weren't the major focus of the article...to me.

Elena's Birthday is the 21st of February.. Y'all come!!!

So as not to interrupt tomorrow festivities for Elena, thought I'd post this now. Wish there was an accompanying sound file. ;-) For non-Americans, tomorrow, Feb 21st, is also Presidents Day, a Federal holiday.

HAPPY BIRTHDAY ELENA

Happy Birthday, Elena! From the new man in your life... I'll leave it to another to find a dreamier picture of our favorite dreamer.

No birthday cake but since this year you share your birthday on the US President's Day, here's a piece of symbolic cherry pie... and a candle to stick on top -

Oops! Candle didn't want to light. Better quit while I'm ahead. ;-) Hope you have a happy day, Elena.

Happy, happy birthday, Elena. Nasty computer crash has eaten my Netscape, so can't post a graphic :-( but the sentiments are there, nonetheless! *Imagine a nice pic of 'Donmar Colin' here* Caption: Where is the lovely Scandanavian lady with her camera? I want to wish her happiness on her birthday!

Looking for that Ace Photographer from the Donmar lobby... ...to wish her a Very Happy Birthday

HAPPY BIRTHDAY ELENA!!!!

I know he's not Don Quixote or even Donovan Quick, but this knight has some roses for you, Elena But if you close your eyes and make a wish before blowing out the candles on the cake above, you might get this:

Thanks so much girls for all your gifts, I�m so happy for all this! I practically forgot about the B-day myself, maybe intentionally because I don�t want to be #%�%&% 37. Who does?! :-) (Karen)Feb 21st, is also Presidents Day, a Federal holiday. Wow, I�m impressed! I chose the day well it seems. And Karen, thanks for that lovely DQ picture, it belongs to my favourites. (Eileen)Where is the lovely Scandanavian lady with her camera? Hehe, thanks for that lovely caption but I�m sure Colin has had nightmares about me and my camera. The flash is so efficient that it made the poor guy blink!

Happy Birthday Elena! xxooo

I do not understand what happened to the graphic, it really is not rated X! Enjoy your day, Elena. :-)

Is this the one, Moon?

Hapyy Birthday to you, Happy Birthday to you, Happy Birthday Dear Elena, Happy Birthday to you. I have a horrible feeling this is not going to work, haven't done it for ages.

HAUOLI NA HANAU, ELENA (Dendrobium orchids and resebuds)

This is a response to a old message above: Since I have seen Private Ryan and the TRuman show I would like to say that they are both good movies but: Private Ryan was a blood bath and very depressing. The Truman Show was all Jim C. a lot of hype and tech stuff. Once you have seen Private Ryan you would want to watch it again. I wouldn't anyway, but SIL is fun, fun ,fun and it put portrays women in a good light in some ways. The determination of GP to be an actress and Queen Elizabeth so brillant. I am really find her intriging. She was amazing. Donna

Happy Birthday to Spring's ace photographer! Have a lovely day, Elena, and I wish you a happy, healthy, Firth-filled year! Mari

Happy B-Day, Helena!

(Ann)I have a horrible feeling this is not going to work LOL! Thanks for the song Ann, it worked for me! Dear Marcia, thanks for the dendrobiums, I love them and that colour too. I even have d�s here at home because growing orchids and making them bloom is my mum�s rave hobby. (Mari)healthy, Firth-filled year! There�s nothing like Drooling to keep the doctor away :-D (Arami)Happy B-Day, Helena! Thanks pal but eeek! don�t blow my cover ;-)

Cutting in: Milos Forman has said that the reason Jim Carrey did not get an Best Actor Oscar nomination is because he is so good that you do not see the sweat of acting, you see Andy Kaufman. That must go for CF in Valmont too when you think of JMs in your face performance, ugh! Milos knows. :-)

A BIRTHDAY, ELENA? Here's a big Birthday Hug from Across the Big Pond: I got so excited when I discovered it was your birthday... I just had to shop for some gifts worthy of you. A lovely bouquet... And this... It's Magic!! So make a wish... I think I know what the wish is, too!... May he always be in your picture... ...And you in his ... [besotted, I tell you!! *Hee hee*] HAPPY BIRTHDAY, ELENA!

(Elena)I don�t want to be #%�%&% 37. Who does?! :-) Anyone who's over 40?; to wish Elena A Very Happy Birthday!

HAPPY BIRTHDAY,from me too Elena. Of course you don't mind being 37. What is the alternative.

KJ, now you almost managed to make my eyes wet. That creature with the globe is what I often feel like when thinking of you. Thanks for the flowers too, beautiful. (KJ)I think I know what the wish is, too!... Oh god *blush* I bet you do ;-D Gi, thanks much for remembering. Lucie, a good question. I�m trying to think positively: that I�m now younger than I�ll never be again!!

Here's a link to Entertainment Weekly's preview of High Fidelity. Interesting credit war and Frears' comments about the location: http://www.ew.com/ew/moviepreview/0,3971,152,highfidelity.html And here's the official site for Return to Me (my movie next door). There are some pictures and three videos (including one of outakes), but I haven't viewed them yet. Looks interesting and will be pushed as a big date movie. http://www.mgm.com/rtm/index.html

Since only cinematographers (as such) can vote in this category for the Oscars: "American Beauty" director of photography Conrad Hall took top honors in the feature film category at the 14th annual American Society of Cinematographers Outstanding Achievement Awards Sunday night. Overall, it was an evening of perennial favorites, with Hall notching his third ASC statuette (following "Tequila Sunrise" in 1988 and "Searching for Bobby Fischer" in 1993) -- a benchmark in any one category.

I just saw American Beauty this past weekend. We ended up discussing it and other things for hours at Neal and Jans. Good choice. Great film.

The trailer for High Fidelity is up. I haven't downloaded it yet; a friend says it's a huge file but well worth it. http://www.hollywood.com/trailers/highfidelity/highfidelity.mov

I can't find the # for RF board...so here goes: it hasn't been released yet, but RF will be here to perform Coriolanus and Richard II with the Almeida on the following dates: Richard II date are Sept 6,7,13,17,19,23,24,26,27,30. Coriolanus dates are: Sept 9,10,14,15,16,20,21,22,28,29. The tickets prices are $75.00, $45.00, & $25.00 and will not go on sale until April. The shows will be in the Harvey theatre at B.A.M. So get ready! If you purchase a package that includes the RSC's Midsummer Night's Dream & RII, and Coriolanus, you get a 15% discount. " ~~~~~~ If Rafe comes...can Colin be far behind??

If Rafe comes...can Colin be far behind?? Let us ask Kristen Scott-Thomas. ;-)

Happy Birthday Elena. Hope it was lovely, have a great year.

Moon, you know I love to read your postings -- but I'm aghast! Heresy, to mention Colin Firth and that person from "Man in the Moon" in the same paragraph. Absolute heresy. Jim Carrey (please note seperate paragraph) is not nor ever has been a good actor, or even actor for that matter. He didn't get an Oscar nomination simply because his work is not good enough.

Happy Birthday Elena. Hope it was lovely, have a great year.

Having refused to see most Jim Carrey movies, where they needed Brink's trucks to haul away the daily box office take, I did break down to see The Truman Show, and I thought it and him were very good. A major pleasant surprise, although I did know it was not typical Jim Carrey fare. Having seen The Man on the Moon, Carrey is incredible. The movie itself is not. As everyone knows the Oscars are not solely about "the best" in a category. Impressions, reputations, the past, etc., all play a role. If Sarah Bernhardt had thumbed her nose at the Academy the way Jim Carrey has been doing, even she wouldn't get a nomination.

Moon, you know I love to read your postings -- but I'm aghast! Heresy, to mention Colin Firth and that person from "Man in the Moon" in the same paragraph. Absolute heresy. Heehee... Cheryl, I am not at all partial to JC, although, I do think he did a good job in Truman Show. I have not seen MOTM yet, as much as I like REM. ;-) I thought it was interesting that Milos Forman would make excuses for JC and wondered if he might not have done the same at the time of Valmont for ODB. And while we are on the subject of acting. Has anyone seen Sean Penn's extraordinary performance in Woody Allen's Sweet & Lowdown?

IMO, what Jim Carrey has done to tweak Hollywood is nothing--small potatoes-- compared to the stuff Sean Penn has pulled over the years. Penn is the ultimate bad boy, and yet they've nommed him twice that I can recall. The guy is unbelievably talented. That Best Actor category is a very high caliber one this year--who would they have left off to make room for Carrey? Spacey, Washington, and Crowe were all considered shoo-ins; Farnsworth and Penn a bit of a surprise. It helps when your film has gotten good reviews, which is the case with all of these guys (somewhat less so with Denzel/Hurricane as the film's veracity has been called into serious question). Anyway, here's the latest from the Kingmaker department: Harve told Newsweek he blames himself for the relatively poor showing of Ripley in the Oscar race. "I was the captain of that ship and I was, unfortunately, convalescing in the hospital when I should have been out there campaigning for it. I would have made sure that the right people saw the film. I feel like Matt Damon and Anthony Minghella got robbed because I was away."

Thanks Cheryl for your kind wishes! :-)

Was Harvey ill when MLSF was being shown in the US?

Yes, Gi, go back a few posts. I did not think Farnsworth's performance anything much. But I am probably the one person that thinks his film was overrated. If Karen says JCs performance was so good in MOTM I trust her (eventhough she liked The Straight Story). JC could have taken his place. Mari, Marlon Brando, I think is the ultimate Oscar bad boy and he has been nominated a few times (way overrated actor), although I once had an acting teacher who thought he was God). Matt Damon? I don't think so Harvey.

OK, I don't follow the antics of Sean Penn, but being a bad boy in one's personal life isn't what I was referring to. Carrey has to earn Hollywood's respect. It takes time to be recognized for your serious work when making the transition from schlocky big grossing movies or television. Look how long it took Spielberg. His films are among the highest grossing of all time, yet they were regularly snubbed by the Academy for any nominations. Carrey goes out of his way to antagonize them and probably (although I wouldn't know for sure) doesn't do enough to curry their favor. IMO he needs a new publicist and strategy for making nice with the powers that be. And I do have my personal favorites for two that I would drop off the Best Actor list to make way for Carrey. One is Farnsworth. Moon, while I did like elements of The Staight Story, certain things (the predictability and platitudes) drove me nuts. If he told another story with *deep* meaning that would change a stranger's life, I wouldn't have been able to handle it. There were good things in the film however, but I wouldn't call Farnsworth's performance exceptionally great. Matt Damon? I don't doubt Harvey's ability to stage an effective campaign. Thank goodness, it didn't get rolling.

Look at this attempted sexy pose of Sam Mendes from The Guardian: LOL!

(Gi) Was Harvey ill when MLSF was being shown in the US? LOL! My thoughts exactly, Gi. What was the excuse then?;-) I *do* think he tried to give it a good send off by getting it featured at the AMFAR benefit in Cannes (after it was turned down for the Cannes program itself). The film just didn't catch on at that point, I suppose, and they backed other horses. Moon) Marlon Brando, I think is the ultimate Oscar bad boy and he has been nominated a few times (way overrated actor), although I once had an acting teacher who thought he was God). I always had the impression that Brando was so revered because he was the first/one of the first to bring Method acting to the big screen (as opposed to it staying in the New York theater world). Colin praised him (yes--in an interview, Arami!;-), though of course that should not sway us, Moon.;-) I'll look through my stash and see if I can find the article. His work in the Godfather was, IMO, awesome. (Karen) And I do have my personal favorites for two that I would drop off the Best Actor list to make way for Carrey. One is Farnsworth. Who is the other? I wasn't referring to Sean Penn's personal life, about which I know little other than he used to be Mr. Madonna.;-) I was thinking about the tantrums he threw when Fox wouldn't send him on a private jet last year to promote Thin Red Line. Imagine that--expected him to fly commercial with us slobs!;-) ;-) Then there were his and Alec Baldwin's very public criticisms of Nicholas Cage--attacking him for abandoning his roots as a serious actor and doing action flicks for the money. So Carrey has poked fun at not getting nommed last year. So what? It wasn't done in a nasty way, and the guy always shows up at the Oscars (viewed as supporting the industry)--unlike other actors who don't show their faces unless they're nommed. As far as having to prove oneself in a serious body of work before getting nommed, I think there is some element of that, but there are lots of departures from that this year. Hilary Swank is one, and there are several in the supporting categories.

Here's the link to the Newsweek article Mari referenced, about everyone's favorite piggy man: http://www.newsweek.com/nw-srv/printed/us/ae/a16574-2000feb20.htm (Gi )Was Harvey ill when MLSF was being shown in the US? (Moon) Yes, Gi, go back a few posts. Harvey didn't become ill until after Christmas when MLSF was wrapping up its US run (since opening in July). I got a kick out of this: I think somehow Bob and I have both become figures [of speculation] because we defy the rules. We stand up for the, you know, with the rank and file. We're more [like] them than the studio executives who govern. There is a tremendous amount of jealousy in the executive ranks. We hang with the talent. We hang with the technicians. We're just as friendly with the cameraman and the production designer as we are with the stars... He may hang with the little people but he always struck me as the quintissential 'studio exec who governs'.

(Mari) and they backed other horses. That "other horse" was Outside Providence, another early summer release, positioned as a coming-of-age film made by that madcap team, the Farrelly (sp?) Bros. It bombed, but was aggressively promoted by Miramax. The marketing was a blatant attempt to mislead the public by emphasizing the huge success of Farrelly's "There's Something About Mary." (Mari) Who is the other? I'll keep it to myself, as there are many here who like him very much. Is that enough of a hint? (Mari) there are lots of departures from that this year. Hilary Swank is one, and there are several in the supporting categories. Swank is an exception, but she benefitted from the overall praise the indie film received at the hands of the nation's critics. The Supporting Actor category is where new and old have equal standing - that's why predicting its winner has proven so difficult. Such huge surprises in it. Best Actor/Actress seem more predictable. But what do I know, writing from Cowtown. ;-) He may hang with the little people but he always struck me as the quintissential 'studio exec who governs'. Am spinning from the spin. ;-) Yeah, all us rank and file regularly jet back and forth on the Concorde, where we smoke in the lavs, and then rent an island in NY's harbor for parties.

(Mari) The film just didn't catch on at that point, I suppose, and they backed other horses. You may have something there, Mari. The local Miramax guy said there was a definite schedule for MLSF including press screenings and scheduled city releases. Then...everything was retracted.Let's face it, it didn't have universal appeal...some places it did well, but others it bombed. I will be v. eager to see what it does in UK...that's their kind of film.

(Mari)Colin praised him (yes--in an interview, Arami!;-) When, where, how??? Be an angel, jog my memory, please...

Brando might have been good in The Godfather, but as a young actor, he was a terrible. His Stanley in SND made me laugh. Method acting is very overrated and I dearly hope ODB thinks so too. You can see De Niro and Pacino now and all they do is repeat those same old feelings. ;-) Thanks Eileen for posting the Harvey interview.

Colin strikes me as very much a Method actor, but haven't we had this discussion before? ;-)

Colin strikes me as very much a Method actor Ditto - with a slight correction: an intelligent and dedicated actor. I'd even risk saying "passionate" if I knew no one would attempt to turn it into a silly joke...

(Karen) That "other horse" was Outside Providence, Actually, I was thinking about An Ideal Husband, which was moved into MLSF's more favorable mid-June slot, and MLSF got yanked back to late July/early August. Same target audience. They promoted the hell out of AIH--I'm surmising it was well-received by the press at Cannes; recall that it was, inexplicably IMO, accepted as the closing night film. Right after is when MLSF got yanked back and put on the back burner, promotion-wise. (Karen) I'll keep it to myself, as there are many here who like him very much. Is that enough of a hint? No, as I have no idea who people like here, but that's ok. I wouldn't want to contribute to the hurt feelings of some ultra-sensitive soul who might be devastated by one person's subjective and honestly-felt opinion that their boy's performance was nothing to crowe about.;-) ;-) But what of the Straight Story proponents? Hath not a Farnsworth fan feelings?;-) I found the Brando quote. It's from the March 19--26, 1997 Time Out: Firth has mixed feelings about the Method school of approach. "It's difficult to assess an actor's ability. It can be a conjuring trick. It doesn't depend on internals. I remember the story about Marlon Brando being asked what was going through his head at the climax to 'On The Waterfront.' Brando said he kept thinking: 'I'm so glad this movie is over.' Would anyone without Brando's talent have the same effect? I doubt it." So there it is. I have no idea what it means.;-)

(Mari) Actually, I was thinking about An Ideal Husband, which was moved into MLSF's more favorable mid-June slot, and MLSF got yanked back to late July/early August. Very true, AIH did bump MLSF out of the picture and took a huge chunk out of Harv's marketing budget. The rest of the money went for pushing Outside Providence (premiered August 16)--and Alec did his thing. MLSF had "word of mouth" advertising. (Mari) So there it is. I have no idea what it means.;-) LOL!

(Mari) So there it is. I have no idea what it means.;-) It seems to me he is expressing doubts about Method Acting, therefore it is not the way he works. :-)

I have no idea what it means.;-) Easy. His acting depends on internals. ;-)

This snippet from The Times intrigued me. What pray tell is a Mars Bar? I know what American Mars Bars are. ;-) ~~~~~~~~ THE deep-fried Mars Bar is synonymous with everything that has made Glasgow the bad food capital of Britain (Magnus Linklater writes). The deep-fried Mars bar, which originated in Stonehaven, helps to account for the fact that the West of Scotland has the highest incidence of heart disease, cancer and strokes, the worst teeth and the lowest life expectancy in the developed world.

Did we need to know that, Karen? ;-) Interesting article plus interview on Jude Law in The Telegraph today. http://www.telegraph.co.uk/et?ac=001182080732013&rtmo=aNxppXeL&atmo=aNxppXeL&pg=/et/00/2/24/tljude24.html Makes a big point about being a British actor instead of an American movie star.

Looks like they may just be batter-dipped, deep-friend Mars Bars - nothing horrendous. Hey, fried ice cream is good.

The Scottish chef at the Parisian restaurant in question is also serving "chocolate-filled ravioli" and "chicken in 7-Up"

The deep-fried Mars bar, Isn't that what Lucy brings Sandy in the hospital in DQ?

Chocolate-filled ravioli have been around for awhile. v.v.g. chicken in 7-Up" While that may sound ridiculous, those types of sodas have long been used as a basting liquid for roasted turkey (or any fowl); takes the fowlness out.

I have just received an announcement of the Donmar Gala in New York on April 5, 2000 with the cast of TRT.... Major Benefactor Tale for Ten at $15,000 Benefactor Table for Ten at $10,000. Patron Table for Ten $5,000 ~~~~ Benefit Tickets Benefactor Ticket $1,000 Patron Ticket $500. ~~~~~~~~~ I think they escalatd their ticket prices a bit for the US market ;-)

I thing Richard Farnsworth could very well be the spoiler in the Best Actor race. Weird things can and have happened on Oscar night. (Juliette Binoche winning Best Supporting Actress over Lauren Bacall. You know that Binoche voted for Bacall.) Farnsworth could be an upset winner. The Academy is sentimental, and Farnsworth is one of the oldest nominees ever. Richard Farnsworth also has deep root in Hollywood; he was a stuntman in the 1930's. I thought his performance in "The Straight Story" delightful, wonderfully underplayed. You didn't catch him acting. I actually prefer him over Kevin Spacey, whom I feel was miscast in "American Beauty". Kevin Spacey's character looses it, no big surprise there. Spacey, like James Woods, always seems a little nuts, so casting him as someone falling apart just isn't very interesting. I would have liked to have seen Gary Sinise in the role. He would have done a great arching slow burn into self-destruction.

From Baz Bamigboye in today's Daily Mail: Spanish beauty Penelope Cruz has won the role in the movie of the best-selling novel, Captain Corelli's Mandolin.

Sorry - that should be won the role of the heroine in the movie

Penelope Cruz a good choice. Saw her in All About My Mother not too long ago.

Penelope Cruz a good choice. Yeah--they need a great Pelagia to offset Cage's casting as Correlli. Yuk.

(Eileen) Yeah--they need a great Pelagia to offset Cage's casting as Correlli. Yuk. Jeez, Eileen, now you're sounding like Sean Penn.;-) I haven't read Correlli, but would be interested to know why you think Nic is wrong for it. (He *is* Eye-talian, and he does speaka the language--not sure if that's needed for the part though). Cheryl, I'm glad to see someone speak up for Farnsworth (I haven't seen the film yet, mind you, but I like to see everyone represented;-) I did like Spacey very much in AB, and I guess I viewed his character as not so much nuts, but just as someone who's been pushed to his limit. Granted, it is a satire, and frankly I don't know anyone wound up as much as Bening's character, and I don't have any neighbors' kids videotaping through the blinds (hmmm . . .at least I don't think so;-) but I thought there was a real element of reality and truth in Spacey's character. When he applies for the job in the fast-food restaurant and the kid tells him, jeez, you're overqualified, you wouldn't have any responsibility here, Spacey/Lester tells him that's exactly what I'm looking for--no responsibility whatsoever. I think we've all felt that way occasionally--I know I have! Anyway, I agree with you on Gary Sinise--superb actor.

Mari), interested to know why you think Nic is wrong for it. (He *is* Eye-talian, and he does speaka the language--not sure if that's needed for the part though). I agree with Eileen. I do not think he has the physique du role. Plus I am tire of him. Are you sure he speaks Italian or he speaks a generational Sicilian dialect he got from his grandparents?

(Karen)Colin strikes me as very much a Method actor Forgive me my deep ignorance but what really is Method acting? And anybody please give me some good examples of how it shows in Colin�s work.( Just one of those things I�ve always wanted to know and never dared to ask :)

Elena, go to this website: http://www.theatrgroup.com/Method/ Lots of information. Look especially under The Actor's Studio, Strasberg, Stanislavski, and History. When you click on Strasberg's name, you will get the Lee Strasberg Theatre Institue, click on "Definition of Acting."

(Moon) Are you sure he speaks Italian or he speaks a generational Sicilian dialect he got from his grandparents? I saw him on a talk show several months back (maybe Leno) and he said he was taking Italian lessons. He was asked if he spoke any and he said yes, but he wanted to improve. I'd imagine the lessons he was taking weren't in Sicilian dialect.;-) But who knows, maybe Uncle Francis has a Part 4 in the works.;-)

(Mari) I haven't read Correlli, but would be interested to know why you think Nic is wrong for it. Read the book, then we'll talk. :-P Loved, loved, loved dear Nic in Moonstruck. He certainly deserved the Oscar for LLV. I haven't really liked him in anything else, though my DH and I have a running gag about 'put the buhn-neh back in the box'. Snake Eyes (even with Sinese) and 8MM (even with James Gandolfini): blecch.

He was pitiful in "City of Angels" with Meg Ryan.He has that "horsey" kinda face and gets that gets a weird look when he tries to be moony.Maybe he needs to take method acting lessons when he's brushing up on his Italian.

Guessn we're going to have to try harder or get ourselves a publicist! Read on: Dame Judi's fans fly in Dench and Palmer have a huge US fanbase More than 50 American fans of the hit BBC sitcom As Time Goes By - who met via the internet - have made a pilgrimage to see the show recorded in London. for rest of article: http://news.bbc.co.uk/hi/english/entertainment/newsid_656000/656841.stm

LOL Firthfans are even better than that. We went two times ...to see the same show..at twice the price.

Well, CF sure knows about his devoted pilgrimagers (pilgrims?) since he availed himself to all of you, found out the ends of the earth from which you came, etc. Had to chuckle at the publicity surrounding 3DOR around Olivier-nom time though--everyone thinks the run was sold out due to the play. Nothing against Greenberg, but I wanted to shout (James Carville style) "it's the star, stupid."

....everyone thinks the run was sold out due to the play. Actually, everything at the Donmar sells out.They do excellent productions, at less than West End prices, and only have to sell 250 tickets per performance.

From "This is London": Interview with Anthony Minghella: "What did you do the last time you were in Soho? I went to a screening at Mr Young's on D'Arblay Street." ~~~~~~~~~~~~~ Sorry we missed ya' Tony;-)

*hee hee* Do you think he got up and served the coffee? ;-) Did anyone watch the show Grapevine that started tonight. The lead actor Steven Eckholdt (from that Valleyspeak-named show) bears an uncanny resemblance to Colin. What do you think? Interesting part about tonight's show was its use of the Emma plotline. There was even a dance and no one would dance with the poor girl, except our gallant Mr. Knightly here. :-)

Here's the webpage for the new show. Check out what the girl on the left is saying. :-) http://www.cbs.com/network/tvshows/mini/grapevine/

I am not so sure Karen. I guess I will have to see him in Regency dress before I can decide. ;-) Saw the previews to High Fidelity and was v. disappointed. :-(( It is nothing as I had imagined. The way JC plays it (a bit overdone was out of character), the actors picked who work in the record shop, and the music...I guess NH took the money and ran.

I watched Grapevine. I liked it. (Kristy Swanson is the original Buffy the Vampire Slayer). I laughed loud at the Emma plotline. Poor Elena, and she went back to her old boyfriend. The Mr. Elton character (cuter, than Elton, those blue eyes!). I liked it. Shows promise!

Did anyone in the UK follow At Home with the Braithwaites? My tape ran out before the end, and Anna is on my case to find out how it ended.

Miramax Films has closed a million-dollar deal for the film rights to tyro novelist David Liss� �A Conspiracy of Paper.� Book, published earlier this month by Random House, is a mystery thriller set against the backdrop of early 18th century London and the burgeoning stock exchange. ~~~~~~~~~~ Hmmmm :-)

The lead actor Steven Eckholdt ... bears an uncanny resemblance to Colin. What do you think? In the serious one he does. In the smiley one he looks like Jonathan.

The happy guy looks like Kevin Anderson. Serious guy resembles CF, but has Rupert hair.;-) Speaking of which, Moon, Rupert will on the Today Show tomorrow. I've read a couple of decent Internet reviews for Next Best Thing.

When did Rupert become our mascot? He is not my Mr. Rupert. ;-) Karen, you did start this did you not? I did enjoy the previews for Next Best Thing and will see it (w/out DH). I am still fuming about High Fidelity. In Miami, Grapevine got rave reviews, but I did not watch. Sorry I missed HF this morning. Is she going to be on any other show?

Karen, you did start this did you not? Everyone blames me for everything. ;-) maybe I did? maybe I didn't

Well Moon...you were touting him last summer for his role in AIH.Said he should win the BAFTA ( He was nominated for the EFA for that role, however). The rest of us were cheering for JN.

Evelyn, he was good in AIH and he is consistently good. But RE over JN? Not from my lips!

I liked RE in AIH. He had the funniest lines. JN was great too. Still have to see The Winslow Boy.

BAFTA Nominations Best Film: American Beauty, East is East, The End of the Affair, The Sixth Sense, The Talented Mr Ripley. Best Achievement in Direction: Pedro Almodovar (All About My Mother), Sam Mendes (American Beauty), Neil Jordan (The End of the Affair), M. Night Shyamalan (The Sixth Sense), Anthony Minghella (The Talented Mr Ripley). Outstanding British Film of the year: East is East, Notting Hill, Onegin, Ratcatcher, Topsy Turvey, Wonderland. Best Original Screenplay: All About My Mother, American Beauty, Being John Malkovich, The Sixth Sense, Topsy Turvy. Best Adapted Screenplay: An Ideal Husband, East is East, The End of the Affair,The Talented Mr Ripley. Performance by an Actress in a leading role: Linda Bassett (East is East), Annette Bening (American Beauty), Julianne Moore (The End of the Affair ), Emily Watson (Angela's Ashes). Performance by an Actor in a leading role: Jim Broadbent (Topsy Turvy), Russell Crowe (The Insider), Ralph Fiennes (The End of the Affair), Om Puri (East is East), Kevin Spacey (American Beauty). Performance by an Actress in a supporting role: Thora Birch (American Beauty), Cate Blanchett (The Talented Mr Ripley), Cameron Diaz (Being John Malkovich), Maggie Smith (Tea with Mussolini), Mena Suvari (American Beauty). Performance by an Actor in a supporting role: Wes Bentley (American Beauty), Michael Caine (Cider House Rules), Rhys Ifans (Notting Hill), Jude Law (The Talented Mr Ripley), Timothy Spall (Topsy Turvy). The Anthony Asquith Award for Achievement in Film Music: American Beauty, Buena Vista Social Club, The End of the Affair, The Talented Mr Ripley. Film Not in the English Language: All About My Mother, Buena Vista Social Club, Festen, Run Lola Run. Cinematography: American Beauty, Angela's Ashes, The End of the Affair, The Matrix, The Talented Mr Ripley. Production Design: American Beauty, Angela's Ashes, The End of the Affair, The Matrix, Sleepy Hollow. Costume Design: An Ideal Husband, The End of the Affair, Sleepy Hollow, Tea With Mussolini. Editing: American Beauty, Being John Malkovich, The Sixth Sense, The Matrix. Sound: American Beauty, Buena Vista Social Club, The Matrix, Star Wars Episode One: The Phantom Menace. Achievement in Special Visual Effects: A Bugs Life, The Matrix, The Mummy, Sleepy Hollow, Star Wars Episode One: The Phantom Menace. Makeup/Hair: American Beauty, An Ideal Husband, The End of the Affair, Topsy Turvy. Most Promising Newcomer in British Film: Justin Kerrigan (Human Traffic), Ayub Khan Din (East is East), Kirk Jones (Waking Ned), Lynne Ramsey (Ratcatcher).

From Variety: In another case of a female British author getting wealthy off of Hollywood, Warner Bros. has paid Robyn Sisman high six figures upfront for �Just Friends,� a romantic comedy to be produced by David Heyman. Deal contains bestseller bonuses for the novel that push the payday past $1 million � and significantly more if the film gets made. It was a preemptive tally strong enough to end the bidding before it really got started. Novel will be published by Penguin U.K. Deal also comes as Universal and Working Title gear up for production on the screen adaptation of Brit author Helen Fielding�s bestseller �Bridget Jones� Diary,� with Renee Zellweger in the title role. �Just Friends� is a romantic comedy in which a guy and a girl who are best friends decide to shack up platonically. Romantic sparks ensue, but by the time both acknowledged them, he�s slept with the stepsister she loathes, and they part company in a loud breakup.

Am disappointed TWB did not receive BAFTA recognition or JN. Thanks Karen for the list.

Thanks for the BAFTA list, Karen. Question: Does anyone know who nominates? Some of these nominees (e.g., Michael Caine) are for films that haven't opened in the UK yet. Nice to see them recognize the kids from American Beauty, especially Bentley, who were ignored in the Oscars. A few of the other picks are horrendous, though, IMO.

From the L.A. Times Indie Films Hope to Find Life on the Auction Block Movies * At a black-tie event, 15 films will (hopefully) go to the highest bidders. Backers hope to open up the ways in which movies are sold. By RICHARD NATALE, Special to The Times If the selling of independently made movies has become a major rat race, Chicago entertainment attorney Hal Kessler hopes he's come up with a better mousetrap: Auctioning off new films to the highest bidders. Friday, Kessler's recently formed Art in Motion will attempt to sell 15 independently made films at a Films4Auction black-tie event conducted by the William Doyle Galleries at Los Angeles' Bel Age Hotel. The auction will also be simulcast on the Internet by Flixnetwork.com. No one has ever tried to sell movies at an auction like this. (There were bankruptcy auctions for Orion Pictures' "The Addams Family" and other films as well as Carolco Pictures' properties, including sequel rights to movies like "Terminator 2" to various companies.) But Kessler and his partners, producers Ricardo del Rio and Ramiro Gonzalez, think that if everything from Marilyn Monroe's dresses to Disney animation cels can be put on the block, they argue, why not feature-length films? Since Art in Motion was announced last fall in the film industry trades, Kessler and his partners received more than 50 submissions, narrowing it down to a manageable 15 films that were deemed to be both credible and salable. They include comedies, dramas, documentaries and even a foreign-language film title--with production budgets ranging from $100,000 to $2 million. While some of the films have been shopped to distributors previously, few of them have been seen widely, and two are world premieres. Screenings at the Nuart and NuWilshire theaters and Raleigh Studios began Tuesday and will continue through Thursday, with each film being shown twice. "It's an interesting concept," says Nick Stiliades, general manager of the Canadian foreign sales company S Entertainment. "After all, EBay seems to be working." And, Stiliades reasons, there are often bidding wars for movies and scripts. Why not concentrate it into the period of an evening? The idea for an auction, according to Kessler, was born out of frustration with the very limited way in which movies are currently sold. Kessler, who has been executive producer on two independent films--1994's "The Sum of Us" starring Russell Crowe and the more recent "Finding North" starring John Benjamin Hickey (both of which were released theatrically)--is aware of the difficulty of finding distribution for independently financed movies. "The struggle is monumental," says Kessler, who estimates that of the approximately 2,500 independent films made each year, only about 40 or 50 receive any kind of distribution. Most of them are sold via screenings at the major film festivals--Sundance, Toronto, Cannes. But not all festival films are picked up for theatrical distribution. Some genre films--usually action or suspense and, in some cases, comedies with higher-profile casts--also sometimes get picked up. Everything else falls between the cracks, dashing the hopes of both investors and fledgling filmmakers. Kessler finds it hard to believe that all those orphan films are without merit. Even if some titles aren't appropriate for U.S. theatrical distribution, with the increased appetite for product on foreign cable and satellite systems, more films should be able to find some kind of audience. Another problem with the current system is the arcane and byzantine manner of motion picture accounting, which is daunting to inexperienced producers. "When you have a simple seven-page sales contract for a film accompanied by a 37-page definition of what constitutes net profits, something is wrong," Kessler says. What Art in Motion is attempting with Films4Auction is to simplify the process. Films will be sold outright "at a fair market value," rather than having the distributor pick the movie up for what amounts to a long-term lease, which is how independently made films are sold today. "This way the distributor owns the movie and doesn't have to account or report to the producers. The fair market will dictate the price he pays. And then it's his." For the films that sell, producers will pay a 20% fee, split between Doyle Galleries and Art in Motion. The filmmakers participating in the auction are realistic about their chances, but willing to take the risk. Karchi Perlmann, who produced the dark comedy "Rose's," about an interracial friendship, is hoping the auction will succeed where his other efforts have failed. "Rose's" has played several film festivals including Houston, the Hamptons and Boston, and has been shopped to distributors. "Even though it performs well with audiences, nobody has wanted to buy it yet," Perlmann says. He suspects that none of the real decision-makers at a particular company have even seen the film. "It probably stopped with a 25-year-old junior executive." The auction will attract worldwide buyers in town for the American Film Market, who will perhaps better understand the films' marketable qualities. Perlmann would like to sell it and just move on. But, he admits, "it's a long shot. I know how distributors think." Writer-director-producer Nur Nur Cummings, whose relationship comedy "Only in L.A." premiered at the traveling Angel City Film Festival this month, has only shown the film's trailer to distributors since completing post-production six months ago. He has held back, he says, because he hasn't got the money to create promotional materials and rent screening rooms and invite buyers. He spent it all on the movie. For him, the publicity surrounding the auction offers an inexpensive way to draw attention to his film. "It gives me a much higher profile than I could do myself," Cummings says. "An auction is an unusual idea, but my film's unusual." The writer-director of "Killing Cinderella," Lisa Abbatiello, has chosen the auction as the film's world premiere. The romantic comedy is one of the few films that actually has a fairly well-known name in the cast, Jessica Capshaw, the actress daughter of Kate Capshaw. Abbatiello decided the film festival route was not right for her movie, which despite its limited budget is a conventional Hollywood comedy. "The auction offers more potential distributors who might be willing to buy it for cable or video," Abbatiello says. "The story is actually a good basis for a sitcom." If her film doesn't sell, Abbatiello is prepared to take a "more personal route, going door to door." Although they endorse the concept of an auction, some buyers are questioning the timing--right on the heels of AFM--when they're likely to be suffering battle fatigue. But it could actually work, Stiliades says, especially if he finds nothing to buy at AFM and doesn't want to go home empty-handed. His main problem is that he deems many of the minimum bids "unrealistic" and hopes the filmmakers can be persuaded to sell their films at a lower price if there are no bites at the auction. Seth Nagel, director of theatrical and ancillary acquisitions for USA Films, was also enthused by the idea of an auction, but was hoping for a better selection. He says he's "underwhelmed" by most of the titles, few of which he thinks have a chance theatrically. "Most [of the films] have been around for a while and we've already seen a number of them," Nagel says. Still, if the price is right he might pick something up for USA's cable or home video divisions. "I know there are movies out there that, if they were available at a price, people would buy. And who knows, maybe there's a gem in there." Kessler has no illusions that all the films will sell. Even just one would be a start, three or four would be terrific. "Even if we sell only a few movies, we will be instantly credible and create a venue that never existed before," he says. "We had three objectives," he says. "The first was to get sufficient product, and we did. The second was to have value, and we believe we have more than enough. The third is whether people will buy. We're not going to know the answer to that until March 3."

He suspects that none of the real decision-makers at a particular company have even seen the film. "It probably stopped with a 25-year-old junior executive." Oh Mari, isn't that pathetic! And how true...

Good article, Mari. I'd read about the auction before in news items in the trades, when they were advertising for submissions.

...few of them have been seen widely, and two are world premieres. Now that would be embarassing...to have your World Premiere at a film auction! ~~~~~~~~ "Most [of the films] have been around for a while and we've already seen a number of them," Do you think he's talking about our SLOW? ~~~~~~~~~~~~~~ ... rather than having the distributor pick the movie up for what amounts to a long-term lease, which is how independently made films are sold today. So even after a distributor picks up a film, he's till "wedlocked" to the producer?No wonder they're so cautious. Interesting article, Mari. Thanks.

Evelyn, I had the strangest dream last night. I was at the Bafta's and Rosemary Harris and Jennifer Ehle were up for an award in the same role, however RH was nominated in the Supporting Category and JE was in the Main Actress category. It was bizarre, because when Jennifer won, they called out the winner of the supporting category and RH won as well, so they were both giving winning speeches. Am I losing it?

(Evelyn) So even after a distributor picks up a film, he's till "wedlocked" to the producer? The accounting for revenue and net profit. A lot of people have a stake in this. A distributor distributes the film and gets a cut of the receipts, as well as the theatre owner, and the rest goes back to the studio/production co to payout to others with a cut of the action.

I was at the Bafta's and Rosemary Harris and Jennifer Ehle were up for an award in the same role LOL Laura.It could have been actuality except that at the Genie Awards (Canada) they were both up for Best Actress in "Sunshine" and sadly lost to some no name.Some conjecture is that the panel votes were split. ~~~~~~~ (Karen) A distributor distributes the film and gets a cut of the receipts, as well as the theatre owner, and the rest goes back to the studio/production co to payout to others with a cut of the action. So a distributor has nothing to lose? Does that mean the guys at Optimum didn't lose on SLOW? ( I worry about them.I sorta hate to build these distribs up about what a hit they have on their hands with CF and then it goes belly-up. We did that with Phaedra, remember?)

No, they paid for distribution rights and may not get their money back or make any kind of decent profit.

The distributor also loses when there is a limited space availabilty at the theatres. He could be planning on showing a film at several theatres and if Hollywood decides to release a movie earlier or later than planned and it coincides with his release dates, the spot will go to Hollywood and he may not be able to fit it in the theatres schedules again for months. Thanks for the Bafta list, Karen. I am glad to see Kate Blanchett who did a great job in TTMR. This is a very busy time for me and I may not have much time to post, but I am reading, so keep up the good work. :-)

From the BBC: Box office hit American Beauty has swept the board at a critics' awards ceremony - leaving last year's Oscars' hit Shakespeare in Love with nothing. The two films had rivalled each other at the top of the nominations list for this year's Awards of the London Film Critics Circle (Alfs), in the running for seven each. Main award winners British Film of the Year - East Is East Film of the Year - American Beauty Special Achievement Award - Mike Leigh Actress of the Year - Annette Bening (American Beauty) Actor of the Year - Kevin Spacey (American Beauty) But American Beauty stole the glory at the London ceremony by taking five trophies, including Film of the Year. American Beauty, a dark US suburban satire, is already shortlisted for eight Oscars and 14 Baftas. Shakespeare in Love won seven Oscars last year. The film's maker, British high-flier Sam Mendes, was rewarded as Best Director. It also won honours for Best Screenwriter Alan Ball, Best Actor Kevin Spacey and Best Actress Annette Bening. Mendes said: "I worked for 10 years in the theatre and won one award and I seem to be winning one every day at the moment. East is East was best British film "It's strange but it's very nice. I think on some level some part of me never thought the film would be a hit until it hit Britain. I was on tenterhooks until it opened here." Thanking the critics, Mendes said it was partly their enthusiastic response which had helped the film do so well. Low-budget British hit East Is East was also the winner of more than one award. It was named Best British Film, won the Best British Screenwriter prize for Ayub Khan Din, and Best British Producer for Leslee Udwin. The movie has already been picked out for six possible Baftas. Emily Watson was shocked to be named Best British Actress for her roles in Angela's Ashes and Hilary and Jackie. Best British Actor was Jeremy Northam, adding to a growing list of awards he has won for his roles in The Winslow Boy and An Ideal Husband. Screen veteran Michael Caine - another Oscar contender - took the Best Supporting Actor title for his seedy agent in Little Voice. In a taped message, he joked to guests: "I'd like to thank the critics for at last giving me a good time. You gave me a lifetime achievement last year without actually noticing that I've achieved anything." Lynne Ramsay was honoured as Best British Director for her film Ratcatcher, set in Glasgow during the binmen's strike of the 1970s. Mike Leigh, known for a string of gritty comedies, was given a special achievement award.

Another interesting snippet from BB yesterday (Daily Mail) and that is that Natasha Little was supposed to appear in the forthcoming film "Enigma" but her contract was bought up so that Kate Winslet could take the part, poor Natasha, hope she was well compensated.

.... forthcoming film "Enigma" but her contract was bought up so that Kate Winslet could take the part, poor Natasha, hope she was well compensated. I wonder how often that's done. Eats up a budget, but in this case, it will be made up with KW starring.(Why pick NL, anyway?...she was a terrible Fanny Price in VF,generally a poor Andrew Davies screenplay too, IMO,)

I saw the preview for the new Hugh Hudson film, "from the director of Chariots of Fire," was the intro, no mention of MLSF! It stars Kim Bassinger and takes place in Africa, based on a real story again. Was not impressed.

poor Natasha, hope she was well compensated. Not so poor anymore: according to the showbiz gossip in another UK paper, since the contract has already been signed, she's going to get the full fee for doing nothing: �300 000 - how lucky can you get?

From Richard Brooks' column in The Sunday Times an item of interest, especially to those who saw 3DOR: The Great Gatsby was the most widely read American novel of the 20th century. Yet F Scott Fitzgerald's portrait of the rich and privileged of the jazz age was first written as another book, Trimalchio. Same main characters, but different personalities and story lines. Trimalchio (it's the name of a nouveau-riche freed slave from a book by the Roman writer Petronius) is also more obsessed with snobbery and personalities. Fitzgerald knew Trimalchio didn't quite work and so rapidly rewrote it. Now it's to be published for the first time next month by Cambridge University Press. Why bother? "Because it's a good book in its own right, even though, of course, Gatsby is a great one," says James West, professor of English at Penn State University, who has been working on Trimalchio for the past couple of years. The book will largely be of interest to academics and a few Fitzgerald fans. Of course, most novels have earlier incarnations. Sir Malcolm Bradbury, who wrote the preface to an Everyman version of The Great Gatsby, tells me his first attempt at The History Man was quite different. Originally it was written in the past tense, which somehow seems appropriate for The History Man. The published version was in the present tense. His original, by the way, is kept at the University of East Anglia for students on the creative writing course to read.

(mari)Box office hit American Beauty has swept the board at a critics' awards ceremony - leaving last year's Oscars'hit Shakespeare in Love with nothing. Talk about hype...

(KarenR)From Richard Brooks' column in The Sunday Times an item of interest, especially to those who saw 3DOR Why?

Trimalchio, of course. :-)

Geesh, I thought I understood the 3DOR reference and now I don't. I know Richard Greenburg, author, had re-written one of his early plays (maybe his first) that became 3DOR. But Trimalchio, I am at a loss. Help!

During our discussion of the play, Moon had provided the following definition of Trimalchio to better understand the context of Lina's comment about the salad: The word is Trimalci�nico, it comes from Trimalcione, the character in Satyricon by Petronio. Trimalcione gives a huge banquet: grandiose, sumptuous, spectacular. The word is associated with banquets. Gi added the following: Trimalchion (Greek name) was also a nouveau riche type, as opposed to Lucullus, also known for his lavish banquets but who was a real Roman aristocrat. The discussion is posted at firth.com, along with a Cliff Notes for the references: http://www.firth.com/filmdis/3dor/3dor-part1.htm

Thanks! For a moment there I was scratching my head thinking, "was Trimalchio something that Walker mentioned when he was talking about booleon algebra and Umbert Eco"! LOL

Nah, Trimalchio doesn't fit within that illustrious other group of logical theorists. The third was Hegel. So next time you attend a particularly lavish and garish banquet be sure to work the word Trimalchian into the conversation and watch everybody scratch their heads. ;-)

...that is, unless you attend banquets with Gi and Moon, in which case, the reference would not be lost. ;-)

Thanks Karen...actually it has become one of my favorite words.."Trimalchian Feast".Throw it out to some academics, Donna;-) Richard Greenberg is hard work, but he's worth it.

Live Movie Auction Gets No Takers (by Cynthia L. Webb, AP) Independent filmmakers drew laughs and a few bids at the first live movie auction, but failed to sell a single film. Promoters are still holding out hope that some bidders will follow through and snap up some of the 15 films that included a tale of four 20-something sunbathers talking about sex and a documentary starring live rodents from the nation's capital. "It's not like we threw a party and no one came," said Alfred Newman, an event spokesman, who pointed to the auction's standing-room-only turnout. The Films4Auction event Friday night was touted as a new way for independent films to get distribution. Some 300 people gathered at a hotel ballroom for the public sale and watched clips of the independent films, but only an estimated 27 in the audience were potential buyers, organizers said. A few waved paddles to offer bids. The entire lot failed to meet the non-disclosed reserve prices set by the organizers, the auction house and the movies' producers. The screenwriter and director of a romantic comedy dubbed "Killing Cinderella" said festivals like Sundance have become a showcase for polished works, not for getting independent films distributed. Even if her film didn't get picked up at the auction, Lisa Abbatiello, 29, thought it might be good just to say she was part of the premiere event. "I just decided to take the risk," she said. Bidding for her film, a romantic comedy about a young woman torn between a sophisticated Prince Charming and her bartending best friend, was started at $175,000, but the minimum price needed to sell the film was not met. Rudolf Van Den Berg of Holland was trying to get distribution for his sixth feature film, "For My Baby," about a troubled man who dresses up like his dead sister as a way to remember her. But the $750,000 minimum bid passed with no interested buyers. The director said before the auction that a no-sale would make him sad, but said "it's all in the game" of moviemaking. Entrants had to pay $375 to get their film in the auction. Fifty films were submitted and a panel whittled them down to 15, said Hal "Corky" Kessler, a lawyer and partner in the group that staged the event. Many of the works were first time projects. Eleven had been at various film festivals. Kessler said representatives from reputable companies - he wouldn't say which ones - had approached him after the auction and told him to let them know which films were still available. He said representatives from Miramax, USA Films and Tristar had attended. "The very fact that we had bids out there tells us this works," Kessler said. "You have to introduce the category to the public and that is what we did," said Kathleen Doyle, CEO of William Doyle Galleries, which teamed up with Kessler's Art in Motion to hold the auction.

The Writers Guild of America awarded Alan Ball Best Screenplay written directly for the screen to "American Beauty," with Alexander Payne and Jim Taylor winning for Best Screenplay based on material previously produced or published for "Election." ...and there was the cinematographers one a week ago... ;-)

Just read this in Boston Herald. Angelina Jolie is slated to play Lara Croft in live action Tomb Raider. Wonder how they'll enhance her;)

Do they need to? I can see the resemblance. ;-)

Karen, thanks for explaining about Trimalchion, I had forgotten all about it.

When you've edited something, you tend to remember each and every comment. :-)

The ASC (American Society of Cinematographers) awarded best cinematography for a feature film to Conrad Hall for his work on "American Beauty". Hall is something of a legend for his work on "In Cold Blood" and "Butch Cassidy and the Sundance Kid", among other films. Hall is also the son of one of the writers of the book "Mutiny on the Bounty".

The ASC award info was posted on Feb. 22.

That's what I get for only checking back 1 week. Sorry.

From the what-in-the-world-could-this-guy-be-smoking department. Worst reviews I've read in a long time. And check out the paycheck. From Reuters: ***** Rupert Wrangles for Writing Cred Not only does Rupert Everett play proud pappy to Madonna's baby in their new movie, The Next Best Thing, but he also claims to have fathered something else--the film's screenplay. The actor and his writing partner, Mel Bordeaux, say they rewrote key elements in the The Next Best Thing but were denied writing credit by the Writers Guild of America. The two claim they altered a key scene in the movie by having Madonna's character, Abbie, and Everett's Robert accidentally sleep together after one too many martinis. The original script, says Everett, called for Abbie asking Robert to donate sperm for artificial insemination. "It went to arbitration and the original writer won, so I can't really talk about it," says Everett of the WGA's decision to award sole screen credit to original writer Thomas Ropelewski. But Madonna recently threw her two cents into the fray when she told Entertainment Weekly Online that her costar and his writing partner made significant contributions to the script and deserve screenwriting credit. "Rupert had lots to do with writing this story and we all know it," says the Material One. "Our relationship seemed so mercenary in the first script. It was this test-tube situation. We wanted it to be more about us really caring about each other." According to Madonna, Everett also made such monumental alterations as switching the setting of the story from its no-name locale to Los Angeles and changing Madonna's occupation from swimming instructor to yoga teacher. And lest we forget, Madonna also says Everett convinced her to cover Don McLean's "American Pie" for the soundtrack. Alas, those changes do not a credit make. Ropelewski says the WGA's three-member panel made the right decision to rule in his favor because Everett's changes never affected the arc of the story. "The things they rewrote were easy to change" he tells EW Online. "He did a polish, but he didn't change anything structural." (Translation: that yoga instructor thing doesn't count.) "It seems ironic to me that an actor who makes $3 million a picture yearns to be a modestly paid and ill-respected screenwriter," add Ropelewski. "You can't identify a certain percentage of what someone wrote," says Annett Wolf, Everett's publicist. She adds that the actor will live with the WGA's decision. Our big question is why would Everett want to be credited on such a turkey of a film anyway. Next Best Thing opened to dreadful reviews and even worse box office. In its first weekend of release, the flick debuted at No. 2 behind the Bruce Willis hit-man comedy The Whole Nine Yards, with a dismal $5.9 million-- practically guaranteeing the grumbling over the credits will outlast the film

I found it amazing as well. Do you think he'll want credit for Madonna's version of American Pie as well? Saw bits of the video. He looked pretty good.

Do you think he'll want credit for Madonna's next offspring? ;-D I have only seen the previews, but debuting at #2 is not bad. I have never liked Madonna as an actress or singer, Rupert at least can act and now he wants everyone to know he can write too. (If you call that writing!) I wonder how much she got paid for her role? If Rupi gets 3 mil. and he is relatively known here, I wonder how much Colin would get? Any guesses?

Wow, Karen! You are in the "carnevale " spirit! :-) It makes me think of how much fun they are having in Italy. I hope this works, I have not been able to post an image lately.

Happy Fat Tuesday, everyone! Yesterday's MSN home page featured a pic of Madonna with the caption 'bombs away.' The accompanying story was along the lines of 'Why Madonna's Movies Always Tank'. Ouch! Thus far I haven't read anything good about the movie (Rupi steals the show but essentially reprises his role from MBFW; Madonna's acting leaves much to be desired, movie can't decide whether it's a light comedy or a courtroom melodrama, etc.). Doubt we'll see this at #2 next weekend (My Dog Skip was hot on its heels).

Sorry to interrupt, but I am trying to post on another board and it's not working. I simply must test it here... :-)

My kind of crowd--ya'll even celebrate Mardi Gras.;-) But Karen, I hear tell those Cariocas were topless this year! ;-)

Anybody here interested in topless babes? Naw, I didn't think so. On the other hand, were any of the Krewe Kings mooning anyone?

SUNSHINE US release date: December 17 UK " " April 21 New Alliance- Atlantis website: http://www.allianceatlantisfilms.com/shocked/index2.html Click on Box Office and then "Sunshine". Vid of Rafe. But JE gets second billing :-)) Thanks Karen

Evelyn, that date was probably referring to the Canadian opening in December 1999, don't you think?

Canadian opening in December 1999, don't you think? Oops!You think they don't update their website dates? Must check with distrib .

Alliance isn't the distrib in the US.

Alliance isn't the distrib in the US. I know, Paramount Classics is.But Alliance is nicer:-) US release date is June 9th.

CNN informed me that the New Orleans Police Department was cracking down on public displays of nudity this year. Believe it or not, it is illegal, even during Mardi Gras. Love the dancing 'gators though. They have trumpets too. Do they know "When the Saints Go Marching In".

From The Hollywood Reporter: LAS VEGAS -- What's the word on Miramax Films' 25-minute product reel of 13 films? Youth-oriented fare. From the U.K. modern manners/arranged marriage comedy "East Is East" to the rugged American "Texas Rangers" to a slate of young adult-skewed comedies such as horror spoof "Scary Movie" and "Girls & Boys," exhibitors reacted well to two Tuesday-night product reel screenings. "I think (Miramax) will do well with the 'She's All That' crowd," one exhibition executive said. "They've got a good corner on the teen market."

Ok. We're dead :-(

(Cheryl) CNN informed me Hey, did Bernie call you directly? Do you know Ted? ;-P "They've got a good corner on the teen market." Given the success of Scream 3, I'm not surprised to read this.

"They've got a good corner on the teen market." (Gi)Ok. We're dead :-( Not necessarily....they pay for all the Brit imports and foreign films. My cineplex manager tells me the art-house films never make a profit, he makes it from the "Deuce Bigelow" and "Scream 3" that play on three screens. So those teenagers are paying for the films we see! No company is going to make a profit producing the ilk of MLSF alone.

Lover accused British war poet Brooke of cruelty LONDON (Reuters) - Golden-boy of British war poetry Rupert Brooke lost a little of his shine Thursday when a former lover's memoirs, discovered 85 years after his death, accused him of being cruel and insensitive. The memoirs -- which include details of a naked romp in a field near Brooke's Cambridgeshire home -- were found with a bundle of about 50 letters left to the British Library by his sister Delphis on the condition they stayed sealed for 50 years. The letters were opened late last year, but their contents were only revealed by library officials Thursday. Phyllis Gardner, an arts student previously thought to be no more than a friend, told how she could sense Brooke was about to leave her for another woman in a 90-page history of the affair. "There was a sense of impending doom about (the relationship). He was not particularly sensitive to her feelings," a library spokesman said, adding the details would be kept under wraps until a biographer had studied the memoirs. Part of the cache will go on public display in the library's Millennium exhibition and the memoirs will be studied to see what light they shed on a mental breakdown the poet was thought to have suffered in 1912-1913 -- the time of the affair. "The letters and the memoir will give Brooke scholars...a whole new body of work with which to re-evaluate and interpret some of his early poems," curator of the library exhibition Chris Fletcher said. Brooke, who died of blood poisoning in 1915 on an island in the Aegean region, where Britain was fighting Turkey, is remembered for his boyish good looks, intellect and patriotism. His sonnet "The Soldier" is a staple for literature students. "If I should die, think only this of me: That there's some corner of a foreign field that is forever England," resonate as some of the country's best-known verses. But the reality of war and morbid death also permeated his love letters and poetry. One of the British Library letters told Gardner: "One day you'll die" and sent her a handwritten copy of his poem "Beauty and Beauty." "When Beauty and Beauty meet, All naked, fair to fair, The earth is crying-sweet...Veiling all that may befall After-- after--," he wrote. After his death at the age of 27, Winston Churchill wrote his obituary in The Times. "The poet-soldier told with all the simple force of genius the sorrow of youth about to die and the sure, triumphant consolations of a sincere and valiant spirit," wrote the future Prime Minister.

(KarenR) Lover accused British war poet Brooke of cruelty Only know him from the audio play, The One before the Last, and would tend to agree, at least on the "insensitive" part.

(Gi) would tend to agree, at least on the "insensitive" part. Me too, but if you had a mother like his... ;-) Longer article in The Guardian: http://www.booksunlimited.co.uk/news/articles/0,6109,145213,00.html

(Evelyn) Not necessarily....they pay for all the Brit imports and foreign films . . .So those teenagers are paying for the films we see! Agree completely. Between the actual costs of filming plus the marketing expenditures, Miramax put out well over $100 million just for TEP and SIL alone. Granted, those two more than made the money back, but the initial investment has to come from somewhere. I've been looking at their slate for the cominmg year, and there's lots of non-teen stuff there too, including three Shakespeare adaptations and a Merchant-Ivory production. So, they're not giving up the ship. But they *do* have to pay for the ship.;-)

Interesting about Brooke... I've read a couple of things on him recently. First signs of future projects? There's a biography of him by Nigel Jones published just last autumn that apparently isn't coy about his active sex life either. From the radioplay I had always assumed he leaned more strongly towards homosexuality but it now appears to me he wasn't indiscriminate about either sex. He was a handsome devil though, just couldn't shake them all off I suppose. ;-) (Karen) but if you had a mother like his... ;-) LOL! Is she possibly the worst? I may take this over to topic 98 just to discuss all those productions Colin's been in where he had some serious mother problems.

Eileen, Bernie Shaw sends you his regards, and you can call him Bernie. Ted is well and would like you to know that the buffalo are doing well on the ranch. He requests that you call him Mr. Turner.

Just a reminder for those in the U.S. and Canada: the Screen Actors Guild Awards are on tomorrow (Sunday) evening on TNT, starting at 8 p.m., Eastern time.

The Telegraph has an even more detailed article about the Rupert letters, based on "exclusive access to the letters" An excerpt: Phyllis then let down her hair and ran her head up and down his back, "and I understood how an animal that loves you feels when it rubs you with its head," she confessed, "and I went on rubbing in a kind of ecstasy." I want the book!! You can read the article here: http://www.telegraph.co.uk:80/et?ac=000576481449931&rtmo=aTX5CKuJ&atmo=lllllljx&pg=/et/00/3/11/babroo.html

Ummm, the book does sound good. I want to read that and his bio. Is it possible the sudden interest in Rupert may signal future projects? Too bad Colin's too old now to play Rupert. :-( or should that be ;-)

Over the weekend I went to a Blockbuster in the northern part of the state that is as big as Walmart (Tesco/Asda). The holdings are computerized...one types in the actor and up comes all the films in that store. ALL of Colin�s films were in stock. I wonder how many Blockbuster�s in UK can match that.I checked out �The Very Thought of You �and MLSF. The former was released in the UK as Martha, Meet Daniel, Frank and Lawrence (I think)..starring Tom Hollander, JF and Rufus Sewell.A Miramax film ,it got a v. limited (if any) theatrical release in the US, but it is doing v. well on video (4 copies). It is funny, cleverly written with a good twist in the boy meets girl syndrome...cool and hip.MLSF did at least get a fair theatrical release but is not doing as well on vid (1 copy). So we should be grateful that it was shown at all.Not all Brit films make it. BTW, this was my first viewing since Karen asked Colin the question about the hayloft....and IMO it was purposely filmed to pose an ambiguous situation. I really can�t wait to own this film....it�s one he can be proud of.

I rented MLSF while we were in Nashville. Now I want to buy it so that I can watch it again and again. Had no problem with the accents. Maybe thats because I grew up with such. He never ceases to amaze me with how much he can convey with just the expressions on his face and with the look in his eyes.

Why is the above comment in Odds and Ends and not in CF? (yes, I know that one possible answer is that Odds and Ends is mainly about CF anyway...) ;-)

Do they really even need to have an Oscar broadcast? ;-) Seems a foregone conclusion. Mendes has won the Directors Guild award and now Spacey, Benning and the AB ensemble cast got the SAG awards. I do wonder if Benning's will hold up to Swank. (Hmm, last year, relative newcomer; this year, established actress who has *paid* her dues.) Angelina Jolie was the fav as was Caine (yuck) in the supporting categories.

Finally!! Next time we all meet after a play, we should be able to find a place to go that doesn't close at 11. From The Times: BRITAIN is to adopt the more relaxed continental attitude to drinking and allow pubs to stay open for 24 hours a day. The biggest change in the licensing laws since the First World War is to be announced later this month in a government White Paper, details of which have been obtained by The Times. As early as summer next year, Britons will be able to enjoy the same liberal drinking laws as the rest of Europe, where people spill out of restaurants, cinemas and theatres to drink in caf�s and bars until the early hours of the morning. The White Paper will allow pubs to close when they choose, or to serve alcohol all night.

(heide) Too bad Colin's too old now to play Rupert. :-( or should that be ;-) Never mind, they'd have got Hugh Grant for the part :-(... I just watched Notting Hill on video, and found myself wondering what CF would have made of it. I bet he would have been a lot more convincing.

(Karen), Do they really even need to have an Oscar broadcast? ;-) Seems a foregone conclusion. Agree! Roberto Benigni and Billy Crystal will have to put some extra excitement there. Saw the SAG Awards. Gwynnie, what was the deal on her dress? And her hair? She must be going through some crisis.

(Heide) Too bad Colin's too old now to play Rupert. :-( or should that be ;-) (Gi) Never mind, they'd have got Hugh Grant for the part :-( Sad, but true. I think Jude Law should drop everything and dash to acquire the rights to play Brooke. He's the right age, has the right looks... and is tailor-made for al fresco romping;-)

(Heide) Too bad Colin's too old now to play Rupert: (Gi) Never mind, they'd have got Hugh Grant for the part: Maybe they would've hired Grant, but had it made in the late 1980's or early 1990's; it seems Daniel Day-Lewis would have gotten the part. This would probably have been the case if it were an American backed project. As far as American producers were concerned there was pretty much no other young British actor than DDL. Or so it seemed. Jude Law. Well you know I love him, but I rather see Linus Roche as Brooke. I wouldn't be adverse to Law. But I really don't want him to become, (pardon the pun), overexposed. Sorry. Familiarity breeds contempt and all that. I just get sick of some actors, they're everywhere in everything, it seems.

Look who is doing the Bard with KB. From the E. Telegraph today. http://www.telegraph.co.uk/et?ac=001533513654540&rtmo=Q0kO90mR&atmo=YYYYYYYp&pg=/et/00/3/13/tlsilv13.html

And she's brunette!

Hmmm, the article mentions a boyfriend by name. Thought KB had dumped Helena for Alicia. Wasn't that the gossip?

Daniel Day Lewis...now there's a name from the past. What's happened to his career? Can't remember anything since The Boxer. Yes, Jude Law does seem to be the flavor of the month but I agree he'd make a good Rupert. LOL on this speculation (which I happily started) since there is not film to speak of.

Article about Mark Strong, with a mention of Colin toward the end, from Tuesday's Times: Brightest star in Mamet's plow In the age of the headline-grabbing celebrity thespian, Mark Strong is an old-fashioned actor - always employed, always well received, yet unassuming enough to pass unnoticed in his local caf�, where I find him quietly sipping coffee and reading the newspaper. Perhaps most recognisable for his television roles in Our Friends in the North with Christopher Eccleston and Births, Deaths and Marriages with Ray Winstone, Strong is getting ready to beguile West End audiences as film producer Bobby Gould in Peter Gill's revival of David Mamet's 1988 black comedy, Speed-the-Plow. "Even though I've done 30 plays in 12 years, I haven't done a Mamet before," he says. "I've seen a couple of his plays, like Glengarry Glen Ross, but I've never acted in one. And I tell you, it's been a fantastic experience so far." Strong's co-star is Patrick Marber, the Olivier-winning writer of Closer, which starred Strong at the National. "It's a short, punchy, funny, dark play about two Hollywood producers sitting around talking about making a film," explains Strong. "They've got a big star who's agreed to leave his studio and make a film with them. Then this girl [Kimberly Williams] comes into the picture and upsets the applecart. "There's a bit of sexual tension, but mainly it's an exploration of art versus commerce and good versus evil. Ten years ago it was seen as a poke at Hollywood, now I think it has relevance about the way people talk about film in Britain." The production may be Strong's first Mamet, but it's also Marber's acting debut. "We stayed good friends after Closer," explains Strong, "and we did a lot of reading together for this. But as it turns out we are very different actors - he is first and foremost a writer and a director, so he has a very analytical style. I'm much more instinctive and emotional. The methods are different but the results are the same." And they are both doing American accents. "I played an American in front of another American when I did The Iceman Cometh with Kevin Spacey at the Almeida, so I'm quite used to it," says Strong. "But I don't think it's a disadvantage doing Mamet if you are an Englishman. His writing is very musical, which makes it easier. "It's fast, punctuated, intricate dialogue that you can't busk and you can't ad lib around," he grins. "It's like a dance, you are literally dancing with the other person. There are no complete sentences, there are sounds as well as words." It wasn't just the Mamet script that drew Strong in, however, it was also the prospect of getting back into the theatre. His involvement in television dramas such as Bombers, Trust and In the Name of Love, as well as a spell in Hungary filming Istv�n Szab�'s Sunshine with Ralph Fiennes, have kept Strong off the stage for more than two years. "It's the longest time I've been away," he says. "I've never left a gap like that before. What I was looking forward to most of all was getting back into a rehearsal room and having the time and the space to work on something over a period of time, rather than turning up on the day and seeing how it goes." He is also looking forward to performing for a live audience again. "I'm really happy to be back in front of real people," he enthuses. "It's the immediacy of their reaction that I like. I mean, they will either applaud or throw veg." Not that there's been much veg throwing in 36-year-old Strong's extraordinary career. From the National Theatre to Fever Pitch with Colin Firth, from the Royal Shakespeare Company to The Buddha of Suburbia, he has been extraordinarily successful for a man who claims to have stumbled into acting more or less by mistake. "I didn't know what I wanted to do. I thought, perhaps I should become a lawyer because it would make my Mum happy," he says, explaining a year spent studying law at Munich University. "But I very quickly realised how dull it was and that it wasn't for me. So I chose acting as something that wasn't dull. I was never one of those twinkletoes who'd been desperate to climb on stage from the age of three." He was born Marco Giuseppe Salussolia, the only child of an Italian father and an Austrian mother who emigrated to London in the 1960s. His mother changed his name by deed poll so that he would "fit in". "I think she probably just opened a dictionary," he laughs. Educated at various boarding schools in Surrey and Norfolk, he spent most of his childhood away from his family while his mother worked in Germany. "School was in a little field surrounded by loads of other fields, so they gave us lots to do to keep us busy. I had a great time. It was where I learnt to relate to other people, not having grown up with brothers or sisters." After a drama degree at Royal Holloway, and a postgrad course at Bristol Old Vic, it wasn't long before Mark was clocking up his stage hours in rep. "It was gold dust - it gave me the chance to learn and make mistakes without being punished for them," he says. "I have played everything from second spearholder to the lead at the National." His big break came after an eight-year apprenticeship on stage when he landed the part of Tosker Cox in Our Friends in the North. Since then he's never been out of a job. "It's the slow steady build," he muses. "It's a question of how long you want to be in this business. I still want to be doing this in my sixties, so I'm in no hurry. I feel like the more you learn the better the parts are to come." After Speed-the-Plow, Strong will be back on the small screen in Channel 4's Anna Karenina, and then there's Sunshine, which opens later in the year. But he's determined to maintain that low profile. "I want to stay working in good quality stuff," he says. "I don't want to be a celebrity and I'm not particularly interested in the money. The older I get the more I realise there is no substitute for quality. I just want to do intelligent, well thought-out work because in the end that's the most satisfying."

Educated at various boarding schools in Surrey and Norfolk... Interesting. I was at a boarding school in Surrey where a boy called ? Strong played Horatio in the school Hamlet. (Hamlet was already taken by Stephen Tredre, who tragically died young after being Kate Winslet's boyfriend and inspiration). I was Rosencrantz. I'll have to see if I can find the programme at home. The age would be almost right, but I don't remember the face at all (or rather my memory is very different from the look of the guy in FP).

Mark Strong probably had more hair then? :) Marco, nice Italian name;)

(MarkG) I'll have to see if I can find the programme at home. Definitely, take a look! Wouldn't that be fun.

Thanks Karen....he's got excellent credentials... Educated at various boarding schools in Surrey and Norfolk... ... drama degree at Royal Holloway, and a postgrad course at Bristol Old Vic I wasn't terribly impressed with him in FP, must try to see him on stage...look forward to seeing him in "Sunshine"; I think he plays Rafe's brother. The crowd at Toronto gave him good reviews.

HAPPY BIRTHDAY ANN

One more try...

Here's Evelyn's first one:

Oh, they are lovely thanks very much, especially the droolable one!

HAPPY BIRTHDAY ANN!!!!

Look who we've arranged to have a quiet little birthday dinner with you tonight!! I don't think you'll feel like ordering dessert. ;-) We won't tell James if you won't

Happy Birthday, Ann! *imagine a big, juicy pic of Edward Pettigrew here* [sorry, I'm still Netscapeless] caption [read with Scots accent]: "For your birthday, Ann, here is the same delightful sampler of sphagnum moss products I gave to Heloise in the moss loft. Oh, I beg your pardon--you have not seen My Life So Far as yet, have you? 'Tis another 52 days until it opens in the UK? No problem, then. I shall be waiting for you, Ann. Humph. Now I find I must take a cold plunge in the loch..."

Just for you Ann!

Hauoli Na Hanau, Ann

That lei is tuberose and lantern ilima blossoms, and it smells exquisite. I had one a few weeks ago and it hung around my lamp until it no longer was fragrant.

Tanti, tanti, Auguri! Ann! May All Your Wishes Come True! I think we all share a few. ;-)

Happy birthday Ann, hope it's one of the best ever.

Mark if you were Rosencrantz, who was Guildenstern?

Coming in on Eileen's wings, Many happy returns, Ann!

Ann! May all your wishes come true! Happy Birthday, Ann!

Happy Birthday Ann!

Oh, thankyou all very much indeed, you are all so very ingenious, all I can do is to say Thankyou very much my friends and fellow droolies fingers crossed.

A very happy birthday to you, Ann! I wish you all good things in the coming year, including more Close Encounters Of The Firth Kind!

Belated happy bithday wishes Ann. Hope it was a good one. Sorry I cant do any of the clever stuff.

A late Happy Birthday from me also, Ann. Checked my old programme. It was Michael Strong. Curses! Guildenstern was just some other schmo

Thanks Mari, Aishling & Mark for your birthday wishes, all these lovely wishes have been the icing on the cake to a very nice lazy birthday. Had two lovely phone calls from my two sons and some flowers from my hubby, I am a very lucky lady.

Happy Birthday Ann

Happy birthday from me too, Ann. Sorry I cannot do any of that clever stuff!

Ides of March, 2000 Julius Caesar assassinated 2044 ago--still mourning him... Oh well, we shall be stoic. ;-)

Happy Birthday, Ann! Hope the sun is shining where you are. Enjoy your special day:-)

Thanks very much, Lucie, Allison and Susan, and yes Susan it was a lovely sunny day.

I Love Birthdays... ...has everyone registered with Karen? Or is it Marcia? Anyway...we need notice, gang...so we can pick out just the right card and shop

(Moon)Ides of March, 2000 Julius Caesar assassinated 2044 ago--still mourning him... Oh well, we shall be stoic. ;-) Moon! I never thought anyone else was still mourning him but me! And I am not stoic about it ;-)

Gi, watch my winky. We are of one thought here. :-) Viva Cesare!

Marcia is the official Keeper of the Lists.

Yesterday, March 15 was not only the anniversary of the death of Gaius Julius Caesar -- but it is also the day when the buzzards return to Hinkley, Ohio. My apologies to Moon, Gi, and Gaius Julius's ghost for mentioning Caesar and the avian trivia fact in the same sentence. Gi, you mentioned in one of your posts reading one of Steven Saylor's Gordianus the Finder novels. Love them. I've read them all except "Rubicon", the most recent one. That has nothing to do with Colin Firth's career or Ann's birthday. I'm off-topic and babbling. Enough. Hope you enjoyed the book though.

Gallia est omnis divisa in partes tres... I still remember studying Julius Caesar's diaries in my Latin classes.

"All Gaul is divided into three parts." Arami, you no doubt remember, "I came, I saw, I conquered," as well.

Veni, Vidi, Velcro (I came, I saw, I stuck around) ;-)

Velcro. Those Romans had an advanced culture.

Veni, Vidi, Vito (Icame, I saw, I moidered da bum;-)

Law wings from ``Feathers'' By Claude Brodesser HOLLYWOOD (Variety) - As the producers of the remake of 1939's ``Four Feathers,'' were scouting locations in Morocco, their star, Jude Law, was winging his way toward other projects. Feathers flew at Miramax Films, which is financing the project with Paramount, after Law demanded a $4 million payday and significant gross participation, according to people familiar with the talks. Miramax, known for getting white-hot talent at civil servant wages, would not brook such demands. Law is likely, however, to cut a richer deal elsewhere, given that he's Oscar-nominated -- ironically, for his role in another Paramount/Miramax co-production, ``The Talented Mr. Ripley'' Meanwhile, Paramount and Miramax are understood to have had conversations with Billy Crudup as a possible replacement, according to insiders. ``Feathers'' is a remake of the Zoltan Korda tale that Hossein Amini (``The Wings of the Dove'' and, it might be noted with some interest, ``Jude'') will adapt from the pre-war screenplay. Shekhar Kapur (``Elizabeth,'') will still direct. Stanley and Bob Jaffe are producing. ``Feathers'' centers on a British officer who resigns his post just before battle and is given four white feathers by his friends and fiancee as symbols of what they believe to be his cowardice. Law's next project is unclear, for while he is still understood to be attached to the MGM pic ``The Good Shepherd,'' directed by Robert De Niro, the picture isn't scheduled to begin shooting until early 2001. ``Shepherd'' follows a career CIA agent who is recruited fresh out of the Ivy League at the agency's inception after WWII, and the toll his work takes on his life and family. ******* I read today that Jude is in the running for Spielberg's AI--Artificial Intelligence, the film that Stanley Kubrick was to direct. Mari

Was thinking, should I start a Jude Law topic? ...although I do know that some might be happy the Four Feathers role is open again and we know Colin will work for a pittance. ;-)

I know I shouldn't post this here, but with St. Patrick's Day tomorrow and I AM in Boston;) This was a review in 1995 of Circle of Friends: Movie Details This "Circle of Friends" proves irresistible By Jay Carr Boston Globe Published: 03/24/95 Three of its leads are British, one is Scottish, one is American and only one is Irish, but Pat O'Connor's "Circle of Friends" warmly and beautifully continues Ireland's winning streak at the movies. It's filled with honest feeling, atmospheric rightness and a wealth of detailing that make it a sweetly appealing screenful of beguilement on several counts. Let's start with Minnie Driver's enchanting heroine in her sensible clothes, sensible shoes and (most of the time) sensible mindset. "You're easy to talk to," says Chris O'Donnell as the shy, handsome guy she's got her eye on, "very solid, aren't you?" "Yes, everybody notices," replies Driver's Benny, the most central of three Irish village girls going to college in Dublin. She's described as a big, soft girl, but there's nothing soft about her head, and one of the pleasures of the film is that it isn't afraid to make brains sexy. Given that the time is 1958 and the story is set in rural Ireland, sexy is something that does not come easily, especially to Benny, who in the movie's most moving scene sits at a dance wilting and finally crying into her decolletage because O'Donnell's Jack doesn't ask her to dance. But then of course in the end, he does. Driver, filled with impulse yet familiar with unfulfillment, is a jewel, the kind you keep hoping the handsome lad played by O'Donnell will have the good sense to notice. Like Maeve Binchy, on whose popular novel the film is based, Benny has plenty of time to notice things, and the thing that makes the film so rich is not that it's filled with quaintness, but rather that it's so overflowing with keenly observed bits of human behavior. O'Connor colors his actors' discoveries with levity, too, finding gentle fun in Irish sexual repression by sending frissons through a class when an anthropology lecture turns to the sexual life of savages, then cutting to a football game outside. It's part of the measure of the humane warmheartedness of the film that its sexual adventuress never is banished from our sympathies, either. As one of Benny's intimates, Geraldine O'Rawe, the sole Irish cast member, is persuasive on more than linguistic grounds. Playing a convent girl raised by kindly but acute nuns, she brings a keen watchfulness to the role of the girl who is always a guest, never someone who belongs by birth. And Saffron Burrows, as the prettiest of the three, is allowed emotional complexity and understanding. It's the men who fall short. Not O'Donnell as the doctor's son, uncomfortable at feeling pressured to follow his father's footsteps. He looks natural inside the world of the film, projecting not only his customary boy- next-door appeal, but also an ability to persuade us of Jack's most attractive quality -- his modesty. The fun comes from the slimeball role of an unctuous Uriah Heep-like clerk played by Scottish actor Alan Cumming. We'll be seeing more of him. And Colin Firth gets the job done as the town's weak aristocrat. But "Circle of Friends," in keeping with its title, goes beyond individual performances to evoke the kind of fragile yet intense community of tentative kids on their way to unknown destinations. O'Connor captures the touching littleness of their world, its rich specificity and the passionate connectedness of the characters to their patch of turf and to each other. It would be too stupidly aggressive to speak of so gentle and endearing a film as a bull's-eye. Let's just say that "Circle of Friends" gets inside Binchy's bustling busybody world and brings it home with the same humor and energy and generosity. It's pretty irresistible. Movie Type Drama Running Time 1 hr. 52 min. Directed By Pat O'Connor Cast Chris O'Donnell, Minnie Driver, Geraldine O'Rawe, Saffron Burrows, Alan Cumming, Colin Firth Written By Andrew Davies (based on the novel by Maeve Binchy) Year 1995

(CherylB)Gi, you mentioned in one of your posts reading one of Steven Saylor's Gordianus the Finder novels. Love them. I've read them all except "Rubicon", the most recent one. That has nothing to do with Colin Firth's career or Ann's birthday. I'm off-topic and babbling. Enough. Hope you enjoyed the book though. Well, this is Odds and Ends, right? Actually, I'm reading another Gordianus novel now (The Venus Throw), and quite enjoying it. Saylor is better at creating atmospheres than at making sense of the story - I think Gordianus solves plots by the grace of Fortune more than by clever reasoning. Oh well. On the other hand, I'll read "anything" that takes place in Caesar's time. Colleen McCullough's series has me eagerly waiting for the next book :-) One day I'll write one of my own ;-) Sorry, ladies. I couldn't resist. Maybe I should take Veni, Vidi, Velcro as my motto... Karen, that was brilliant!

Hey, Laura, no need to apologize about the CoF review. Anywhere is fine for Colin stuff... ;-) Gi, I can't take credit for the velcro. Saw it somewhere and jotted it down, but don't remember where.

Colin will work for a pittance Are you saying that Colin is cheap???

I am all astonishment.

Oh, hi again! Shall we call you Colin or Passionata? ;-) Oh, never mind: why not tell us more about your astonishment?

(In Italian, if you prefer.)

(Cheryl) Yesterday, March 15 was not only the anniversary of the death of Gaius Julius Caesar -- but it is also the day when the buzzards return to Hinkley, Ohio. As a soul born and bred in No. Ohio, I'll have you know that we take umbrage at the continued spread of these vicious rumors -- and I resemble ... oop ... resent the term "buzzard" (which is a kind of European Buteo hawk) ... the returnees are vultures ... turkey vultures. I know because we went to Hinkley one year and saw 'em (big thrill) (eh)(I prefer swallows, thank you). (Arami) Gallia est omnis divisa in partes tres... I still remember studying Julius Caesar's diaries in my Latin classes. So do I (I think I have one and I wish I could find my of it, but it's packed away in storage among about 2000 of its brethren or so ...), but I seem to remember the whole verb at the end. More like "Omnis Gallia in tres partes divisum est." I suppose we could blame the discrepency in memory to different translations (or almost 40 years), except that we were all supposedly studying the original. Anybody have it to hand? (It's no Winnie Ille Pu" but waddaya want?) ;-)

KJArt it is most definitely: Gallia est omnis divisa in partes tres...

Can I recommend a non-Colin Firth movie in honor of St. Pat's Day? The Commitments. It is brilliant. Also, Circle of Friends is a good movie to watch today as well!

Here you go, Laura, hum a little Bee Gees:

Hey, why is that bottom leprechaun dancing like John Travolta in Saturday Night Fever? Is he Tony O'Manero? HAPPY ST. PATRICK'S DAY, EVERYONE! From someone who wears her green every day but is way more Italian than she is Irish :-P Don't drink too much green beer!

Thank you, Moon. HAPPY ST. PATTY'S DAY ALL!

Anytime, KJArt. :-) LOL, Eileen. The Italia, Ireland connection is also the flag and the I. To all the Celts out there; A Very HAPPY SAINT PATRICK'S DAY!

(Karen) hum a little Bee Gees It would've been nice if I read that *before* I posted...must go clean my lenses!

(KJart)I resemble...oop...resent the term "buzzard"...the returnees are vultures. Turkey vultures. I no because I went to Hinkley one year and saw 'em (big thrill)(eh)(I prefer swallows, thank you). Far be it for me to be un-politically correct in regard to turkey vultures. Glad to hear that you don't resemble a buzzard. Although when I wake up in the morning the sight of me could frighten buzzards and vultures alike. Remember it is a far better thing to be called a vision than to be called a sight. You're right, the vultures returning to Hinkley doesn't have quite the same romance as the swallows returning to San Juan Capistrano. The swallows should be returning on March 19. Happy St. Patrick's Day to all of you out there celebrating it. Perhaps the leprechaun is dancing like John Revolting because the road has risen up to meet him, or the barstool has walked out from under him. There are some Roman Catholic archbishops and bishops in the US who wouldn't give their Irish-American parishioners a dispensation to eat meat on St. Patrick's Day this year, as it falls on Friday during Lent. The tradional meal of corned beef and cabbage is out. Catholics can eat the meat of any cold blooded creature, such as fish or snake. That would be appropriate, eating snake for St. Patrick's Day. The equinox is on March 20, to those in the northern hemisphere it's the vernal equinox -- so Happy Spring. To the southern hemisphere dwellers it's the atumnal equinox -- which means Happy Fall. If you're a pagan, I think it's a holiday for you -- anyway hope it's a good one. Have great change of season everyone.

(Cheryl) ...Remember it is a far better thing to be called a vision than to be called a sight. **Hee hee!** (Too bad I usually fall into the latter category.) Anyway, we all get to celebrate no matter our color, creed, or national origin: , Right?

That's right, and I hope the barstool doesn't walk out from under me.

There's a full-page ad for The Real Thing in the new issue of Entertainment Weekly (week of March 24). Grainy black and white super close-up shot of (I assume) Stephen and Jennifer in a hot lip lock. Right across their upper lips is this quote: "You'd be mad to miss this modern classic"--London Daily Telegraph No stars names. Just says Anita Waxman, Elizabeth Williams, Ron Kastner and Miramax Films present The Donmar Warehouse production of Tom Stoppard's The Real Thing. Directed by David Leveaux. Then it says limited Broadway engagement and gives the theater and ticket info and the website.

I know I'm a bit late as there's ony half an hour left of it but Happy St.Paddy's Day one and all!

any cold blooded creature, such as fish or snake I've touched quite a number of fishes (love angling!) and snakes (adore wildlife!) in my life and I can assure anyone who has so far missed this exquisite sensation that snakes are warm. But it may have little to do with the actual term "cold blooded". Any zoologists around here?

...There's a full-page ad for The Real Thing in the new issue of Entertainment Weekly...Stephen and Jennifer in a hot lip lock. .. You mean this one: Today's NY Times has a blurb on it too....and it closes in London tomorrow night.Harvey's hand is prominently in the publicity. We'll see.....NY critics don't always go hand in hand with London critics...and vice versa...witness "Lion King" major shut-out at the BAFTAs.For that matter TRT didn't do that well either;-)

...I've touched quite a number of fishes (love angling!) and snakes (adore wildlife!) in my life and I can assure anyone who has so far missed this exquisite sensation that snakes are warm. I had an all- snake meal in Hong Kong. It tastes like chicken..except for the scally top.Not bad. Low fat too, they tell me;-)

For that matter TRT didn't do that well either - that doesn't sound like you Evelyn, they did very well, they received 4 Olivier Nominations !

The term cold-blooded is not precisely accurate, what it means, more or less, is that these animals cannot maintain a constant body temperature. Their internal body temperature is influenced by the air temperature. Snakes and lizards become more active the warmer they are. The snakes you've touched Arami might have been warm because they'd been sunning themselves. The snakes I've touched felt cool and dry, and not at all unpleasant.

I had an all- snake meal in Hong Kong. It tastes like chicken..except for the scally top Presumably you didn't have to eat the scales. I wouldn't mind opening a snake farm, except that they are notoriously difficult to herd... these animals cannot maintain a constant body temperature Right! I remember now. The snakes you've touched Arami might have been warm because they'd been sunning themselves No, they were kept warm by their keepers! I didn't go touching snakes in the wild... I'm not THAT mad. ;-) The snakes I've touched felt cool and dry, and not at all unpleasant. Mine were not too hot, either. It was like touching a muscular human arm. Contrary to many people's belief, snakes are not slimy or wet (except after a swim).

I never meant to imply that you madly went off to handle wild snakes. I thought perhaps that you knew people who had pet snakes; and that you'd touched them after the snakes had spent some time in front of the windows.

People who keep "pet" snakes are somewhat... hm... curious sort, at least they tend to be in this country (UK). A little like the bikers, you know, long hair, tattoos, leather... I have absolutely no prejuduces, but neither do I keep such company - more through the lack of opportunity than avoidance, really. Anyway, they have occasional get-togethers, fairs, etc., where they display their pets to the public and it's always a must for me! I just have to go and have my customary annual snake cuddle... The huge pythons are superb. I wouldn't call them pets, though.

I have absolutely no prejuduces, Ooops, two mistakes there. It's prejudices, of course; and can anyone honestly say they have none at all? ;-)

Perhaps the French. They aren't prejudiced, they hate everyone equally. (I can say that as my great-grandfather was born in France.)

That is a failing indeed. I really cannot laugh at it. ;-) (But you only have a quarter of a right to say that, don't you think?)

For that matter TRT didn't do that well either - that doesn't sound like you Evelyn, they did very well, they received 4 Olivier Nominations ! I was comparing TRT to "The Lion King" both which are outstanding productions and got major shut-outs at award time. "sour-grapes-evelyn";-)

Pretty much. On the upside the French have great art, fine food, great wine, and speak a beautiful language.

There is a lovely topic already started on snakes for those who'd like to continue this thread: :-) http://www.spring.net/yapp-bin/restricted/read/SpringArk/32/new

Evelyn, I think you make an interesting point about about theatre awards in New London and New York. I believe "The Wier" won an Olivier Award for Best Play, but it wasn't nominated for a Tony award in that category.

.."The Wier" won an Olivier Award for Best Play, but it wasn't nominated for a Tony award in that category Neither did "Amy's View" or "Closer" last year. Which brought on a lot of belly-aching from the British press. Then "Sideman", which did win the Tony for Best Play opened to v. lukewarm reviews in the West End. Hey...these guys get even...Big Time.

Perhaps the French. They aren't prejudiced, they hate everyone equally. LOl Cheryl. That is just what a Frenchwoman who goes to my church said when I asked why the French seem to hate Americans. She laughed and said, "Don't worry about that, the French hate everyone. They even hate each other."

(Karen) There is a lovely topic already started on snakes for those who'd like to continue this thread: :-) Is there a topic in defense of the poor French? ;-)

Karen is trying to get rid of too many odds and ends... ;-)

From Jeffrey Wells (take it for what it's worth?): Very Good Groove Stephen Frears' High Fidelity, a wholly original, deeply quirky romantic comedy, is the fourth entry on my list of truly special films I've seen this year � the other three being Erin Brockovich, Wonder Boys, and U-571. I suppose the possessive shouldn't go entirely to Frears, since star John Cusack has his paw prints all over it also, having co-written and co-produced. All I know is, this is a low-key charmer with its own unique take on life, love, and pop music. It's a great date movie for discriminating urbanites and just about anyone who takes music seriously. (Who doesn't?) It's even got Bruce Springsteen doing a cameo. I can't wait to get my hands on the soundtrack CD. Fidelity, which was screened Wednesday night for junket press, is also an absolute blowout for co-star Jack Black, the Tenacious D lead singer who's played off-center supporting roles for years (in The Jackal, Enemy of the State, Cradle Will Rock). He totally steals this movie every second he's on screen, playing a thoroughly obnoxious record store employee whose mania for pop music (and his ability to offend or alienate customers) knows no bounds. Black's performance is going to put him on the map � trust me. Fidelity is special because it's not just honest, funny, and touching, but musical in the truest sense imaginable. The three main characters � played by Cusack, Black, and Todd Louiso � are pop music freaks who work at Cusack's downmarket Chicago record store (selling mostly vinyls, naturally). The story's about Cusack's off-and-on relationship with Laura (Danish actress Iben Hjejle, last in Mifune), and how his past affairs weave their way through his brain as he tries to win Laura back after she moves out. The distinctive, flavorful thing is how Cusack processes everything he does or feels in terms of songs he loves, or lyrics that are especially meaningful to him. (I related to this because I do the same thing with movies. Everything I see or do is processed in terms of scenes or dialogue from my personal pantheon.) The idea is mainly Nick Hornby's, whose 1995 novel the screenplay is based upon. The script is by D.V. DeVincentis, Steve Pink, Scott Rosenberg, and Cusack. The cast is terrific � Cusack, Black, Lisa Bonet, Joan Cusack, Catherine Zeta-Jones, Tim Robbins, Lili Taylor, Natasha Gregson Wagner, and the always wonderful Louiso. (He played almost the same kind of music-obsessed weirdo in Jerry Maguire. The babysitter?) I've never been able to get a handle on Frears. He's one of my absolute favorite directors � sometimes. That is, when he's directing cool, low-budget films like The Hit (which Disney's press kit doesn't even mention � shame!), The Snapper, My Beautiful Laundrette, Bloody Kids (also not mentioned by Disney � who wrote this thing?), and Sammy and Rosie Get Laid. But he's not as cool � his personality vanishes � when he's shooting big-studio features like Mary Reilly, Hero, and Dangerous Liaisons. One of Frears' more recent pics, the lower-budgeted The Hi-Lo Country, I didn't much care for either. But he's back in the groove with Fidelity. It opens March 31. See it. ~~~~~~~~~~~~ BTW, you can also listen to all the tracks on the CD at the High Fidelity website. http://studio.go.com/movies/highfidelity/index.html

And a little tidbit (also from the former Mr. Gossip) for Mari: I'm not supposing this is of paramount interest to very many of you, but I'm hearing that Sony Pictures chairman and CEO John Calley will probably be gone six months from now. I'm also hearing that Mel Harris, Sony's co-president and COO, is a prime candidate to replace Calley when the time comes.[...] Rumors of Calley's demise have been circulating for some time now, but it's heating up again after the failure of the $45 million Garry Shandling comedy What Planet Are You From? and the disappointing earnings ($26 million so far) of the Meg Ryan-Diane Keaton comedy-drama Hanging Up, which cost roughly $45 to $50 million to produce.[...] Sooner or later you hear the same stories about every studio chief. It's Calley's turn, is all. Do I know for sure what's coming down? No. Calley may hang in there for another year or so, despite the talk. Who knows?

I'm afraid to see High Fidelity:( It's one of my favorite books and I'd hate to see it ruined (or dumbed down). Well I gather my courage, go see it and pray I enjoy it. May even bring the book w/ me so I can say... "Hey, THAT's not what NH meant!" :)

Isn't it about time John Calley retires anyway and starts collecting his Social Security? He's what?...80? I'm looking forward to High Fidelity, knowing full well the film's rarely as good as the book. So expectations won't be high, despite that glowing review. Hey, John Cusack's in it, it can't be too bad.

Is Mel Harris Meg Tillys husband?

No Moon, John Calley is Meg's hubby (and Will's stepfather). Karen knows PopPop Calley and I are *like this.* ;-) He's close to 70, Heide, and I hear he is not in the best of health. I wonder if they'd stay in the L.A. area if he leaves Sony. I'm looking forward to High Fidelity--I think Cusack will do a good job and it's the same team who wrote the screenplay for Grosse Point Blank. Evelyn, yes that's the same pic as in EW, only cropped even tighter.

Mari, you mean to say that Meg is married to a 70 year old man? I will still see HF (by myself), but I was not happy with the previews.

Saw the commercial for HF on TV yesterday. Looks to me like they are playing up the slackers in the record shop angle (as opposed to the crux of the book, i.e., the Rob-Laura relationship). Marketing a totally different movie. :-(

(Moon) you mean to say that Meg is married to a 70 year old man? Yes indeedy. 30 years her senior. However, her first husband (father of her two eldest kids) was *only* 20 years older than she.;-)

(Moon) you mean to say that Meg is married to a 70 year old man? Correction: Meg is married to a very rich 70 year old man. ;-)

Correction: Meg is married to a very rich 70 year old man. ;-) But does she have her own bedroom? ;-) Sounds like a big rebound after Colin. "Apr�s lui la mort!"

And I thought I liked older men!

So much for a "surprise" cameo role (and he doesn't appear as Marie's musician friend or former boyfriend). From EW: 'High' Concept Bruce Springsteen cameos in John Cusack's new film. EW tells you how the Boss ended up in "High Fidelity" by Tom Sinclair Fans of "High Fidelity," Nick Hornby's best-selling novel about the romantic travails of a music-obsessed record-store owner, may be dismayed to learn that the film version, directed by Stephen Frears and set to open March 31, switches the story's location from London to Chicago. Perhaps to compensate for the shock of Fidelity's being reborn in the USA, everyone's favorite red, white, and blue rock hero, Bruce Springsteen, makes a brief appearance as himself in the flick. The Boss is shown picking some bluesy guitar licks and offering jokey, extemporaneous-sounding advice to the film's lovelorn protagonist Rob Gordon (played by John Cusack). In the book, Rob wishes that he could handle his feelings about his ex-girlfriends as levelheadedly as the narrator of Springsteen's "Bobby Jean" does. "We just played that idea out a little bit in the script by actually having Springsteen advise [Rob]," says the movie's coscreenwriter and coproducer D.V. DeVincentis. Springsteen declined to comment on his role, but apparently the lure of Hollywood was enough to snare the superstar's cooperation. "John [Cusack] called Bruce, and for some reason he showed up," says DeVincentis. Yeah, yeah -- dude probably got free Springsteen tickets, too.

From The Hollywood Reporter:'Patient' bleeds red ink as audit 'never ends' In 1997, Saul Zaentz and Anthony Minghella's "The English Patient" swept the Oscars, but three years later, the filmmakers and the cast (who deferred fees to get the picture made) are still waiting for distributor Miramax Films to pay them. "Right after the Academy Awards, Harvey (Weinstein) gave a $5 million advance (to be divvied up amongst everyone), but no one's gotten a nickel since," said one source involved. Zaentz hired a law firm in June in an effort to secure documents from Miramax for an audit. The distributor said that the audit would be completed by the end of summer 1999, but it did not deliver. Asked about the situation at the Oscar nominee luncheon last Monday, Zaentz confirmed to The Hollywood Reporter that everyone is still waiting for the audit to end. Said one source with a direct interest: "There is this ongoing audit that never ends. They are very slow in producing documents. Meanwhile, we keep getting statements from (Miramax) showing us that the movie is in the red. It just do sn't make any sense." The film has grossed $231.7 worldwide.

but three years later, the filmmakers and the cast (who deferred fees to get the picture made) are still waiting for distributor Miramax Films to pay them. Waddaya want, Harv's got a whopping hospital bill to pay (heard a rumor that Miramax has HMO coverage, and you *know* they're not paying for a 5 week stay)...then there's Talk Magazine... The same TRT ad has been in NYT and the north Jersey papers for weeks. BTW, Evelyn, I'm seeing loads of TV commercials for new B'way shows. One of them features Jesus (of JC Superstar fame, of course) wandering through the streets of Manhattan--was waiting for Jesus to take the #7 train to Shea as a sly retort to John Rocker's comments, but he stays on the streets. Will let you know if there's one for TRT (doubt it, but you never know with Miramax). I've also seen the High Fidelity commercial. Some movies don't lend themselves to 30-second ads; IMO this is one of them.

you mean to say that Meg is married to a 70 year old man? Correction: Meg is married to a very rich 70 year old man. ;-) Key word here: "married";-) (Michael Douglas is 26 yrs older than Catherine ZJ)

Key word here: "married";-) PFFT! Good one, Evelyn!

From the L.A. Times, an Englishman's view of the Oscars: The English Patience: British Eyes on Oscar By PETER WHITTLE, Special to The Times It's been nearly two decades since the British screenwriter Colin Welland screamed "The British are coming!" after having won the Oscar for "Chariots of Fire." That proclamation, made at the Academy Awards ceremony in 1982, was to prove embarrassingly premature in the following years. But it also went to show how the British, albeit reluctantly, seem to measure much of the success of their own film industry in terms of how well "we" are doing "over there." And nothing denotes success so visibly and tangibly as the Oscars. There is, however, a markedly schizoid quality about the British response to the Academy Awards, the hoopla surrounding them and indeed Hollywood in general. Traditionally speaking, the British are reticent about awards; they smack a little too much of achievement and success, still regarded in many ways as something of a sin even in the new, streamlined, classless Britain of Tony Blair. Most of the big awards ceremonies there, such as they are, are performed in an air thick with self-referential irony, and one can't help but sense a residual feeling that this is all, well, too vulgar for words. But rather like a junkie, the British can't quite help craving what their heads tell them is bad for them. And there remains the sneaking feeling, nurtured from decades of exposure to American films and TV shows, that being big in Britain is not quite enough, that you haven't really made it until you've made it in Hollywood. So on the one hand there is a kind of superior disdain for the whole circus, and on the other a keenly patriotic desire to see Brits beating Americans at their own game. Many of us, of course, walk among you already, and have done for years. There are a staggering 400,000 Brits in Southern California. Whether Britain and America are divided, as the saying goes, by a common language, any ex-pat Brit will tell you that, contrary to any illusions we might have had before coming to live here, this cultural chasm that exists between us is certainly big enough to fall into. Having spent much of last year working on a BBC documentary about the British in Hollywood, I can more than attest to this fact. And in many ways, the Oscars demonstrate it superbly. The nominations announced Feb. 15 had a very fair sprinkling of British names. Sam Mendes, hitherto a much-praised London theater director, is of course the standout name in the list for his feature film debut with "American Beauty." Along with him there was Samantha Morton (nominated for "Sweet and Lowdown"), Janet McTeer ("Tumbleweeds"), Jude Law ("The Talented Mr. Ripley") and that quintessence of a certain kind of Britishness, Michael Caine ("The Cider House Rules"). The British are becoming more and more used to coverage of all aspects of Hollywood and its personalities--even if, like the French, they hate themselves for it. Back in my hometown of London recently, I had the chance to examine this divided reaction by studying the British media's coverage of the Oscar nominations. It was extensive in both the tabloid and "quality" press. The general thrust was on how Brits had fared. Would we be storming the Shrine Auditorium this year? Was the British contingent a disappointingly small one? The Times hailed an "outstanding lineup of British talent," which was "on course for Oscar glory." If the favorite, "American Beauty," wins, said the Standard, it would be "a victory shaped and secured in an all-American movie by the British talent of Sam Mendes." Some considered the list a mixed bag for Britain; the Daily Telegraph saw the nominations as "largely a disappointing affair for the big names of British cinema." But in the main, it was jolly, stirring stuff. When Brits do anything "abroad," it generally brings back long-lost, subliminal memories of The Empire. That's when the more hackish of our journalists are moved to flights of patriotic fervor. And when there is a big Oscar triumph featuring prominent British talent or themes, as with "The English Patient" or "Shakespeare in Love," the British media can even cheat a little and forget to mention the American money that got them made. Come the night of the Academy Awards, I will make sure that I find an all-American, no-holds-barred Oscar party to go to. Having grown up intrigued by the glamour of it all, I will be embracing it wholeheartedly. Acceptance speeches in British accents will be nice; I just won't immediately break into a rendition of "God Save the Queen." * * * Peter Whittle is a documentary maker and TV broadcaster who has lived in Los Angeles for the past year.

Here's something else I found interesting--will only post excerpts as the entire article is quite long. It's available on line at http://www.nytimes.com/library/film/031900oscars.html From The New York Times, 3/19/00 A Film Surprise This Year Is in the Audience as Well as on the Screen By RICK LYMAN HOLLYWOOD, March 18 -- Not so long ago, the way to promote a major mainstream movie was to put up a trailer that in the case of a comedy included all the best jokes and in the case of a drama included almost all the crucial plot points. Audiences craved the familiar. Knowing pretty much exactly what they were going to get was somehow comforting. "It was almost like they were being ordered to go see the film," said Brian Grazer, co-founder of Imagine Entertainment. "Knowing what was going to happen somehow made them more likely to go see it." But as Hollywood prepares for the 72nd annual Academy Awards on March 26 at the Shrine Auditorium in Los Angeles, there is a growing sense among many filmmakers and movie professionals that something exciting and unexpected has happened to American moviemaking over the last half-decade and with increasing force in the last year: a fundamental shift in the taste of the mainstream movie audience. After two decades of formula comedy, feel-good tales and big budget he-man adventures, the mass audience seems much more willing to embrace movies that astonish them, even in unsettling or downbeat ways, and use fresh storytelling techniques to upend their expectations. The evidence for this, they say, is not merely in the roster of films vying for Oscars this year but also in the fact that many of the most offbeat and thematically challenging of them were also among the year's biggest box office hits. "The early 80's was when the quote-unquote high-concept notion infected the studios, and infected is a good word for it," said Terry Press, chief of marketing at DreamWorks. "The idea was that if you can't tell the story in two lines, don't make the movie because audiences won't get it. That has literally taken 20 years to die, but it's finally dead. It's been a long time coming." Amid the predictable fare in the list of the biggest box office hits of the last year are a significant number of genre-bending movies that seemed to spring from nowhere, packing a surprise punch or a subversive twist, like "The Sixth Sense," "American Beauty," "Three Kings," "The Blair Witch Project" and "The Matrix." Those are movies that could not stand up to that traditional, tell-all kind of promotional campaign and would lose their greatest appeal to audiences in doing so. "It doesn't have to have a dark edge, but the idea of surprise is the crucial point," said Joe Roth, who left as president of Walt Disney Studios late last year and is now forming his own ministudio. "The audience is way more sophisticated. They see it all. I mean, any medium-market city has something like 100 cable television channels and there's all the video and now DVD and the Internet. "We're at the point now where if you come at the audience in the traditional way, they're way ahead of you. But if the public hears about something fresh and new, they're onto it immediately." /.../ Skeptics, of course, say it is just wishful thinking to believe that studios are about to abandon old formulas for a riskier, more sophisticated form of storytelling. What is happening now, they argue, may be more of a Prague Spring than an Endless Summer. "I haven't yet noticed a major difference in the taste of the studios," said Marc Norman, who wrote the Oscar-winning script for "Shakespeare in Love" with Tom Stoppard. "I can remember a brief moment during the making of 'Shakespeare in Love' when one of the marketing guys said if we could make it so the two main characters could go off together at the end it would be worth $10 million at the box office," Mr. Norman said. "I don't know where he got that figure, but he said it with great assurance. "We really had to fight to beat that back, saying that it would be cheap and against the thrust of the film up to that point," he continued. "But I don't think we've reached the point now where some marketing executive would say, 'Gee, it would be worth $10 million more at the box office if you kill the star.' No, that's hard to imagine." It is always tricky to generalize about something as amorphous as audience tastes, especially as an emerging trend toward offbeat subjects and storytelling as presented in films like "Sixth Sense" and "American Beauty." "The problem is that sometimes audiences accept movies like that and sometimes they don't," said Bill Mechanic, chairman of Fox Film Entertainment. He was talking, among other things, about "The Fight Club," a 20th Century Fox film that had a decidedly dark edge and employed fresh storytelling techniques but dropped with a thud at the box office last fall. /.../ Mr. Norman said that movies were in a more adventurous phase at the moment only because the older formulas had gone flat before studios were able to pinpoint the next formula. "I think we are in a period where there isn't anything in the studios' mind that is as sure-fire and risk free as the Arnold or Sly action movies used to be," Mr. Norman said. "But it doesn't mean that they're abandoning formulas. It's that the studios are kind of in-between. If we're getting more adventurous movies at the moment it's only because they are looking for the next formula, the next sure thing."

Sorry, those 'excerpts' turned out to be longer than I expected. Thought you'd all enjoy reading Marc Norman's comments! ;-)

In 1997, Saul Zaentz and Anthony Minghella's "The English Patient" swept the Oscars, but three years later, the filmmakers and the cast (who deferred fees to get the picture made) are still waiting for distributor Miramax Films to pay them. Good grief! Thank Heaven for those P&P2 residuals;-) you mean to say that Meg is married to a 70 year old man? Correction: Meg is married to a very rich 70 year old man. ;-) What's the saying: "Men marry for sex; women marry for security." Not that I'm implying MT's a gold digger, mind you. Besides, if Calley's got a bad heart, he probably didn't marry for sex, either;-) Interesting articles, Karen, Mari and Eileen -- thanks for sharing.

Thanks, Mari. Loved the article. I think we can safely bet it won't be picked up by any of the newspapers mentioned. ;-) And Eileen! Whatever has happened to NYT? To have allowed such a boilerplate "think" piece? Gaah! And to have used Brian Grazer and Marc Norman as quotable sources? Hmmm, where did he find Marc Norman? Perhaps writing the sequel to Cutthroad Island? And then Brian Grazer, whose producer credits are filled with such avant garde films as: Bowfinger, EdTV, the Nutty Professor (and the soon-to-be-in-our theaters Nutty Professor II), Psycho remake, Liar Liar, Ransom, Sgt. Bilko, Backdraft, Kindergarten Cop... I could go on. This man lives in the world of "sub-mainstream, idiot movies." Oh well, the insightfulness of those remarks has inspired me to write my "post-mortem" of the Oscars now. ;-)

(Karen) This man lives in the world of "sub-mainstream, idiot movies." Aww, c'mon, he has such lovely hair. He and Opie are attached at the hip, after all. Grazer didn't say he hasn't gotten rich from all those H'wook formula movies he made. BTW, in hard copy this article appeared in the national section, not arts and leisure :-D

..three years later, the filmmakers and the cast (who deferred fees to get the picture made)are still waiting for distributor Miramax Films to pay them. Some of us have wondered if he ever got paid for SLOW....given the tenuous financial circumstances.

(NYT writer) It is always tricky to generalize about something as amorphous as audience tastes, especially as an emerging trend toward offbeat subjects and storytelling as presented in films like "Sixth Sense" and "American Beauty." About the only thing I agree with. Bill Mechanic, chairman of Fox Film Entertainment. He was talking, among other things, about "The Fight Club," a 20th Century Fox film that had a decidedly dark edge and employed fresh storytelling techniques but dropped with a thud at the box office last fall. Fresh? I dunno 'bout that. It fell flat because it had a crappy "MAINSTREAM" ending. Guess that wasn't worth $10 million at the boxoffice. ;-) (Eileen) Aww, c'mon, he has such lovely hair. Yeah, next time we start carping about how can Livia let Colin out of the house dressed the way he is, Mrs. Brian Grazer should share the same blame. Aren't there laws against having hair like that? ;-)

I liked the Eddie Murphy "Nutty Professor"; it was very good example of its genre. (Please note the spelling of "its" Passionata.) It was a successful mass market mainstream comedy that actually wasn't aimed at 14 year old boys with ADD. I also thought that "Bowfinger" had some clever moments of Hollywood satire. What's wrong with using Marc Norman as a source? The man is a Hollywood player, and has been one for over 20 years. He was not just a writer of SIL, but one of the film's producers as well. "American Beauty" certainly is not a significant, genre bending movie. It deals with the cliche themes of rot and ruin in the middle class and mid-life crisis, nor does it do anything to transcend itself from being cliche. I've seen these themes handled much better in other films; the most recent notable example was Ang Lee's elegant and scathing "The Ice Storm". Although it is pedestrian, "American Beauty" is a goood enough movie to win the Oscar, and it probably will. That however, is my opinion, which is in the minority. The film has enough critics' awards to indicate I have the lesser-held viewpoint.

(NYT writer) It is always tricky to generalize about something as amorphous as audience tastes, especially as an emerging trend toward offbeat subjects and storytelling as presented in films like "Sixth Sense" and "American Beauty." (Karen),About the only thing I agree with. Sorry but the math does not add up. I always go see the offbeat films and end up sitting in the theatre with 6 other people. Holy Smoke with Kate Winslet and Harvey Keitel, Lovers on the Bridge with Juliette Binoche, The 9th Gate with Johnny Depp, the list goes on and on. Thanks for the article, Eileen.

Hey, got a big laugh at Meg Tilly married to Mel Harris (Mel Harris is Melanie Harris!)

"Hello Ladies! Do think of me on Oscar night, the offbeat guy." ;-)

Review of High Fidelity at the AICN site. Didn't even mention Nick Hornby, but loved it nonetheless. http://www.aint-it-cool-news.com/display.cgi?id=5470

Fabulous review of High Fidelity in Variety, written by someone intimately knowledgeable about the book and the characters: http://www.variety.com/filmrev/cfropen.asp?recordID=1117778809

(Karen) And then Brian Grazer, whose producer credits are filled with such avant garde films as: (...)Ransom(...) I could go on. This man lives in the world of "sub-mainstream, idiot movies." C'mon, Karen, spare Ransom for me, will you? ;-)

(Gi) C'mon, Karen, spare Ransom for me, will you? ;-) Forgive me. This shouldn't be in the "sub" category. ;-)

C'mon, Karen, spare Ransom for me, will you? ;-) ROTFLOL. This is a hard crowd to please, Gi. Unless it's anything CF does.They beat the British critics any day;-)

(Gi) C'mon, Karen, spare Ransom for me, will you? ;-) Hee hee! Wouldn't have anything to do with the handsome, blue-eyed star, would it?

(EileenG)Hee hee! Wouldn't have anything to do with the handsome, blue-eyed star, would it? Can't hide anything from you, can I? ;-) But I didn't like Conspiracy Theory or Payback...

Check out the last paragraph especially. Oscar Delivers Big Bucks to Flicks By DAVID GERMAIN, AP Entertainment Writer LOS ANGELES (AP) -- ''The Cider House Rules'' doubled its money. ''American Beauty'' climbed past $100 million. ''The Sixth Sense'' is creeping toward the all-time top 10. Just what are the Oscars worth? Tens of millions of dollars at the box office for some top nominees. Many moviegoers are in their annual Oscar mode, scrambling to see best-picture contenders and other films with big nominations before they watch the Academy Awards this Sunday. ''Mainstream audiences across the country look for reasons to see a movie that maybe they haven't felt compelled to see yet,'' said Paul Dergarabedian, president of Exhibitor Relations Co., which tracks movie admissions. ''Oscar nominations are de facto word of mouth from a source they trust. Rather than a friend saying you've got to go see this movie, it's the Academy saying, 'Go see it.''' DreamWorks pulled ''American Beauty'' from all but a few theaters the weekend before Oscar nominations came out in mid-February, with plans to re-release it right after. The movie received a leading eight nominations, and is now in its its widest release yet, 1,650 theaters. It has added $28 million to its gross, hitting $103 million last weekend. ''American Beauty'' was a record 20th movie released last year to top $100 million, a figure it probably would not have approached without its best-picture and other nominations. ''I would love to tell you I knew this was going to happen, but when the movie came out, it would have been difficult for me to think it would do more than $35 million to $50 million,'' said Jim Tharp, DreamWorks' head of distribution. Smaller movies also benefit from the Oscars. With acting nominations for Hilary Swank and Chloe Sevigny, arthouse favorite ''Boys Don't Cry'' has risen from $3.7 million before the nominations to $6.8 million as of last weekend. With seven nominations, including one for best picture, ''The Cider House Rules'' quickly cashed in. In fairly narrow release, ''Cider House'' had grossed just $22.7 million before the nominations, but distributor Miramax has more than doubled the theater count to 1,738 since then. Like Miramax' best-picture contenders last year, ''Shakespeare in Love'' and ''Life Is Beautiful,'' the Oscar nominations have helped double the take for ''Cider House'' to $45.8 million. Last year's surprise blockbuster ''The Sixth Sense'' is on the verge of moving into 10th place all-time at the box office. Disney quadrupled the ghost story's theater count, to about 800, the weekend before the nominations. Since grabbing six nominations, including best picture, ''The Sixth Sense'' has rung up an additional $6.5 million, for a total of $288.5 million. That is just $1.8 million shy of ''The Empire Strikes Back.'' The best-picture nomination for ''The Green Mile'' has helped the death row saga add $10 million to its gross, pushing it to $134.4 million. The fifth best-picture hopeful, ''The Insider,'' is the only nominee that failed to capitalize. The movie took in a disappointing $26.7 million before the nominations and has added just $1.6 million since. Audiences may have viewed the story of real-life tobacco whistle-blower Jeffrey Wigand and his ''60 Minutes'' interview as too cerebral. ''It's an older demographic that watches '60 Minutes,''' Dergarabedian said. ''Those viewers will probably wait for the movie on video.''

tick tick tick LOL! as too cerebral. puh-leez

Ever wonder what the Oscar presenters get for their trouble?;-) Stars Treated As Royalty at Oscars LOS ANGELES (AP) -- Complimentary limousines. Free gowns. Jewels on loan. Oscar night for Hollywood royalty is all that and, it turns out, much, much more. Presenters ripping open the envelope and announcing ''The winner is ...'' at the Academy Awards get a thank-you basket of luxurious goodies from the Academy of Motion Picture Arts and Sciences. And it's not your usual fruit basket. Among other trinkets, Drew Barrymore, Annette Bening, Jane Fonda, Mel Gibson and others will be taking home a $1,700 TAG Heuer limited-edition 2000 Chronograph Grand Prix USA watch. There's also an $850 David Yurman Coil Charm Bracelet, a $450 Meisterstuck Solitaire stainless-steel ballpoint pen, a $185 Baccarat crystal heart, $59 Wolford Stay-Hip Sheer Tight bodywear, $38 Wolford cotton knee socks, Godiva chocolates and a bottle of Absolut Mandrin vodka. About 100 baskets have been assembled as gifts for Oscar presenters, who also include Ashley Judd, Tobey Maguire, Brad Pitt, Arnold Schwarzenegger, Mike Myers, Edward Norton and little Haley Joel Osment. Other items: -- Alfred Dunhill silver letter opener and cufflinks. -- Lifetime VIP America Online membership. -- Bally Havana loafers. -- Kodak DC215 zoom digital camera. -- A year's worth of flowers and plants from www.garden.com. -- eGo portable MP3 player. -- Joe DiMaggio autographed baseball in display case. -- Getaway weekend at the Quail Lodge in Carmel. -- Two-night getaway suite at any Ritz Carlton worldwide. -- One-year bi-coastal Sports Club/LA health club membership.

Hmmm.. Wonder if I can volunteer next year???

Or I? ;-)

Lifetime VIP America Online membership. So AOL has VIP now? I just have to say...NO COMMENT!

Hey, I'd do it for the DiMaggio baseball alone! (Moon) So AOL has VIP now? Yeah, you only get bounced off three times per average session, rather than the usual seven.;-) And in other Oscar news . . .looks like the Wall Street Journal is going ahead with its plan to publish the results of its Oscar voters poll in tomorrow's edition. Seems like they polled enough people to yield a statistically valid result. What a bunch of killjoy spoilsports! Hasn't the WSJ better things to worry about, like, I don't know, money stuff.;-) ;-) And yes, of course, I'll read the article.;-)

How to become an Oscar presentor -- get photographed in a Jennifer Lopez dress :-) I'd volunteer, but I'm allergic to tape.

From today's Baz's column in the DM (thanks to Aishling) ""The Donmar's mesmerising revival of Tom Stoppard's THE REAL THING, starring JE and SD, starts up next week, to record advance bookings". ~~~~~~~ Alliance Atlantis press release: SUNSHINE opens in UK April 28th.

From today's Guardian: Hornby's unfaithful film wins rave review They said it was sacrilege and a sell-out to Hollywood. But after enduring a chorus of complaints for allowing the film of his novel High Fidelity to be transplanted to Chicago because it was deemed too British, the writer Nick Hornby can allow himself a wry smile this morning. For he and the film's British director, Stephen Frears - who has also come in for criticism for not sticking with its north London setting - have a huge hit on their hands. Variety, the film industry bible, has given their movie, about an obsessive record shop owner who lists his life in top ten moments, the kind of review studios dream of. "Top five reasons why High Fidelity is some kind of wonderful," it begins. "1) John Cusack's fresh, fearless and ferociously funny lead performance; 2) a trenchantly witty and acutely insightful script; 3) surprising faithfulness to first rate source material; 4) cunningly graceful direction by Stephen Frears, who manoeuvres through mood swings and tempo variegations; and 5) this is the first great date movie of 2000." The pair, who are preparing for the premiere in Los Angeles next week, are said to be "well chuffed". Frears' wife, Annie Rothenstein, said the plaudits felt doubly sweet. "There's been all the aggro about setting the film in Chicago, and rubbish about Stephen going to Hollywood and selling out, when all he has ever done is flirt with it. It's a great film - it's very funny, popular stuff, handled in a really intelligent way." Although Hornby's first book, the semi-autobiographical soccer memoir Fever Pitch, transferred badly to the big screen, he said even if he had gripes with an adaptation he'd keep them to himself. "Goodness no, you can't complain," he said. "It would be like making a leather jacket, selling it and then complaining you don't want a fat person to wear it."

Thanks Karen....the financial n'papers are all glowing about the big hit Disney has on their hands.Lots of trailers on TV.Sneak preview here tonight.The success is probably not due to the change in locale ...it's no doubt a better script and a well known, experienced director.(Didn't he do "Dangerous Liaisons" with JM?) .... Fever Pitch, transferred badly to the big screen, IMO due to Hornby's poor script.(Author's don't always make good screenwriters...different skill)

(Donna DL) get photographed in a Jennifer Lopez dress :-) I have a bet with my DH that Billy Crystal is going, at some point, to come out in a knock-off of that dress.

(Evelyn) "The Donmar's mesmerising revival of Tom Stoppard's THE REAL THING, starring JE and SD, starts up next week, to record advance bookings". Great news; glad I bagged my ticket early! See, Evelyn, I told you, nothing to worry about.;-) ********** (Karen quoting NH) "Goodness no, you can't complain," he said. "It would be like making a leather jacket, selling it and then complaining you don't want a fat person to wear it." This is a riot; Nick is absolutely right. Glad for everybody involved that this looks like a good one. They changed the commercial in my area, and the new one is much better. ********* In case anybody hasn't seen the results of the Wall Street Journal's Oscar voters poll--and you want to know--read on: Film--American Beauty Director--Sam Mendes, AB Actor--Denzel Washington, The Hurricane Actress--Hilary Swank, Boys Don't Cry Supporting Actor--Michael Caine--The Cider House Rules Supporting Actress--Angelina Jolie, Girl Interrupted The Best Actor race is the closest, with Washington slightly ahead of Kevin Spacey. So glad for Hilary Swank (if this poll is correct). That was an amazingly good performance. She deserves it.

(if this poll is correct) WSJ rep was on ET or AH (can't tell them apart) last night; called the poll "informal" and "not scientific." Does the article include any info about how many members participated? WSJ's mission was accomplished--grab sensational headlines in manner of tabloid. What's next? "Space Alien Announces IPO?" Aargh!

(Donna DL) get photographed in a Jennifer Lopez dress :-) Might I suggest a few strategically placed doilies? (Eileen) I have a bet with my DH that Billy Crystal is going, at some point, to come out in a knock-off of that dress. Who says he will? ;-) What would be funnier is if David Duchovny wore it and walked out with him so he could just go right into his Best Picture parody spiel. Am trying to imagine which scenes he will use. For The Green Mile, definitely when whatshisname "cures" Tom Hanks' urinary tract infection. ;-) Mari, wonder how many voters took the Academy's advice to lie to the WSJ?

Did WSJ also say what the stars were going to wear?;-) This year that's all I'm interested in...Remember last year?..We were all wondering of Colin and Livia would attend?And the excitement of SIL winning?...Karen and I were telephoning at midnight!! ~~~~~~~~~ Re: TRT ..(Mari)Great news; glad I bagged my ticket early! See, Evelyn, I told you, nothing to worry about.;-) Yeah...but the Barrymore has almost 1000 seats to fill nightly...twice on Wed and Sat....at outrageous prices. Like Gi, I'm superstitious....those Tony blurbs ain't goin up til we're there!!

(Evelyn)...a well known, experienced director.(Didn't he do "Dangerous Liaisons" with JM?) Yes. Stephen Freas did direct "Dangerous Liaisons", which Christopher Hampton adapted from his own play based on the Chodoleros de Laclos novel.

From NY TIMES Theatre Section.... Re: The Roundabout Theatre Company "Design for Living" by No�l Coward is to open next February, with Joe Mantello directing. Mr. Mantello said he can't confirm any casting, but Alan Cumming, Julianne Moore and Rupert Everett have been mentioned. " Hmmmmmmm...wishful thinking:-)....

RE: the WSJ poll. I borrowed the paper from a colleague at work, so I don't have it here, but my recollection was that they contacted about 1400 voting members, and got responses from about 400 of them (the other 1,000 declined to participate). There are about 5,600 voting members altogether; if I recall anything from college Stat class (aside from how to sleep with my eyes open;-) that would seem to be a statistically valid sample numbers wise, but it's probably not absolutely representative of the membership which is why I'd imagine they are fudging and calling it "unscientific." As I recall, Best Director and both supporting categories were slam dunks; for example Michael Caine had twice as many votes as his nearest competitor (Haley Joel Osment). Cider House was running second to American Beauty, but it wasn't that close. Best Actress--Hilary Swank was fairly far ahead of Bening, but oddly enough most respondents thought Bening would win. Best Actor--Denzel was 7% ahead of Spacey, and they said it was probably too close to call. Well, they'll have mucho egg on their face if they're wrong, which I sort of hope they are. I like to have a little suspense.;-) You know CF and Livia were at the Miramax Oscar party last year, right? I'd imagine at the awards show, too, but don't know that for sure.

Yes, I was at Harvey's party. He asked me to p�t on a skit and I told him "no way"

ET just said there were 356 responses, which represented 6% of the total (about 5,900) - a number that was not statistically valid. And they are naming names. Who voted for who. :-(

(Karen) ET just said there were 356 responses, which represented 6% of the total (about 5,900) - a number that was not statistically valid. And they are naming names. Who voted for who. :-( Far be it from me to question the math brain trust at ET.;-) Like I said, I was practicing for Eyes Wide Shut.;-) The only people I recall as being quoted in the article were Amy Irving, Ernest Borgnine (who I think said something like he voted for Cider House because who wants to watch dysfunctional families and adulterers (alluding to AB), Alan King, and Buddy Hackett (who dissed poor little Haley Joel). Notice they didn't quote anybody who has any power whatsoever in Hollyweird; they're not stupid. But if they were going to name names, they should have at least quoted people who actually appear in movies!:-( ("Colin") Yes, I was at Harvey's party. He asked me to p�t on a skit and I told him "no way" I don't blame you. I wouldn't put a skirt on for him either.;-)

(Passionata)Yes, I was at Harvey's party. He asked me to p�t on a skit and I told him "no way" Correction: "No bloody way."

Was the food any good at Harvey's party Colin? Also, why do spell "p�t" with that German mark of punctuation above the letter "u"? In reaction to the "Wall Street Journal" sampling, the Academy of Motion Picture Arts and Sciences has strongly cautioned its members against speaking to the press in regard to their voting. Perhaps no big Hollywood names responded because they hold liberal political view and do not want to be quoted in that big business rag and Repulican opinion bastion "The Wall Street Journal".

Long article about Eric Fellner and Tim Bevan of Working Title in The Telegraph. No mention of Bridget, although:What Bevan and Fellner did brilliantly was use the success of Four Weddings to trade up. All of a sudden the talent agents who really run Hollywood were returning their calls, and the clarity with which Bevan and Fellner perceived that fact and the care they take to schmooze has been vital to their success. 'They're the gatekeepers,' says Bevan. 'We've got Nic Cage in this Corelli movie entirely thanks to our relationship with the agency because, at the end of the day, Captain Corelli's Mandolin - why the fuck would Nic Cage want to read that?'Also says that Fellner pals around with Hugh (golfing). Argh! http://www.telegraph.co.uk:80/et?ac=000576481449931&rtmo=wQf5fieb&atmo=tttttttd&pg=/et/00/3/25/tlwork25.html Think I'm going to watch Elizabeth on Showtime this week to check out "Handsome Man" on barge. ;-)

Mr. Bevan, such language!

Was that the F word in our little circle? AB is said to have her doctor on hand and her suitcase packed tomorrow night, just in case. What a drag not to be able to wear an extravagantly beautiful gown on your Oscar night. I can not understand why Sean Penn or Jude Law are not really in the running with their outstanding performances. I have seen Kevin S act in the same way too many times, and that goes for Densel W as well. I thought AB did a much better job in What Planet are You From than in AB.

(Moon Dreams) AB is said to have her doctor on hand and her suitcase packed tomorrow night, just in case. What a drag not to be able to wear an extravagantly beautiful gown on your Oscar night. I heard on the news yesterday that designers were besieging AB offering to make her an outfit. Must be nice to have a designer maternity evening gown :-)

why do spell "p�t" with that German mark of punctuation above the letter "u"? Well spotted, Cheryl. Our Passionate Colin probably uses a German keyboard. She (he?) also uses a German based ISP, the discovery of which upset our regular German poster (currently computerless due to HD failure). Come on, "Colin", be man enough to admit that this round is over. ;-)

Let Renate know we miss her. She need never fear we'd mistake her for our androgynous friend.

Hi, all been a while since I posted. This is a question for Evelyn... Evelyn, I'm going back to NYC for my 32nd bday (can you believe that!?!), I'd like to see the Real Thing if it's open and not sold out. What are the odds? It would be at the beginning of April? (I think April 8-9th), if not, what would you recommend? Any and all help for anyone here would be appreciative. (Um, Art has already said NO MUSICALS:))

MAKING A CRISIS OUT OF DRAMA: THE BATTLE DYKE MUST FIGHT IN WAR WITH ITV The Independent (27-Mar-2000) The director general of the BBC, Greg Dyke, has a battle on his hands of the most dramatic kind if he is to wrestle the public away from ITV in the bitter ratings war. BBC drama is increasingly perceived as lagging woefully behind ITV and is in need of a huge injection of cash, or new talent, or some other magic ingredient. Mr Dyke's problem is that matters are getting worse, not better. The corporation's drama department is wincing over the ratings failure of its gothic monstrosity Gormenghast and the mediocre performance of middle-of-the road series such as Sunburn, Harbour Lights and Playing the Field. It is also being roundly beaten on the sheer amount of drama that it produces. ITV's drama budget is now a whopping pounds 253m, against pounds 152m for BBC 1. The pounds 101m difference, not surprisingly, shows up onscreen. ITV boasts of having a "drama special" about every 10 days - often with big stars such as Robson Green, John Thaw or Ross Kemp. BBC executives are, obviously, envious. Last week, the controller of BBC 1, Peter Salmon, went so far as to make a public plea for more money for drama, expressing the fear that unless he got extra cash, BBC 1 would start to look like a factual channel. Mr Dyke is aware that "something must be done". And that something needs to happen sooner rather than later, because of a new development at ITV. A few months ago, the commercial network was delighted when its adaptation of Oliver Twist got bigger audiences than the BBC's period drama Wives and Daughters when the two were scheduled against each other. ITV executives had taken on the BBC in its core territory - costume drama - and won. That success has given the network an appetite for more. On Wednesday, ITV bosses will announce a massive new drama portfolio with a number of costume dramas in the line-up. An expensive production of Nicholas Nickleby is, they believe, the jewel in the ITV crown. The programme has been commissioned and is currently being cast. That will be followed by an adaptation of Thomas Hardy's The Mayor of Casterbridge (a project the BBC, it is said, was also keen on), and three plays by Hollywood's hottest writer - William Shakespeare. New adaptations of Othello, King Lear and Hamlet are on their way. The man behind the new programmes is ITV's Nick Elliott - who is regarded as the most successful drama commissioner in Britain. Over the past year he has managed to secure a massive 36 per cent increase in the amount that ITV is spending on peaktime drama and, he confirms, he is now investing in a team of ITV "super-actors" to pull in ratings. David Jason and John Thaw are the team's backbone. They have recently been joined by Ross Kemp, poached from BBC's EastEnders, and Amanda Burton, star of the successful BBC series Silent Witness. Robson Green has also been recruited and Mr Elliott says he will soon sign up one more actress to complete the team. It is not surprising that the television industry is buzzing with rumours that Mr Dyke would like to poach Mr Elliott. The two men get along well, and have been dining together of late. Mr Elliott and Mr Dyke go back a long way. They are both, like Sir John Birt and the BBC chairman, Sir Christopher Bland, former high-flyers at London Weekend Television - in industry terms, part of the LWT mafia. The snag is that Mr Elliott is said to be wary of the BBC. He went there a few years ago, persuaded by his friend Sir John. He was immensely successful, presiding over the launch of Ballykissangel, Hetty Wainthrop Investigates and Silent Witness. But he lasted months rather than years. Friends say he did not enjoy the relentless in-house politicking and grinding bureaucracy. Mr Dyke will have his work cut out if he is to persuade Mr Elliott to give the corporation a second chance. Another element in the equation is Alan Yentob - the BBC's director of television. Under Mr Dyke's new management structure, Mr Yentob is expected to be moved to a more "creative" role. The veteran BBC boss, insiders say, may regard this as a demotion. It might also put him in charge of the drama problem - a position perceived as inconsistent with any idea of Mr Elliott returning to the corporation. In the meantime, Mr Elliott is busy strengthening the ITV drama armoury further still. He has up his sleeve a television drama called Cor Blimey, which will be based on the love affair of Barbara Windsor and Sid James and feature a cameo appearance by Windsor. He is also about to reveal a drama, Little Bird, which will star Amanda Burton and be loosely based on last year's news story of a couple who ran away with their foster children to escape social services. Another drama, Fat Friends, will follow the varying fortunes of a bunch of women who belong to the same weight-loss class. This Easter, ITV is expecting a huge audience for its new adaptation of E Nesbit's The Railway Children, which will include Jenny Agutter as the mother of the girl she played in the original film. It would be wrong to suggest that the BBC does not have its successes. Holby City is now beating ITV's The Bill in the ratings. Groundbreaking dramas such as last year's Warriors have picked up prestigious awards, while Cops is proving a critical success in the United States. However, there is the matter of the pounds 101m disparity in budgets. It is not an easy sum for Mr Dyke to find - even if he does sack a lot of managers and rationalise the corporation's many duplicate news services.

and now for something completely different. Oscar attire: Best Dress (so far): tie. Hilary Swank and Julianne Moore Worst Dress (and hair): Gwyneth (so much for once having a good sense of style)

My son broke his leg (the tibia in three points), last night at his hockey practice! It ruined my Oscar night. :-( Cher and Jane Fonda looked ridiculous. Gwynnie has got to get her act together. Billy Crystal was not v. funny. And the whole show had a corporate feel. Jack and Warren are stsarting to show their age poor guys. James Colbourn (Sp?), who is older looks much better. Gi, your Mel looked good as did Jude and Brad. Sam Mendes lives on Primrose Hill as does my good friend, she knows everyone there and vice versa, I will ask her about him. :-) Am off to the Doctor with my son. I hope to check back later.

(Moon)My son broke his leg (the tibia in three points), last night at his hockey practice! It ruined my Oscar night. :-( Oh Moon, I always say that sports is bad for your health but nobody listens ;-) Seriously, I hope everything goes well with the treatment (is he going to have surgery?) and he gets well soon. Jack and Warren are stsarting to show their age poor guys. They are not the only ones... They should choose their plastic surgeons better ;-) Gi, your Mel looked good as did Jude and Brad. He did, didn't he? Although I thought I perceived a little bald patch ;-) Could be the gel though. Sam Mendes lives on Primrose Hill as does my good friend, she knows everyone there and vice versa, I will ask her about him. :-) I believe he is of Portuguese descent? The show here was from 2 to 6.30 a.m., I only watched the beginning and the end because Patas is ill and woke me up with his coughing. It's being aired in Digest form today, I'll check the dresses if I get to see it ;-)

Oh, Moon, how awful about your son. :-( Take care and I hope everything mends quickly. What's he doing playing hockey? Jude Law also lives in the Primrose Hill area. Re: Sam Mendes Here's a link to an interview with him from the Telegraph in 1998. I remembered it contained info on his background, Gi. http://www.telegraph.co.uk:80/et?ac=000576481449931&rtmo=quJRMb99&atmo=tttttttd&pg=/et/98/9/19/btmend19.html Billy Crystal was not v. funny. Looked like the place went up for grabs when he made that comment about Judi Dench and her thong. :-)

...and could there have been two more glum faces than Chloe Sevigny and Russell Crowe? Well, at least he cracked a smile when Billy Crystal said Crowe wanted a cigarette. ;-) (and Chloe's on my ugly attire list)

Very sorry to hear about your son's accident Moon, hope it is not too painful and that it won't be too long before he is back on the Hockey field.

Pre-Oscar Parties: The Hosts: Miramax Films' Harvey and Bob Weinstein. The Setting: Regent Beverly Wilshire on Saturday night. The Guests: Kevin Spacey, Gwyneth Paltrow, Matt Damon, Ben Affleck, Jude Law, Michael Caine, Judi Dench, Meryl Streep, Lasse Hallstrom, Anthony Minghella, John Irving, Tobey Maguire, Uma Thurman, Ethan Hawke, Quentin Tarantino, Delroy Lindo, Heavy D, Paul Rudd, Scott Rosenberg, Rachael Leigh Cook, Sydney Pollack, Wes Craven, Diane Warren, MGM's Chris McGurk, Disney's Michael Eisner, WMA's Jim Wiatt, CAA's Josh Lieberman, ICM's Chris Andrews, Nick Wechsler, Dylan McDermott, Buena Vista's Jere Hausfater, Kyle MacLachlan, Lawrence Bender, Richard Gladstein. The Buzz: Once partygoers got past about two dozen placard-carrying anti-abortion protesters outside the hotel, they settled into the most entertaining of the pre-Oscar bashes: Miramax's fourth annual Max Awards. The highlight of this year's "talent contest" -- where actors cross-dress and portray comically altered scenes from Miramax films -- was Ben Affleck doing a dead-on impression of Harvey Weinstein as a teacher in "Music of the Heart," or as one player put it: "The Weinstein House Rules." Other readings included Minghella as Maguire and Spacey in a blond wig as Charlize Theron doing the drive-in theater romantic scene from "The Cider House Rules," and Judi Dench as Jude Law and Michael Caine as Matt Damon in "The Talented Mr. Ripley." "Everyone works for Miramax for free ... always," joked Spacey, prompting one attendee to call out: "I hope you're listening Michael Eisner." After a rousing rendition of "Americana, Americana" that had the entire party clapping, the evening ended with a twist on the fa iliar quotation from "The Cider House Rules": "Good night, you princes of Tribeca, you queens of West Hollywood."

Sorry to hear about your son's hockey misfortune, Moon. Yeech, wearing a cast in hot weather! I thought Billy was a riot, though. That opening film sequence laid me out ("look out! It's Stephen King!"--he's sooo bad). The bit about what's-her-name having one of the still-missing Oscar statuettes hidden in her hideous green 'cat in the hat' headgear was pretty funny also. IMO Billy's much better than Whoopi. Thought Cher looked better than in the past; was howling when she fought with the train of her dress. How about Angelina's get up? *cue music* The Addams family started...when Uncle Fester fa--oops, that's not how it's supposed to go! Agree that Gwynnie looked a shadow of her former self (something's not right with her) but she looked alot better last night than she did at the GGs. Could Russell Crowe have looked more bored? Could ABC's pre-Oscar show have been any worse? Tyra Banks was horrendous! Annette looked marvelous--huge, but marvelous. It was nice to hear Sam thank the Donmar.

(and Chloe's on my ugly attire list) The dress was OK, the jewelry was a bit much, but her hair, Louisa! She looked as though she slept in those pink foam rollers I used when I was a kid. I hope she didn't pay anyone for that do. The Buzz Sounds like it was a riot.

Speaking of pre-game shows, anyone catch the end of E!'s show with Joan and Melissa? It ended a half hour before the Oscar telecast, when ABC picked up with its pregame. Joan was yelling to Melissa to "get off the mic," "they aren't paying us," etc. Then Melissa (clearly embarrassed) was trying to get her mother calmed down. Joan was mad (possibly because only ABC could broadcast from the red carpet area during that timeframe and everyone else had to stop). It was a hideous display. Surprised there isn't anything in the news about it.

(Karen) anyone catch the end of E!'s show with Joan and Melissa? Missed it--was watching Baba Wawa's *ho-hum* special. I wish E! was able to continue 'til kickoff, though--I'm no Joan and Missy fan but anything would have been better than ABC's horror show. I was watching E! earlier and there were several occasions in which Joan thought she was off the air when she wasn't.

Laura, yes, you will be able to seats for TRT ...the Barrymore is huge.Has lousy accustics,though,I saw"Amy'sView"there and could hardly hear f rom the balcony.I hope they body-mike SD.Get orchestra,now from tele-charge:212-239-6200."Copenhagen" coming from the West End (now with American cast)got rave reviews in UK Um, Art has already said NO MUSICALS:)) Good man...(she said as she has tickets for "Aida");-) ~~~~~~~ (Karen)Best Dress (so far): tie. Hilary Swank and Julianne Moore Think so?? Hilary Swank looked like a Scarlett O'Hara "drag queen" . something definitely wrong with Gwynnie and Warren Beatty(20 years older than Annette). The guy was incoherent.Liked Billy Crystal...though cheap shot about Judi Dench. Esp.since she didn't get equal time.

My favorite Oscar Ceremonies blunder was when Jane Fonda announced that it was her pleasure to prevent, pause, present this award to Andrzej Wajda. Liked the opening film montage with Billy Crystal, and absolutely loved the production number for "Blame Canada" with Robin Williams. My choice for best dressed woman was Cate Blanchett, with runner-up honors going to Hilary Swank and Annette Bening. I also thought Nicole Kidman very striking in a couture Dior gown, but that dress isn't for all tastes. The absoulute worst was Cameron Diaz, what was that mess she was wearing? It puts the "U" in ugly. Judi Dench looked very elegant and lovely, a really great dress for an older woman. The best speech was undoubtably Michael Caine's, wonderfully gracious and generous. The worst speech was that of Kevin Spacey; he came off as a shallow, self-absorbed ass. Boring. The evenings most pleasant surprise, to me, was "The Red Violin" winning for Best Score. A great score in a great film. "The Red Violin" was one of my picks for number one on my own 1999's Ten Best Film List. It tied at number one with "All About My Mother", which snared Oscar as the Best Foriegn Language film. The other thing I was glad to see was Hilary Swank winning Best Actress. It was good to see the person who actually deserved the Oscar getting it.

(Evelyn) Hilary Swank looked like a Scarlett O'Hara "drag queen" Huh? I didn't see any tassels or curtain swags. ;-) (Cheryl) It was good to see the person who actually deserved the Oscar getting it. I'm sure it was just oversight that you forgot to add "in my opinion." ;-) My personal fav has been Janet McTeer from day one, but am v. glad she was nominated. Category Most Deserving Being Dropped: Best Song Argh! They were all losers IMO, especially when you look back on the good songs that were written for the movies long ago. Loved Dionne doing Alfie and could've sworn that was the same production number for Shaft (mini version though) as was done years ago. Still remember it. ;-)

Janet McTeer was wonderful and did, in fact, win the Best Actress award from the National Board of Review, a very prestigious award.

...worst speech was that of Kevin Spacey; But his openner was a hoot.."This is the highlight of my day.." reminiscent of the openning shower scene in American Beauty. ~~~~~~ Everyone seems to like Hilary Swank's dress...hmmmm. Ya' like those hooped skirt numbers , uh? Now, Penelope Cruz looked stunning.

(Cheryl) My choice for best dressed woman was Cate Blanchett She looked great, didn't she? The absoulute worst was Cameron Diaz, what was that mess she was wearing? The frontless thing? It didn't do much for her (but I'm sure the men in the audience were pleased by some revealing side shots during the pre-game show). My 'U for Ugly' (or should that be 'F' for...) award has to go to Tyra Banks' purple Barbie-wouldn't-even-wear-this fluffball thing. loved the production number for "Blame Canada" with Robin Williams Agree it was a great way to divert potential controversy (hardly deserving of same, IMO), but the big number? Ugh. It was loads better than last year's tap dancing to the theme from SPR, though. The best speech was undoubtably Michael Caine's, wonderfully gracious and generous Absolutely agree. Winners have been recognizing their co-nominees for years but he did it in a way that was fresh and sincere. (Karen) Category Most Deserving Being Dropped: Best Song Argh! They were all losers IMO Yeah, what if 'Blame' had won?

v. funny play-by-play of the Oscar ceremony at film.com. Running gag about Annette doing all those standing ovations and still not having gone into labor. Comments like: (although we're still not sure what Peter Coyote, giving his best impersonation of a headwaiter, was doing at that little desk) Gwyneth Paltrow, with a bad case of bed head Roberto Benigni runs around the stage for a while and says he'd like to be a dog Angelina Jolie (Girl, Interrupted), who's wearing some sort of Elvira getup with major hair extensions. Mike Myers, Heather Graham, and Heather's cleavage present the award for Best Sound http://www.film.com/reviews/features/awards/99oscars/

The Independent Spirit Awards, Hollywood's annual celebration of independent and low-budget film, were given out on Saturday, March 25. The awards are voted on by the 9,000 members of the Independent Feature Project. They were handed out on a marquee on Santa Monica Beach in a star-studded ceremony, attended by 1,200 people. Election won 3 awards, they were for Best Feature, Best Director - Alexander Payne, and Best Screenplay - Alexander Payne and Jim Taylor. Richard Farnsworth, a 79-year-old former stuntman, won as Best Male Lead for his role in "Straight Story". "Boys Don't Cry" won the categories, Best Female Lead - Hilary Swank and Best Supporting Female - Chloe Sevigny. Other winners included "Being John Malkovich" for Best First Screenplay - Charlie Kaufman and Best First Feature(over $500,000). Steve Zahn for Best Supporting Male for his perfomance in "Happy, Texas". Lisa Rinzler for Best Cinematography - "The Three Seasons". Kimberly J. Brown was cited for Best Debut Performance for her work in "Tumbleweeds". Winning for Best First Feature(under $500,000) was "The Blair Witch Project". "Run Lola Run" from Germany was named Best Foreign Film.

1. Where have Gwynie's SiL "boobies" disappeared to? 2. Thanks for the link, Karen. 3. A comment I heard on television today: "Seems that the best way for an actress to get an Oscar is to dress as a boy... This year and last year as well... "

loved the production number for "Blame Canada" with Robin Williams I liked the Gap production number ;-) No one like Phil Collins singing the song from Tarzan? ~~~ Thanks Karen for the link.

(Evelyn) I liked the Gap production number ;-) Gotta agree. They were great. Three dance numbers from West Side Story and even went with Billy Crystal's "Tonight" ;-) Who does their advertising? It's fantastic.

Thank you for all your kinds words. My son has a cast that is set over his knee. Bad multiple fractures and the cast will stay on for 3 months! I am exhausted! My 16th wedding anniversary is on April Fools Day and we were going away but now all has changed. :-( Back to Oscar... I loved Kate Blanchette's dress! The halter dress was in. Cameron's dress was Versace. It looked more like something to wear around the house (heehee, I am giving myself away). I do not like Galliano and thought Nicole Kidman's dress was a half thought. I usually like the way she dresses. I basically agree with the comments on Robin W and Caine and found Benigni very toned down. They must have given him something. ;-) You should see him in Italy! Tu vuol far l'americano ma sei natto in Italy!

Sorry to hear about your son's misfortune, Moon. ****** Renate says "hallo" to all: she misses you and wants to reassure you that she definitely isn't "that silly little thing" (reference: Heide's comment.)

Sorry to hear about your son Moon. Three months, it must be a bad one. The hardest thing is to keep them amused especially after about a month. I was surprised at the resemblence between the young Michael Caine, in Alfie and Jude Law.

I swore I wasn't going to check in on this topic but I took some Pepto Bismol and feel better now. ;-) First, terribly sorry about your son, Moon. Poor baby, poor Mom. My 16th wedding anniversary is on April Fools Day And you're still married!? ;-) Sorry, everyone I know who married on April Fools Day have gotten divorced but I think after 16 years you've gotten over the humps. I'll wait for Joan's Oscar fashion critique next Saturday but my #1 worst was Angelina Jolie. The Addams Family indeed, Eileen. And what kind of kinky thing does she have going on with her brother? I thought Jane Fonda looked great - so glad she cut her hair but she I guess it's too late for her neck. Ooh, those wrinkles. Yeah, I can only hope I look that good when I'm 60. Agree James Coburn looked better than Jack and Warren. Jack's starting to look more and more like Mr. Whipple of Charmin fame with that little muzzy and... (Gi) They should choose their plastic surgeons better ;-) LOL! You might want to give Warren your card. (Eileen) Could Russell Crowe have looked more bored? But he sure looks sexy when he's bored. (Well, I thought so!). Where was Jodie Foster? (Cheryl) The worst speech was that of Kevin Spacey; ... Boring. I'm afraid I fell asleep before that. Everything was too longgggg. (Evelyn) But his openner was a hoot.. Sorry I missed it. I got a big hoot too when he presented the (?) award he was supposed to do with Annette and said if she won the Best Actress Oscar, she'd crawl up to the stage on all fours. (Karen) Loved Dionne doing Alfie and could've sworn that was the same production number for Shaft Definitely the highlights of that segment for me. Ray Charles was ok but he ruined that beautiful song "All The Way". Finally Dionne came on and showed the others some class.

There's a complete rundown of the Oscars in the movie topic 29, including all my goofy opinions and a blow by blow description of the night.

Thank you, Arami, Lucie and Heide. It will be a long 3 months. (Heide), My 16th wedding anniversary is on April Fools Day And you're still married!? ;-) We play great jokes on each other on that day. ;-) (Heide), I'll wait for Joan's Oscar fashion critique next Saturday but my #1 worst was Angelina Jolie. The Addams Family indeed, Eileen. And what kind of kinky thing does she have going on with her brother? Agreed! And did you notice she always leaves after the award? She did that at the GGs too.

I'll have to fast forward to Angelina Jolie on my tivo recording to see what you're talking about, moon.

From The Times: Oscar star Mendes puts his 'family' first He was the toast of Hollywood with five Oscars for his debut film, but Sam Mendes did not forget the London theatre where he made his name. Shortly after his speech accepting the best film award was broadcast around the world, the young British director made an emotional transatlantic phone call to his colleagues at the Donmar Warehouse. The 24-strong staff, whom Mendes calls his "substitute family", had stayed up until 7am to watch their artistic director conquer Hollywood with American Beauty. Mendes, 34, assured them that success had not shaken his commitment to return to the 250-seat theatre to direct a play this summer. He will announce his next season within the next ten days, and plans to direct one of four plays, although he had not decided which when he left for Los Angeles. None of the Donmar staff, who gathered round a large screen in a London hotel to watch the ceremony, had ever thought he would abandon them, however lucrative the Hollywood offers. Even while shooting the film, he had been in daily contact with them. "He was there with all the stars in LA, but what he most wanted to know was what the atmosphere was like at our party in London," one insider said after yesterday's call. Caro Newling, executive producer of the Donmar, spoke of the disparity between "watching him at the 'shrine' receiving his award" and the comments he made while editing the film. "He said that 'if all went well, it could be a critical success, but not broad popular success'. Cut to nine months later and there he is with a top-selling movie around the world, collecting an Oscar."

Mendes, 34, assured them that success had not shaken his commitment to return to the 250-seat theatre to direct a play this summer. Great, Sam -- and get Colin to star in it to, wouldja? (After BJD wraps, that is.) Re: Jane Fonda -- seems painfully unfair that Jack and Warren can flit around squiring babes and spawning rug rats in their 60's while poor Jane has to contend with the likes of Ted Turner. It's a man's world:-( Sorry about your son's accident, Moon. Hope you don't have a lot of stairs in your house;-)

(Moon)My son has a cast that is set over his knee. Bad multiple fractures and the cast will stay on for 3 months! (Heide)Poor baby, poor Mom. Ditto :-( (Moon)I basically agree with the comments on Robin W and Caine and found Benigni very toned down. They must have given him something. ;-) Is he always like this? Or is it just the "crazy italian" image put on for the American cousins' benefit?

(Gi) Where have Gwynie's SiL "boobies" disappeared to? She looks anorexic to me--skin and bones. Much thinner than last year. Something's up with her. (Gi) Or is it just the "crazy italian" image put on for the American cousins' benefit? I saw or heard Judi Dench being interviewed recently. She was speaking about her Oscar experience last year. Judi referred to Benigni as "a lunatic" who was "jumping around" (not her exact words); after the ceremony she found out that he speaks "perfect English." (Heide) And what kind of kinky thing does she [Angelina Jolie] have going on with her brother? Ewwww, wasn't that creepy? She's OTT. (Moon) Agreed! And did you notice she always leaves after the award? She did that at the GGs too. Maybe her brother just wants to keep her out of the pool ;-P Jack's starting to look more and more like Mr. Whipple of Charmin fame LOL! (Susan) Re: Jane Fonda -- seems painfully unfair that Jack and Warren can flit around squiring babes and spawning rug rats in their 60's while poor Jane has to contend with the likes of Ted Turner. It's a man's world:-( That's why she's chucking the rat bas***d. She looked great--too bad she fluffed her presentation. (Moon) My 16th wedding anniversary is on April Fools Day (Heide) And you're still married!? Moon hinted at the secret to her marital success a few posts before yours, Heide: Cameron's dress was Versace. It looked more like something to wear around the house (heehee, I am giving myself away). Aha! :-D

Moon hinted at the secret to her marital success a few posts before yours, Heide: Cameron's dress was Versace. It looked more like something to wear around the house (heehee, I am giving myself away). Aha! :-D OK, I'm blushing. (Gi) Where have Gwynie's SiL "boobies" disappeared to? She looks anorexic to me--skin and bones. Much thinner than last year. Something's up with her. It must be boyfriend problems. She has not looked well lately. Or maybe she's bummed out about not getting Bridget. ;-) Gi, Benigni is really very hyper. Impossible actually. And he does get on a lot of people's nerves in Italy. He does not speak perfect English. What was Judi thinking? Or maybe she had too many drinks and imagined him speaking perfect English. ;-) Karen, it's nice to see Mendes so attached to his friends. Although by now I am sure he has made plenty of them in LA. Thanks, Gi and Susan for your well wishes.

(Moon) He does not speak perfect English. What was Judi thinking? Let me clarify. Her context was Benigni speaks better English than he would have American audiences believe. In other words, it's an act. Which doesn't surprise me!

Frears rates high marks for 'High-Fidelity' cast (March 29) By Martin A. Grove (THR) Frears' "Fidelity:" Hollywood's most interesting filmmakers can be the least predictable in terms of the projects they choose to make. A case in point is Stephen Frears, whose "High Fidelity" opens Friday via Buena Vista/Touchstone in about 1,200 theaters. The wonderfully biting romantic comedy is not only a departure from Frears' such earlier serious dramas as "The Grifters'" and "Dangerous Liaisons," but the British director shot it in Chicago although it's based on a book set in London. "Fidelity's'" screenplay by D.V. DeVincentis & Steve Pink & John Cusack and Scott Rosenberg is adapted from the novel by Nick Hornby. A Working Title Films production, it was produced by Tim Bevan and Rudd Simons and executive produced by Mike Newell, Alan Greenspan and Liza Chasin. Starring are John Cusack, Jack Black, Lisa Bonet, Joelle Carter, Joan Cusack, Sara Gilbert, Iben Hjejle, Todd Louiso, Lili Taylor and Natasha Gregson Wagner. "I was asked by John Cusack if I would do it," Frears told me. "I think highly of him and really wanted to work with him again (after 'The Grifters'). I thought, 'That's a really good idea.' It's a book I like very much. So it all made sense." Frears had read Hornby's novel when it was first published in the United Kingdom in 1995 but hadn't thought about it then as something to turn into a movie. "I don't read books like that. I read books to enjoy them. I'm not looking for whether they make good films or not," he explained. In "Fidelity," Cusack's character Rob analyzes the reasons his romantic relationships have failed during the years. Much of the story revolves around his record store, Championship Vinyl, which sells old-fashioned vinyl LPs rather than CDs. Rob's two store assistants (Black and Louiso) boast an encyclopedic knowledge of pop music that rivals Rob's own. It wasn't long after he received the screenplay from Cusack that Frears decided to sign on: "I just said, 'This is great. Let's do it.' We had to wait while I finished the film I was making, which was 'The Hi-Lo Country,' and then we did it. It was all quite straightforward. We went to work on the script. In fact, the script changed a lot from the one I'd originally read." The most striking change, he said, was turning what had been voice-over narration into dialogue to be delivered straight into the camera -- and, therefore, directly to the audience -- by Cusack. "That was a tremendous breakthrough," he said. "That's the really good stuff in the book, you see -- his thoughts. That was the sort of breakthrough invention that got us to where we could get at the good material. So I found that very liberating." When I observed that "Fidelity" is somewhat different material from what he has previously done, Frears replied diplomatically, "If you say so. I don't sort of think like that. But I'm sure you're right. I just do what I'm asked to do -- if I love it." With the book having been set in London, I told him, one would have expected him to have wanted to film it there in his own backyard rather than shoot in Chicago. "When I was told about (doing it in Chicago), I was surprised," he noted. "Then when I started to read it, I forgot about it. When I then thought about it, I actually thought, 'This is very, very liberating.' I'm not supposed to say things like that (being a British filmmaker). I will be taken to the Tower (of London) and beheaded for that. But, actually, I found it tremendously liberating. I found that very, very fresh and lively (to be working in Chicago)." After starting to work on the film, he said, "I discovered that, in fact, this is a sort of home movie these guys have written. It was really about them growing up in Chicago -- John and his two friends, D.V. and Steve. They all grew up together. So then you discover, 'Oh, I see. I've actually got to learn about these people's lives to understand it.' So I started doing that and then I realized their sort of take on life was already, as it were, like Nick Hornby's." Black and Louiso deliver stand-out supporting performances as Cusack's assistants. Black's character Barry, in particular, is a manic guy who dominates every scene he's in. Although it looks like it must have been impossibly tough to cast the role, Frears said that wasn't the case: "I said to them (Cusack and his writing partners), 'Who should play Barry?' and they said, 'Jack Black,' just like that. I met Jack and about two minutes after talking to him I said, 'Yeah, well, you're fine.' " Among Black's credits are roles in 'Dead Man Walking,' 'Enemy of the State' and 'Mars Attacks.' Then they said, 'Well, maybe he could play the other one (Barry's quieter colleague Dick, played by Louiso).' Then they started hedging their bets. But I always knew that their first response was, 'Oh, Jack Black.' When they started to undermine themselves, I always knew that they'd said Jack. Then it was quite a complicated process getting him because he's a tricky fellow (to nail down). And then he gave this astonishing performance. When he started to act, my mouth fell open. I didn't realize he was going to be that brilliant, but it was a treat." Another casting challenge was Laura, whose breakup with Cusack's character Rob gets the film's story under way. The role went to Iben Hjejle, a native of Copenhagen seen last in "Mifune." "I couldn't find what I was looking for in either America or England," Frears said. "Then I met her at the Berlin (International) Film Festival (where 'Mifune' opened to critical acclaim) and discovered that she spoke American." In casting, he explained, "What you're really trying to do is find out what you're looking for and being prepared to admit you don't know what you're looking for. Eventually, something happens and you just (say), 'Oh, I see. It's that.' It takes as long as it takes, really. There's no short cuts. And I'm surrounded by good people and good casting directors. I talk to everybody and pick people's brains the whole time. That's all it really is is being willing to listen." As for production, he said, "You just sort of do it, don't you? You deal with each problem as it comes up. It's always like that. Every time I have to learn something. And since I find learning interesting -- I enjoy learning things -- it's just being willing to understand things you don't know and to accept that you don't know things.'' Chicago wasn't really new to Frears. "I'd shot a bit of 'Hero' in Chicago," he pointed out. "Many times I was actually thinking, 'I'm now doing what I remember thinking I'd liked to have done when I went to Chicago to do 'Hero.' It was with a big star (Dustin Hoffman), so I come straight to him (in shooting). But I remember thinking, 'Oh, that's a rather good little bit and then not knowing how to bring it into the environs of the film. On this, I was able to do that. There were a hell of lot of things I noticed when I first went to Chicago. It's a wonderful city." Did anything come to mind in terms of particular problems while shooting? "No," Frears told me. "There are always problems in how to bring the thing to life. And what's interesting is solving those problems. You never quite know what they're going to be. There were always rather human problems because it wasn't like saying, 'Look, in this shot we've got to get to the moon or something like that if you have a very complicated technical problem. It's just a human thing of being able to be funny and touching at the same time. The films are only about people, so it sort of depends on your knowledge of human nature." Although weather can pose big problems in Chicago, Frears was on top of that: "I'd learned when I'd been to Chicago before. I'd always been to Chicago in the sunshine and when I went there to shoot, it just clouded over. The light was just horrible -- flat ghastly light. This time, I said I'll make this film between the cold and the heat. So I positioned myself for the good weather and the weather was fine. When does it stop getting cold? April. You'll notice that we shot between April and June. When does it get hot? July. We did it between the cold and the heat." As for Frears' approach to directing, he confided, "I make it up as I go along. You get nice people and you create conditions in which they can feel comfortable and competent and, as it were, make fools of themselves or show off their feelings. You give the actors as much room (as possible). The actors are splendid people."

There's also an article about John Cusack/Hi Fi in today's Boston Herald: http://www.bostonherald.com/entertainment/movies/cusa03292000.htm

Here's a little HF info from a British movie website:As for Hornby, he isn't bothered about accusations that he sold out to Hollywood. The author tells us that he thinks this version works, explaining, "It's about a guy in a record shop with a lot of ex-girlfriends. They do have that here." 'High Fidelity' opens in the UK on July 21.

Moon, sorry to read about your son. Three months in a cast, poor boy. That's rough. I hope his spirits are holding up. You're wedding anniversary is April 1st. Did you and your husband plan it that way? If so, you two have great senses of humor. My parents got married on a Friday the 13th. No, they weren't Satanists. Most of my relatives are Catholics in one of the following categories: practising, cafeteria, lapsed, or collapsed. There are a few agnostics and, I think, one Buddhist. Then there were some of my French cousins who were practising Catholics and card carrying communists. Being contradictory is something of a family trait. Heide, did the Pepto work? No gastric rumblings, I hope. I agree with you that Russell Crowe does look sexy when he's bored. A friend of mine describes him as being "a very handsome man in a really intense way". I read somewhere that Crowe is part Maori, but I'm not certain on that point. He was born in New Zealand, though. Caught an interview with him before the Oscars. He said that Jody Foster wouldn't be going to the ceremony. She told him that she was going to watch from home, half-dressed, sitting on her bed, eating.

He said that Jody Foster wouldn't be going to the ceremony. She told him that she was going to watch from home, half-dressed, sitting on her bed, eating. LOL! How many other mothers of toddlers would love to have the luxury, not to mention the time to do that.

You're wedding anniversary is April 1st. Did you and your husband plan it that way? If so, you two have great senses of humor. We did it for the fun and in 1984 in honour of Orwell's novel. Thanks for caring, Cheryl. My son's spirits are starting to pick up. I would like to invite everyone for margaritas and stone crabs on April Fools Day. :-D

(Moon)I would like to invite everyone for margaritas and stone crabs on April Fools Day. :-D Sounds like a party to me ;-) Yeah, I sound like I'm turning into a blonde party girl, but I'll have you know it's only virtual

LONDON � Odeon Cinemas, the U.K.�s largest theater chain, is joining forces with the British Film Institute in a pioneering initiative to bring arthouse pics to a wider audience. Odeon has agreed to set aside one screen in eight theaters around the country for the BFI to program with alternative fare. Films in the initial run, which starts April 28, will include Fox�s �Boys Don�t Cry,� FilmFour�s �Holy Smoke� and Buena Vista�s �Mansfield Park,� as well as the BFI�s own reissue of the British classic �A Matter of Life and Death.� The BFI already programs its own regional arthouse theaters, but this is the first time the org has pushed its way into the mainstream. Now it is negotiating similar deals with other leading exhibitors. Sources at Warner Village, for example, say it is likely to hand over three screens at its new Birmingham 30-plex for the BFI to program. Director Terry Gilliam, who sits on the BFI board, is one of the most enthusiastic supporters of the new initiative, which will be marketed under the banner �BFI at the Odeon.� �This will encourage adventurous people to be adventurous about the films they see,� he told Daily Variety. �At the moment the choice of films in England, and even in London, is the worst in the world.� �We thought the multiplexes were going to give us greater choice, but we just got �Titanic� on every screen. But now at last there are so many screens out there that exhibitors are realizing they might as well be bold and put something interesting in.� Paul Brett, the BFI�s head of cinema services, said, �The U.K. urgently needs more screens for specialized films. This initiative is just the beginning of a resurgence in arthouse cinema � movies for grownups.� The eight Odeons already committed to the scheme are in Birmingham, Liverpool, Ipswich, Maidstone, Bournmouth, Cheltenham, Guilford and Epsom. As well as new releases, the BFI will program �festivals� at these cinemas, showcasing either films from a single country or the work of one filmmaker or actor. Ross James, marketing director of Odeon, said: �We�re fanatical about film, and determined to give our customers more choice. This initiative is all about offering people the chance to experiment a little.� Odeon has done extensive research to prove that the demand is there, and the programming in each town will be tailored closely to the local audience. The cinema managers will be heavily involved with the BFI�s choices, and are already seizing the opportunity for creative local marketing.

I applaud! Now if they would only do the same here. Caught the last 5 minutes last night on E of the celebrity profile on Jennifer Tilly. She a celebrity?! Meg was interviewed and I was surprised at how old she looks. Her face is round and she looks v. different. Not aging well. (Or is that what happens when your husband is 70 and CF leaves you. ;-)

This initiative is just the beginning of a resurgence in arthouse cinema � movies for grownups.� I too applaud their efforts.Now let's see how many grown-ups go;-) Here they're mostly "renters".

Rats! I missed that. Maybe it will be repeated. ;-)

(Cheryl) Catholics in one of the following categories: practising, cafeteria, lapsed, or collapsed. LOL! What's cafeteria Catholics?

Cafeteria means "pick and choose what you like." Term is also used for employee benefit programs.

Catching up with you all after several days away . . . John Cusack will be on David Letterman's show tonight, undoubtedly talking High Fidelity. And now this cafeteria Catholic is off to attend a Seder supper . . .:-)

(Arami)LOL! What's cafeteria Catholics? (Karen)Cafeteria means "pick and choose what you like." You've met my relatives, Karen? Probably not, but that does sound like some of them. That's a pretty concise definition, they are people who cut and paste official church positions. Picking what they like as it were, Arami. Okay, I think this is the list where someone asked who does the Gap's television advertising. The tv commercials are done in-house, which is to say they don't employ an outside advertising agency. They have an advertising department that does them. I thought the Gap did their own advertising, but I wanted to check.

Ahhh, don't be too hard on the relatives, Cheryl. Most Catholics I know don't agree with the Church's position on everything, and the "one from column A and one from column B" approach saves them from having to toss out the entire menu.;-)

My, oh my, from The Guardian (3/31) - a Bridget comment at v. end too. A national sense of superiority On patronising the Yanks Shane Watson When Sam Mendes collected his Oscar for American Beauty last Sunday in Los Angeles there wasn't a dry eye back home in his flat in Primrose Hill where, so he informed us, his friends were gathered toasting his health. We weren't given precise details of the occasion (guests: Jack and Jill from the NFT, Marion from the local theatre workshop; drink: some kegs of Old Peculier) but the message couldn't have been clearer. Mendes - in between being hugged and squeezed by Kevin Spacey and hugged by Steven Spielberg - was just letting everyone know that he comes from a very different place to the artificial world inhabited by most members of the audience. He stood before them, in their crystal-encrusted Jimmy Choo shoes, and their $400 hairdos, and quietly reminded us that, while it was great to be clutching the Oscar for Best Director and seeing his film take the awards for Best Actor, Best Picture and Best Original Screenplay, he was not one of them. Our boy from the Donmar Warehouse made his detour to Tinseltown, beat the Yanks at their own game hands down, first time around, and made no bones about the fact that he was on the next plane home to the country that understands quality, that is daring and innovative, that makes art in the finest tradition, without pandering to the lowest common denominator. We all know the story about The Madness of King George, which couldn't be called Madness of George III for fear that the Okies in Fenokie would think it was a sequel - duuur. We all know the reputation of British audiences: so critical, so intelligent, so ready to be challenged, whereas the Americans have to have every little thing spelt out. Subtitles for Trainspotting! They have no idea! And frankly we haven't had such a good crack at reminding them since, well, Shakespeare in Love. This sport of attempting to patronise the Americans has been going on for as long as they've been letting us get away with it. On the one hand, there's us in the educated, sophisticated, liberal and (very important this one) ironic camp. On the other, there's the poor old Hicksville Americans who cry at airports because they can't work out which country they're in, who think things built in 1899 are incredibly old (tsk) and are pathetically preoccupied with their family genealogies (dur) while thinking we all live in smog-laden Upstairs Downstairs style in Georgian crescents. The last phase of the special relationship, circa 1970 to Margaret Thatcher, say, hinged on an image of us all speaking like Terry-Thomas, having brains like Bamber Gascoigne and the standards of the characters in Brief Encounter. More recently this rose-tinted view of our twinkling isle has been rumbled and America has looked to us more as an edgy, somewhat aggressive, comfort- and hygiene-challenged place where everyone is rude and c nical and which is disseminating dodgy nannies faster than BSE. But still we've managed to hang onto this aura of intellectual superiority and liberalism coupled with an old-fashioned sense of fair play - of what really counts. It doesn't really matter whether they buy it any more, because we do and we've got no one else to patronise. They couldn't handle our Sensation exhibition in New York! Ha! (The fact that nor could we at the outset has been conveniently forgotten.) They couldn't get enough of our Princess Diana! (The fact that we found her a little too much has since been glossed over.) We have such a unique sense of humour, and we all know what happened when they tried to copy Men Behaving Badly (snort) and now they want to make their version of The Royle Family! Let's hear it for the Brit stiff upper lip. Let's hear it for the way we show our emotions (Michael Caine, Phil Collins), but not too much like ghastly American Gwynnie Paltrow. It takes an Oscar ceremony to bring out our natural sense of superiority, to polish up our sense of ourselves as the plucky little heroes holding out for standards in the face of insurmountable vulgarisation and rot. But it's never far from the surface. As I recall, the last really good cause for a bit of a What Have the Americans Done for Us (other than ruin our culture with their mocha-choca latte outlets) was the news that American actress Renee Zellwegger had been chosen to play our Bridget Jones! In our Notting Hill! With our Hugh Grant! Don't you just love being so much better than everyone else?

I have an extra ticket available for THE REAL THING, next Saturday, April 8, 2:00 p.m. matinee, in NYC. Great seat, 6th row. E-mail me privately if you're interested. Thanks.

Thanks, Karen! Poor Shane. Sounds like she has a tremendous complex of inferiority and could nit wait to bash Americans.

Took the day off from work today - not to see High Fidelity but I'm going to anyway. What should I look for, Karen? Love the Hard Day's Night=style ad.

Was wondering what you were doing here at this time of the day. ;-) Last night, I've never seen Letterman so effusive in his praise of High Fidelity!! Before Cusack even came out, he was going on and on about how he's had to talk (not the word he used) about movies that were utter crap. Said this was the best movie he's seen in 5 years. Said he read the book years ago and loved it and was so relieved they hadn't ruined it. I'm going to see HF today too. New state-of-the-art arthouse theater near me opening today with HF (only mainstream movie) playing on two screens (Onegin's there too). Finally, read where they did the record store filming. No wonder I only saw the production once. Cusack called it Wicker Park, but most people would refer to it as Bucktown. (Laura, that's where I picked you up from the L.)

(Moon)Thanks, Karen! Poor Shane. Sounds like she has a tremendous complex of inferiority and could nit wait to bash Americans. Weellll. American -bashing seems to be the current sport...but I don't think it was so prevalent in England. Wish I could find a comparable article for Brit-bashing in the US in our media...but the fact is we love the British ...take them as they are...Why can't they take us as we are... ...George III for fear that the Okies in Fenokie would think it was a sequel I'm an Okie and I take offense to this....not all rural folks are ignorant... C'mon...give us a break...

(Evelyn)I'm an Okie and I take offense to this....not all rural folks are ignorant... However, you're and adopted Okie and originally for culturally respected NY;) Mari, figures you'd have a ticket that day, when I was supposed to go, but looks like we're going the week after:(

i forgot;

Re: that article--*gag me* (and I mean that with every rude and cynical bone in my italian-irish-scottish-american body). Wait--what country am I in? Waahh! I want to go back to Hicksville! Missed Letterman last night, but heard a Cusack interview on a NY radio show yesterday a.m. He's very well spoken. Said HF was based on "an extremely funny, best selling novel" (did not mention NH's name), as well as all the other now-familiar sound bites. HF is getting consistently terrific buzz.

Cusack did mention Hornby by name on Letterman. What I don't get is so much praise being given to "Cusack & chums" for writing and then all the mentions in reviews that "so much was lifted directly from the novel." Excuse me? BTW, the article must be taken as ironic, at least that was my conclusion when I got to the final lines. BTW2, isn't it Okie from Muskogie (sp?) ;-)

(Karen) BTW, the article must be taken as ironic I know. Didn't you get my irony? ;-P What I don't get is so much praise being given to "Cusack & chums" for writing and then all the mentions in reviews that "so much was lifted directly from the novel." Excuse me? There is alot of hype for "the team that brought you Grosse Pointe Blank." At least John's trying to give proper credit to Nick. Said even though they changed the setting from London to Chicago, they left the heart of the book, 'how men really think', intact.

Yes, I wouldn't be too quick to don the red-white-and-blue hairshirts; the article was definitely written tongue-in-cheek, though it's not particularly well-done satire (sniff!;-) so I can well understand the misunderstanding;-) Unfortunately, it's not unusual to read articles like this in the British press that *aren't* meant to be ironic:-( (Evelyn)Wish I could find a comparable article for Brit-bashing in the US in our media... Will never happen. Jeez, even Saddam Hussein gets a fair shake in our press. We like everybody (ok, mostly everybody;-) because we *are* everybody. Just ask my lovely fellow mutt from NJ, Eileen.;-) (Karen) Last night, I've never seen Letterman so effusive in his praise of High Fidelity!! I've never seen Dave enthusiastic, period.;-) Cusack got Nick Hornby's name in there twice last night, and has been very forthcoming about crediting Nick in most interviews I've read. How often do you hear an actor credit the poor schmuck screenwriters, let alone the author of the book upon which the screenplay was based? Rarely. JC is a classy guy.

...a little contradictory info though. In print, he has said he had never read High Fidelity before Disney gave it to him, although he had read other things by Nick (like what? Fever Pitch?) Last night, he said he had read it before. Minor quibble.

I don't see anything ironic about "Okie from Fenokie"...maybe I'm missing something.(I also don't see anything ironic about Polish or any jokes about minorities.)Period.End of topic.

As a satirist Shane Watson is nowhere near Jonathan Swift in ability. As satire, the Shane Watson piece was nowhere. (That's just my opinion.) Now on the point of "Shakespeare in Love". Sorry Shane, you got it wrong. SiL is an American film; since it was produced by Miramax, an American company. Shane, you and SOME of your fellow Brits have got to get over your feelings of inferiority. There's no excuse for it. So the French think you have an apalling lack of style and that the term English culture is an oxymoron, get over it. Yes, the Germans think you're lazy and lacking in self-discipline, get over that as well. As for the Italians, they may well pretty much think everybody else wants to be Italian. Lastly Shane, you must remember that nobody can touch the Americans when it comes to arrogance and cultural imperialism. We know that we are what everyone else wants to be. Everybody wants to be American. Well, probably not, most people are happy to be who and what they are. And no, most Americans don't really think that way. I was only joking, after all. Apologies to the French, Germans, Italians, and to the English as well. Oh Shane, I do know who George III was. He was on the throne of Great Britain when the 13 American Colonies were lost to the rebel side in what was called the American Revolution in my history classes. But it was also during his reign that the British gained unquestioned dominance in regard to other European nations over India.

Hopefully, less controversial??? From Saturday's Times: Spielberg backs film company at Donmar By Dalya Alberge SAM MENDES, the Oscar-winning director, has turned down a multimillion-pound offer from Steven Spielberg's Dreamworks and negotiated a �700,000 investment in the 250-seat London theatre that he calls his substitute family. Dreamworks' extraordinary two-year commitment, with even more money in the pipeline for a third year, will provide �200,000 for the Donmar Warehouse and �500,000 for the establishment of the Donmar Films company. Mendes is the artistic director at the theatre, and the deal gives Dreamworks a first look at any project he suggests, leaving him free to work for other studios or theatres on both sides of the Atlantic. Mendes has also received offers from two other studios, he revealed yesterday. "I was not interested in tying myself down to one studio." He said that he was "very conscious to allow myself freedom". He was also nervous of being pressured into doing a movie just because millions of pounds had been paid for it. Speaking at the Donmar, he said that his next production would be Shakespeare's Twelth Night at the Covent Garden theatre in September. Casting has not yet begun, but is likely to be filled by "the home team" of British actors. Mendes, 34, can name his price. He is the toast of Hollywood after being showered with five Oscars for American Beauty. "Now's the time to make the crusaders' epic that costs $120 million," he said. He received the minimum fee set by the Directors' Guild of America for American Beauty. Such is the interest in America that he has also secured �350,000 for the Donmar over the next three years from the leading Broadway producer, Anita Waxman. Harvey Weinstein and Sydney Pollack are among leading producers who have bought tickets to the Donmar's fundraising gala in New York: dinner and Sir Tom Stoppard's The Real Thing. Mendes has devoted himself to the Donmar as artistic director since 1992. Even while shooting American Beauty, his debut as a film-maker, he was in daily contact from America. His repertoire extends to classical and contemporary plays and his stagings have been hailed as masterful. He attracted Spielberg's attention with his musical Oliver! and later with The Blue Room. The new film company, which will initially involve a staff of two reading scripts, will share the same aesthetic as the Donmar theatre but will not have a relationship with it. Mendes said plays that worked on stage rarely transferred well to the screen. The film company's funds will allow Mendes, for example, to buy an option on a novel that he likes, and to hire a writer. ~~~~~~~ Winter, get over there with your resume!! ;-)

The Guardian/Observer had much the same re: Mendes and this additional info: He said Hollywood stars were queuing up "all the time" to work at the Donmar. "They see us as a way of increasingly their artistic validity, which is great. But that is not quite how we work. I'm nervous of star vehicles. As I think Philip Larkin said, the sun destroys the interest of what is going on in the shade. Often there is someone better for a role who is English or a theatre actor." Mendes denied rumours that he was close to persuading Tom Cruise to tread the London boards soon. "I wish," he said. "It's far more likely that I will be working again with Nicole [Kidman]." He did, however, concede that he was yearning to tempt Annette Bening, the star of American Beauty, across the Atlantic after she has her baby. "I don't know, it may take 10 years - she has four kids you know - but I would really love to bring her here." He said he "hasn't a clue" what his next film will be, although it was a "safe bet" it would be one developed by Donmar Films, which he said he wanted to keep "small and light on its feet, a bit like this theatre". He has has spent six months working on Lookout, written by Scott Frank, who adapted Elmore Leonard's Get Shorty and wrote the thriller Out of Sight, but he doubted that it would get off the ground for some time. The DreamWorks money would be added to the �350,000 a year that the New York producer Anita Waxman is pumping into the Donmar so that she can bring their new productions to Broadway. Mendes said it would allow them to be more adventurous and to get more people into the theatre with "lower seat prices and pay-as-you-wish nights. We are doing one next month for the Passion Play. You pay whatever you can afford, be that 10p or whatever." He said he had enjoyed Los Angeles but wanted to work in England if possible. "Hollywood gets a bad rap here, but I enjoyed very much working with the people I met there. "Obviously the Oscars was an entirely different experience. You are on a train and it's travelling at 120mph and you can't get off. Like every director, I'm a control freak. But all you can do is just sit there and grit your teeth. Some of the time it's exhilarating, sometimes it's not. "I was doing publicity for the film for what seemed like a decade. Did I enjoy the Oscars? Well, it's the single most nerve-wracking experience ever. "It is away out there on its own."

(Evelyn)I don't see anything ironic about "Okie from Fenokie"...maybe I'm missing something. (CherylB) As a satirist Shane Watson is nowhere near Jonathan Swift in ability. As satire, the Shane Watson piece was nowhere. (That's just my opinion.) Oh dear... As I read it, Shane was trying to say that the British should beware of feeling superior to Americans, as they tend to do when "one" of them gets a prize among "a number" of Americans. Was "not" being superior. It is a feeling very popular in small countries that used to be great at one time. America's time will come to, never fear ;-) Karen, loved the articles on Sam Mendes. Seems quite a nice and sensible guy.

Yes, nice to see Sam's head hasn't been turned. And that he recognizes talent no matter from which part of the world it comes. Can only hope Colin is part of the "home team". Would so love to see him at the Donmar in something new. (Mari) Cusack got Nick Hornby's name in there twice last night, and has been very forthcoming about crediting Nick in most interviews I've read. As he should considering whole sections of dialogue were lifted from the book. ;-) I don't know if I've ever seen a film so faithful to the book though perhaps Rob is more sympathetic in the film but then played by cutie John Cusack, how could he not be. As a film standing alone, I think some people are going to be scratching their heads in the beginning wondering what is this film about? But once it picked up steam, it sailed beautifully through to the end. I'm confused by who the target audience is meant to be. The trailers shown before the film in the theatre I went to were definitely aimed at teenagers but I have serious doubts High Fidelity is going to appeal to someone who never owned a record album. ;-)

(Heide) but I have serious doubts High Fidelity is going to appeal to someone who never owned a record album. ;-) What have we here? A geeky music snob? ;-) From the beginning, I had that reaction - that they were trying to sell it as some weirdo guys in a record store in order to appeal to the young teenage male audience. But I think that audience is going to have an impossible time relating to a Thirtysomething guy reflecting on his life and his relationships. 15-year olds haven't had those relationships. They can only fantasize about baked goods in anticipation. Funny thing is that The Hollywood Reporter used the term "mature audience" when describing High Fidelity. (Heide) don't know if I've ever seen a film so faithful to the book though perhaps Rob is more sympathetic in the film but then played by cutie John Cusack, how could he not be. I'm disappointed they didn't show his presex fears with Marie. Remember the funny bits about his head getting caught in the sweater or the underwear/no underwear thing? Maybe they thought we wouldn't believe John Cusack lacking confidence. Oh well, I enjoyed it.

(Karen), What have we here? A geeky music snob? ;-) Hey wait, that's me! My record collection is larger than what Cusack had in his apt. and then there are the CDs. :-) The reason I enjoyed the novel was partly because NH has very good taste in music and mentioned bands that I love that nobody has heard of. I too found the movie close to the book. Karen it does rain an awful lot in Chicago. ;-) Coconut Grove, last night. I talked my DH into taking me to see it. Five minutes into the film and he's off to watch something else in the theatre. Comes back later just before the dinner party at Charlie's and his comment was: I would have preferred to have seen more of Charlie's life. She is definitely the more interesting character. And then he agreed on Charlie's assesment of Rob's life. Ouch! Thank you Karen for posting such an interesting article on Sam. It does give one ideas. ;-)

..Steven Spielberg's Dreamworks and negotiated a �700,000 investment in the 250-seat London theatre that he calls his substitute family. Rachel Weinstein (American Development Officer) and her staff must be dancing in the aisles over this.All are expected to attend TRT Gala on Wednesday night. Re: Sam Mendes...Big names Bring Big Bucks.And one film did it. Thank you AB.Thank you Steven Speilberg.

Good interview with Nick Hornby from Salon. I'll post in parts. Here's Part 1 of 3. About a writer Nick Hornby talks about soccer, writing and a highly faithful adaptation of "High Fidelity." - - - - - - - - - - - - By Steffan Chirazi March 31, 2000 "I have read books written by people who obviously love football, but that's a different thing entirely; and I have read books written, for want of a better word, about hooligans, but 95 percent of the millions who watch games every year have never hit anyone in their lives. So this is for the rest of us, and for anyone who has wondered what it might be like to be this way ..." -- Introduction to "Fever Pitch" by Nick Hornby It was with some expectation that I headed out of Arsenal tube station and toward an Italian restaurant on Northolme Road last fall to meet Nick Hornby. I'd been a fan since his first book, "Fever Pitch," a loving account of the way his home team, Arsenal FC, had been symbolically linked to every significant event in his life, was published in 1992. "Fever Pitch" spoke to all British men obsessed with football (soccer in America), but for me there had been a special twist: I support the team Tottenham Hotspur. Located barely two miles from each other, Tottenham and Arsenal have been fierce rivals for more than 100 years. Hornby's second book, "High Fidelity," explored the weird adolescent hangover that seems to strike men in their 30s. It was a sweet and moody meditation on lost loves, fluctuating friendships and a passion for music. By the time "About a Boy" (a novel about fatherhood, responsibility and the struggle to grow up) came out in 1998, it seemed to me that Hornby had produced one novel for each of the most important areas of my life: football, fatherhood and music. "Some of the players come in here to eat," said Hornby shortly after we arrived. "Ars�ne Wenger [Arsenal's coach and manager] comes in here after every home game ... It's quite sweet really, because he always gets a round of applause." Reading Hornby for six years had me feeling like we were old mates, which probably explains why it took me all of a capresi salad and some fusilli with pesto to remember I should probably stop arguing the merits of Tottenham Hotspur's David Ginola over Arsenal's Dennis Bergkamp and record something. Considering that, at the time we met, Hornby was working on a new novel, selling the screen rights to "About a Boy" to Robert De Niro's Tribeca Productions and previewing "High Fidelity," then still in post-production, it was extremely gracious of him to agree to meet me. And considering that not four days earlier Tottenham had beaten Arsenal 2-1 in a typically raucous North London match, he was surprisingly friendly. Is it easy watching your work reinterpreted on the screen? There's two answers to that. One, once you take the money then that's that. It's like selling a coat. You can't then say, "I don't want that fat bloke wearing my coat because he doesn't look good in it." You'd just think, Well you sold it, you burke, you took the money. I got paid really well for it and I wanted the money and fine, I don't think I should whinge. The other thing is that I think the books are so unfilmic in a certain way that the only people who want to make films of them do so because they love them, and not because they've seen this "thing" they can pull out of it. I mean what's the big idea of "High Fidelity" where you'd take something and throw the rest away? You'd be left with nothing, a story where a bloke splits up from his girlfriend? Couldn't you have thought of that yourself? Weren't some basic elements of the book changed in the film, though? Actually the film of "High Fidelity" is incredibly faithful to the book despite the fact it's been reset in Chicago. John Cusack's in it, he's Rob, and it doesn't make an awful lot of difference to anything. The only thing that's changed is the music. I would've thought that was integral to the story. Yeah, except again I take it as part of the personal connection with it. The guys who are doing it see it as a story about themselves, therefore they've transposed their music into it and I appreciate the spirit of that. I think the only thing that's holding it up right now is they're arguing with each other about the soundtrack. Part of their thing with the whole project was getting their favorite obscure bands into the soundtrack, which seems in keeping with the spirit of it all anyway. Were you able to remain involved in the project? They've been incredibly solicitous all the way through. I've been invited to see a couple of cuts, I'm going to see another one tomorrow and they've tried to keep me as involved as I want to be. But, frankly, I quite enjoy the distance. I also think with those things you're either completely in or completely out, and if you're in that takes up a lot of time and I want to do other stuff. It's been directed by Stephen Frears, who's English anyway, so there's an English sensibility looking after it. Next page | I only read American novels and watch American television.

Part 2 of 3, Hornby interview Are you still interested in writing screenplays after "Fever Pitch?" Actually, the three of us who made "Fever Pitch" -- writer, director and producer -- got a development deal with Miramax, and this will be the first film to come out of that. It's about an American band in the U.K. where the lead singer walks out halfway through and ends up in a small seaside town. The other one is a sort of gimmicky romantic comedy. I always liked those films like "Big" and "Groundhog Day" and I wanted to try one myself. At the moment I'm developing that with John Madden, who directed "Shakespeare in Love," but he's got loads of things on the go. I don't know if he'd end up directing it, but he's helping me with the script every couple of months. Does writing a screenplay feel like taking a break from your real job? Sort of. I really enjoyed doing "Fever Pitch" and I really enjoyed working with people. It occurred to me that I'm really too sociable to want to sit on my own in a room for two years, which is what you do when you write a book. I've got a couple of things on the go right now. Original screenplays. "High Fidelity" and "About a Boy" are both going to be films -- well you know "High Fidelity" is coming out soon -- I didn't do the screenplay for that. So the last year has been spent doing drafts of two different screenplays which are very different from each other. You created some dead-on depictions of London males, especially with "High Fidelity." Do you find people saying that to you when you're doing readings in America? No, not really. Englishness doesn't really seem to come into it. "High Fidelity," for example, works for any Western country because there are guys everywhere who are obsessed with popular music. In Scandinavia the books have done well, Italy the same, Germany very well and Spain not at all. I wonder if there's something about Catholic countries where a lot of people still live with their mums and stuff and I'm not sure if they get it; the endless chopping and changing of relationships, the agonizing over what you're doing with your life. I think paradoxically they've worked so well here because we are more American in that way and we do agonize that much more over life. Also, all my input is American. I only read American novels, I only watch American television. What American writers do you admire? My inspiration was Anne Tyler. I'm very different from her, but I think she's fantastic. It's that simplicity, where there seems to be bottomless intelligence and yet they don't exclude. I think for me, what's wrong with more or less all English fiction, to be clever means to be erudite and to express your vocabulary and it alienates more or less everybody. They have tiny book sales and there's this little literary circle in Britain which is basically for themselves and doesn't impinge upon the outside world at all. What the fuck's that? The good American writers don't exclude in that way. Who else do you read? There's a short story writer called Lorrie Moore who I think is great, Tobias Wolff ... "This Boy's Life" was a big book for me before I wrote "Fever Pitch." Part of it also comes from teaching. You're looking around for stuff to give to kids that takes them places, is intelligent and that they can also comprehend. That's why in English schools even today people read Hemingway and Steinbeck all the time, "Of Mice and Men," Salinger's "The Catcher in the Rye." You don't feel you're being patronized by the vocabulary of the characters because the ideas and relationships behind it are extremely complex, yet the language itself is simple, so any kid can grasp what's going on in those books. Are you happy with the way your books have been received? None of the books have had really bad reviews, but I think I'm still viewed by the "establishment" with some suspicion. Why's that? Well, none of the books have been up for a literary prize. I don't feel chippy about it at all, but looking at it dispassionately I think that "High Fidelity" and "About a Boy" were better books than some which ended up on short lists. Why do you think that is? I think we have a problem with jokes in literature. If you have jokes, it's not literature. How many funny books have won the Booker Prize? I can't remember how this came up, but I think it was the year "High Fidelity" came out and one of the judges was asked why "High Fidelity" and a couple of other books weren't on the list, and she said, "I think people are confusing the best book with the best read." I appreciate you can have a difference but I'll tell you, you can't have a good book that isn't a good read. If it's not a good read, it's a bad book. Do you think fiction should be without geography? Oh no, I think fiction should certainly have a set geography. I think something's gone wrong somewhere if a book works for every single audience everywhere in the world. I don't think I'm writing about Britain, but a very precise class of people who could exist in four or five European countries. They're metropolitan books, they're written about places where there are lots of record shops, where there are lots of people who don't know what to do with their lives and people who drift from relationship to relationship. Next page | I wish I lived in a penthouse with my CDs in perfect order!

Part 3 of 3, Hornby interview Have you ever been interested in relocating to the U.S. for a couple of years somewhere down the line to write a book? There's a part of me that feels it's sort of cheating. The sort of book where you go and research something and then regurgitate it onto the page doesn't seem like proper writing to me. I'd be wondering what had come from me if I took myself somewhere and said, "Right, I'm going to live in Memphis, look at Memphis and write about Memphis people." There's people who have been living in Memphis for the past 50 years and they're not going to be interested in what I think of Memphis having lived there for three months. In terms of urban environments, let's say I went to San Francisco. I'd end up writing the same sort of book except the places would be different. Names of streets would be different and so on. In "About a Boy" you explored a "typical male" reaction to children and the concept of fatherhood. Yet you seem very comfortable with your own role as a father. Anyone who has a kid, at some point in every day, for one minute, says, "Fucking hell! I wish I lived in this penthouse with my CDs in perfect order and no one to piss around with my Bang & Olufson!" And writing a book is taking that flash of fantasy and expanding on it. In the course of a day you have a million contradictory thoughts. You look at a woman and think, For this second I do not want to be married. All that stuff happens all the time and can take you anywhere, and all that stuff is certainly true about being a parent. Has fatherhood influenced your writing? My experience with Danny is so different that I don't think that has properly influenced my writing yet. [Danny is autistic.] Does writing force you to analyze yourself as a person? Well with the type of books that they are, contemporary, I think it's very hard to write about things like drugs or hooligans without finding a bit of yourself in there. Is writing books therapeutic for you? Well, I have therapy as well, so [laughs] ... I had therapy a couple of years before I wrote "Fever Pitch," and it was the first time I'd ever talked about football in a way other than it being football. I used to go on Mondays, and every Monday I'd sit down and be asked, "How was your weekend?" And I'd reply, "Oh it was crap, 'cause we lost 2-1." It was just a crap joke because I didn't know what else to say. After about a year she [the therapist] said, "Why do you always do that, the joke about the weekend?" And she just started asking me about it. It had never occurred to me that there was any sort of meaning connected at all. And I was amazed at the time scale of when she pointed out I was getting interested in football relative to my parents getting divorced and things like that. So I don't think the book was therapy but is was certainly a product of it. Your first book dealt with very personal subjects. When I saw ["Fever Pitch"] in print for the first time I thought, God, I've exposed myself here! You look at it and think, Why did I want to go and write all this stuff about me? It struck me as a very peculiar thing to have done. - - - - - - - - - - - - - - - - - - - - - With the restaurant all but empty, save for a handsome chap and two rather stunning women at the table behind us, it was time for Hornby to go home and continue working on his fourth book. The working title: "How to Be Good." "It's at an early stage and it's narrated by a woman," Hornby said quickly before thanking me for lunch and striding purposefully out of the restaurant. But then I saw him stop, turn abruptly and head speedily back inside, head down. He looked a bit stern and it was actually a little worrying. He came right up to me, stopped and looked up from under his eyebrows before gesturing over his shoulder at the occupied table. "Giles Grimandi," he whispered, having recognized the Arsenal defender moments earlier. He winked and quickly strode back out. Even Nick Hornby couldn't have written a better ending. salon.com | March 31, 2000

Nice article, Mari. Now where do you find a single guy who thinks like Nick and looks like..oh you know who. (Though I like the way that other guy thinks too.) Happy Anniversary Moon! (Moon) I would have preferred to have seen more of Charlie's life. She is definitely the more interesting character. Hmmm... so your DH and Charlie would have hit it off, eh? You reminded me though that even though Rob's Top Five Breakups are mentioned at the beginnign of the film, he didn't try to find #3, Jackie Allen. Or did he and I missed it?

what happened, the bit in brackets shouldn't have been in red!!

Hello, all! I just drop in briefly to say I'm still offline, more or less, software is still playing mad, don't know when/if I can log in again. Arami, Kirsten, Karen, did you get my mail, if so: please don't use the new email address yet. Whenever I use that ISP the trouble seems to start all over again. Twinwave costs more than twice as much as my new ISP, but is at least reliable.... Karen, I have disconnected chat, and will remove it after this if the line holds.

,,

Good to hear from you Renate...Hurry back to Spring, we miss you;-( I have disconnected chat.... Thank you, Thank you, Thank you....

Hello, all! I just drop in briefly to say I'm still offline, more or less, software is still playing mad, don't know when/if I can log in again. Arami, Kirsten, Karen, did you get my mail, if so: please don't use the new email address yet. Whenever I use that ISP the trouble seems to start all over again. Twinwave costs more than twice as much as my new ISP, but is at least reliable.... Karen, I have disconnected chat, and will remove it after this if the line holds.

Ooops! That good old Netscape bug still works, I must be at home ;-)) I don't know if/when I can change the chat link on cf.com, nothing works, grrrrr.

Yes, Renate, I received your email and have replied to ALL your addresses. ;-) I just got a failure notice for your new address. Thanks, Mari, for the article on Nick. v. interesting. I can't believe that he is still going forward with a book written from a woman's perspective. As that has always been the weakest part of his previous books, maybe he wants to prove something. How many times have we argued that the Paul-Sarah relationship was unbelievable and now a few critics are commenting on the Rob-Laura thing (i.e., not understanding what on earth she saw in him and why she'd take him back), but they are blaming the filmmakers when they should be laying that on Nick's shoulders. ;-) Here's the url for the Salon article and there is a review of HF too there. http://www.salon.com/people/feature/2000/03/31/hornby/index.html And lastly, HAPPY ANNIVERSARY MOON!

...and about that rain, per a Frears interview, they filmed in April-June. April showers bring May flowers, etc. ;-)

Happy Anniversary Moon.

Love the red, NOT!!! Haven't seen HIFI yet;( Will see it with date in about two weeks. However, Boston reviewers LOVE Cusack, but not the Dane? Hmmmm... Said she was better in Mifune.

How many times have we argued that the Paul-Sarah relationship was unbelievable and now a few critics are commenting on the Rob-Laura thing (i.e., not understanding what on earth she saw in him and why she'd take him back), but they are blaming the filmmakers when they should be laying that on Nick's shoulders. ;-) Ahaa...when I said that you all almost drummed me out of here;-) ~~~~~~~~~~~~~~~~ Happy Anniversary , Moon...wish we were there with the Margaritas and stone crabs...yum.

(Evelyn) Ahaa...when I said that you all almost drummed me out of here;-) Ahaa yourself! Didn't say I subscribed to it though. Maybe Nick has spent a lot more time studying women these days and less watching Arsenal or playing his music, i.e., grown up a bit and moved on with his life. BTW I've always known why Sarah couldn't stay away from Paul.

sorry about wasting space, have been trying to delete red lettering, can you delete all the above Karen, thanks.

Thank You all very much! Here is a rose for every single one of you. Had a lovely time, beautiful gifts and I discovered my new drink: the Cosmopolitan! Having a hard time adjusting to the time change today. ;-)

Lots of reviews, interviews in the Sunday papers re: "High Fidelity". It helped that it was a weekend with no competing film releases(Road to Eldorado...with Kenneth Brannagh?) I am fervently hoping that all this interest in Nick Hornby will resuscitate "Fever Pitch"...wouldn't that be nice?

Ann, the red lettering was fixed many, many messages back. But just so no one else see RED, I'm going to delete the original message. Moon's anniversary is over anyway. ;-D

Does anyone here know about this? "Direct File Linking / Bandwidth Bandits In Relation To Image Linking This is something we feel very strongly about and many people don't know that it is wrong, or even what it is, so we're going to explain. Any time you link to another person's graphic that is not inside your own website, and that in the HTML you call as: You are being bandwidth bandit! What should be seen is: or or anything else, as long as it is inside your own site, not linked from another. Some things must be linked to, and you are given permission to do so, for example, a counter on your website. As long as you have permission, it is OK. However, you do not need permission to link to another website, provided you are linking to their site (for example, their main page), and NOT to one of their individual graphics, for instance, their logo. If you were just linking to their logo, or any of their other images or graphics, then you would be committing a internet no-no, which is best described as bandwidth or data transfer theft. Many webspace providers charge more to its customers (like the A-1 Clipart Archive), when more bandwidth gets used within a monthly period. Bandwidth is really just a technical term for the amount of data being transferred between their files and someone else's. The fees are sent to the original site owner, not the person directly linking. These fees, depending on the popularity of the site, and the price of the provider, can reach into the thousands of dollars." I was going to paste a .gif from their site for Moon but now... If you want to read the rest of the text, the url is:http://www.free-graphics.com/bandit.htm

Wow, Gi. Is this the end of our virtual fest here? I am not into commercials. So unless we scan eveything from our own scanners and give it other gif or jpg names, we can not post an image? I think I like the sound of bandwidth bandit. ;-)

There are many sites that ask you to download the image for your use. If a site has that warning, you DON'T link to the image, but you are allowed to use it on your own site. They don't want you to use their bandwidth (for which they are charged) each time an image is accessed here. I respect those websites' requests and don't link directly to them. Both Moon and Gi have their own webspace and can upload images and link from them if they so desire. You will see that warning at many graphics sites. It does not mean an end to posting pictures here. It just means to read and respect what the owners ask.

How is this possible? LOS ANGELES (Reuters) - Julia Roberts and her "Erin Brockovich" alter ego held off another slew of newcomers to win the North American box office derby for the third consecutive weekend. At the top of the weekend's charts, "Erin Brockovich" earned about $14.2 million, a 23 percent fall from last weekend. Its 17-day total stands at $76.2 million. Two rookies rounded out the top three: the DreamWorks cartoon "The Road to El Dorado" pulled in $12.5 million, a sum considered disappointing by the studio, and "The Skulls" (Universal) opened at No. 3 with $11.4 million, a sturdy sum given the bad reviews for the teen secret society drama. Hong Kong action star Jet Li's "Romeo Must Die" (Warner Bros.) slipped two places and a hefty 46 percent to No. 4 in its second weekend with $9.7 million. The $25 million-budgeted chopsocky-gangland romance is expected to reach about $60 million, said WB distribution president Dan Fellman. "High Fidelity" (Disney's Touchstone), a romantic comedy starring John Cusack as a music snob who ponders his romantic shortcomings in between compiling lists of songs, opened at No. 5 with $6.4 million. Its per screen average of $5,414 was the highest in the top 10. [...] "High Fidelity" received strong reviews, and it pulled in equal shares of males and females primarily in the 18-30 age bracket, said Chuck Viane, president of Disney's Buena Vista Pictures distribution unit. Noting that Cusack's romantic comedy "Grosse Pointe Blank" opened at $6.8 million en route to $29 million in 1997, he hoped to bring in the review-sensitive, over-30 crowd in coming weeks.

What surprised you, Karen--did you think it would do better? I think it's a great showing. HF was only on one-half to one-third of the screens that the other films were, and it topped them in per screen average. It's still considered a small movie, but getting good exposure due to the positive reviews and Cusack's publicity efforts. Moon, I just caught the last half of that E! show on Jennifer Tilly. That wasn't Meg they were interviewing; it was another sister, Rebecca, I think. They do all resemble each other.

I didn't check to see how many screens it was on because it's on like about 2,000 in Chicago alone! ;-) But what I found bizarre was the comment about getting out the "over-30 crowd." Maybe they were all at home watching the NC2As. Speaking of E! I just saw a clip of Jude Law and Sadie Frost at the Oscars. Had seen him, but not her. Eeoww, bad choice of dresses. Looked like she was very cold. ;-p

The Monday Times has weighed in on HF, starting off with the Reuters boxoffice info above, so I'll delete: A US take on Nick Hornby has been showered with faint praise, says Sean Macaulay John Cusack, as the moping antihero of High Fidelity, cuddles up to Iben Hjejle, the girlfriend who comes back to him. Some will wonder why she bothers Cusack wallows in record whinge [...] The most praised new release is High Fidelity, an Americanised version of Nick Hornby's novel starring John Cusack. It took fifth place with an estimated $8 million. But the reviews - "wry", "quirky", "whimsical" - are synonyms for not much plot and will prove kinder than the word of mouth. This is a static tale of a morose record store owner (Cusack) having a thirtysomething crisis after his girlfriend moves out. He reorganises his record collection, reviews his Top Five All-Time Break-Ups then tries to win her back in his passive-aggressive, selfish way. It ends as souffl� light conventional romantic comedy, but not before spending countless moments striving for heartfelt drama. Every time there's a rainstorm Cusack heads outside to get drenched and wail at the sky. Cusack scored a similar-sized hit two years ago with Grosse Pointe Blank, his romantic comedy about a hit man attending a high-school reunion. It was fun, zany, offbeat, all you could want until the Girl arrived. In the world view of the eternal adolescent male, the Girl is invariably the earnest voice of reason. This means she gives Cusack the big dramatic choice: be a hitman or be with me. It's a terrible choice because he is such a likeable hitman and the world is so madcap. The perfect match would be a woman who loves him precisely because he is a hitman. Even better, a girl who wants to be one too. It was a similar problem that afflicted Hornby's own film adaptation of his soccer fan memoir, Fever Pitch. The Girl represented maturity, the way forward, growing up. In short, everything you don't want in a romantic comedy. Like the book, the film of Fever Pitch should have a been joyous romance. Boy meets Team. Boy Loses Team. Boy wins Team back. That courtship died the moment the Girl forced him to choose between his love of football and domesticity with her even though he was so happy with the team. I would have given him a girl who loved him precisely because he was an Arsenal nut. Even better, one who was more obsessed with the team than he was. High Fidelity, at least, doesn't make this mistake. Iben Hjejle who plays the Girlfriend/ex-Girlfriend/Girlfriend doesn't tell Cusack he has to give up his obscure record shop. But she does urge him on to do something genuinely creative - like, gee, maybe recording a local band and getting back to being a DJ again. All the trendy, indie cred the movie works so hard to cultivate evaporates with this cheeseball climax; all its hip music references, all its candid relationship analysis, all its heart-to-heart drama. It might as well be the dancing finale of Footloose with the falling glitter effect. It also prompts a new list to add to the Top Five lists the characters keep compiling: Top Five Most Embarrassing Disco Dancing Scenes for White Male Actors. Cusack's arm-raised sashay as he follows his girlfriend into the crowd is right up there with Michael Douglas's dancefloor moment in Basic Instinct (V-neck sweater, nothing underneath) and Harrison Ford's Parisian nightclub turn in Frantic. Until this eager-to-please finale, High Fidelity works the other way. Its hero is a royal pain. It's meant to be touching and honest but it exposes the limitations of the book's pensive, bruised new lad persona. It is the literature of loser justification - Bridget Jones for blokes. The phrase "Take it on the chin" is not in this character's vocabulary. "Why am I doomed to be rejected?" he asks. Hmm, let's see - because you're a whining, sad-sack, self-obsessed loser with no passion, no courage and no sensitivity for another's person's feelings. The narcissism is breathtaking. "What came first the music or the misery?" he wonders - with his record collection, there's not much difference. The real reason for Cusack's pain is his selfishness. He is a heel who can't admit it. The film doesn't want to see it either. We are meant to forgive the fact that he sleeps with someone else while his girlfriend is pregnant and still owes her money. Or not mind that he sleeps with a nightclub singer, all the while raging at his ex-girlfriend for having a new boyfriend (whom she's yet to sleep with). Cusack is a performer of great charm. He's been playing everyman romantics since Say Anything and The Sure Thing. But even his candour can't paper over these wrong turns. There's no sweetness to him here. No decency. He's a baby, an eloquently rationalising angst-ridden baby, and director Stephen Frears is happy to mostly indulge him as he blames all his old girlfriends for his pain. If only it were a satire it would be a triumph. ~~~~~~ I have to disagree with the second to last paragraph. The page 92, hurl-the-book-against-the-wall admission is there in all its glaring hideousness.

It is the literature of loser justification - Bridget Jones for blokes. LOL, Karen! Now you know why my DH did not care for it. The above critique I have heard before from him. Mari, did you see Meg at all in the E profile? I imagine she would say something about Jennifer. That sister Rebecca must be her twin because she was identical to Meg.

It is the literature of loser justification - Bridget Jones for blokes. Was it Sean Macaulay who wrote that, or was he quoting Will Self?

STARS COME OUT FOR BAFTA AWARDS Hollywood legends Dustin Hoffman and Faye Dunaway and pregnant Titanic star Kate Winslet will be among the VIPs at this weekend's Baftas. The stars are set to present prizes at the glittering awards ceremony in the Odeon cinema at London's Leicester Square. Also lining up as guest presenters are Notting Hill star Hugh Grant, Shakespeare in Love heart-throb Joseph Fiennes, Naked Gun comic actor Leslie Nielson and supermodels Elle Macpherson and Naomi Campbell. ~~~~~~~ Now, if this were the Oscar telecast, the producers would have Colin, Renee and Hugh trotted out together with the announcer saying, "now the three stars of the most eagerly anticipated British film in years..." ;-)

(KarenR)Now, if this were the Oscar telecast, the producers would have Colin, Renee and Hugh trotted out together with the announcer saying, "now the three stars of the most eagerly anticipated British film in years..." ;-) You wish... They'd probably leave Colin out of it entirely :-(

You wish... They'd probably leave Colin out of it entirely :-( More likely, he'd leave himself out of it entirely. This is a guy who's been known to skip his own premieres.:-(

This is a guy who's been known to skip his own premieres.:-( C'mon...you know he'd send someone in his place;-)

(Evelyn) C'mon...you know he'd send someone in his place;-) Yeah, like Matthew Modine.;-) And then they can put Matt & Harvey's pic in the NY papers the next day.;-) *Much* better than going himself.:-(

What lengths to go for for some publicity, as things are a bit slow I thought I would post this snippet from The Times today:- "Sir Tom Stoppard is upholding British honour on Broadway, as the Donmar Warehouse's production of The Real Thing swings into town. After a cricket bat prop was lost in transit, an American replacement was summoned. Not good enough, said the leading man, Stephen Dillane. So the playwright is flying out with his own bat "I'm really loath to lend it, even in such an emergency ", he says "I'm terrified I won't get it back. It was signed by the entire Austalian Test team 20 years ago".

LOL!! Appears that SD has a touch of the prima donna in him (non-gender-specific type of course). Shame that Donna probably won't get to read this before meeting him. Would've been such an ice breaker, like, hey, Stevarino, what was wrong with the replacement bat? ;-)

..Appears that SD has a touch of the prima donna in him What?...that's his lucky bat....best scene in the show. Brings down the house every time! Shame that Donna probably won't get to read this before meeting him. I'll try to call her at the hotel.

To those RotP-ers and Springers meeting at Topham's Belgravia tomorrow (esp Winter & JenK)..see you there and if you're there before me at the bar, mine's a Bacardi & Coke *hic*

Say hi to Winter for us and tell her to get her resume over to the Donmar for their new film unit; they're looking for someone who can read (scripts). ;-)

Have fun, Tracy, Winter et alt. :-)

The Donmar Gala and benefit performance of The Real Thing was a smash last night. Thanks to E and A for the bat story and lovely send-off. I got the best phone call before I left for the theater. It put me in a great mood. Spotted in the theater and at the party were a few celebrities, including Erica Jong, a contingent from Sony including Sydney Pollack, Peter Gallagher who played the character of Billy in the original Broadyway run (with Jeremy Irons and Glenn Close in 1984), Bill Macy (currently in American Buffalo), an actor from Magnolia and now appearing in True West (can't remember the name), Harvey from Miramax, and of course Sam. Tom couldn't make it. Sam gave a very nice speech during the dinner. The Donmar staff are pleased that he will continue to work with the theater, even if less so due to his popularity. And yes, they confirmed that the news stories of their party while watching the Oscars was true. The staff was thrilled with the success of the party and were taking in many shows before they go back to the UK. They were very nice people. The play was wonderful again, better than one of the earlier preview performances. This crowd was much more lively, much more laughter. A standing-O on the second curtain call. FYI, some staging differences from last week too. And JE played Annie less harsh. Very good changes. The cast was friendly and pleased that Americans who saw the play in London were coming to see it again in NY. (I didn't mention the lucky UK lady who is coming to NY to see it again!) Sarah Woodward was especially warm and very attractive up close. They were all quite nice. JE looked wonderful (radiant as usual) in a lace dress, mid-calf. And SD was quite handsome in a dark suit and aqua shirt. They were all approachable and gracious. Very little picture taking with the public and I saw no autograph seekers (no Colin-like frenzy). Maybe they were there, but I didn't notice. Yes, the story of the bat was true. Although the story gives the impression that it was lost. It was not, it was returned to the owner (who didn't want it to go to the US). A replacement was brought in from the US, but apparently it was not right. The bat that is being used looks like a well-worn bat. So perhaps it was the right decision to go with something that had the right look and feel. The Supper Club was quite a nice place for a party. The staff were very attentive, constantly filling glasses, bringing around food, etc. I had asked the bartender for a White Russian. He apologized because he had no milk. But about 10 minutes later a waiter searched me out and brought around the drink. Very attentive. Everyone that I met was very friendly. I met a lovely older lady from the UK who came to NY just to attend the gala. She had seen 3DOR too, and remarked at how much more handsome Colin seemed in person, though she thought he was quite handsome on film. :-) The Donmar staff praised Colin for being very friendly and easy to work with. The party lasted for quite some time. It started about 9:30 and ended after 1am. The cast stayed long, as opposed to the 3DOR gala, where early departures were reported. It was a very fun evening, made especially memorable because of the warmth of the Donmar staff. You could tell they loved their work and were very appreciative of the response of the attendees. That is all. :-)

Great report Donna, thank you! What nice people the Donmar staff seem to be. Did you get a chance to speak to Sam? It sounds like a very old fashioned party, which are always the best. :-) Did you also attend the 3DOR Gala? Who left early?

Thanks, Donna. Sounds like you had a lovely evening.

Hi Moon - no, I did not speak to Sam. :-( Actually one of the Donmar staff was trying to introduce me to him, but he got called away, so the opportunity was lost. I could have been agressive and approached him, but I was having such a nice time talking to everyone else, I actually didn't mind missing the opportunity. The staff seems to be very loyal to him, and vice versa. It was really nice to see. No, I was not at the 3DOR gala. But I heard through the grapevine that DM was the first to leave. I think he left fairly early. Colin was the second to leave, I think it was reported as around 11-ish. But by comparison, this cast all hung around (until at least 1am) and it was the guests who were leaving first. Hey, I would have stayed longer, but I ran out of people to talk to :-)

Thanks Donna for being such a gracious ambassador last night. A lot of us were with you in spirit.... ....A standing-O on the second curtain call A real Broadway Welcome...and guess what?...she didn't even have to drop her towel;-) Sounds like the cast had a great time...a compliment to the audience and guests. Ya' made it happen...proud of ya:-))

Donna, let me add my thanks for your report, it sounds like everyone had a good time and so did I reading it :-) How did 3DoR and Colin come to be talked about?

Wonderful story, Donna. Sounds like you had an incredible evening. Did you slip SD your phone number? ;-) Here's the only mention of the party I can find from the NY Post: Oscar-winning "American Beauty" director Sam Mendes told this story at the Supper Club Wednesday after a preview performance of Broadway's upcoming "The Real Thing": Speaking to a group that included such A-listers as Sydney Pollack, Harvey Weinstein, Stanley Donen, Philip Seymour Hoffman, John C. Reilly, William H. Macy, Donna DL and Betty Buckley, Mendes recounted how the notables attending the annual Oscar nominees luncheon "all clinched their buttocks" when they were told to keep their acceptance speeches down to 45 seconds. "I am happy to be standing before you tonight with my buttocks finally unclinched," he said. "The Real Thing" opens on April 17. ~~~~~ The Magnolia actor would be John C. Reilly (the cop); his story was possibly my fav in the movie.

"clinched buttocks" - hee hee, I forgot that line. Yes, Sam did say that. His speech was surprisingly long and engaging. He seemed to be a very nice person. 3DOR - I confess I would bring that up now and again, as in, "Did you see 3DOR?" Yes, many of the Donmar patrons had seen it and were favorably impressed. (of course!) With the staff, I joked with them about how some acquaintances of mine had "badgered" them about trying to get Colin's autograph. They actually had fond memories of that, talked about how sweet the ladies were, and mentioned how gracious he was with the public. Similar to Sam, I think the staff genuinely liked him. :-)

(Karen) John C. Reilly, William H. Macy, Donna DL and Betty Buckley You're too much, Karen! :-D Thanks for your report, Donna. Glad to hear the Donmar raised big bucks here in the states. *sigh* and I never get tired of reading stuff like this: The Donmar staff praised Colin for being very friendly and easy to work with.

(Donna DL) an actor from Magnolia and now appearing in True West (can't remember the name), The actor in question could be either Philip Seymour Hoffman or John C. Reilly, as both were in the film "Magnolia",(that movie was trash -- my editorial comment), and are currently appearing in stage in "True West". Reilly and Hoffman alternate in the roles of the bickering brothers.

Since both Hoffman and Reilly are listed as having been there, it works for either one of them.

TALK MAGAZINE, May issue (Russell Crowe on cover) has full page pic of JE&SD on p. 125. (Thanks Harvey)

(Donna)They actually had fond memories of that, talked about how sweet the ladies were Good, now we know we can go again ;-)

Just returned from seeing The Real Thing in NY. What a day--beautiful sunny spring day in New York, great play, good friends . . .and we met Jennifer Ehle after the show! I'll fast forward to meeting Jennifer. After the play, we were standing outside the theater, just chatting and debating where to go for coffee. We saw a couple of the actors (the guys playing Max and Billy) leaving by a door next to the theater, and decided to try our luck. After a few minutes, sure enough, out she comes, wearing a green leather coat. A couple was waiting for her to sing their poster. She chatted briefly with them, then I approached her and asked if she would sign my program. We told her how much we enjoyed the play and her performance, and I then told her I had seen it at the Albury in London and she said, "Really? That's fantastic!" I then told her that I actually preferred today's show--she gave me a big wry grin and said, "you know, I do too, it seems to be working." Janet told her that she had seen it on Broadway back in '84 with Glenn Close in her role. Jen said "I saw it then, too; wish I remembered more of it--I could have used it!" Bobbie then said, "but you were practica ly a baby in '84." I added, "yes, in '84, we all watched it from our cradles." She laughed--that great throaty laugh--and said, "that's right--that's our story!" We then all commented on P&P and how it was the gold standard, and how she was the quintessential Lizzy. She seemed so pleased--said something like, "its such a great story, isn't it." We told her what a pleasure it was to see her perform live and wished her luck. We said good bye, and then she turned and said "thank you all so much for coming." What a nice, pleasant girl. She has a very nice manner about her--very genuine, with a wry good humor. Just realized I wrote nothing about the play. I'll do that next.;-)

Sorry for the typos in the above--I'm trying to get this down. The play--terrific. They were all really *on.* Same staging as what we saw in London. The theater was full from what I could tell. We had great seats--6th row. BTW, the Barrymore is smaller than the Albury. Audience reaction was good, building as the show went on. (In the beginning, I felt they weren't projecting as loudly as they could, and I wonder if the folks in back or upstairs could catch it all. But this improved by about the middle of the first act.) Stephen Dillane--I can't say enough about his performance. At no time do you ever feel that this guy is acting. Honestly, if I saw him on the street, I'd probably call him Henry.;-) The audience was howling during the cricket bat scene--and he seemed to respond to that and really brought it home, even falling to the floor when using Brody's script to bat. (Donna mentioned that she hadn't seen him do that before, but maybe she can elaborate.) Jennifer was laughing and seemed to really enjoy seeing him have some fun with it. Same with the scene where he's reading Brody's pathetic script, easing bit by bit into that Scottish accent--he really *sold it.* It's a great role and he does a superb job with it. Believe it or not, after watching DQ so many times, I actually was able to understand most of what Brody says.;-) Jennifer was wonderful also; she seems very confident and gives a completely naturalistic performance--nothing stagey or *actressy* about her. Warm applause at the end, two curtain calls. . .but no standing O, except for a very few of us. Matinee audiences tend to be weird that way--like they can't wait to leave and head for dinner and a nap.;-) Donna felt the reception was much better today than the first preview she saw, but not as enthusiastic as at the Donmar benefit the other night--but that's understandable. I guess that's about it. Jennifer is taller than I thought--we were both wearing flats, and I'd say she has about two inches on me, so about 5'7" or 5'8". Hair is redder than I recalled from London. She was wearing very little make-up--and looked gorgeous. Not fair at all, but she's so nice it's hard to hold it against her.;-)

Everything sounds fabulous. You were probably not fighting off the heavy eyelids of last time. ;-) The Observer on High Fidelity, quite good and interesting. http://www.newsunlimited.co.uk/observer/screen/story/0,3879,157275,00.html

Thanks for that wonderful report Mari, sounds as if everyone had a great time. I just love this play and am glad that things seem to be coming together just in time for the critics.

Thanks Mari...I was with you guys in spirit yesterday. Waiting to hear from Donna and others who went. (Mari)Stephen Dillane--I can't say enough about his performance. At no time do you ever feel that this guy is acting. Honestly, if I saw him on the street, I'd probably call him Henry.;-) (Mari)Jennifer was wonderful also; she seems very confident and gives a completely naturalistic performance--nothing stagey or *actressy* about her. Your comment reminds me of the quote from Spencer Tracy when someone asked him what was the secret of a good actor , and he said: "Don't let them catch you at it" ;-) These guys apparently have the secret.

Mari-Something I've been curious about JE: what is her speaking voice like? She was born in North Carolina, and has lived in England A LOT. So, what kind of accent does she have? I told my DH about your JE encounter, but warned him it won't happen for us! We are going at night, and I for one, won't be hanging out by the stage door! Our first trip to NYC--we're so excited.

Great report, Mari. What is it about the theater that allows such a feeling of camaraderie between the actors and audience? Hmmm, I think I just answered my own question.

Thanks, Mari! It brings back memories. SD is really hipnotic in that part. How does JE voice carry. She has a soft low voice and I remember she strained it a few times at the Donmar.

It's our first trip to NYC as well Meredith, although it will be my fifth time of seeing TRT, I guarantee you and your husband won't be disappointed.

... She has a soft low voice and I remember she strained it a few times at the Donmar. She did fine at the Albery.She did strain at the National ( a cavernous place)in Summerfolk. It was SD at the Albery that was inaudible at times in the mezzanine.I would think Mari could hear fine in the sixth row. (That's where I'm sitting next month)

Hi - to elaborate on Mari's comments... SD seems to be so experienced on the stage, he can "turn on the juice" in reaction to an audience. Not mechanical, but very instinctive. The matinee audience was laughing at the infamous cricket bat scene (I believe Mari and I may have been the cheerleaders at that moment), and when SD hit the imaginery ball (words) with Brodie's bat (script), he not only howled "ouch", but he fell to the floor and rolled onto his back. That was my fourth viewing of this play, and the first time that I ever saw him roll to the floor and been flat on his back. (The first 3 times he just kind of hopped around yelling ouch.) I'm not sure if he had ever done that before, but JE seemed to be relishing that act too. The audience loved it. Then during the evening performance, he was slightly less animated, falling only to his knees this time, but he didn't roll onto his back. Gosh, I never tire of seeing this... Sigh... Mari mentioned how SD eased into a Scottish brogue, bit by bit, while reading Brodie's script, especially when the dialogue becomes totally inane. That left the audience howling too. And interestingly, the "sinking" into the accent is not referenced in Stoppard's script. So again this may be SD's intelligence and genius in interpreting the author's words. I also noticed on the multiple viewings that he may occasionally pause and do his infamous "raising of his eyebrows" during this scene, depending on the audience reaction. When he does that, the audience laughs again. But he doesn't always do that. I think he will be the toast of NY very soon. Thanks for indulging me :-)

Thanks Donna for your reports...you and Mari should be at every performance !! I have never seen him falling on his back during the cricket-bat scene.It's a showstopper anyway.I bet Stoppard loves it. He did "raising of the eyebrows " a lot at the Donmar and the audience howled. No wonder Harvey saw it three times, and then went out and bought the film rights....

It was Almodovar over Mendes at the BAFTAS. That is what is meant by a beautly surprise. (I feel sorry for people who vote for Almovar's sick vision) This is from the E. Telegraph: Beauty and a beastly surprise at the Baftas By Nigel Reynolds THE hit film American Beauty triumphed at the Baftas last night, winning six awards - one more than it collected at the Oscars in America a fortnight ago. Click to enlarge But in the biggest surprise of the night, Sam Mendes, the film's 34-year-old British director, failed to repeat his success at the Academy Awards by winning the Best Director award. Showing customary British independence, the ceremony formerly known as the British Academy of Film and Television Arts gave that award to Pedro Almodovar, the Spanish director, for his film All About My Mother. However, American Beauty was named Best Film and its leading stars, Kevin Spacey and Annette Bening were chosen as Best Actor and Best Actress. The title had eluded Miss Bening at the Oscars where Hilary Swank took the prize for Boys Don't Cry. American Beauty raised its tally at the star-studded ceremony when the composer Thomas Newman won the Best Film Music prize. It went on to carry off awards for Best Cinematography and Best Editing. Before collecting his award, Mr Spacey indicated his surprise at Sam Mendes's defeat. He said: "Without him we couldn't have made it." Miss Bening, who was unable to attend the ceremony because she is expecting her fourth child by Warren Beatty, beat the British actresses Emily Watson and Linda Bassett as well as the American actress Julianne Moore for her award. Although it was a thin night for British talent, Jude Law, one of the new British bratpack of actors, managed to reverse his Oscar defeat at the hands of Michael Caine to be named the Best Supporting Actor for his role in The Talented Mr Ripley. Dame Maggie Smith won Best Supporting Actress for her role in Tea With Mussolini. Law, now heavily in demand in Hollywood, arrived at the ceremony saying that despite his success he would never move to America because the film boom in Britain meant there were now huge opportunities here. The Irish director and novelist Neil Jordan won the Best Adapted Screenplay award for reworking Graham Greene's semi-autobiographical novel about adultery, The End Of The Affair. The highly-rated East Is East, one of the few all-British films up for major awards, won one only - Outstanding British Film. Law's win apart, there were no other awards for Anthony Minghella, director of The Talented Mr Ripley, or his team. And Notting Hill, the most commercially successful British film of all time, won nothing apart from the Orange Audience award. Orange, the telecom company and sponsor of the Baftas, polled 70,000 people to find the most popular film of the year. Notting Hill won with almost 14,000 votes. The sponsorship also meant the prizes were renamed the Orange British Academy Film Awards. The television awards are to be held at a separate event. Outside the ceremony in the Odeon Leicester Square, central London, hundreds of fans gathered to catch a glimpse of the stars as they arrived. They included Dustin Hoffman, Faye Dunaway, Ralph Fiennes, Cate Blanchett, Hugh Grant and Elle Macpherson. The performers went on to a dinner and a party afterwards. Ralph Fiennes came away empty-handed after being nominated for Best Actor for The End Of The Affair, as did his sister Martha, who directed her brother in the film Onegin. Lynne Ramsay, director of the highly acclaimed low-budget film Ratcatcher, set on a tough council estate in Glasgow, went home with the Best British Newcomer award.

beautly should be beastly.

v. interesting, Moon. Defies logic to not give the award to Mendes, regardless. BTW, I don't think that Hilary Swank was eligible, as Boys Don't Cry just opened (last week) in England. *clap clap* for Jude and an "are you kidding?" for best suppporting actress. On another subject, I've got to say that I was thoroughly amazed at the job they did on Fail Safe tonight. Fabulous work with a fabulous cast of actors (save one - wasn't Martin Sheen available?). Did you notice that Stephen Frears directed it. Wow! Quality television on a major network and next week a production of Picnic.

I was stuck with Don Quixote at my house. My guys and the Knight errant thing. ;-D The beginning was alright but then it fell apart. The had it taking place in the 18th Century, go figure! I too am glad for Jude Law. Sam should have won it.

Watched the first hour of DQ, shaking my head at the anachronisms, then called Evelyn up about 15 minutes into Fail Safe and told her to change channels. Taped the Sopranos. ;-) Saw the very ending to DQ (during a commercial), it didn't appear as though they were true to the book. What was Dulcinea doing at his death bed? Pathetic, expected to see some leftover leprechauns.

(Meredith) Something I've been curious about JE: what is her speaking voice like? She was born in North Carolina, and has lived in England A LOT. So, what kind of accent does she have? Hi Meredith, her accent in casual conversation seems sort of "transatlantic"--neither fully here nor there. On the Rosie O'D show, I believe she said she can easily switch back and forth between the two, and sometimes finds herself doing so in mid-sentence.:-) (Meredith) I told my DH about your JE encounter, but warned him it won't happen for us! We are going at night, and I for one, won't be hanging out by the stage door! If it's a nightime safety concern, fear not--remember, this is Rudy Giuliani's new and improved New York.;-) Seriously, I've walked around the theater district well past midnight several times--never a problem. The streets are crowded and full of normal folk, so party on and enjoy! When is your trip, and where are you from? Ann, when is your trip? I'm just sorry I didn't see TRT at the Donmar--there is no place like the Donmar! Moon, you asked about Jennifer's voice carrying. It was fine, very clear and strong, no strain. It was the fellows who seemed a bit too low at first. (Donna) I think he will be the toast of NY very soon. And well he should be--it's a brilliant job. Donna, thanks for your report on the evening performance. Your description of SD's work in this as "instinctive, not mechanical" in terms of how each performance is delivered is right on. It is very exciting to see actors who can do this.

Eh, what's that you say? Come again? It's whose birthday? Laura? Laura who? OK... HAPPY BIRTHDAY LAURA!!!

Happy Birthday Laura! May all your wishes come true!

HAPPY BIRTHDAY, LAURA

Thanks to Murph for the card. And thank you Karen for alerting me to "Fail Safe"...was like being at a play.WoW!! Big kudos to George Clooney for producing this. Don Q. was a loser...and with a good cast too. Written by John Mortimer who writes Rumple and other Brit shows. What a disappointment. Agree with everyone ...Sam Mendes got screwed....by his own countrymen too. Come on over here, Sam...we love you!!And bring the Donmar with you....

HAPPY BIRTHDAY, LAURA! (For some reason, I couldn't resist using capital letters. *heehee*) Saw the first two minutes of DQ and deemed it hard to follow. Then on to the Sopranos (Karen, wait 'til you see the talking fish--hysterical), finishing with Fail Safe. Could Brian Dennehy get any bigger? He's shaped like a barrel. Thought Hank Azaria did a great job. He's so different in everything he does.

Donna has posted the pic from TALK Mag of SD & Jennifer. http://fp.enter.net/~purrfect/dillane.htm Click on Dillane Dateline. Cute sound file from TRT too....

May I also add my Congrats, Laura! Thanks Karen for the Observer Interview..I was just about to type it all in and then I saw your posting so you saved my fingers! Did you check out all the nice pics that went with the article - nothing new I don't think but still it's nice to see!

Happy Birthday Laura! Have a great year.

Lovely Birthday to you, Laura.

(Mari) When is your trip, and where are you from? We'll be up there Easter weekend. We're seeing "Waiting in the Wings" on Friday and TRT on Saturday (keeping it all in the family ). We're from North Carolina, very close to JE's birthplace and her mother's home.

HAPPY BIRTHDAY, Laura

Happy Birthday Laura! Does this mean it's Jon's birthday today too?

Thank you all for the wonderful birthday wishes. I wish I could say it was a happy one, however it wasn't. Onward and upward (like watsihisname said on Ally McBeal.)

(Meredith) We'll be up there Easter weekend Just a few things to bear in mind for your trip: 1. Check the weather forecast carefully. You may need to bring everything in your closet: winter coat, shorts, etc. 2. Do not mention Hillary Clinton's name. It disturbs the mayor. Come to think of it, everything disturbs the mayor (but the place is cleaner and safer than ever). 3. Remember to ask "is that your final answer?" every time someone answers your question. 4. Bring Yankee garb. They won't let you into the city without it. 5. GMA is better than Today. You don't have to stand out in the street. 6. If you want to climb up to the crown in the Statue of Liberty, you've got to be at the ferry in Battery Park at the crack of dawn and not be afraid of heights--those steps get pretty darn narrow in her neck. Enjoy your stay!

Eileen-LOL, Loved your travel tips! We'll put them to good use. I've already heard about the weather. Didn't it snow the other day!? So...what is considered "Yankee Garb"--anything, as long as it's black? The only tourist thing that is a requirement (requested by DH-he's such a romantic) is the Empire State Building. And, yes, yours truly is afraid (actually a healthy respect for ) of heights. We will admire Liberty from afar this trip.

(Meredith) Didn't it snow the other day!? It's snowing right now, as a matter of fact. Yankee garb--New York Yankees garb. Hats, jackets, etc. I should have been more specific ;-) Re: Empire State Bldg: get there early. The lines get really loooong and there's nothing interesting to look at while you're waiting. When you're up on top, face northwest and you'll see me waving to you from Jersey :-) Lastly, remember to substitute 'youse guys' for 'y'all' and you'll fit right in!

Have you got a Check List for me in July, Eileen, apart from not forgetting to bring my hubby,of course. Glad to read that the city is safe, does this apply after the theatres have closed, is it safe to walk back to the hotel!!You should publish a Tourist Guide.

Eileen-LOL again. Yankee garb--New York Yankees garb Shows you where my mind is--I thought is was some sort of anti-Southern thang that I needed to worry about! ;-)

At least you won't need your winter coat, Ann! IMO the safest part of the city is the theater district because it's crowded with tourists 'til well past midnight. Even if you mistakenly hop the subway to Queens (as my DH and I did a few months ago--wanted to go from 51st St to Madison Square Garden and took the E train going the wrong way. Shame on those tourists from NJ!) it's still safe. NYC is presently cleaner, safer and nicer than I can remember (and I've had to knock a few squeegie men off my windshield in years past). As long as you use your common sense, you'll have no problems.

Ann, the theater district has undergone a major overhaul. Some call it the Disneyfication of Times Square. Thing to be most feared: running into Goofy

Thanks Karen, & Eileen, I hear it can be very hot and humid in July , need to bring some stamina with me but I don't think that will be a problem as I am so excited about coming to NY for the first time.

Eileen, love your checklist :-) Laura, I'm sorry it wasn't a happy Birthday for you, but as I am late with my birthday wishes, may I wish you many happy years to come? And so you can start counting them now, here's my gift:

Another tip for NY - always carry small bills (single dollars and fives). Don't expect the taxi driver to always have change for a $20 bill (or to admit that he has).

(Karen) Thing to be most feared: running into Goofy Hee hee! Goofy sure beats the heck out of the peep shows and XXX movie theaters that used to populate Times Square and 42nd Street (picture a certain scene from Dutch Girls...)! Another tip (this won't affect you, Ann): if you drive in, be prepared to pay outrageous prices for parking. Don't be intimidated about driving in Manhattan. It's not as hard as it looks. Just turn the radio up so you can't hear all those annoying horns and pretend your car has no sides.

(Eileen)Lastly, remember to substitute 'youse guys' for 'y'all' and you'll fit right in! LOL...don't you believe it. Only the people from Neuw Joisey speak like that;-) ~~~~~ I feel as safe in NY as I do in London.(And it's not as expensive.)

Only the people from Neuw Joisey speak like that Only in Jersey City, that jewel *cough* *choke* on the Hudson.

(Ann)does this apply after the theatres have closed, is it safe to walk back to the hotel!! Ann, I walked in NY at night and didn't feel unsafe at all. We even took the metro at night. Just try to avoid empty streets. I had an excellent tourist guide with loads of info about safety.

(AnnW) is it safe to walk back to the hotel! That all depends on where your hotel is. There are far more taxis in NY than people, but you might have to lay down on the street to stop one after the shows let out. They are very reasonable (comparatively speaking). (AnnW) I hear it can be very hot and humid in July Very likely could be. However, remember, everything is air-conditioned here, except the outdoors and the aforementioned taxis probably, whose drivers are masochists. ;-)

Thanks Karen & Tineke, very heplful comments, knowing it is safe makes the visit all the more exciting.

The Metro system in NYC is awesome. We used it a few weeks back, for $4 you can have unlimited use for that day! (which is cheap, when you think of getting on and off all day!) Times Square has changed SO MUCH, I never once felt scared walking around. Ann, definitely check out the Frick Collection, it's small, but wonderful. There is a great Irish Pub in Times Square (on a side road, you can't miss it) called Langan's, food is wonderful! Even Penn Station has changed (for the better, however, all I remember is living in the bathroom (drank WAY too much):))

(Karen) There are far more taxis in NY than people Not any more. Lots of stuff written locally about the taxi shortage, due in part to booming tourism. Even without the shortage, I wouldn't ever count on getting a taxi when the theaters let out en masse or if it's raining. Unless you take off your clothes or do something else outrageous and attention-grabbing! (Laura) The Metro system in NYC is awesome Locals hate it--extremely confusing (stops change based on day of the week and time of day), used to be unsafe (remember Bernie Goetz?), abysmally crowded during rush hour. It can't compare to London's underground or Washington DC's metro. But implementation of the Metro Card payment system, major clean-up efforts, improved safety (still gotta watch for the looneys) and better signage have helped. Buses are another alternative to taxis. They take the Metro Card as well. Re: safety--it's not without controversy. Saw an all-too-true cartoon in this week's Newsweek. A tourist wearing an "I love NY" t-shirt is looking through a storefront at a collection of other t-shirts. The caption: "New York City has changed since I was here last." The t-shirts read "hold your fire, NYPD!" "don't shoot! It's a cell phone" "ask questions first, shoot later" "unarmed black male" and "I love being lead-free".

(LauraMM)Ann, definitely check out the Frick Collection, it's small, but wonderful It's small and wonderful ;-)

What's in it?

Beware of cyclist in NY. More people are hit by them than they are by taxis. What I love most of the Frick is the library. You should also have lunch at the Carlyle. Great place to run into old New York with their hip grandchildren. Also Cafe des Artists on the West side. Perfect for after Theatre or Opera/Concert dinning.

The Frick museum was Henry Frick's home (mansion is more like it). I believe he had it specially built to house his vast art holdings. Frick was a railroad tycoon--early 1900s. Beautiful collection of paintings (including many of the European Masters), sculpture, bronzes, porceleins, furnishings, etc. Well worth a visit; it's right on Central Park East at 70-something Street.

Thanks Laura and everyone for recommending the Frick Museum, will certainly add it to our List, just hope we have time to do everything we want to do.

Henry Clay Frick was perhaps is the best example of the American Robber Baron of the Guilded Age. For a time he was business partner of Andrew Carnegie in Carnegie Steel. Both Frick and Carnegie were pivotal figures in the Homestead Strike. However, I digress, the Frick in New York is well worth visiting. If you're ever in Pittsburgh, you might consider visiting Frick's home, Clayton, a Victorian Gothic mansion, to be sure. On the subject of Times Square, my friend E., a life-long New Yorker, says the only thing which remains of the old Times Square is the HoJo's (Howard Johnson's). While in Times Square you might run across the Homeless Theatre Critic. I'm not making that up -- he's real.

The Frick museum was Henry Frick's home (mansion is more like it) Also less intimidating than the Metropolitan Museum of Art...thought that one is worth a visit too.The Americana wing esp. and the Egyptian wing for the display..I swear you think you're in Luxor.So much of the other stuff,old masters) you have at the National Art Gallery and the British Museum.

Couldn't resist this one: UK's Optimum, MGM team for Flawless release (12/04/00) Optimum Releasing, the indie distributor that flashed its marketing savvy by re-releasing The Third Man opposite Star Wars: The Phantom Menace, has struck a joint partnership with MGM to release Flawless, starring Robert DeNiro and Philip Seymour Hoffman. Optimum and MGM have also partnered for a UK release on Mike Figgis� Miss Julie. Additionally, Optimum is re-releasing Jean-Luc Godard�s Breathless (A Bout De Souffle) on its 40th anniversary and has acquired Iranian Oscar nominee Color Of Paradise. Optimum was formed last year by Will Clarke, who was formerly at UK distributor the Feature Film Co. "The company is now in the position where it can comfortably release a diversity of mainstream and traditional art-house product with precision in the UK," Clarke said. ~~~~~~~ Don't know why they didn't mention the Secret Laughter of Women? ;-)

This article from The Guardian is about Anna Karenina, but interestingly it was directed by David Blair (as a last minute replacement) just after he did Donovan Quick. "Blair, his replacement, has come straight from making a film with Colin Firth and admits that he hasn't read the book and is still finding his way." http://www.newsunlimited.co.uk/arts/story/0,3604,160335,00.html

Sounds like they bit off more than they can handle.... Why didn't they get Simon Langton? He directed the 1985 TV movie with Jacqueline Bissett, Christopher Reeve and Paul Scofield. (Hey Donna , can't see dumping SD for Dougie Henshall)

re: Anna K. I think this is the production co-produced by Rebecca Eaton at WGBH Boston. It's on the schedule for next season Masterpiece Theatre on US PBS stations.

Why didn't they get Simon Langton? Obviously not everybody thinks that the sun shines out of his behind... ;-) I was unhappy with some scenes in P&P which lacked "vision" and buoyancy. He is generally OK, but does make occasional mistakes (for which less experienced audience - i.e. most of us - tend to blame actors).

He is generally OK, but does make occasional mistakes (for which less experienced audience - i.e. most of us - tend to blame actors). Well...being a member of the "great unwashed", I didn't see any errors and was generally mesmerized by the whole production.One does hear of lighting that wasn't the same in some scenes etc....I just chalk up to people who always look for those thorns in rose bushes....

I'm talking mainly about small points of concern to those who are particular about the period. The Republic of Pemberley site is forever chewing over full details of what and why could be considered not quite right. But I agree that on the whole these relative trivia do not spoil the enjoyment. Yes, I was also mesmerised! Most scenes were brilliant, some outstanding - thanks to great casting, of course (though I'm still not too sure about cartoon-style takes on some characters).

I know there's been discussion here from time to time on why CF doesn't win BAFTAs and theater critics awards. Thought this might be of interest. ********** Caine mutiny opens acting class divide Oscar winner's outburst unites stars from humbler backgrounds against snobbery in British film and theatre as valleys lad quits for States Film Unlimited Fiachra Gibbons, Arts Correspondent Friday April 14, 2000 The acting profession was last night thrown into a tizz over the five letter word that is still its greatest taboo - class. Nudity, violence and strong language hardly raise a hackle these days but pulses have been set racing after three "working class" stars branded British film and theatre "class ridden" and "snobbish". Michael Caine set the cat among the pigeons by using his acceptance speech for his lifetime's achievement award at the Baftas to complain about how as a south Londoner with a "duff accent" he felt ignored and unloved, like "a stranger in my own country and profession". The former meat market porter turned Hollywood star was promptly dismissed as an ungrateful, grouchy "millionaire whinger" until Jane Horrocks, who played alongside him in Little Voice, rallied to his defence. Horrocks, 36, insisted there was "a lot of snobbery" in the film industry and said she was told to ditch her broad Lancashire accent at drama school. "Juliet Stevenson, Judi Dench and Maggie Smith are always getting awards. That isn't to say that they don't deserve them but it's much easier for them," she said. "It happens a lot with the middle and upper classes in the profession while a lot of people in the lower classes are ignored." Bob Hoskins piled in to confirm that the British industry was indeed full of "lunatics" who judged actors on their accent and backround rather than their talent. "There is still a class aspect in this country. It is ridiculous," he said. Last night the plebeian thespians found support from an unexpected quarter. Actor Corin Redgrave, head of the nearest thing British stage has to a royal family, said there was "sadly a lot of truth in what they say". What is more, he claimed, it is much more difficult now for working class kids to become actors than it was even in Caine's day. "If it was hard for Michael Caine in the sixties, it's harder now. Back then there were a lot of working class actors and writers coming through. Take Albert Finney or Tom Courtenay. They could get grants to go to drama school but they are only given now on a discretionary basis, which means more often than not they are not getting them at all. I get heartbreaking letters all the time from young people working all hours to get through drama school. It's wrong and that is leading to working class people not being represented in the way they should." Philip Headley, artistic director of the Theatre Royal Stratford East, said the class divide still held. "You only have to look at the careers of someone like Ann Mitchell, who was so brilliant in Widows on TV. She should be a mainstay of the National Theatre and the RSC but only now in her sixties is she getting to play the Greek tragedies on really big stages, and that is with Peter Hall in America." Headley said the real unfairness came at awards, where middle and upper class actors usually clean up. Occasionally, working class actors do scoop the big awards though. Kathy Burke won best actress at Cannes for Nil By Mouth, but even she has not entirely buried the class hatchet. When Helena Bonham Carter complained that you "have an easier time if you're not pretty and you're working class", Burke wrote her a little note to sympathise: "As a lifelong member of the non-pretty working classes, I would like to say to Helena Bonham Carter (member of the very pretty upper middle classes): shut up you stupid c***." Even so, film and the theatre are still far less exclusive than many areas of British life, maintained producer Stephen Woolley. The bias emerges at award ceremonies. He added: "Award committees will inevitably always go for the face that fits or that seems to be right and respectable. "That's why maybe John Hurt who played Stephen Ward in [the Profumo film] Scandal never won a Bafta for his performance - people did not want to be seen as backing his character." Actor Ray Winstone, a former boxer who won huge acclaim but few prizes for films such as Nil By Mouth, is much less circumspect. "People say there's no class system. Let me tell you, there f****** well is." The oiks Sir Ian McKellen: Don't let the knighthood fool you. Famously fled the "middle class" West End for down to earth Leeds. Ray Winstone: Started as a boxer and was an amateur English champion before the director Alan Clarke spotted him. Jane Horrocks: Lancashire-born actor who refused to lose her accent while at Rada Kathy Burke: describes herself as "a north London working class Irish peasant and proud of it" The toffs Helena Bonham Carter: Aristocratic blue blood from a long line of bankers and politicians. Rupert Everett: Scion of wealthy Norfolk gentry, who was packed off to Ampleforth when he was seven. Ralph Fiennes: Can trace his lineage right back to the Norman Conquest where his forebearers built a castle at Hertsmonceux in Sussex. Kristin Scott Thomas: Got that cut-glass accent at Cheltenham Ladies College.

Well, can anyone find fault with our Colin's accent? ;-)

Awards always will be a matter of a little bit more than just merit... - unless of course award boards agree to feed all the names in the computer and leave it to the cyber-chance... Michael Caine continued his accusations at a private party attended by his family and friends after last Sunday's ceremony - including Horrocks and Hoskins, who seemed to be prattling under the influence... Apparently later Caine tried to diffuse the situation and another of his friends, film director Michael Winner, said jokingly that "Michael has had a bad day today: no one gave him an award... when his wife passed him his coat, he made an acceptance speech..."

Awright Kathy Burke. LOL!! Hmmm, if the theory is that "upper class" actors have the "upper hand", then it still doesn't explain while Colin continues to be ignored. Wasn't he just complaining in the recent article posted on 129 that he's always resented being called "posh"? Hey, we know he's not a toff, but he sure can pass for one.

Hmmm, if the theory is that "upper class" actors have the "upper hand", then it still doesn't explain while Colin continues to be ignored. Perhaps because the establishment people know he is not one of them and he has no desire to be one of them.

Michael Winner? Michael Winner??? Dear god in heaven. Has that man ever made a decent film, much less an award winning one? He's a revolting little t**d, my dears, and a f***ing miserable excuse for a director. Babbling to myself, just ignore me.

I quite agree, Chris. But Winner *occasionally* manages a witty remark - and the one above happens to be quite funny. Apart from that he is everything you say - and one of Caine's cronies... Enough said.

Colin also backs causes that are note politicaly correct and makes movies like Tumbledown, which was not well recieved by some of the powers that be. It was too near the truth.

Colin also backs causes that are note politicaly correct Humane treatment of less fortunate people regardless of their background is not politically correct? and makes movies like Tumbledown How many such movies has he made so far? He also makes movies like Playmaker. :-)

(Arami) How many such movies has he made so far? He also makes movies like Playmaker. :-) Well he is an ACTOR, and that is what ACTORS do, they make movies. Good or bad.

Article in the NY Times about Stephen Dillane: http://www.nytimes.com/yr/mo/day/artleisure/realthing-thater.html

250

Oops - I don't know what happened there... Well he is an ACTOR You don't say..................? ;-) Article in the NY Times about Stephen Dillane: http://www.nytimes.com/yr/mo/day/artleisure/realthing-thater.html Here's a professional who really has got it cornered... Comparisons might be unfair...

(Arami) Here's a professional who really has got it cornered... Comparisons might be unfair... Ah, go ahead and live dangerously, Arami.;-) Nice article, Karen. It captures what a number of us here have been saying about Dillane's abilities and technique.

Ah, go ahead and live dangerously, Arami.;-) Moi...? (;-P) I'll let someone else take the first bite... if they dare... ;-)

Ladies, ladies, you're almost drooling. Would you like a Stephan Dillane topic? Your wish is our command.

Not me, alas. I very highly admire and respect Stephen as an actor but, apart from that, quite honestly, he renders me impotent (I can't get my drool to rise... ;-D).

Well to badly misquote a Tom Stoppard line in TRT, Stephen leaves all 4 of my lips quivering :-)) Hmmm, maybe that's why I keep fidgeting in my seat...

TMI -- too much information. Still, Donna if you're enjoying yourself; knock yourself out over SD.

No need to start a Dillane topic on my account, Heide, but thanks anyway. Shallow gal that I am, my considerable admiration for him is purely professional.;-) I do imagine we'll have a number of TRT articles and reviews posted here in the coming days, but if no one minds, we can keep it here. Now let's see some nice Jennifer articles too. . .:-)

Four quivering lips? Phheeww

I will try to find the article about Tumbledown. The writer says that many influential people were very upset about that movie because it showed a little too graphicaly how the patients in vets hospitals were treated. To the people trying to pass laws tightening the immigration laws the protesters are political burrs in their pants.

Four quivering lips? Phheeww You have to do better than that, Passionate Colin, dear. Phheeww, phheeww, phheeww, phheeww.

Check out this kid's age. ************ Aussie Ledger to star in ``Feathers'' By Claude Brodesser and Michael Fleming HOLLYWOOD (Variety) - Australian newcomer Heath Ledger is in advanced talks to play the lead role in ``Four Feathers,'' a remake of the famed 1939 Zoltan Korda picture. Ledger would portray a British officer who resigns his post just before battle and subsequently receives four white feathers from his friends and fiancee as symbols of what they believe to be his cowardice. The 21-year-old has just wrapped the Mel Gibson starrer ``The Patriot'' upon which Sony is pinning much of its hopes for summer box office. Ledger's only American film credit prior to that Revolutionary War picture was Disney's Shakespearean update ``10 Things I Hate About You.'' But he got raves from Columbia brass for his work in ``The Patriot,'' and that led to Columbia's offer to topline ``L.A. Confidential'' co-scribe Brian Helgeland's newest picture, ``A Knight's Tale,'' now lensing in Prague. Helmed by Shekhar Kapur (''Elizabeth''), ``Feathers'' was originally to have starred Jude Law, but talks over his salary broke down last month. The Paramount/Miramax co-production will be shot in Morocco this spring. Reuters/Variety

Thanks, Mari. I heard that kid being hyped last week on ET as the next Somebodyorother. ;-) Seems to be a plethora of Don Quixote projects surfacing. From FilmUnlimited today: Johnny Depp could be playing opposite his real-life partner Vanessa Paradis, and reuniting with Terry Gilliam in The Man Who Killed Don Quixote. Depp is in advanced talks to play Sancho Panza, the servant of Don Quixote, a wandering knight who battles both windmills and reality itself. In a twist on Miguel de Cervantes' 17th century classic, Depp's character is a modern-day advertising executive who travels back in time to meet Don Quixote. Paradis would play Aldonza, a kitchen-wench whom Don Quixote sees as the most beautiful woman the world. The production, which would reunite Depp and Gilliam after Fear And Loathing In Las Vegas, is thought to be the largest-scale picture backed by the UK National Lottery to date. The project's other European backers include Le Studio Canal Plus, French production outfit Hachette Premiere and German film fund KC Medien. Pathe Pictures is aiming for a September shoot in the UK and Spain. France's Rene Cleitman is producing, while Los Angeles-based sales operation Pathe International is handling international sales. ~~~~~~~ Let's see, in our TV version, Aldonza was played by Vanessa Williams (beautiful woman) and in this new one, she will be played by Vanessa Paradis, another beautiful woman. Apparently, the producers haven't the guts to go for a plain woman.

BTW, I have opened up a new topic for Stephen Dillane. It is 132, and would be a perfect place for all the TRT notices. (you know me, everything in its place)

(Karen) BTW, I have opened up a new topic for Stephen Dillane Hee hee. My quivering lips thank you! FYI, Stoppard does write about uppers and lowers in TRT. This is the scene with Henry (SD), Charlotte (Sarah Woodward) and Max (Nigel Lindsey). Charlotte is complaining about how Henry writes his women characters, with her role in "House of Cards" having a stiff upper one and two semi-stiff lower ones all trembling for him (Henry). :-D))

Heath Ledger is a cutie, btw;)

Hmmm, sounds like Rupe is really winning friends and influencing people.;- ;-)This letter was in yesterday's L.A. Times: It is a naive assumption that bad films begin life as bad scripts ("Frailty, Thy Name is Director," by Kenneth Turan, April 9). In postulating about why good directors "choose" weak screenplays, Turan has overlooked an increasingly frequent cause of script-deterioration: the egocentric actor. The original screenplay for "The Next Best Thing," which Turan lashes, was a highly regarded script that several studios wanted to buy; however, the version that John Schlesinger signed on to direct was not the version that made it to the screen. Although uncredited, Rupert Everett was allowed to rewrite the screenplay, bragging loudly to any journalist who would listen that he had "improved" it. I think the result speaks for itself. LESLIE DIXON Producer, "The Next Best Thing" Beverly Hills

(Laura) Heath Ledger is a cutie, btw;) If you like zygotes.;-) And to think some of us hoped CF might have a shot at this one.:-(

If you like zygotes.;-) And to think some of us hoped CF might have a shot at this one.:-( ] My taste in men of late is generally in the geriatric level, so um, a zygote is a nice change of pace for me;) I don't know much of Four Feathers, sounds like a Marx Brothers production;)

Cannes lineup is now being released In Competition - compete for the following awards: Palme, d'Or, Grand Jury Prize, Best Actress, Best Actor, Best Director, and Best Screenplay "S�nger Fr�n Andra V�ningen," directed by Roy Andersson "Eureka," directed by Aoyama Shinji "O Brother, Where Art Thou," directed by Joel Coen "Kippur," directed by Amos Gita� "The Yards," directed by James Gray "Estorvo," directed by Ruy Guerra "Chunhyang," directed by Im Kwon Taek "The Golden Bowl," directed by James Ivory (with Jeremy Northam!) "Guiza Lai Le," directed by Jiang Wen "Fast Food Fast Women," directed by Amos Kollek "Nurse Betty," directed by Neil LaBute "Bread and Roses," directed by Ken Loach "La Noce," directed by Pavel Lounguine "Takht� Siah," directed by Samira Makhmalbaf "Gohatto," directed by Nagisa Oshima "Trolosa," directed by Liv Ullman "Dancer in the Dark," directed by Lars von Trier "Untitled," directed by Wong Kar-Wai "Yi Yi," directed by Edward Yang Un Certain Regard - the non-competitive section of the official selection. (However, first-time films presented in this section can compete for the Camera d'Or.) OPENING FILM: "Things You Can Tell Just By Looking At Her," directed by Rodrigo Garcia CLOSING FILM: "I Dreamed Of Africa," directed by Hugh Hudson "Preferisco Il Rumore Del Mare," directed by Mimmo Calopresti "Capitaes De Abril," directed by Maria De Medeiros "Famous," directed by Griffin Dunne "Oh! Soojung," directed by Hong Sang-Soo "Wild Blue," directed by Thierry Knauff "The King Is Alive," directed by Kristian Levring "Tierra Del Fuego," directed by Miguel Littin "Jacky," directed by Brat Ljatifi & Fow Pyng Hu "Asi Es La Vida," directed by Arturo Ripstein "Abschied," directed by Jan Sch�tte "Lista De Espera," directed by Juan Carlos Tabio "Nichiyobi Wa Owaranai," directed by Yoichiro Takahashi "La Saison Des Hommes," directed by Moufida Tlatli "Woman On Top," directed by Fina Torres "Lost Killers," directed by Dito Tsintsadze "Eu Tu Eles," directed by Andrucha Waddington "Djomeh," directed by Hassan Yektapanah Out of Competition - special screenings OPENING NIGHT: "Vatel," directed by Roland Joff� CLOSING NIGHT: "Stardom," directed by Denys Arcand OUT OF COMPETITION: "Requiem For A Dream," directed by Darren Aronofsky "Mission To Mars," directed by Brian De Palma "Under Suspicion," directed by Stephen Hopkins "A Conversation With Gregory Peck," Barbara Kopple Still waiting for the Directors Fortnight category... "Crouching Tiger, Hidden Dragon," directed by Ang Lee "Honest," directed by Dave Stewart "Cecil B. Demented," directed by John Waters *** "Avril (1962)," directed by Otar Iosseliani "Les Glaneurs Et La Glaneuse," directed by Agn�s Varda

Thanks for the Cannes list, Karen. Disappointed that RV is not there. . . .was still hoping . . . "The Golden Bowl," directed by James Ivory (with Jeremy Northam!) You mean poor Mr. Merchant has been replaced by JN? ;-) ;-) Good to see Jeremy's name. "Nurse Betty," directed by Neil LaBute Starring (drum roll here, please) Renee Zellweger. Good exposure for her. CLOSING FILM: "I Dreamed Of Africa," directed by Hugh Hudson Oh, sure. Hugh Hudson is going to have a hit one year too late.;-)

I had a farm in Africa at the foot of the Ngong Hills...oops, I mean, I dreamed of Africa. If there's a biplane flying around some rift valley, I'm outta there! ;-) Thank goodness Nurse Betty wasn't written by you-know-who, although I wonder about any project he's associated with.

I had a farm in Africa sadly, farms in Africa are a dangerous thing today.

(Mari)Thanks for the Cannes list, Karen. Disappointed that RV is not there. . . .was still hoping . . . Cancel that trip to France!! Let's start working on Toronto!

Interesting article about Cusack and High Fidelity on Reuters. Cusack Plays to His Own Tune in 'High Fidelity' LOS ANGELES (Reuters) - It is no huge commercial hit, John Cusack's "High Fidelity," with only $16.8 million in domestic ticket sales in about three weeks in theaters. It will not break box office records or make instant stars of relative unknowns, but with its modest success "High Fidelity" will keep its star, co-writer and co-producer, John Cusack, comfortably in the movie business. Contrary to popular belief, making Hollywood movies is not just about smashing box office records -- or cars, airplanes or even egos. Just check the five Oscars and $124 million-plus domestic ticket sales for "American Beauty." At age 34 and with 17 years of film roles under his belt, Cusack knows that little secret as well as anybody. If he shows up in every now and then in a big budget thriller like 1997's "Con Air," the corporate suits who run the studios give him the money to make movies his way. Sometimes they are hits, like the first film he co-wrote and produced, "Grosse Pointe Blank," and sometimes they are not. "They (the studios) have to have the perception that you can bring people into the movie theaters, so sometimes you have to do films that normally wouldn't be your first choice," Cusack told Reuters in an interview. "I don't think anybody survives in Hollywood for 15 or 20 years without compromise." As much as anything, "High Fidelity" is about the fine art of compromise, albeit of a different sort than the kind Cusack seems to have mastered so far in his career in Hollywood. The film, based on Nick Hornby's novel of that name, stars Cusack as Rob Gordon, a music junkie and owner of a record store in Chicago who cannot fully commit to a relationship. As a result, the women in his life are always walking out on him. A personal conflict arises in his mid-30s when his live-in girlfriend Laura (Denmark's Iben Hjejle) decides she will never be Mrs. Rob Gordon and moves out. Her departure sends him in search of old girlfriends to find out why they all left him, as well as looking for someone to fill Laura's side of the bed. After finding and questioning his list of all-time top-five girlfriends, Rob learns it is not the women in his life who are walking out on him but he who refuses responsibility that could last a lifetime, whether in his music career or his love life. "A lot of stuff that happens in this movie has happened to everybody. I've certainly been in relationships half committed and realized that you have to get in or get out," Cusack said. While "High Fidelity" may sound like a story meant mostly for men, Cusack said some of the best response has come from women who see Laura's character as strong and unwilling to put up with Rob's indecision. In fact, before he can fully realize his past mistakes, she moves in with another man. Cusack said he, too, has been "kicked in the chest" by a breakup that results in a lover heading into the arms of another man and it is the sort of story people learn from and the sort of story he likes to tell. "High Fidelity" is also a story about music and music's affect on people as well as about introspection and searching, two other topics Cusack enjoys. He calls himself a "music lover" who remembers certain times in his life through the songs he was listening to at the time, and he says he explores his own thoughts and actions "more often than he should." But if it were not for that sort of inner voice telling him what to do or where to go, movie fans would not have films like "High Fidelity" that feature stories of everyday life treated with thought and concern and even a touch of humility. Instead, all of Hollywood's films would feature car crashes and hopelessly unrealistic sets of circumstances. "I want people to have a good time and I want them to be entertained," said Cusack. "But I want there to be something behind it too, so it makes you think."

I had a farm in Africa at the foot of the Ngong Hills...oops, I mean, I dreamed of Africa. If there's a biplane flying around some rift valley, I'm outta there! ;-) LOL, Karen! I saw the previews... ZZZZZZZZZZZZZZZZZZZZZZ! Un Certain Regard, seems more interesting than the ones in the competition. Anyway, Cannes is not what it used to be. I think they are honoring Jean-Luc Godard this year. Ah, la nouvelle vague!!!

Let's start working on Toronto! Toronto International FF Sept. 7-16 http://www.bell.ca/filmfest They suggest in mid-July call to make flm reservations. Schedule is finalized in late August. Should I call to make hotel reservations?

TO KAREN N' Lottsa' Lov....

You told me it would work!! Anyway... HAPPY PASSOVER,KAREN

Have a wonderful Passover, Karen! Say hello to all the family and do not cook too much. ;-)

Thanks, Evelyn and Moon. Evelyn, I don't know what you attempted to post, so can't investigate.

Happy Passover, Karen. Have fun tonight. (don't EAT too much;))

Happy Passover to all those of the Jewish faith.

HAPPY PASSOVER, KAREN! Don't stuff yourself at Seder!! KJ

New "Premiere" Mag.... "The 100 Most Powerful People in Hollywood" John Calley ranked as #10. ".....Calley,69, dreams of retiring with his family to Victoria, British Columbia....." [Uh,oh...to the "backwoods cabin"? And he thought he had left that place for good...]

".....Calley,69, dreams of retiring with his family to Victoria, British Columbia....." Does he dream or is the dream dreamt for him...?

I may be going there this summer.

(Arami) Does he dream or is the dream dreamt for him...? Ha! You've nailed it, Arami. Amazing. The woman is a veritable pied piper.;-)

Oh, KJ!! I love the dancing matzo. Going to have to send that image to some family. And thanks to everyone else. The next 8 days are a culinary trial. Ack.

Another Happy Passover Wish: Karen: If you can, please explain what is this search for the "Afikoman"?

A party game for the kiddies. A piece of matzo is broken off during the seder and hidden. After the meal, the little kids go to find it. Winner gets something. I've never understood how anyone can hide something in a roomful of people. Suspect it's done in advance.

".....Calley,69, dreams of retiring with his family to Victoria, British Columbia....." Will this move prompt Colin to have Will move to London?

"Premiere"Movie Mag.Long article on press junkets.. "Being in movies these days means that artists have to intermittently stop being artists and go out and be salespeople". Some hate it and it shows...journalists catch on fast. Anthony Minghella who is writing "Cold Mountain" has Matt Damon in mind. Apparently MD is a director's and producers' dream...the guy works his butt off plugging his films. Some stuff on Working Title which I'll post on #80.

(Karen)"Capitaes De Abril," directed by Maria De Medeiros Portuguese actress, now turned director, of movie about the Portuguese military coup of 1974. While it is nice to see someone listed who is not Manoel de Oliveira, I've read reticent reviews. (Arami)sadly, farms in Africa are a dangerous thing today. Indeed. Sad to see politicians play upon people's difficulties and endanger other people's lives instead of trying to solve problems adequately. Happy Passover, Karen! May I also start posting Easter greetings for the Christians among us? :-)

You don't need my permission...let the eggs roll :-)

Is Maid of Buttermere slated to be a film? Hate for Colin to get involved in another foreign film project. They are invariably under financed and have a terrible time getting distributed...if at all.IMO. Before anybody flames me...I have nothing against foreign films...or film directors from other countries..etc. It's the distribution that becomes problematic.And I don't want him in another film that tanks ..or that no one gets to see. BTW...I am watching the Video rental charts on Teletext....SLOW has never made it among the top ten.Where, Oh where ,are those millions of CF fans who are supposed to be flocking to Blockbusters...inasmuch as they didn't flock to the cinemas.Hmmmm?

Happy Easter - and whatever other denominations call this seasonal feast. Whatever each of us is celebrating - praise be.

Interesting article on Stephen Frears, from the Guardian: Tracks of my Frears Nick Hornby's London novel about an obsessive music fanatic has become a movie set in Chicago. Stuart Husband gets the lowdown from its director, the very English Stephen Frears, man of many genres. Friday April 21, 2000 "I think, as time goes on, I'm getting more and more English," Stephen Frears announces, as he contemplates his antipasti in a Notting Hill trattoria, just down the road from his home. "I wouldn't know what to do in Hollywood. This is where I live." It's just the kind of mission statement you might expect from a director who's turned the filmic spotlight on the complexities of domestic class and culture, whether set among the thrusting Thatcherite immigrant entrepreneurs of 1985's My Beautiful Laundrette - the movie which brought him to international attention - or mavericks clawing and scheming their way out of the working-class ghetto, both in his Joe Orton biopic Prick Up Your Ears, and his adaptations of Roddy Doyle's The Snapper and The Van. Hang on, though - wasn't this also the man who made one of the definitive American road movies in The Grifters, meticulously anatomised the court machinations of 18th-century France in Dangerous Liaisons, and, most recently, helmed the finest Sam Peckinpah western the man himself never made, complete with cattle drives and dusty rodeos, last year's The Hi-Lo Country? We should at least be back on familiar terrain with Frears's latest movie, High Fidelity, an adaptation of Nick Hornby's best-selling novel about a manic-depressive, north London second-hand record shop owner who consoles himself through serial break-ups with obsessive Top 5 list-making. Somewhere in development hell, however, John Cusack acquired the rights to the book, assembled his Grosse Pointe Blank writing team, and shifted the location from London to Chicago, with Cusack himself - not the first face that would spring to mind when contemplating the doleful character of Rob - in the leading role. It turns out to be these two factors that attracted Frears to the project. "I'd read the book," he says, "and though I found it enjoyable, it didn't really chime with me; it's not about my generation. But I liked the idea of John doing it; he's been a friend since we did The Grifters. And while I was as sceptical as anyone about the change of setting, it finally appealed to me, because it made it less parochial; it stops it being about England." "That's sort of the problem with English films, isn't it?" he asks, warming to his theme. "England is all they're ever about, and if they're not, they're even worse. This country is just not a very interesting subject. It's terribly limited." It sounds contradictory - an English film director who feels intensely English, who's ambiguous at best when it comes to making films about England because he doesn't find England interesting. But then, Frears himself cuts a rather contrary figure. A youthful-looking 58, his bushy black hair greying above the ears, he resembles a rumpled, trendy don. He is, in fact, a visiting tutor at the National Film School in Beaconsfield, and his soft-spoken manner can change from avuncular bonhomie to icy patrician disdain with quicksilver speed. For instance, when I venture a remark that 70% of High Fidelity appears to be delivered straight-to-camera by Cusack, he's indignant: "That's stupid, a wild exaggeration. It's nothing like that, you don't know what you're talking about. It's more like 7%." The next minute, he's asking my opinion on which of the new breed of British film directors has "got it" (for the record, the only one he really rates is Kevin Allen, who made Twin Town and The Big Tease - "he seems a very clever boy"). In some ways, he's the embodiment of the establishment that came of age in the late 60s and early 70s - he abandoned his Cambridge law degree to work as assistant director to Karel Reisz on 1966's Morgan - A Suitable Case For Treatment, and repeatedly refers, luvvie-like, to "Lindsay" (Anderson), "Ridley" (Scott), "Ken" (Loach), "Les" (Blair), or "Mike" (Newell and Leigh). However, he also portrays himself simply as a workaday movie-maker who's generally been lucky with his projects (though he passed on Thelma & Louise), despite the fact Cusack puts him "in the front rank" of directors working today. "It doesn't feel like that from where I stand," he shrugs. "It's not that there are 15 offers sitting around and people begging me to do them. There's generally one thing that captures my imagination and, like a spoilt child, I'll go off and do it, whether it's set in Dublin or Illinois." But not, perhaps, Notting Hill. Despite living in the area for 20 years with painter Anne Rothenstein and their three sons and daughter, Frears hasn't seen the film of the same name, "except occasional bits over people's shoulders on planes", and looks blank when I mention the legendary Blue Door. "I'm not really interested in it," he claims. "That's what I mean about English films - they're generally so cosy. I think what we've done with High Fidelity is kept the spirit of the book but universalised the story. There are differences - the character of Rob probably has more sexual confidence, but that's partly a function of setting it in the States, where they seem less neurotic about that kind of thing, and partly because it wouldn't be too convincing having John being that gauche - but Nick Hornby told me he's very pleased with it." Given the variety of his output, what exactly constitutes "A Stephen Frears Film"? Some critics have compared him to Howard Hawks; like that Hollywood eminence, Frears is a director who, from his debut with Gumshoe in 1972, has transcended genres and settings by focusing on the human drama at the heart of a story. "Hawks, eh?" says Frears. "Well, I was brought up to film what was in front of me, to concentrate on the people at hand, rather than go on some interior journey or get into elaborate framings or effects. I don't think in terms of high concepts." Perhaps this explains his facility to coax sterling, often career-best performances from his actors: one thinks of Anjelica Houston's murderous rage in The Grifters or Glenn Close's manic method of make-up removal in Dangerous Liaisons. "I'm interested in those moments where people reveal their true natures," he says. "And I think the actors in my films are very good and I admire them. I find I say less and less to them; I'm doing as little direction as possible these days, because I tend to make things worse. "Being on a movie set is very intimate; it's like being with your family. It's a sort of organic process; I never quite know what the thing's going to be about before I start but, on a good day, it sorts itself out and you breathe life into it. I'm not terribly analytical - I go entirely from the gut. I make sure I work with good writers like Hanif Kureishi and Alan Bennett, and have them on hand to deal with that stuff. My natural inclination is to protect the actors while we work things out. I become completely paternal," he guffaws. For Frears, casting is the key element. One of his biggest contributions to High Fidelity, he says, was to keep Jack Black, who plays Cusack's boorish assistant, on board. "Jack's a bolter," says Frears, "and I brought him back twice because I had faith in him. Sometimes you're amazed by the stuff you get. Like Annette Bening, on the first day of The Grifters: she started doing incredible things. If you can photograph that delight, those moments of discovery, you just keep your mouth shut and get on with it." While Frears has certainly made films in the States, he's at pains to point out that he's never "gone Hollywood". "I don't think I've ever taken a meeting in my life," he demurs. "I've yet to have a film green-lit, as it were." He's "rather disapproving" of young British directors who fashion their movies as Hollywood calling-cards. "I'm a little old-fashioned in that way. My generation was lucky; up until 1988, the idea of a British director going to Hollywood was inconceivable. It just wasn't on offer. And we didn't sit around moaning about it; it just wasn't what people expected or valued. We just got on with it." In fact, his crab-like progress between modestly-mounted UK and US indies garnered him a reputation as an on-time, on-budget safe pair of hands; it was only when he tackled a pair of studio behemoths, 1992's Accidental Hero, starring Dustin Hoffman as a thief who helps the victims of a plane crash, and 1996's Mary Reilly, with Julia Roberts, that Frears came a cropper. "I didn't know how you filmed a plane crash," shudders Frears. "And it's not that Dustin was difficult, but having big stars skews the movie; you have to concentrate on this enormous investment. I'm sure I could handle it now, but at the time it knocked me down like a train. In Laundrette and Liaisons, you could see where the money was going, but with Hero we had $42m to deal with, and it was flying all over the place. And I should never have done Mary Reilly. I knew that before I started. It was full of great design and photography, but it should have been a little BBC film." These experiences brought on what he describes as "five or six very difficult years where I lost my confidence". It wasn't until he began working on The Hi-Lo Country that he got "the old feeling" back. High Fidelity, with its youthful optimism and buoyant soundtrack - could this possibly be a portrait of Frears's current state of mind? "Maybe," he confirms. "People say it's positively jaunty compared to my normal films." However, about that perennial Aunt Sally, the renaissance of the British film industry, Frears is less sanguine. "Is there a British film industry?" he asks plaintively. "Where is it? There just seem to be a lot of independent producers leading very tough lives. I served my apprenticeship with the BBC, where you were judged by your peers, and it was rather elitist, but it was a benign hierarchy, and tempered by its beneficiaries. Everyone you can name today came out of it: Sam, Danny, Antony [Mendes, Boyle, Minghella], me. It was a real coal face of creativity, and to have ripped the heart out of that is idiotic, but the government seem unable to see that." British film industry or no, Frears keeps right on working. He's just directed Fail-Safe, a live-broadcast remake of a 60s cold-war nuke-alert movie for CBS TV in the States, starring George Clooney and Richard Dreyfuss ("David [Hare] said, what about your heart, it was absolute madness, terrific though"), and is currently shooting a Jimmy McGovern script about "fascism, unemployment, and Catholicism," for the BBC in Liverpool. He cheerfully admits to knowing nothing about Catholicism; I wonder if he's addicted to leaps in the dark. "What it is," he says, "is that I've no talent for making a film about my own life. I made a huge mistake with Sammy & Rosie Get Laid; I set it on the Harrow Road, in my backyard, and all my judgment went out the window. I like to make films about really different worlds, whether that might be the Pakistani community, the Irish, the aristocracy, whatever. I need distance." As we walk back to Frears's house, we pass a washeteria called, inevitably, My Beautiful Laundrette. "They asked me for my permission," he says. "They even asked if I'd open it." And, for all his England-kills-me-I'm-just-a-glorified-techie protestations, there's just the hint of a gratified smile playing about his lips. � High Fidelity opens on July 21.

There are differences - the character of Rob probably has more sexual confidence, but that's partly a function of setting it in the States, where they seem less neurotic about that kind of thing, and partly because it wouldn't be too convincing having John being that gauche Didn't I say just this (not that it was an American thing, but the rest)? ;-)

This speaks for itself. HAPPY EASTER! You've not heard the last of this! **Heehee** KJ

(Not everything the Easter Bunny leaves are blsck jelly beans! KJ

I don't know if that's funny or gross;) Happy Easter all!

Why is it that any actor/director who comes to work in the US is considered a traitor by the British press. No other country does this...Italy, Spain.. Sheech!

Happy Easter to everyone who celebrates the holiday. Now I'll bore everyone with trivia. The day on which Easter falls every year is the first Sunday after the first full moon after the vernal equinox. That is not the case for Eastern Orthodox Christians, who determine Easter to fall the week after Passover. Most of you probably knew that. I'm going to visit Mom for Easter; and as she's a bit of a Luddite I'll be computerless, (that's not really a word), for several days. The upside is that I will have lots of posts to read and be hugely entertained when I get back. Happy Easter and Happy Spring!

Let me add my best wishes to all for a happy [insert holiday of your choice here]. Loved the greeting, KJ. Hope you're feeling better.

HAPPY EASTER EVERYONE!!

Advice to the wise... Don't get too excited celebrating the delights of this Vernal Season. One can overdo having a joyous.... Next thing you know you'll be running out of... duckies, bunnies, and chickies... Kinda spoils the symbolism don't it?... Happy Easter/Spring to All anyway! KJ

*clap clap clap* What an adorable posting, KJ.

Thanks KJ...and everybody for the greetings...mo'betta than an Easter basket. (Less calories too...though I miss those jelly beans..)

(Evelyn) ...though I miss those jelly beans.. Not the black ones, I hope! **Heehee** KJ

Loved the Easter greetings! My house is full of giant chocolate eggs which my mother-in-law brought with her from Italy. Yum! Have a wonderful Easter everyone! God bless you.

This has been a strange Easter for me... Yesterday I thought my dog, Patas, was dying. He has just been diagnosed as having a heart failure. I had one of the most anguishing days of my life, and don't know how I'd have coped but for my DH's support and that of some friends who are staying with us. We all took Patas to the vet (for the third time in four days) and he seems to be recovering. Please have some happy thoughts for us

Gi, what a terrible thing to have happen! Am keeping you in my thoughts and hoping for a speedy and complete recovery for dear Patas. Hope your mother-in-law didn't have any trouble getting those Easter eggs through customs, Moon;-) Sounds yummy indeed. Does Italian chocolate taste better than the American variety? Easter and Passover greetings to all from rain-drenched New England, where there'll be no outdoor egg hunts this year;-(

Hi Gi, and Hi Patas, glad to hear he is on the way to recovery, try not to worry too much Gi, all the best, Ann

Poor Patas and his mommy. Here's hoping for a full and speedy recovery.

So sorry, Gi. I hope Patas is better now. He'll get only the best care from you, I know. Pets are like children (one of my "kids" is sitting on my lap now) and it's heartbreaking to think of losing one. Let us know how you all are doing.

I know how intense the worry can be, Gi. I pray Patas gets better soon. Love, KJ

Gi, Patas is adorable. Here's hoping for a full recovery for him. I know he's in good hands. Keep a happy thought--here's one: I thought of you yesterday as I was channel-surfing and came across "Bounty" with a young Mel G. Oh my oh my oh my! Made me want to turn native!;-) Hang in there, dear. And a blessed Easter to all who celebrate it.

Gi, pets are such an important part of the family. I hope Patas makes a full recovery. I'll be thinking good thoughts for you, Antonio and Patas.

Gi, all of my love and support are with you now...Take care of Mommy and be strong as he needs you to be! Here is mine to help his:

Gi, sorry to hear about Patas. I hope he is better now, keep us informed.

Gi, *hugs* for you and Patas... as well as lots of happy thoughts and prayers for his safe recovery.

Thank you Susan, Ann, Karen, Heide,KJ, Mari, JanaH, Marcia, Moon, also those who emailed me, for your support. It is very good to feel your warm good wishes. Patas had been coughing for more than a month, had been treated for a lung infection but hadn't looked any better, and was finally diagnosed last tuesday as having heart failure and medicated accordingly. However, his condition got suddenly much worse and by friday morning he would not eat, pee or even move, vomited profusely (even water), and I thought I was losing him. He is now better, and although he still refuses to eat and we must feed him forcibly, and his heart has still not stabilized at a reasonable pace, he breathes better, drinks and pees, so I hope he'll stay with me for some time yet. Thank you all again very much.

... And thank you too, Esbee, I just read your post.

Goodness, Gi! Poor Patas! My thoughts are with you. How old is he?

Ran across this website dedicated to Meg Tilly. There are some recent candid shots you should get a look at: http://www.xmission.com/~waynew/page2.htm

*Hee hee!* Did she borrow that gray coat from Colin?

recent candid shots you should get a look at Not so recent....maybe two years old.The one with black dress and pearls taken at a premiere was in Movieline.

I love the photo of Meg that he uses right on the front page--very glam. (Too bad the Observer didn't use that one in the recent side by side comparison.;-) But that pink peeling-it-off-the-shoulder number further down the page has got to go! I guess men like that sort of thing . . .go figure.;-) ;-) Poor Wayne has a *much* tougher time than we do with getting info; seems like he tries hard.

I had hoped to return to read entertaining and/or amusing posts after my Easter break. Instead, there's appalling news concering Patas. I'm sorry to read about the bad time he's been having. Gi, has he improved any? I hope to hear that his heart rate has stabilized, and that he's eating on his own.

Amen, Cheryl. (It is good to see you posting again!)

Hello Marcia! It's good to be back -- now I'm headed on to Geo.

Thanks for the link, Karen. How could she fall with JC after ODB? Interesting to note that she was directed by Jack (must I use the last name?), while she was still with Colin. I wonder if they are friends? I read from her book... (gag, choke, cough).

London Times, April 27th, Arts Section Two good articles: "Luvies in a cold climate" Re; Anna Karenina "Days in the sun...Frightful nights:"New Films: Review of SUNSHINE...surprise, surprise...they like a RF film...

From the BBC for all those who have been following the casting of this Working Title movie: Bale plays Corelli's Mandolin American Psycho star Christian Bale is to start work on a movie version of the best-selling novel Captain Corelli's Mandolin, by Louis de Bernieres. Bale, 26, will play a Greek fisherman in the romantic World War II movie alongside Nicholas Cage and Penelope Cruz. It is set during the German occupation of the Greek island of Cephallonia. Cruz plays Bale's girlfriend who falls in love with commander Corelli (Cage). ~~~~~~ When you're hot, you're hot. Also FYI, there's another Ripley story that's going to be made into a movie. From Empire: Ripley Sequel Helmer Agreed Liliana Cavani, the Italian director behind The Night Porter who hasn't made a film since 1993, has boarded Fine Line Features' Ripley's Game - an adaptation of Patricia Highsmith's classic novel which follows Tom Ripley 25 years after the events portrayed in The Talented Mr Ripley. Cavani is supervising a script rewrite and has agreed to direct the movie. Fine Line had originally set the project up two years ago with Mike Newell and Alan Greenspan of Dogstar Films attached as executive producers. Rupert Everett was attached to star as Jonathan, a terminally ill picture-framer, hired by Ripley to carry out some killings. When Fine Line announced the project at Cannes two years ago, there was speculation that the company would race Miramax Films, itself in pre-production on The Talented Mr Ripley, to theatres. However Fine Line's president Mark Ordesky said that "it's a sequel book and was always envisaged as a sequel film." "We're looking to put it together as a European co-production since it's set in France and Germany, the director is Italian and all the producers are Italian nationals," said Ordesky. ~~~~~~ A 55+ year old Ripley. Definitely too much of a stretch for Matt. ;-)

News from Patas to all who have kindly been concerned (Moon and Cheryl, thank you too. He is twelve years old): he is doing better, has been on i-v fluids and is to remain so at least until the weekend, but is now strong enough to resent it. I have been force feeding him but today he has volunteered to eat a little. As he gets better and stronger his willfullness returns and it's harder to treat him...;-)

Glad to hear he's doing better Gi. *hugs* for both of you! :-)

As he gets better and stronger his willfullness returns and it's harder to treat him...;-) Heh-heh... typical male... ;-)

As he gets better and stronger his willfullness returns and its harder to treat him. Sounds like my kids. I glad to hear he is improving, Gi.

Telegraph has lukewarm review for SUNSHINE but a cute paragraph about Jennifer: "From the article:"Sunshine raises a whole lot of questions about performance and acting. On this point, Jennifer Ehle is a very rare and lovely performer. She brings a complicated freshness to every scene she is in. In fact this week your soar away Telegraph film page announces a competition: 'The Would Someone Please Write A Good Leading Role for Jennifer Ehle Competition.' There are two prizes - first, you get to feel you've done something important in Western culture, and second, you get sent at least a half dozen leftover Easter eggs. This is serious. Why are there no leading parts for excellent young women?" ~~~~~~ Let's add to that:" The Would Someone Please write a Good Leading Role for CF" The winner gets a lifetime supply of jelly beans;-) Don't you think we could endow a Jelly Bean Fund?

Thinking back, there is no specific food that CF eats in his movies. Does he like jellybeans? We really do not know much about him. ;-) Great press for Jennifer, Evelyn! Gi, some good at least about Patas.

Sounds like Patas is responding and hasn't given up. We know you haven't. Hang in there, Gi.

It's good to hear that Patas's getting a bit fiesty lately. Hope your little fur person is back to being himself again. I was wondering, Moon, how your son has been doing since his surgery? No doubt, the visit from his grandmother and the chocolate eggs helped.

Thanks for asking, Cheryl! My son had a complicated rotary fracture(he was plying hockey), in three different points. In two weeks they remove the cast and if the x-rays are fine he will have to wear a special leg brace until the end of June (just in time to board the plane for Italy!). He is taking it rather well but is very disappointed that he will be wearing that brace at his 8th grade graduation dance(which will be held a very ritzy hotel ballroom). :-( Grandmother is still here and the chocolate eggs were delicious.

Evelyn!! BBC News has an article about Jennifer and mom http://news.bbc.co.uk/hi/english/special_report/1999/03/99/tom_brook/newsid_729000/729611.stm

(Moon) Thinking back, there is no specific food that CF eats in his movies. I've noticed that myself. There are very few times we see CF's character eat. That stalk of celery in Femme Fatale comes to mind. Most times others are eating but it's rare to see a morsel pass between those fine lips. Gi, I hope Patas remains well for you for some time. Moon, your son is a trouper. I know few boys who've escaped childhood without broken bones. I hope your other boys remain unscathed so Mom can take it a little easier.

Thanks, Heide! There is no such thing as mom taking it a little easier. You should see what my little Indiana Jones (the 8 year old), is capable of doing. ;-)

Have just got back from seeing "Sunshine" and although I am not an RF fan, I have to say he is very good in this and boy do you see a lot of him!! No spindly legs this time Karen. JE & Rosemary Harris were very good and not having seen RH on the big screen before I must say I was very impressed, she has a certain class which her daughter has inherited. I also liked James Frain, very cute. I would certainly recom mend this to anyone who has not seen it and the 3hours just flew by. Aishling was also very impressed, particularly with RF, I think!!

Karen, my poor little computer will not open the BBC article on RH & JE, would it be too much to ask you to post it here?

Here you go, Ann: Ehle plays the young bride Valerie in Sunshine Acting across the ages By BBC News Online entertainment correspondent Tom Brook British actresses Rosemary Harris and Jennifer Ehle - mother and daughter in real life - are dazzling audiences in separate plays on Broadway - and appearing in the movie epic Sunshine which opens this week. On Broadway, 30-year-old Ehle is playing the role of Annie in a revival of The Real Thing - Tom Stoppard's celebrated play about love and betrayal. One critic referred to Ehle as "delectable" and "a rising star", while her 69-year-old mother - who is starring opposite Lauren Bacall in a revival of Noel Coward's Waiting In The Wings - is also receiving lavish praise. Harris says she was drawn to Sunshine, the epic story of a Hungarian-Jewish family over three generations from director Istvan Szabo, partly "because it was a chance to work with Jennifer". Mother and daughter portray Valerie, a strong character who weathers the winds of change in Central Europe through two World Wars, the rise of Nazism and Soviet domination. Ehle plays Valerie when she is a sister and a young wife. Harris takes over and portrays her in her later years. Strangely, Harris says, she didn't discuss the role with her daughter, but found there was a genetic imprint in their acting. Harris says: "I was amazed when I saw the similarities we bear and which I wasn't aware of. I think it's in the hand gestures or something." Sunshine is currently opening around the world, and meeting with a mixed reaction. Some critics think it is overly ponderous, few say it matches director Istvan Szabo's classics like Mephisto and Colonel Redl. But Rosemary Harris, who made her stage debut more than 50 years ago, says she found there was much she could learn from working with the Hungarian director. "Each scene I did with him seemed like a master class," she recalls. While shooting in Budapest, the director would "slowly nudge you with little taps on the nose here and there until he got what he wanted. "Sometimes he would get it in a first take and sometimes he would go on for ten takes." In acting terms Sunshine is driven by Ralph Fiennes who plays three different characters: a father, his son and then a grandson in three successive generations of the same family. Ehle, who appears opposite Fiennes, was very impressed by his approach. "There is no element of showing off. It would be tempting at some point when you are playing three characters to say, look what I can do". Being away from home, whether it is working on location in Hungary, or on the Broadway stage is part of the actors' life that both Ehle and Harris have grown to accept. The characters in Sunshine are constantly being torn away from home and for Ehle - who admits to feeling "rootless" - it was an aspect of the film she could identify with. "I had quite a rootless upbringing, so that was something just very personally that probably pushed a few buttons". Harris explains further: "Jennifer was practically born in a trunk and moved around all over wherever I got work. "I would put her in my pocket and we would go, the three of us, her father and me, we'd just trot off and throw her into another school and hope she would survive." Despite their transient existence mother and daughter definitely seem to have flourished. Their performances on the New York stage have made them must-see attractions of the current theatre season and both actresses could find temselves in the running for Broadway's top prize, a Tony Award, when the nominations are announced on 8 May.

(AnnW) No spindly legs this time Think he is working out? ;-) (JE) "I had quite a rootless upbringing..." No wonder! They were two of a kind. Not at all suited. He needed someone with substantial roots.

Thanks very much Karen, for posting the article.

Alan Parker takes British film's hot seat By Merissa Marr LONDON (Reuters) - Filmmaker Alan Parker, who fled for Hollywood 15 years ago in disgust at the state of the British film industry, on Tuesday unveils his plan to revive it. The abrasive director behind "The Commitments" and "Midnight Express" once lambasted Britain's movie business for what he called an obsession with pretentious art films. On Tuesday he will announce his strategy for injecting some commercial fizz at the helm of the Film Council, a new super agency loaded with the bulk of the government's film funding. "One thing about Alan is he will not be complacent," said Bertrand Mouiller, head of film at the Producers' Alliance for Cinema and Television (PACT). "He will challenge the system and the lack of ambition which has characterised British film." "We make too many films in Britain," Parker said earlier this year. "We are entrusting millions of pounds to people who have never (directed) before." Parker, 56, who left Britain to make a string of commercially successful films including "Fame" and "Angel Heart", will have more than 150 million pounds to spend over the next three years. "We have all this success at the Oscars with claims that 'the British are coming!' but then we're disappointed," said a specialist who raises funding for films. "Hopefully Parker will give some credibility to the British film industry." Britain boasts world-beating talent -- as the multiple Oscars for director Sam Mendes' film "American Beauty" or one-off wonders such as "Four Weddings and a Funeral" and "Trainspotting" prove. LOADS OF MONEY BUT SHABBY SCRIPTS Film executives say the problem is no longer too little money but too much ill-directed finance. After years of under-funding, the film industry is suddenly awash with millions of pounds from lottery money and tax breaks. But while Hollywood films regularly make a profit of 50 million pounds, just 10 of the 70 British films released in 1999 took more than two million. "The structure of the UK sector puts enormous pressure on producers just to get a film shooting and so many projects go before the camera without being properly developed," said BBC Worldwide director Mike Phillips. The real issue is "shabby" scripts, according to Parker. "To be able to develop a screenplay is an art which the Americans are so good at and we're not," said Parker, who wrote seven drafts of the script of his latest film "Angela's Ashes". "The industry here is flimsy and the only way producers can pay their mortgage is by getting the movie made." Parker, who started his career in advertising, must use his commercial nose to put more emphasis on the less glamorous areas of distribution and marketing, experts say. A Hollywood studio will often spend as much energy on a film's merchandising as on its plot. But in Britain production, distribution and exhibition have become fatally separate. The British government has championed the creation of mini-studios with three new film franchises. But the past failure of both Goldcrest and Palace Pictures suggests it is not that easy. Both were finished off by one disastrous film. "Better it be Alan than a bureaucrat in charge," said Alan McQueen, acquisitions director at distributors Downtown Pictures. "I would rather there be someone who makes films in there than a politician."

Can't say I blame him for losing it. Must be frustrating. Patrick Stewart Denounces Producers NEW YORK (AP) -- Patrick Stewart shocked Broadway audiences during curtain calls of ''The Ride Down Mt. Morgan'' when he angrily accused producers of the Arthur Miller drama of failing to promote it. ''Arthur Miller and I no longer have confidence in our producers' commitment to this production, especially the Shubert Organization, or their willingness to promote and publicize it,'' Stewart, still in costume, proclaimed Saturday at his matinee and evening performances. ''Arthur and I feel frustrated and helpless.'' The complaint was endorsed by Miller during a New York Times interview. ''Clearly the play has dropped through the memory hole,'' Miller said. ''I haven't talked to management, but Patrick has, since he's there for every performance. Promises have been made repeatedly that were never kept.'' Shubert President Philip Smith issued a statement disputing Stewart's claims but did not detail promotional efforts. ''The producers' commitment to 'The Ride Down Mt. Morgan' could not be stronger,'' Smith said. The show's chief publicist, Michael Hartman, said more money had been spent on advertising for the play than was spent on two comparable plays last season, ''The Blue Room,'' which starred Nicole Kidman, and ''Amy's View,'' which featured Dame Judi Dench. More publicity would be forthcoming, Hartman said. Audiences applauded Stewart's accusations Saturday, prompting him to say he would restate them at the Sunday matinee. But he did not, and it was unclear whether Stewart and the producers had reached a compromise. Shubert representatives did not immediately return a phone call today seeking comment. ''Mt. Morgan'' is the story of a bigamist whose efforts to keep his two families unaware of each other fail when he's injured in a car crash and both wives visit him in the hospital. It was produced in London in 1991 and opened at Broadway's Ambassador Theater on April 9 for a run scheduled to end July 23. The show has enjoyed positive reviews and has done well at the box office, according to the show business journal Variety. Stewart, 59, is known for his role in television's ''Star Trek: The Next Generation.''

"American Beauty" is an American film. A mainstream Hollywood film, in fact. Sam Mendes may be English, but the funding, screenwriter, and actors were American. So I can't really understand the claims in some British published articles that the film is one of theirs. A movie's country of origin is determined by who puts up the money; Dreamworks is American company, hence, AB is an American film.

Cheryl, I agree! American Beauty is definitely American (thoughI think they have changed or are planning to change how the nationality of a film is determined). But you must have realised by now that we have the most irresponsible and slipshod press. Never believe anything in the British press. I have never read an article with which I have had some knowledge which has been 100% accurate. Alongside that, there are two strong traits 1) Over hyping any achievemants which have any British connection 2) knocking success at ever opportunity - how they manage to balance those two is one of our newspapers' only talents.

Excuse me, but the writer did not claim in the article posted that "American Beauty" was a British film. The writer said: "Britain boasts world-beating talent -- as the multiple Oscars for director Sam Mendes' film "American Beauty" or one-off wonders such as "Four Weddings and a Funeral" and "Trainspotting" prove." Sam Mendes, Richard Curtis, and Danny Boyle are all British directors, i.e. talent.

Yoo hoo, Gi... How fast can you get here? Mel will be here tomorrow shooting about a block away. They are decorating the street now, planting and trimming, etc.

Oh Karen...Do you think you can at least take a picture? How I wish III could be there! What movie will that be? Beam me up, Scottie!

Movie is called "What Women Want" and it also stars Helen Hunt. According to some stuff I read, it's a romantic comedy about a male chauvinist (Gibson) who after a freak accident gains the ability to read women's thoughts. Supposed to be out at Christmas time. Will see what I can do about pictures. Just took some film out of the camera!

"Movieline " says: WHAT WOMEN WANT: Film centers on a womanizing executive who gets passed over for a promotion whne his company brings in Helen Hunt for the job he wanted. The firm's plan to deal with a stronger female demographic soon has Mel doing homework with products like panty hose and blow dryers, which leads to an accident in the bathroom that literally knocks him out. When he comes to,he has the new extrasensory capacity to hear women's thoughts.Mel is likely to be very good especially in the scenes where his character, now privy to women's real responses, learns that his macho posturing is not nearly as charming to them as he'd always thought.... Bette Midler plays the shrink Gibson goes to for help, and somehow, just the idea of Gibson and Midler in the same frame makes it all seem like it could be mind-boggling fun"

(Evelyn)it could be mind-boggling fun Yes it could... It could also be fun if they needed an extra and our Karen happened to be passing by... ;-)

Yeah, right! Drove by a little earlier and they are just bustling around, still setting up. Will check back later. They filmed another movie a few years back on that same street (a gangster movie, complete with old cars parked all around). I'm pretty sure I pointed it out to Tineke when we walked past because of the landmark status and unique architectural detail: the guy who built the rowhouses put his children's names above each doorway. Sorry no pic: http://destinations.previewtravel.com/DestGuides/0,1208,WEB_25_1_6_6451,00.html

Sounds like a fun film, perfect for ol blue eyes. (now that the original is gone, permit me the liberty) Karen, go and ask to be an extra. You never know when you might end up with a SAG card. ;-)

No extras even used in this scene. A cab dropped him off. He ran up the stairs (not as well as somebody else we know), knocked on the door, said some stuff, was let in and door slammed. That took hours to do. Got some pictures. The publicist came up to me and asked if I was in the press because I had the long lens (as we weren't allowed on their side of the street). Hopefully, one or two will come out. Mel didn't come over while I was around. Now they are off for some scenes by the beach and then later off to North & Damen in Bucktown (site of High Fidelity). 'nuff for me. ;-D

(Allison M) ...though I think they have changed or are planning to change how the nationality of a film is determined... That's a big bone of contention every year at the Oscars concerning the category for Best Foreign Language Film. It is a very big consideration insofar as European films are concerned; many of them currently are co-productions between countries; i.e.; French-Danish, Czech-German, and the like. Certain films have been found ineligible because of this. They are always threatening to change this by-law, and it would great if they did. Still, as far as the business world is concerned, a movie's country of origin will be determined by from where the money came. (Chris L) Excuse me, but the writer did not claim in the article posted that "American Beauty" was a British film. The writer said: "Britain boasts world-beating talent -- as the multiple Oscars for director Sam Mendes' film "American Beauty" or one-off wonders such as "Four Weddings and a Funeral" and "Trainspotting" prove." Sam Mendes, Richard Curtis, and Danny Boyle are all British directors, i.e. talent. Duly noted, and you are right -- to a point... Danny Boyle, does he prefer to be refered to as "British" director or a "Scottish" director? The comment was not made with this article not being the only one in mind. I have read others where the inference to AB being an English film was more pronounced. That my be due to bad editing or bad reportage. There is another option, that being that the writer(s) subscribe to the "auteur" theory of film making. The director being the most important to "the vision" and intent of a movie. It's an oringinally French view on the art of film making, largely popularized in the 1950's/1960's by the influential film critic and director Francois Truffaut, among others. There has been reaction in French film criticism in recent years against such thinking. Anyway, British talent is nothing new, nor exceptional by its presence in film making. It has been there all along. British talent has been working in movies and winning film awards for decades. The world of cinema is richer for it. And "American Beauty" is still an American film.

Karen, thanks for the report on WWW... I can see it in my imagination, while I wait for your pics ;-)

Danny Boyle, does he prefer to be refered to as "British" director or a "Scottish" director? Dunno. He's never expressed a preference to me, although I wouldn't dream of calling him "English".

From The Scotsman: Their lips meet, and we still go weak William Peakin says the on-screen kiss is as highly charged as ever WHEN Ralph Fiennes melted the heart of Kristin Scott Thomas in The English Patient with the words "Swoon. I�ll catch you," for his leading lady, this was just the hors-d�oeuvre to the tastiest bit � their on-screen kiss. Fiennes is simply the best, Scott Thomas revealed this week. Better than Sean Penn, with whom she stars in Up At the Villa. Better even than her Random Hearts mate Harrison Ford. And would you believe, better than Robert Redford? He may have whispered well, but when it came to puckering-up, the screen idol of many a female generation was "the worst of all". Who would have thought that more than a century after John C Rice locked onto May Rice in The Kiss � prompting a Chicago newspaper to declare that "the sight of their prolonged pasturing on each other�s lips was hard to bear and calls for police interference" � that such a well-worn moment in cinema can remain so highly charged. Indeed, a few years ago the screen kiss had all but dried up. Hollywood scriptwriters were churning out plots in which the stars got straight down to sex with barely a peck first, or which skipped romance altogether. Spacecraft, tornadoes, volcanoes; that is what audiences wanted. Even in romantic comedies like When Harry Met Sally, lips rarely met. There was a time when people went to the movies to perfect their technique, lingering on the suave carnality of Cary Grant and Ingrid Bergman in Notorious before banging noses, bruising lips and chipping teeth with their lovers in the back row. Those making the mistake of looking to Humphrey Bogart as a role model ended up with what one critic described as "the quivering nibble of a horse closing in on an apple". He may have taught a generation how to smoke and narrow their gaze through a tobacco haze, but he could not kiss. However, a Bogart kissing scene did provide one of the more memorable moments of screen foreplay; in To Have and Have Not, instead of melting into each other�s arms,Bogart and Lauren Bacall raised the heat with some whispered not-so-sweet-somethings as they kissed. "What did you do that for?" asks Bogart. "I was wondering if I�d like it," replies Bacall. He waits: "What�s the decision?" "I don't know yet.'" They kiss again. "It�s even better when you help," she says. The power of the celluloid kiss was that the consummation was left to occur in the audience�simagination. Would it have been the same if the camera had followed Rhett Butler carrying Scarlett up the stairs and into the bedroom to record what happened next? Of course, directors were not just being subtle for art�s sake, they were also working within the moralstrictures of the time. In 1932, the former US postmaster general Will Hays created the Motion Picture Production Code which kept couples in separate beds, forbade any depiction of sexual pleasure, censored mention of abortion, breast-feeding and childbirth ... and set the permitted length of a screen kiss to 1.5 seconds (although, somehow the longest screen kiss � three minutes and five seconds between Regis Toomey and Jane Wyman in 1940�s You�re in the Army Now � escaped). The code controlled Hollywood for more than three decades but after the sexual revolution of the 1960s just about anything went. The French kiss became so common in films no-one thought about it much until 15 years ago when it was revealed that Rock Hudson had given Linda Evans a passionate kiss during an episode of Dynasty when he knew he had Aids. The Screen Actors� Guild sent a letter to 7,000 producers and agents informing them that in future they had to notify actors in advance of any scenes that required open-mouthed kissing. Anxiety about other stars� private lives took some of the romance out of the screen kiss. "I try to kiss normally. But there are times when the other person isn�t comfortable or you aren�t, so you fake it," says Johnny Depp, star of Sleepy Hollow. "Maybe we should always do that; it�s not wise to run around kissing people. It�s not hygienically sound." ~~~~~~~` Makes me want to watch some old movies. ;-)

It�s not hygienically sound. Reminds me of a Burt Bacharach song: "What do you get when you kiss a guy? You get enough germs to catch pneumonia." Doesn't put anyone off kissing, though, does it?

Fiennes is simply the best, Scott Thomas revealed this week. Hmmm... looks like Rafe isn't such a cold fish after all. Ladies who have seen Sunshine, how were his love scenes with JE?

The ones with JE were okay, but the one with Debra Unger-something? were very embarassing and quite unnecessaary I thought.

Was wondering when anyone would pick up on that? ;-) Am guessing that Geoffrey in a Santa suit couldn't possibly generate the same appeal.

Ladies who have seen Sunshine, how were his love scenes with JE? "Steamy"is the consensus. And I doubt if we'll get to see the one with Debra Kara Unger;-) We also didn't get to see all of the scenes with Julianne Moore in "End of the Affair" ...courtesy of the same censor.

Actually, we did see all in End Of The Affair. Wooley appealed the original MPAA ruling and won. Nothing was cut.

I think the film can only be improved by cutting the DKU scene, in a way it was laughable or else he is an exception human being!!

From The Guardian: Oscar winner Mendes to direct unknown's play Fiachra Gibbons Arts correspondent Friday May 5, 2000 Sam Mendes shocked the world of theatre last night by revealing that the first play he is to direct since winning an Oscar will be by an unknown author. After his American Beauty triumph, the British director took Hollywood by surprise by saying that he was dying to return to the Donmar Warehouse, a small London theatre he had put on the map with his Tony Award-winning production of Cabaret and of The Blue Room starring Nicole Kidman. Now Mendes has ditched his plans to direct Twelfth Night in favour of a drama called To The Green Fields Beyond, which is set in a tank on the western front during the first world war, and written by the relatively obscure Nick Whitby. "Shakespeare can wait," Mendes said last night. "You have to take advantage of a good and exciting new play like this. It is not every day they land on your desk. One of the benefits of running a theatre is that you can change the programme when you need to." A spokeswoman for the Donmar said Twelfth Night would be staged next year instead, although casting had actually begun before the change of plan. "Sam read To The Green Fields Beyond and went 'Wow!' said the spokeswoman. "He really loved it, so he thought 'what the hell!' It is a fascinating piece, and it's a very unusual subject." The play revolves around a multiracial crew of a tank during the Somme offensive in September 1916. The generals hoped that the new weapon would turn around the war, stuck in a battle of attrition, by being able to break through the German lines. But most of the tanks broke down with mechanical failures on their first outing at the Somme, long before they got in sight of German trenches, and failed to break the stalemate. In contrast to army tradition, the new tank corps recruited from all corners of the British empire, and moreover its tank commanders were "ordinary blokes" rather than officers. Whitby, in his early thirties, has written comedy for TV but is best known for a play, Dirty Dishes, that has been a hit in Germany. Mendes, 34, said last month that he was happy to direct one play a year until the right film script came along: "There are not as many of them out there as you think." He has formed his own film company, called Donmar, backed by the DreamWorks studio, and even persuaded its boss, Steven Spielberg, to donate money to the theatre. The head of Miramax, Harvey Weinstein, is also keen to secure Mendes' services, and is investing in the Donmar production of Tom Stoppard's The Real Thing on Broadway.

Cineoke (as in karaoke) in London... I found this snippet in an article, and cracked up laughing... Just as plays are becoming films, so films are rapidly becoming plays: I don't mean film-to-stage translations like the already mentioned The Graduate or the imminent musicalization of The Witches of Eastwick: I mean films that are becoming participatory events. The hit of last year's Film Festival was Sing-along Sound of Music, a screening of the classic film musical with subtitles of the lyrics so the audience could join in. That has long since transferred to an extended run in a West End cinema, the charmingly scruffy Prince Charles off Leicester Square, where audiences don't just sing but also dress up as nuns and other characters from the film. This year, the Festival's response to that success was an event called Cineoke, in which extracts from a whole bunch of movie musicals were shown for the audience to continue the karaoke experience with. Camp highlights included the inevitable �YMCA� (from Can't Stop the Music), the title songs to Fame and Xanadu, �Don't Cry for Me, Argentina� from Evita and �Do 't Rain on My Parade,� from Funny Girl.

"Shakespeare can wait," Mendes said... He's right Shakespeare will always be there.

This she missed a cultural icon!! The world's largest photograph has been unveiled at a London department store by pop star Elton John. The photo, which is 900ft long and 60 ft high, stretches around Selfridges in Oxford Street and features a huge picture of the star over the store's main entrance. The frieze is the brainchild of Turner-shortlisted artist Sam Taylor-Wood, who also attended the unveiling. She said she wanted to create a modern day version of the Elgin Marble frieze, using images of famous cultural icons instead of Greek gods. The pop superstar said his inclusion was very appropriate as he was the "god of shopping". Other stars who feature in it include actors Leonardo Di Caprio, Ray Winstone, Timothy Spall, Richard E Grant, Adrian Dunbar and actress Jane Horrocks.

Another omission: Knight to take on tramp role Sir Michael Gambon will return to the West End in the autumn to play Davies, the tramp, in Harold Pinter's classic play The Caretaker. The role was created by the late Donald Pleasance in 1960, then revived by him in 1991 [with Colin Firth] shortly before he died. Directing is actor-playwright Patrick Marber, recently seen in Speed-the-Plow at the Donmar Warehouse, and the producer is Robert Fox, brother of actors James and Edward.

WOOOHOOOO! I just read over at the MSN site about TRT's 5 Tony noms! Here's the scoop: �The Real Thing� has five nominations, including Revival of a Play and Best Performances by a Leading Actor (Stephen Dillane) and Actress (Jennifer Ehle) in a Play. (The original Broadway production had seven nominations in 1984.) What great news for all JE (and SD) fans! Congrats all around!!

I bet there's a big block part on Earlham Street. Sent them an email. Will call later in the week.

OH MY GOD!!! Tim Dutton was on Ally McBeal, and WOW, does he look GREAT!!!! And he said RED SOX!!!! Woo Hoo!!! Evelyn, I know you didn't think much of him in "Melissa", but WOW!!! I mean WOW!!! (Just get him away from Ally!)

Sorry, wasn't impressed. He had that floppy hair and looked a bit dorky. I know one, maybe two actors, who would've been better. ;-)

Five Tonys! Bravo. And now go read Karen's post on #131, Evelyn ;-)

Oh, Karen, I've always been a fan of Tim Dutton. I first saw him in a Mystery series on PBS a few years back. Then Evelyn sent me "Melissa" and I was hooked. He's floppy, but in a cute way!!! Did love the Internet love interest tho, that was hysterical. (especially everytime she talked about sex and the microphone would get louder and make weird noises;))

Missed the first 20 minutes and didn't see that; will catch during reruns maybe.

Tom Cruise with a southern accent doing Brick? No way. Who are they going to cast for Big Daddy? Timothy Spall? ;-) Tom Cruise and Nicole Kidman are reportedly considering a visit to England to co-star on the London stage. According to the Daily Express, the husband-and-wife team have their sights set on a production of Tennessee Williams's fevered Deep South familial drama Cat on a Hot Tin Roof, which will be directed by Sam Mendes, winner of the Best Director Oscar for his film debut American Beauty. Cruise and Kidman have acted together on screen with mixed results in films like Days of Thunder, Far and Away and Stanley Kubrick's Eyes Wide Shut, though they have never taken to the stage together. Cruise has little stage pedigree, though Kidman won rave reviews for her appearance in the Donmar Warehouse's production of The Blue Room back in 1998 - a performance dubbed by one panting critic as "pure theatrical Viagra".

Very interesting chart at THR (that is, if I'm interpreting it correctly) about the cost to buy film rights around the world. Here's the link: http://www.hollywoodreporter.com/cannes/cannes2k/going.asp What that chart shows is that, for example, an Australian distributor would have to pay $300,000-$600,000 (US) for a film whose budget was $6 million-$12 million (US) like BJD. What's the deal with Portugal? Rights go for dirt cheap.

(Laura)Evelyn, I know you didn't think much of him in "Melissa" Wrong. I liked him in Melissa...third in line of JE's best leading men (CF & SD ahead). It was the production and story that I didn't like. He was even in a short-lived TV sit-com recently about pilgrims...he's v. handsome. ~~~~~~ Tom Cruise playing Brick? ROTFLMAO.I want Colin for that role...with Jennifer doing Blanche. Sizzzzzle. RH did it at Lincoln Center years ago...got a Tony for it.

What HASN'T RH won a Tony for:)

(Karen)What's the deal with Portugal? We have no money. Try and compare salaries in Portugal and other countries and you'll see what I mean.

Still the case, huh? Sorry to hear. :-(

I sure wish Ralph would take some time off.;-) From Teletext: Paltrow and Fiennes possessed? Gwyneth Paltrow and Ralph Fiennes are being courted to star in a movie version of AS Byatt novel Possession. Byatt's Booker-prizewinner is the story of two rival academics who discover the secret affairs of the poets they are studying. Neil LaBute, better known for harsh modern satires like In The Company Of Men, is writing the screenplay and may direct this very British project for Warner Bros.

OH NO!!!!!!!!!!!!!!!!!!!!!! Ralph Fiennes CANNOT play Roland!!!! Gwyneth as Maud????? However, I can picture Jeanne Tripplehorn has Val. Or would Ralph Fiennes play Ash? And Gwyneth Cristabel??? Ugh!!! How can they do this??? MY ALL TIME FAVORITE CONTEMPORARY NOVEL AND THEY'LL RUIN IT!!!! Neil LaBute? I HATED In the Company of Men!!!! UGH! Can you tell I don't like this???

NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!! Major dittoing. But I think it would be Fiennes playing Ash and Gwynnie playing Maud (Christabel was a little petite thing a la Holly Hunter in The Piano). I always wanted Colin to play Roland. And I won't even address the piggy director who is also ruining adaptation. My favorite book. Get me a knife. :-(

You know, Gwynnie's a little young to be playing Maud. Somehow picturing her as professor doesn't jive. Have hard time picturing her as even graduating college. Am still shaken about the Fiennes potential and how he'll ruin the central love story, especially when it's consumated. Yeah, he'll do fine as the cold fish Victorian poet and the spurned lover.

It is too good a project to pass on. I bet they will both do it. Too bad for Colin, he would have been PERFECT! New mantra: I hate Colin's agent...

I don't know how they could possibly make "Possession" into a movie without destroying it? I mean look at the English Patient. They focused on the wrong love story! This is a complex book with complex themes. Something in the translation will get destroyed, I think they should leave it alone. Arundhati Ray author of the Booker winning "The God of Small Things" (fascinating book for those of you haven't read it), refuses to have her book made into a movie, and she's a director! Only one other of AS Byatt's novels (novella, actually) went big screen "Angels & Insects" granted it was a decent adaptation that was a story that could translate well to the screen. I'm not happy. I am SO not happy. (Now if they were to make Virgin in the Garden, Still Life and Babel Tower into a movie Colin Firth would HAVE to play Alexander!!!! right Karen???)

Colin Firth would HAVE to play Alexander!!!! right Karen???) All depends what happens in the fourth book? ;-) But, I wouldn't complain. I always thought Byatt never sold or optioned Possession and was pretty happy about it, as it cannot be done, especially by someone as untalented as the misogynistic writer/director *mumble mumble* Could they possibly have found anybody worse?

All depends what happens in the fourth book? ;-) But, I wouldn't complain. If and when it ever comes out! The Game would make an interesting movie;) Yes, misogynistic! He calls himself a writer/director! NO!!! Not for nothing, but I think I'd rather have Anthony Minghella do the screenplay if that was the case! Wonder who could possibly do Frederica or even Daniel for that bit. (Mark Addy?) He's a lovable sorta guy, which is what Daniel is lovable. As I think of it, when I picture Roland in my head, I see John Cusack:)

I sure wish Ralph would take some time off.;-) He's 'Johnny on the spot' for good every role that comes along. New mantra: I hate Colin's agent... I do too. But ...it isn't like Colin is unknown among directors in the UK.This might be true in Hollywood, but that's his turf. Wadsamadda here?

(Evelyn) But ...it isn't like Colin is unknown among directors in the UK.This might be true in Hollywood, but that's his turf. Wadsamadda here? Warner Bros, jerkhouse writer/director...American production. That's wadsamadda! :-( Daniel Day Lewis was always Randolph Ash in my mind. For some reason, he has the right gaunt appearance and would look good with a beard (as I picture him). Cusack? Bite your tongue!! Daniel, I always saw as stocky, hairy Alan Bates type. ;-)

Wadsamadda here? Bankability, that's the madda.

Alan Bates is too old! :) Oh Karen, keep forgetting, rented Tumbleweeds. REBECCA LOVED IT!!! she now wants me to pack up and head out west and meet up with different men along the way;) Janet McTeer was incredible! Kimberly J. Brown was brilliant as well.

It's the cost associated with keeping a low profile and not striking while the iron is hot (like after P&P). Rafe has had good breaks, but he also works his butt off, isn't afraid to fail, promotes his stuff, and takes on only substantial, challenging work. Think he'd be caught in something like SLOW? I assume there's also a cost associated with taking what amounts to a five-month vacation each year; sorry, but most kids see their dads go off to work each day.;-)

I meant to add that, on a personal level, I have great sympathy for how he manages his life. But we shouldn't be surprised or upset when the plumb parts go to others as a result.

plum;-)

(Laura) Alan Bates is too old! :) I said "hairy Alan Bates type" NOT Alan Bates himself. (Mari) the plumb parts go to others he did get the carpenter's role in SLOW ;-)

Okay okay, now I must read that book too! ;-)

...Think he'd be caught in something like SLOW? Or (godferbid)a cameo role...and how's about the forthcoming "Londinium". Max directing it would be bad enough, but directing and starring in it...uh, uh. RF did do The Avengers which he admits was a terrible mistake. And one he will not repeat.Of course, acting is his life. You are right, Allison, he is bankable, but he works so hard at it...even after he's finished filming it. Producers must love him.

You are right, Allison, he is bankable, but he works so hard at it.. I do have huge sympathy with CF as a person. He has his parallels amongst so many people we must know. Who do not give over their lives to the self promotion which seems to be a necessary part of so many occupations these days. I am sure part of him must want to do it but you only have to see him bantering with M McD at the MLSF premier and to hear how self conscious he feels when visited by HF on the FP set to realise that he just finds that self promotion very difficult. For those who have not seen the premier clip, CF comes across as awkward and slightly embarrassed IMHO. Do you agree, Arami?

Karen. Maybe that should all be on #129.

(Karen) he did get the carpenter's role in SLOW ;-) *Snicker* Need plum parts, not plumb lines.;-) (Evelyn) Or (godferbid)a cameo role...and how's about the forthcoming "Londinium". Yeah . . . As I think I wrote before, I can't imagine that Mike Binder will suddenly be confused with Fassbinder.;-) RE: Avengers. Certainly a poor choice, but at least he didn't commit career suicide afterwards by going and hiding just because he had a flop. Nope, he got right back in there, and now all is forgotten (and rightfully so). Solid, mature, smart. I admire him and how he handles his career.

Sorry to be talking again about CF on this topic but looking at what he chose to do in 1999, I definitely get the impression that he was filling in. While they were fiddling around with BJD, he presumably wished to keep himself free in case it was greenlighted. So he might have taken L and RV at the last minute as fill ins.

Gi, YOU MUST READ THE BOOK!!! I absolutely adore AS Byatt. It's wonderful.

(Mari), the plumb parts go to others (karen), he did get the carpenter's role in SLOW ;-) (Mari), I can't imagine that Mike Binder will suddenly be confused with Fassbinder.;-) LOL! You girls are bang on! (Mari), Think he'd be caught in something like SLOW? I assume there's also a cost associated with taking what amounts to a five-month vacation each year; sorry, but most kids see their dads go off to work each day.;-) Wow, Mari! Ouch! Of course, we all agree. I looked forward to the Avengers, (loved the clothing), RF makes a v. fine gentleman. Unfortunately, the movie tanked.

(Evelyn)...it isn't like Colin is unknown among directors in the UK.This might be true in Hollywood, but that's his turf. Wadsamadda here? He is not perceived as a strong enough lead to generate much box office worldwide. The general concensus is that hardly anybody goes to see a movie because Colin Firth is in it. And yes, they could have found a worse writer/director than Neil LaBute. Namely Paul Thomas Anderson. I loved when Kevin Smith dissed Anderson on the Web last year. Couldn't have happened to a more deserving no talent hack. "Magnolia" blew. The only worse movie with artistic intent from last year was "Eyes Wide Shut". Shudder.

From reel.com's news: Fiennes, Paltrow, and Eckhart Ponder Possession By Kasia Anderson Warner Bros. is pulling together a prize-winning cast for its film adaptation of a prize-winning novel, A.S. Byatt's Possession. The studio is angling to hook Oscar girl Gwyneth Paltrow, as well as Ralph Fiennes and Erin Brockovich's Aaron Eckhart, for starring roles in Byatt's cerebral love story. According to Variety, WB has made a $5 million offer to Paltrow to play Maud Bailey, a brainy looker who stumbles upon an academic mystery while researching poetess Christabel LaMotte. [Note to all: Actually it is Roland who stumbles on it.] It seems Maud's subject, considered by others in her field to be a lightweight, had a secret affair with literary giant Randolph Ash. Maud's discovery [shudder!! They've changed the story] leads her to fellow researcher Roland Michell, who has devoted his studies to Ash's life and career. Thus ensues an academic sleuth story, with the two contemporary colleagues trying to keep their findings secret while unraveling the mystery. Naturally, all that poetic talk of romance starts to affect Roland and Maud �. Byatt, also the author behind Philip Haas' Angels and Insects film adaptation, won the 1990 Booker Prize � Britain's highest literary honor � for Possession. Though WB has kicked off the casting process with its offer to Paltrow, formal negotiations haven't yet begun. It's also unclear whether an offer has been made to Fiennes, but writer/director Neil LaBute (In the Company of Men) is re-writing the script and is "understood to be attached to direct," says the trade. LaBute's latest, the dark comedy Nurse Betty, is in competition at this year's Cannes Film Festival. Betty, starring Eckhart, Renee Zellweger, Chris Rock, Morgan Freeman, and Greg Kinnear, opens in the U.S. on November 10. ~~~~~~~~ Am getting nauseous...although Eckardt does fit the bill of Maud's narcissistic ex-boyfriend.

(Mari) RE: Avengers. Certainly a poor choice, but at least he didn't commit career suicide afterwards by going and hiding just because he had a flop. Nope, he got right back in there, and now all is forgotten (and rightfully so). C'mon, Avengers was *not* Rafey boy's 'break-out' role. His post-Avengers career was in a far better place than CF's was post-Valmont (assuming you were making that comparison). Otherwise I agree with everything you, Evelyn and others have said about Ralph. He plays the game.

For those who have not seen the premier clip, CF comes across as awkward and slightly embarrassed IMHO. Do you agree, Arami? Yes, Allison, definitely. I've never known him behave in a bwww-ha-ha-ha! capital! sort of manner.

...For those who have not seen the premier clip, CF comes across as awkward and slightly embarrassed IMHO I certainly hope that the acting schools include a course in publicity/interviews/dealing with the media (to include live tv interviews ) in their canon. If they don't, they are shortchanging their students. That is such an important factor in an actor's career . I don't see it as self-promotion either.If one is going to be in the public eye, one should feel comfortable doing so.

Oh, Karen, that is terrible! Gwyneth is all wrong. Maud was prettier and more robust looking. I mean this woman had a figure! How can they completely change the story like that? I think I need to write to Antonia Susan Byatt tonight telling her that they are destroying the best contemporary novel EVER!!!

Laura, the Variety item by Claude Brodesser didn't have any of that detail that reversed the roles. Basically gave a plot outline: "Based on the Booker Prize-winning A.S. Byatt novel, the storyline centers on two contemporary academicians, each studying one of two Victorian poets, who reconstruct their subjects' secret extramarital affair through their poems, diaries, epistles and analysis." Am hoping that reel got it wrong.

(Karen)Laura, the Variety item by Claude Brodesser didn't have any of that detail that reversed the roles...Am hoping that reel got it wrong. Plots are seen differently from different points of view... Perhaps this is how they introduced it to Gwynie. Remember SiL: the play was supposed to be called Mercutio, right? ;-) Laura, I most definitely shall read the book - but probably only in a few weeks.

Hope Reel got it wrong. But I can see how misogynist will make Gwyneth the "star" of show. I don't know, Karen, I just picture John Cusack as Roland. Or a John Cusack-type as Roland. I could never really define Ash. Cristabel/Maud I thought had similar appearance. Am thinking that Rupert Graves would be a good Roland. Still trying to picture Ash. Can't do it. (and don't see Fiennes as him either.)

Watch your questions, Laura. They are bordering on *spoilers* and if Evelyn and Gi are going to read it, some things cannot be discussed. Actually, Gwynnie is not too bad (although she lacks a scholarly look). I had picked out Joely Richardson a long time ago for Maud, who was taller than Roland.

Oops, will watch questions. Okay, ladies hurry up and read book so we can discuss the bad casting attached to said project!! :) Joely Richardson, hmmmm.... Janet McTeer I think would be a wonderful Maud. Curious to see how they cast Val, Ellen, Mrs Ash, Blanche, Steven Eckhart as (watshisname?), the blonde guy???? um, no?

I ordered the book yesterday...but I don't mind reading discussions beforehand. (Though I'm glad no one told me the ending of "The 6th Sense") (Laura).... Okay, ladies hurry up and read book so we can discuss the bad casting attached to said project!! :) Not giving an inch, eh? You're tough , Laura;-)

I LOVED the Sixth Sense (however, I figured it out, like at the very beginning!) But it was still good, and quite a cast. Olivia Williams (Jane Fairfax in A&E's Emma, was BW Wife!)

Olivia Williams (Jane Fairfax in A&E's Emma, was BW Wife!) And Toni Collette, Harriet Smith in the film "Emma" was the little boy's mother. LOL all-Brit female cast. They were excellent too.TC nominated for Oscar for that role.Is on B'way now in a musical. I really liked Olivia Williams with Kevin Costner in "The Postman." Only redeeming part of that film.

Actually, Toni C is Australian. Did a bang-on job with the Philadelphia accent in SS. Most non-Yanks go for an all-purpose American accent, which is fine; but she not only got it down to the city, but a particular section of the city in which the film takes place. Loved her in Muriel's Wedding, too. Cosi is another good one--offbeat Australian comedy. I'd love to go up to NY and see her in Wild Party; not sure I can put up with Mandy Patinkin, however (whom I used to like, but I think he's lost it now in more ways than one).

Right, forgot of Toni Collette! She was so good! "Look at my face!" Loved it! Even Rebecca liked it. (she thinks Cole was cute:)) I'm in trouble!

Lala: Am thinking that Rupert Graves would be a good Roland. Really Laura? How surprising ;)

Ooh, RG in the flesh. Saw a preview for Dreaming of Joseph Lees? Looks good, anyone see it?

I've seen it. Worth seeing for Samantha Morton's performance and the cinematography. Plot was pretty unbelievable for piece set in a rural area in the 50s. Had a very ambiguous ending, although director said which way he intended it to go. BTW, director is same as Colin's Relative Values. Rupert looked very good.

I'll have to check it out. Have you guys seen Boys Don't Cry? I was very impressed by Hilary Swank's performance. She REALLY had me thinking she was a guy! (more so than Gwynnie in SIL:))

No comparison and shouldn't be. As I've said numerous times before, women masquerading as men/boys in Shakespeare do not need to be believable.

Oh, I was trying to make a funny:) It was a great movie! I haven't seen much lately:( I think Rebecca is itching me to take her to see the Flintstones (I like Mark Addy, but...) Geez, now I have this comp at home, (and bunch of bootleg movies to boot;)), I stay home. I saw Magnolia, and not for nothing, I really liked it a lot. I'm am so not a Tom Cruise fan, but wow, he was an awesome misogynist! (word for the week?) Philip Seymour Hoffman as the nurse was very good too. As well as the guy who played the cop (forget name). Thought the rainstorm was very good too;)

... to the mothers on our board (and I mean that in the nicest way)!

Here's the URL for the NY times article that Murph mentioned: "The British are coming..." http://www.nytimes.com/library/film/051400british-actors.html Jude Law's sticker-price now up to $5.Mil...wow! (Don't blame him...strike while you're the flavour of the month!) And while neither CF or SD are mentioned by name, the article is v. complimentary of their talent as a group. Love the last sentence....bet Ben Affleck isn't thrilled;-)

Thanks, Evelyn, for the article. v. interesting. Liked that last line too. ;-) But you'd better look fast before they enter the land of the limousine. Limousine? Imagine that! *hee hee* screen evil may not have reached quite such well-spoken proportions since Ralph Fiennes delivered his career-making performance in the 1993 film "Schindler's List." Did anyone have any doubt re: career-making performance? This Isaacs guy is certainly *driven* to succeed: Isaacs, who in conversation couldn't be warmer or more open. (About everything, that is, except his age. "I'm as old as you need me to be," he told a reporter, admitting only to being "in my 30s.") "I kill everything in my path," he added. "I think I cross every boundary known to man." Don't think someone we know would be quite so.... Isaacs seems to have crossed that most important boundary: a role to lift a good company player, of which Britain boasts literally hundreds, into the next echelon of fame. Good company player? See they did mention Colin, among all those hundreds who fill this bill. :-(

Happy Mothers' Day to all the Moms at drool.

To All you Mommies Out There ... HAPPY MOTHERS DAY! ... And for good measure ... Love, KJ

Thank you Heide and KJ for the lovely flowers. Had a wonderful day yesterday. "I'm as old as you need me to be," he told a reporter, admitting only to being "in my 30s.") Loved this quotation. I think I will use it. Thanks for posting the link, Evelyn. Frankly, I am sick of Ben Affleck and his bobsy (sp?) twin Matt.

Argh, this is appalling. As written, you'd get the impression that Fiennes would be Roland. :-( Some of the worst miscasting I've ever seen. Plus give away the plot, why don't you? Paltrow takes 'Possession' with Fiennes (Mon., May 15, 2000) By Zorianna Kit Warner Bros. and USA Films are co-financing "Possession," which Neil LaBute has committed to direct as his next film. Oscar-winning actress Gwyneth Paltrow and Ralph Fiennes have committed to star. Aaron Eckhart ("Erin Brockovich") is in talks to star. Under terms of the 50-50 split, USA has agreed to distribute the film domestically with Warners taking foreign rights. Barry Levinson and Paula Weinstein's Baltimore/Spring Creek, which had been developing the project at Warner Bros., are producing. "Possession" is based on British author A.S. Byatt's novel "Possession: A Romance." The film, alternately set in present day and Victorian England, is about two academics who, while researching 19th century poet Randolph Ash, stumble upon a love letter written by Ash -- a man believed to be faithfully married -- to a lesser known poet, a chaste spinster. In unearthing the romance, the scholars embark on a journey that challenges their beliefs about themselves. LaBute, whose film "Nurse Betty" screened in Cannes, has been rewriting the "Possession" script. Warners' senior vp production Courtenay Valenti is overseeing the project for the studio. Paltrow is no stranger to the Fiennes family, having co-starred opposite Fiennes' younger brother Joseph in "Shakespeare in Love," a role which garnered her a best actress Oscar win. Both actors are repped by CAA. [Colin needs to change agencies] Should Eckhart also come aboard "Possession," it would mark the actor's fourth consecutive project for LaBute, having previously starred in all of the director's films, including "In the Company of Men," "Your Friends & Neighbors" and the upcoming "Betty."

(Karen) Both actors are repped by CAA. [Colin needs to change agencies] Maybe, but I shudder to think what projects they don't even bother presenting him with because the shoots don't coincide with the months in which he's willing to work.:-( BTW, some mediocre reviews for The Golden Bowl at Cannes--Variety says Uma and Jeremy are miscast.:-( JN sports an Italian accent. I don't care, I'll see it anyway.

I've posted the Variety review at JN's topic (43), along with a va-va voooooom picture. ;-)

Tineke reported this: And don't forget to log on at http:// www.tonys.org tomorrow (Wednesday) at 11.30am ET for live interviews at the Tonys Nominees Brunch. It is reported that Jennifer will be there.

I've received important Drool advice to check out this board. I'm glad I did --- you guys are very funny. Brightens my otherwise solitary day spent working at the computer. I've been wondering myself what's gone wrong with Colin Firth's career. He's obviously talented, and I admire his Olivier-like flexibility, but I found his performance in My Life So Far to be less emotionally believable than in earlier films. I'm at a disadvantage though, because I haven't seen a lot of his latest projects. Saw SIL, A Thousand Acres, and English Patient, but he had small roles in these. Can't find Fever Pitch in video stores, and it never made it to the big screen. Haven't seen Secret Lives of Women --- I think it did make it to the local independent, but so briefly I missed it. I thought Hostages was stunning, and yet only got to see it on video a couple of years ago. And The Advocate/Hour of the Pig was hilarious, clever, and progressive. Yes! Progressive --- in its subtext. I'm always amazed though, how his finer films are so completely ignored. Valmont is a case in point. I think it remains his best all-round performance (that I've seen), and was one of the best-directed films. Certainly much better than Dangerous Liaisons, in my opinion. If I'd been part of such a fine enterprise and it flopped, I think I'd crawl away for awhile. Of course, if he did disappear (I take your word for it) it may not have been about that at all. It may be lack of career know-how or interest, bad agents, the tastes of the hoi polloi, or simple differences in priorities. But for Valmont to flop has to be nothing other than pure karma! Man, do I ever wish this thing had a spell-checker. Can't believe how many words I'm now unsure about that I used to remember. This is the real reason Bill Gates is insidious! Sounds like his later choices leave something to be desired. Which recent Firth films do people recommend?(I'm a little fuzzy about films from 1997 on.)

(EAG) and it [FP] never made it to the big screen. It did indeed, even here in the states. I saw it in NJ last October. Blink your eyes and you would have missed it, though. It also played on the big screen in countries where football is popular (everywhere in the world, so it seems).

Let's not make it appear as though FP *really* played in the US. For about a week, it was in a few theaters in and around NYC. There are a few other places outside that small piece of real estate considered part of the US. ;-) Since it played all over the world (except the US), you can buy the video in both PAL or NTSC formats and would be available in rental stores everywhere but... The Secret Laughter of Women only played in the UK for a short while, but is on video there in PAL.

FLASH! Have just spoken to TRT publicist.... JE will be interviewed on A&E "Breakfast with the Arts" show to be televised on Sunday June 4th (Tony- Sunday!).Check local listing for time. She is doing this "alone"...no Stephen, no Mum..This is the same show that did an interview with CF before SIL. P&P is still A&E's highest rating show ,so no doubt they will ask her about it.I know they are thrilled to have her...they've been after her for a while. I will say PR people are great to deal with in NY...I identify myself as being from the JE website, and they are most informative and accomodating. IMO they really understand the importance of publicity on the web.

I hope JE sits up straight for this one. ;-) Fever Pitch never made it to soccer loving Miami. Karen is right, it played the world but the US.

for Valmont to flop has to be nothing other than pure karma! Had it premiered ahead of the other adaptation, it wouldn't have flopped, I'm (almost) sure of that.

Had it premiered ahead of the other adaptation, it wouldn't have flopped, I'm (almost) sure of that. Agree. Stephen Frears beat Milos to it.If he hadn't been so egotistical ,and finished the film on schedule instead of dragging out V. would have made it.

There were various shady things going on behind the scenes - I believe it started with some people who were originally meant to work with Forman (including the scriptwriter and one of the stars?), but who "defected" to the other side for one reason or another... And it seems that Forman decided to stake his reputation (a string of Oscars for Amadeus, etc.) against the other film's better known and more "bankable" cast.

I just read this and thought I'd share it with you:- "A celebrity is a person who works hard all his life to become well known, then wears dark glasses to avoid being recognized."

There were various shady things going on behind the scenes I've never heard of any of those things you've described. Frears was lensing (as they call it) before Forman had his script finished, but the egomaniac kept going anyway. The only thing that rings a bell is that Forman wanted Michelle Pfeiffer for Madame de Merteuil. She didn't commit and wound up playing Madame de Tourvel in Frears' version. And Forman wrote the script with Carriere, who I believe was in from the beginning. Hampton, who wrote the play, wouldn't have collaborated with Forman as they had different perceptions of the story. Valmont didn't stand a chance since DL had already garnered so much praise.

I have read Forman's wailings in a book he wrote. He alleges that Hampton promised to work with him and then somehow inexplicanbly started avoiding him, only to emerge bowling for the other side, so to speak... I haven't heard Hampton's side of the story, but it's quite plain that he saw Valmont as selfish and evil (Rickman in the original London stage production was physically handsome and morally revolting!), whilst Forman saw him charming, vain and misguided.

Oops. Inexplicably.

Re: Forthcoming TV interview with JE on A&E: (Moon)I hope JE sits up straight for this one. ;-) LOL. Yeah...and wears black "trainers" with white shoelaces....then we'll all think she's super cool. After all, she lives in Islington too;-)

Oops, I meant The Secret Laughter of Women. Why do you suppose I wrote The Secret Lives of Women?

I have read Forman's wailings in a book he wrote. He alleges that Hampton promised to work with him and then somehow inexplicanbly started avoiding him If you're referring to Turnaround, Forman's book, please see pp. 282-3.

(Eileen)(Fever Pitch) also played on the big screen in countries where football is popular (everywhere in the world, so it seems). (Karen)Since it played all over the world (except the US) Sorry! Not here :-(

Does anyone know for sure if it played in Canada,though? And when? I wouldn't be surprised if it did and I missed it. Come to think of it, I was suffering through my thesis around the time FP came out. Took blood to finish writing it. I missed everything going on in the world!

Question: did Topic #129 disappear, or did I dream its existence?

Topic 129 is there. Did you hit the "Forget" button on top by mistake? Happens. Just insert 129 instead of any topic number into the url at top and you'll be back. See if the Remember button is shown, then you've done a Forget. Yes, Fever Pitch definitely played in Canada; it was during the last World Cup. It has been available on video there since last year and was recently reduced to a purchable price. Check www.videoflicks.com (a Canadian videoseller)

Got around to thumbing throught the current edition of Newsweek last night. In the Newsmakers section, stumbled on a couple of familiar faces, along with this snippet: The Tony Awards' Family Feud Newsweek, May 22, 2000 Poor Jennifer Ehle. Can't she ever get the limelight to herself? The 30-year-old actress is going head to head with her mother, Rosemary Harris, for the Tony Award for best actress in a play. (There's never been this type of family feud, although a father and daughter squared off once, as did an aunt and niece.) Ehle's nominated for her role as the mistress in Tom Stoppard's "The Real Thing." It's not the first time she's played second fiddle. She was the other woman (for a while, at least) in the 1995 BBC version of "Pride and Prejudice," too. Apparently, she's not too concerned about being upstaged. Harris will play an older version of Ehle's character in the movie "Sunshine." Every mother should have a daughter like that. ***** Lizzy was the 'other woman' in P&P?? Who wrote this, Caroline Bingley? Sheesh! Regardless, the pictures (which are n/a on line) of JE and RH were on the top left of the page--v. eyecatching (will send ya hard copy, Ev). I sense the hand of Harvey once again...

Yes Karen, that's exactly what I did. Thanks. I really think this is an excellent system, even though I don't completely know my way around yet. I checked, and FP is not there. What did you think of it(if you're not tired of talking about it)?

(Eileen) The Tony Awards' Family Feud Maybe this is the article that inspired that interviewer yesterday, who asked that insipid question of JE at the Tony luncheon (see topic 132). p.s., I just looked in the dictionary to confirm my spelling of insipid, and the page opened up to Islington :-)

Hmmm, when the Oracle speaks . . .

(Eileen) Lizzy was the 'other woman' in P&P?? Who wrote this, Caroline Bingley? LOL! Doncha wonder where these people get their information? (LizG) I checked, and FP is not there. If "there" refers to your local video store, I can't help you, but if it refers to for sale in Canada, go here: http://www.videoflicks.com/VF2/9996/9996141.ihtml We did talk about Fever Pitch a very long time ago, but it's one of my favorites to watch for sheer pleasure and the soundtrack, which is always on hand in my car. ;-)

(Karen) Actually, "there" refered to www.videoflicks.com. I searched under Colin Firth. Other films there, but not FP. (?) Ok, now how exactly was Lizzy the "other woman" for awhile in P&P2? Did they cut something in the version I saw? Darcy with a secret mistress stashed somewhere, a crazy wife in the attic, perhaps? Didn't he ride stallions? So she couldn't have been competing against a love affair with his horse! . . . well, I suppose she could have, but lets not go there. TMI!

(Eileen) I sense the hand of Harvey once again.. For sure. FP soundtrack a winner. In TIME RH&JE were compared to Joan and Melissa Rivers mother/daughter team. I think I'd rather be "the other woman";-)

(Evelyn), Yeah...and wears black "trainers" with white shoelaces....then we'll all think she's super cool. So that's why he does it, to be cool? A new insight on Colin. Do you think Will wears them like that too? ;-) (Eileen) Lizzy was the 'other woman' in P&P?? Who wrote this, Caroline Bingley? (Karen), LOL! Doncha wonder where these people get their information? Who hires these people? (Liz), I checked, and FP is not there. What did you think of it(if you're not tired of talking about it)? Liz, you should check out the film disc. topic. Could someone add the link.

(Evelyn) In TIME RH&JE were compared to Joan and Melissa Rivers mother/daughter team. You know, on the first read, I just snickered to myself and read on. But when you stop and think about it, geesh.

(Donna) But when you stop and think about it, geesh. Honestly, couldn't Time come up with any other mother-daughter teams for comparison? It makes me forgive Newsweek for their P&P mistake.

(Eileen) Lizzy was the 'other woman' in P&P?? Who wrote this, Caroline Bingley? Sheesh! Not only was she "the other woman" to Miss Bingley, but most especially to Lady Catherine. ;-)

LizG: Yes, for some reason FP doesn't show up by searching under Colin's name. A technical snafu. But if you search under FP, you will get two hits. Take the more recent or use link above directly to the video. Here's the link to the edited and archived Spring Drool film discussion index at firth.com: http://www.firth.com/filmdis/disindex.htm *more reading* I hear you cry! ;-)